Jazz Legends

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Ladies of Jazz
#TitleArtistRatingLength
1What Is This Thing Called Love
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
lyricist and composer:
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) and Warner/Chappell (Warner/Chappell Music, Inc.)
part of:
Wake Up and Dream (1929 revue)
Billie Holiday3:12
2Oh! Lady Be Good
cover recording of:
Oh, Lady Be Good!
lyricist:
Ira Gershwin (in 1924)
composer:
George Gershwin (composer) (in 1924)
publisher:
Chappell Music Ltd., George Gershwin Music, Ira Gershwin Music and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
American Splendor
part of:
Lady, Be Good (full musical)
Ella Fitzgerald3:10
3Why Don’t You Do Right
alto saxophone:
Clint Neagley (on 1942-07-27) and Hymie Shertzer (on 1942-07-27)
baritone saxophone:
Bob Poland (on 1942-07-27)
clarinet:
Benny Goodman (clarinetist and bandleader) (on 1942-07-27)
double bass:
Cliff Hill (bass) (on 1942-07-27)
drums (drum set):
Hud Davies (on 1942-07-27)
guitar:
Dave Barbour (on 1942-07-27)
piano:
Mel Powell (American composer and jazz pianist) (on 1942-07-27)
tenor saxophone:
Leonard Sims (on 1942-07-27) and Jon Walton (on 1942-07-27)
trombone:
Charlie Castaldo (on 1942-07-27) and Lou McGarity (on 1942-07-27)
trumpet:
Al Davis (on 1942-07-27), Tony Faso (on 1942-07-27), Jimmy Maxwell (Trumpet) (on 1942-07-27) and Lawrence Stearns (on 1942-07-27)
vocals:
Peggy Lee (jazz vocalist) (on 1942-07-27)
recording of:
Why Don’t You Do Right? (on 1942-07-27)
lyricist and composer:
Kansas Joe McCoy
publisher:
Edwin Morris Music and Morley Music Co
version of:
Weed Smoker’s Dream
Peggy Lee3:17
4The St. Louis Blues
Bessie Smith3:10
5Mean to Me
cover recording of:
Mean to Me
lyricist:
Roy Turk
composer:
Fred Ahlert
publisher:
Crawford Music Corp., Cromwell Music, Inc., Fred Ahlert Mus. Corp. and Pencil Mark Music (ASCAP)
Sarah Vaughan2:45
6Strange Fruit
producer:
Milt Gabler
alto saxophone and saxophone:
Tab Smith (on 1939-04-20)
double bass:
John Williams (jazz bassist) (on 1939-04-20)
drums (drum set):
Eddie Dougherty (jazz drummer) (on 1939-04-20)
guitar:
Jimmy McLin (on 1939-04-20)
piano:
Sonny White (on 1939-04-20)
tenor saxophone:
Kenneth Hollon (on 1939-04-20) and Stan Payne (on 1939-04-20)
trumpet:
Frankie Newton (on 1939-04-20)
vocals:
Billie Holiday (on 1939-04-20)
recorded at:
Brunswick World Broadcasting Studio in New York, New York, United States (on 1939-04-20)
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 1), CBC Music: 10 Songs That Have Changed the World, National Recording Registry (a list of sound recordings that are “culturally, historically, or aesthetically significant, and/or inform or reflect life in the United States”) (number: 1939, inducted: 2002) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 21)
recording of:
Strange Fruit (on 1939-04-20)
lyricist and composer:
Lewis Allan
publisher:
Basart Editions, Carlin Music Corporation, Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919) and Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Bitter Fruit
Billie Holiday33:16
7How High the Moon
cover recording of:
How High the Moon
lyricist:
Nancy Hamilton (in 1940)
composer:
Morgan Lewis (in 1940)
publisher:
Chappell (library/production music), Chappell & Co., Chappell & Co., Inc. (USA) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ella Fitzgerald3:18
8Blues in the Night
cover recording of:
Blues in the Night (My Mama Done Tol’ Me)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
Peggy Lee3:18
9Alexander’s Ragtime Band
Bessie Smith3:03
10Nature Boy
cover recording of:
Nature Boy
lyricist and composer:
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) and Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan3:00
11Lover Man (Oh, Where Can You Be?)
recording of:
Lover Man
lyricist:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
composer:
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) and Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (ended), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (ended) and Universal Music Corp. (USA, affiliated with ASCAP)
Billie Holiday3:21
12A‐Tisket, A‐Tasket
recorded in:
New York, New York, United States (on 1938-05-02)
alto saxophone:
Garvin Bushell and Louis Jordan (US jazz, blues and r&b musician and songwriter)
bass:
Beverly Peer
clarinet:
Garvin Bushell
drums (drum set):
Webb
guitar:
Bobby Johnson (US guitarist)
piano:
Tommy Fulford
tenor saxophone:
Wayman Carver and Teddy McRae
trombone:
George Matthews (trombone), Nat Story and Sandy Williams (American jazz trombonist)
trumpet:
Mario Bauzá, Taft Jordan and Bobby Stark
vocals:
Ella Fitzgerald (American jazz singer)
orchestra:
Chick Webb and His Orchestra
arranger:
Ella Fitzgerald (American jazz singer) and Van Alexander (aka Al Feldman)
recording of:
A‐Tisket, A‐Tasket (in 1938)
lyricist:
[traditional] (special purpose artist), Ella Fitzgerald (American jazz singer) and Van Alexander (aka Al Feldman)
composer:
[traditional] (special purpose artist)
part of:
Roud Folk Song Index (number: 13188)
Ella Fitzgerald2:38
13Ain’t Goin’ No Place
vocals:
Peggy Lee (jazz vocalist) (on 1944-01-07)
performer:
The Capitol Jazzmen (on 1944-01-07)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recorded at:
C. P. MacGregor Studios in Hollywood, Los Angeles, California, United States (on 1944-01-07)
recording of:
Ain’t Goin’ No Place (on 1944-01-07)
writer:
Richard "Dick" Larkin
Peggy Lee3:06
14Empty Bed Blues
Bessie Smith6:26
15I Can’t Get Started
recording of:
I Can’t Get Started
lyricist:
Ira Gershwin
composer:
Vernon Duke
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell’s • Sydney, Music Sales Corporation (American copyright holder in both popular and classical music) and Universal Music Corp. (USA, affiliated with ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan2:33
16God Bless the Child
recording of:
God Bless the Child
lyricist:
Billie Holiday
composer:
Arthur Herzog, Jr.
publisher:
Basart Editions (ended) and Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
Billie Holiday2:58
17Lullaby of Birdland
cover recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Ella Fitzgerald2:52
18It’s a Good Day
recorded in:
Los Angeles, California, United States (on 1946-07-12)
vocals:
Peggy Lee (jazz vocalist) (on 1946-07-12)
conductor:
Dave Barbour (on 1946-07-12)
arranger:
Heinie Beau and Billy May
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
It’s a Good Day
writer:
Dave Barbour and Peggy Lee (jazz vocalist)
publisher:
Denslow Music, Inc. and Michael H. Goldsen Inc.
cover recording of:
It’s a Good Day
writer:
Dave Barbour and Peggy Lee (jazz vocalist)
publisher:
Denslow Music, Inc. and Michael H. Goldsen Inc.
Peggy Lee4.52:55
19Nobody’s Blues but Mine
Bessie Smith3:01
20I Get a Kick Out of You
recording of:
I Get a Kick Out of You
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell and Chappell (in 1974)
part of:
Anything Goes
Sarah Vaughan2:52
2▼CD: Bebop Masters
#TitleArtistRatingLength
1Interlude (A Night in Tunisia)
Dizzy Gillespie3:14
2Milestones
recording of:
Milestones (originally titled “Miles”)
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Champs Élysées Nouv Société, EMI (EMI Records, or EMI Music only if there is no other imprint), Jazz Horn Music and Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
sub-publisher:
イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Miles Davis2:41
3’Round About Midnight
recording of:
’Round Midnight
lyricist:
Bernie Hanighen
composer:
Thelonious Monk and Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
is based on:
I Need You So
Thelonious Monk3:13
4Dinah
Teddy Wilson2:52
5On the Sunny Side of the Street
Coleman Hawkins4:47
6Tea for Two
Lester Young4:50
7Onrithology
recording of:
Ornithology
composer:
Benny Harris and Charlie Parker (aka “Bird”, jazz alto saxophonist)
publisher:
Marada Music Ltd.
Charlie Parker3:01
8Be Bop
recording of:
Be-Bop
composer:
Dizzy Gillespie
publisher:
MCA Inc./ASCAP (this was the US media company that became Universal Studios, Inc. in Dec 1996)
Dizzy Gillespie3:12
9Litte Willie Leaps
recording of:
Little Willie Leaps
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
Miles Davis2:57
10Straight No Chaser
alto saxophone:
Sahib Shihab (American jazz musician) (on 1951-07-23)
double bass:
Al McKibbon (double bassist) (on 1951-07-23)
drums (drum set):
Art Blakey (on 1951-07-23)
piano:
Thelonious Monk (on 1951-07-23)
vibraphone:
Milt Jackson (on 1951-07-23)
recorded at:
WOR Studios in New York, New York, United States (on 1951-07-23)
recording of:
Straight, No Chaser (on 1951-07-23)
composer:
Thelonious Monk
publisher:
Thelonious Music
Thelonious Monk3:00
11After You’ve Gone
Teddy Wilson2:51
12Honeysuckle Rose
Coleman Hawkins3:06
13Afternoon of a Basie‐Ite
Lester Young3:15
14Donna Lee
recording of:
Donna Lee
composer:
Charles Christopher Parker, Jr (aka “Bird”, jazz alto saxophonist) and Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Atlantic Music Corp. (BMI)
Charlie Parker2:38
1552nd Street Theme
recording of:
52nd Street Theme
composer:
Thelonious Monk
publisher:
Embassy Music Corporation
Dizzy Gillespie3:09
16Slippin’ at Bell’s
recording of:
Sippin' at Bells
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Screen Gems–EMI Music, Inc. (USA, affiliated with BMI)
Miles Davis2:28
17Ruby, My Dear
recording of:
Ruby, My Dear
composer:
Thelonious Monk (in 1948)
publisher:
Embassy Music Corporation
Thelonious Monk3:10
18Lester’s Savoy Jump
Lester Young3:14
19Night and Day
Coleman Hawkins3:21
20Summertime
instrumental cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
Charlie Parker2:49
3▼CD: Kings of Swing
#TitleArtistRatingLength
1I’ve Got My Fingers Crossed
recording of:
I’ve Got My Fingers Crossed
lyricist:
Ted Koehler
composer:
Jimmy McHugh (songwriter)
Louis Armstrong2:30
2In the Mood
recording of:
In the Mood
lyricist:
Andy Razaf
composer:
Wingy Manone
publisher:
Shapiro Bernstein and Co. Limited and Shapiro, Bernstein & Co., Inc.
sub-publisher:
シンコーミュージック・エンタテイメント A事業部 (Shinko Music Entertainment, A Division)
is based on:
Tar Paper Stomp
part of:
The Real Book (compilation of jazz standards, volume I)
Glenn Miller3:36
3Lady in Blue
Duke Ellington2:47
4Sing, Sing, Sing
recording of:
Sing, Sing, Sing (With a Swing)
lyricist and composer:
Louis Prima
publisher:
Robbins Music (publishing company owned by EMI Music Publishing Ltd.) (ended) and EMI Robbins Catalog Inc. (ASCAP)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (until 2014-12-31) and フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (from 2015-01-01 to present)
Benny Goodman8:46
5One O’Clock Jump
recording of:
One O’Clock Jump
composer:
Count Basie (pianist) (in 1937)
publisher:
EMI Feist Catalog Inc.
Count Basie3:04
6I’m Shooting High
recorded in:
New York, New York, United States (on 1935-11-22)
double bass:
George "Pops" Foster (on 1935-11-22)
drums (drum set):
Paul Barbarin (jazz drummer from New Orleans) (on 1935-11-22)
guitar:
Lee Blair (on 1935-11-22)
piano:
Luis Russell (on 1935-11-22)
reeds:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (on 1935-11-22), Henry “Moon” Jones (swing era reeds) (on 1935-11-22) and Bingie Madison (on 1935-11-22)
tenor saxophone:
Greely Walton (on 1935-11-22)
trombone:
Jimmy Archey (on 1935-11-22) and Harry White (jazz trombonist) (on 1935-11-22)
trumpet:
Gus Aiken (on 1935-11-22), Louis Armstrong (on 1935-11-22), Louis Bacon (on 1935-11-22) and Leonard "Ham" Davis (American jazz trumpeter) (on 1935-11-22)
vocals:
Louis Armstrong (on 1935-11-22)
orchestra:
Louis Armstrong & His Orchestra (on 1935-11-22)
recording of:
I’m Shooting High (on 1935-11-22)
writer:
Ted Koehler and Jimmy McHugh (songwriter)
Louis Armstrong42:53
7Rhapsody in Blue
recording of:
Rhapsody in Blue (Glenn Miller arrangement)
composer:
George Gershwin (composer)
arranger:
Glenn Miller (jazz band leader)
arrangement of:
Rhapsody in Blue (original 1924 jazz band version, less often performed)
Glenn Miller3:06
8Mood Indigo
recording of:
Mood Indigo (1930 jazz composition and song)
lyricist:
Irving Mills (in 1930)
composer:
Barney Bigard (in 1930) and Duke Ellington (US composer, pianist & jazz bandleader) (in 1930)
publisher:
Duke Ellington Music, Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Indigo Mood Music, Mills Music, Inc., EMI Mills Music Inc. (ASCAP-affiliated) (in 1930), EMI Music Publishing Ltd. (PRS‐affiliated) (in 1930) and Lawrence Wright Music Co., Ltd. (in 1930)
sub-publisher:
ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The Real Book (compilation of jazz standards, volume I)
Duke Ellington2:46
9Flying Home
recording of:
Flying Home (instrumental version)
composer:
Benny Goodman (clarinetist and bandleader) and Lionel Hampton
publisher:
Ragbag Music (ASCAP) and Regent Music (BMI)
Benny Goodman3:16
10Blue and Sentimental
recording of:
Blue and Sentimental
composer:
Count Basie (pianist), Mack David (American lyricist and songwriter) and Jerry Livingston (songwriter)
Count Basie3:13
11Basin Street Blues
recording of:
Basin Street Blues
lyricist and composer:
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Louis Armstrong3:30
12American Patrol
recording of:
American Patrol (swing version)
composer:
F. W. Meacham (in 1885)
arranger:
Jerry Gray (US big band arranger and conductor) (in 1942)
publisher:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment)
arrangement of:
American Patrol
Glenn Miller3:21
13Caravan
recording of:
Caravan
lyricist:
Irving Mills (in 1937)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1936) and Juan Tizol (in 1936)
publisher:
American Academy of Music, Inc., Duke Ellington Music, EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Mills Music, Inc., Sony/ATV Harmony and Lafleur Music Ltd. (from 1995-12-12 to present)
Duke Ellington2:43
14Stardust
recording of:
Stardust (the jazz standard)
lyricist:
Mitchell Parish (in 1929)
composer:
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (ended), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. and Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
part of:
American Splendor
Benny Goodman3:00
15Topsy
recording of:
Topsy
composer:
Edgar Battle and Eddie Durham (American guitarist, trombonist, composer and arranger.)
publisher:
Leosong Copyright Service Ltd.
Count Basie3:13
16I Got Rhythm
recording of:
I Got Rhythm
lyricist:
Ira Gershwin (in 1930)
composer:
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV and New World Music Co. (in 1930)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
Louis Armstrong3:07
17I’m Sitting on the Top of the World
recording of:
I’m Sitting on Top of the World (First line: “Don’t want any millions, I’m getting my share…”)
lyricist:
Sam M. Lewis (1930s lyricist) and Joe Young (US lyricist)
composer:
Ray Henderson
publisher:
EMI Music Publishing (do not use as a release label!) and Leo Feist, Inc.
Glenn Miller2:31
18Take the “A” Train
recording of:
Take the “A” Train (version with lyrics by Sherrill)
lyricist:
Joya Sherrill (in 1944)
composer:
Billy Strayhorn (in 1939)
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
version of:
Take the “A” Train (original instrumental version)
Duke Ellington3:00
19Lullaby in Rhythm
recording of:
Lullaby in Rhythm
lyricist:
Walter Hirsch (in 1938)
composer:
Benny Goodman (clarinetist and bandleader) (in 1938), Clarence Profit (in 1938) and Edgar Sampson (in 1938)
Benny Goodman3:39
20Swinging the Blues
recording of:
Swingin’ the Blues
composer:
Count Basie (pianist) (in 1938) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1938)
Count Basie2:43