BBC Music: The Glory of Venice: Masters of the Venetian Baroque

~ Release by Gabrieli, Gabrieli, Monteverdi, Vivaldi (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Imperiale Seconda, trumpet fanfare & drums
organ:
James O’Donnell (organist and choir master) (from 1998-02-25 until 1998-02-28)
choir vocals:
Choir of the King’s Consort (from 1998-02-25 until 1998-02-28)
orchestra:
The King’s Consort (from 1998-02-25 until 1998-02-28)
conductor:
Robert King (conductor and harpsichordist) (from 1998-02-25 until 1998-02-28)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-02-25 until 1998-02-28)
recording of:
Trumpet Fanfare "Imperiale seconda" (from 1998-02-25 until 1998-02-28)
composer:
[anonymous] (special purpose artist)
[anonymous]1:23
2Gloria a 16
organ:
James O’Donnell (organist and choir master) (from 1998-02-25 until 1998-02-28)
choir vocals:
Choir of the King’s Consort (from 1998-02-25 until 1998-02-28)
orchestra:
The King’s Consort (from 1998-02-25 until 1998-02-28)
conductor:
Robert King (conductor and harpsichordist) (from 1998-02-25 until 1998-02-28)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-02-25 until 1998-02-28)
recording of:
Gloria a 16 (from 1998-02-25 until 1998-02-28)
composer:
Andrea Gabrieli (composer)
Andrea Gabrieli4:50
3Intonatione del settimo tono
organ:
James O’Donnell (organist and choir master) (from 1998-02-25 until 1998-02-28)
choir vocals:
Choir of the King’s Consort (from 1998-02-25 until 1998-02-28)
orchestra:
The King’s Consort (from 1998-02-25 until 1998-02-28)
conductor:
Robert King (conductor and harpsichordist) (from 1998-02-25 until 1998-02-28)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-02-25 until 1998-02-28)
recording of:
Intonationi d'organo: Intonazione del settimo tono (from 1998-02-25 until 1998-02-28)
composer:
Andrea Gabrieli (composer)
part of:
Intonationi d'organo, Libro I (1593)
Andrea Gabrieli1:11
4Sanctus a 12
organ:
James O’Donnell (organist and choir master) (from 1998-02-25 until 1998-02-28)
choir vocals:
Choir of the King’s Consort (from 1998-02-25 until 1998-02-28)
orchestra:
The King’s Consort (from 1998-02-25 until 1998-02-28)
conductor:
Robert King (conductor and harpsichordist) (from 1998-02-25 until 1998-02-28)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-02-25 until 1998-02-28)
recording of:
Sanctus à 12, Ch. 47 (Sacrae symphoniae, Liber 1) (from 1998-02-25 until 1998-02-28)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 47)
part of:
Sacrae symphoniae, Liber 1
Giovanni Gabrieli3:54
5Canzon in echo duodecimi toni a 10
recording engineer:
Antony Howell (engineer) (from 1997-03-03 until 1997-03-05) and Julian Millard (engineer) (from 1997-03-03 until 1997-03-05)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
cornett:
Paul Bevan (from 1997-03-03 until 1997-03-05), Neil Brough (cornetist) (from 1997-03-03 until 1997-03-05), Anthony Leggett (from 1997-03-03 until 1997-03-05), David Staff (trumpet and cornetto player) (from 1997-03-03 until 1997-03-05), Richard Thomas (Cornett player) (from 1997-03-03 until 1997-03-05), Adrian Tribe (Cornett player) (from 1997-03-03 until 1997-03-05), Jeremy West (cornett player) (from 1997-03-03 until 1997-03-05) and Adrian Woodward (cornetist) (from 1997-03-03 until 1997-03-05)
organ:
Timothy Roberts (British conductor and keyboardist) (from 1997-03-03 until 1997-03-05)
sackbut:
Patrick Jackman (Sackbut, trombone) (from 1997-03-03 until 1997-03-05) and Stephen Saunders (bass trombone / euphonium / tuba / sackbut) (from 1997-03-03 until 1997-03-05)
orchestra:
His Majestys Sagbutts and Cornetts (British early music group) (from 1997-03-03 until 1997-03-05)
conductor:
Timothy Roberts (British conductor and keyboardist) (from 1997-03-03 until 1997-03-05)
recorded at:
St Jude-on-the-Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-03-03 until 1997-03-05)
recording of:
Canzon in echo duodecimi toni à 10, Ch. 180 (Sacrae symphoniae, Liber 1) (from 1997-03-03 until 1997-03-05)
composer:
Giovanni Gabrieli (composer)
part of:
Giovanni Gabrieli: A Thematic Catalogue of his Music with a Guide to the Source Materials and Translations of his Vocal Texts (Charteris [Ch.]) (number: Ch. 180)
part of:
Sacrae symphoniae, Liber 1
Giovanni Gabrieli4:00
6Lieto godea sedendo
organ:
James O’Donnell (organist and choir master) (from 1998-02-25 until 1998-02-28)
choir vocals:
Choir of the King’s Consort (from 1998-02-25 until 1998-02-28)
countertenor vocals:
Robin Blaze (countertenor) (from 1998-02-25 until 1998-02-28) and James Bowman (UK countertenor) (from 1998-02-25 until 1998-02-28)
orchestra:
The King’s Consort (from 1998-02-25 until 1998-02-28)
conductor:
Robert King (conductor and harpsichordist) (from 1998-02-25 until 1998-02-28)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1998-02-25 until 1998-02-28)
recording of:
Lieto godea sedendo (from 1998-02-25 until 1998-02-28)
composer:
Giovanni Gabrieli (composer)
Giovanni Gabrieli4:37
7Altri canti d’amor
recording engineer:
Tony Faulkner (recording engineer)
bass viol:
Mark Caudle (cellist and bass violist) (from 1991-01-08 until 1991-01-10)
harp:
Celia Harper (harp player) (from 1991-01-08 until 1991-01-10)
harpsichord:
John Toll (organist, harpsichordist and conductor) (from 1991-01-08 until 1991-01-10)
lute:
Paul O’Dette (American conductor and lute player specialising in early music) (from 1991-01-08 until 1991-01-10)
spinet:
Celia Harper (harp player) (from 1991-01-08 until 1991-01-10), Peter Holman (conductor and organist) (from 1991-01-08 until 1991-01-10) and John Toll (organist, harpsichordist and conductor) (from 1991-01-08 until 1991-01-10)
theorbo:
Nigel North (English lute player) (from 1991-01-08 until 1991-01-10)
viola [Renaissance viola]:
Lisa Cochrane (violist) (from 1991-01-08 until 1991-01-10), Jane Compton (viola player) (from 1991-01-08 until 1991-01-10) and Paul Denley (Violist) (from 1991-01-08 until 1991-01-10)
violin [Renaissance violin]:
Theresa Caudle (violinist, violist) (from 1991-01-08 until 1991-01-10) and Judy Tarling (viola player, Parley of Instruments) (from 1991-01-08 until 1991-01-10)
violone [great bass viol]:
William Hunt (UK string musician, (viol, double bass, etc.)) (from 1991-01-08 until 1991-01-10)
bass vocals:
Richard Wistreich (British bass vocalist) (from 1991-01-08 until 1991-01-10)
choir vocals:
Red Byrd (Medieval music group) (from 1991-01-08 until 1991-01-10)
mezzo-soprano vocals:
Susan Bickley (mezzo-soprano) (from 1991-01-08 until 1991-01-10)
soprano vocals:
Catherine Pierard (soprano) (from 1991-01-08 until 1991-01-10)
tenor vocals:
Mark Padmore (British tenor) (from 1991-01-08 until 1991-01-10) and John Potter (tenor) (from 1991-01-08 until 1991-01-10)
vocals:
Mary Seers (soprano) (from 1991-01-08 until 1991-01-10)
conductor:
Peter Holman (conductor and organist) (from 1991-01-08 until 1991-01-10)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1991)
recording of:
Altri canti d’Amor, tenero arciero (from 1991-01-08 until 1991-01-10)
writer:
anonymous imitation of Marino ([anonymous], special purpose artist)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Stattkus-Verzeichnis (number: SV 146)
part of:
Ottavo Libro de’ Madrigali: Canti Guerrieri
Claudio Monteverdi8:24
8Laetatus sum in his
engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
instruments:
Orchestra of The Sixteen (from 1988-03-28 until 1988-03-30)
choir vocals:
The Sixteen (UK choir) (from 1988-03-28 until 1988-03-30)
conductor:
Harry Christophers (conductor) (from 1988-03-28 until 1988-03-30)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-03-28 until 1988-03-30)
recording of:
Second Vespers for the Feast of Santa Barbara. Psalm: Laetatus sum in his (from 1988-03-28 until 1988-03-30)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Second Vespers for the Feast of Santa Barbara (reconstruction)
Claudio Monteverdi7:15
9Nigra sum, sed formosa
engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
instruments:
Orchestra of The Sixteen (from 1988-03-28 until 1988-03-30)
choir vocals:
The Sixteen (UK choir) (from 1988-03-28 until 1988-03-30)
conductor:
Harry Christophers (conductor) (from 1988-03-28 until 1988-03-30)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-03-28 until 1988-03-30)
recording of:
Second Vespers for the Feast of Santa Barbara. Antiphon substitute: Nigra sum, sed formosa (from 1988-03-28 until 1988-03-30)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Second Vespers for the Feast of Santa Barbara (reconstruction)
Claudio Monteverdi4:16
10Nisi Dominus aedificaverit domum
engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
instruments:
Orchestra of The Sixteen (from 1988-03-28 until 1988-03-30)
choir vocals:
The Sixteen (UK choir) (from 1988-03-28 until 1988-03-30)
conductor:
Harry Christophers (conductor) (from 1988-03-28 until 1988-03-30)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-03-28 until 1988-03-30)
recording of:
Second Vespers for the Feast of Santa Barbara. Psalm: Nisi Dominus aedificaverit domum (from 1988-03-28 until 1988-03-30)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Second Vespers for the Feast of Santa Barbara (reconstruction)
Claudio Monteverdi4:48
11Sonata
engineer:
Antony Howell (engineer)
producer:
Mark Brown (operatic bass, early music singer, conductor, and producer)
instruments:
Orchestra of The Sixteen (from 1988-03-28 until 1988-03-30)
orchestra:
The Sixteen (UK choir) (from 1988-03-28 until 1988-03-30)
conductor:
Harry Christophers (conductor) (from 1988-03-28 until 1988-03-30)
phonographic copyright (℗) by:
Hyperion Records Ltd, London (holding company - do not use this as a release label) (in 1988)
recorded at:
All Hallows’ Church (Gospel Oak) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1988-03-28 until 1988-03-30)
recording of:
Second Vespers for the Feast of Santa Barbara. Antiphon substitute: Sonata (second sonata) (from 1988-03-28 until 1988-03-30)
composer:
Claudio Monteverdi (Italian renaissance and baroque composer, choirmaster and string player)
part of:
Second Vespers for the Feast of Santa Barbara (reconstruction)
Giovanni Amigone1:14
12Crucifixus
organ:
Joseph Cullen (organist / chorus master) (from 1995-06-12 until 1995-06-13)
choir vocals:
Westminster Cathedral Choir (from 1995-06-12 until 1995-06-13)
conductor:
James O’Donnell (organist and choir master) (from 1995-06-12 until 1995-06-13)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1995-06-12 until 1995-06-13)
recording of:
Crucifixus a 8 (from 1995-06-12 until 1995-06-13)
composer:
Antonio Lotti (Italian baroque composer, 1667-1740)
Antonio Lotti3:46
13Domine ad adiuvandum, RV 593: I. Domine ad adiuvandum
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of the King’s Consort (from 1997-01-05 until 1997-01-07)
solo soprano vocals:
Susan Gritton (soprano) (from 1997-01-05 until 1997-01-07)
orchestra:
The King’s Consort (from 1997-01-05 until 1997-01-07)
conductor:
Robert King (conductor and harpsichordist) (from 1997-01-05 until 1997-01-07)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-01-05 until 1997-01-07)
recording of:
Responsorio "Domine ad adiuvandum me festina", RV 593: I. Domine ad adiuvandum me festina (from 1997-01-05 until 1997-01-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Responsorio "Domine ad adiuvandum me festina", RV 593
Antonio Vivaldi2:26
14Domine ad adiuvandum, RV 593: II. Gloria Patri, et Filio
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of the King’s Consort (from 1997-01-05 until 1997-01-07)
solo soprano vocals:
Susan Gritton (soprano) (from 1997-01-05 until 1997-01-07)
orchestra:
The King’s Consort (from 1997-01-05 until 1997-01-07)
conductor:
Robert King (conductor and harpsichordist) (from 1997-01-05 until 1997-01-07)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-01-05 until 1997-01-07)
recording of:
Responsorio "Domine ad adiuvandum me festina", RV 593: II. Gloria Patri (from 1997-01-05 until 1997-01-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Responsorio "Domine ad adiuvandum me festina", RV 593
Antonio Vivaldi2:46
15Domine ad adiuvandum, RV 593: III. Sicut erat in principio
engineer:
Philip Hobbs (engineer/producer)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
choir vocals:
Choir of the King’s Consort (from 1997-01-05 until 1997-01-07)
solo soprano vocals:
Susan Gritton (soprano) (from 1997-01-05 until 1997-01-07)
orchestra:
The King’s Consort (from 1997-01-05 until 1997-01-07)
conductor:
Robert King (conductor and harpsichordist) (from 1997-01-05 until 1997-01-07)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-01-05 until 1997-01-07)
recording of:
Responsorio "Domine ad adiuvandum me festina", RV 593: III. Sicut erat in principio (from 1997-01-05 until 1997-01-07)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Responsorio "Domine ad adiuvandum me festina", RV 593
Antonio Vivaldi2:01
16Juditha Triumphans: Overture: Allegro
recording engineer:
Philip Hobbs (engineer/producer) (from 1997-10-08 until 1997-10-14)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
orchestra:
The King’s Consort (from 1997-10-08 until 1997-10-14)
conductor:
Robert King (conductor and harpsichordist) (from 1997-10-08 until 1997-10-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-10-08 until 1997-10-14)
recording of:
Concerto in C major, RV 555: I. Allegro (from 1997-10-08 until 1997-10-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in C major, RV 555
Antonio Vivaldi3:56
17Juditha Triumphans: Veni, veni, me sequeri fida
recording engineer:
Philip Hobbs (engineer/producer) (from 1997-10-08 until 1997-10-14)
producer:
Ben Turner (producer/editor/mastering/engineer, mainly of classical recordings, formerly with Finesplice Studios in Middlesex, England)
solo mezzo-soprano vocals:
Ann Murray (Irish mezzo-soprano)
orchestra:
The King’s Consort (from 1997-10-08 until 1997-10-14)
conductor:
Robert King (conductor and harpsichordist) (from 1997-10-08 until 1997-10-14)
recorded at:
St Jude‐on‐the‐Hill in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (from 1997-10-08 until 1997-10-14)
recording of:
Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I. Aria “Veni, me sequere fida” (Juditha) (from 1997-10-08 until 1997-10-14)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Iacopo Cassetti
part of:
Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I
live recording of:
Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I. Aria “Veni, me sequere fida” (Juditha)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
librettist:
Iacopo Cassetti
part of:
Juditha triumphans devicta Holofernes barbarie, RV 644: Pars I
Antonio Vivaldi7:09