Back in Time… The Sound of the Seventies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Nutbush City Limits
Produzent(in):
Ike Turner
Sologesang:
Tina Turner
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1973), EMI Records USA (formerly EMI USA, renamed since early 1990s) (in 1973), United Artists (in 1973) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Nutbush City Limits
Texter und Komponist(in):
Tina Turner
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc., EMI Catalogue Partner Scandinavia, EMI Catalogue Partnership, EMI Catalogue Partnership Australia Pty Ltd, EMI Music Publishing (do not use as a release label!), EMI Partnership Musikverlag GmbH, EMI Unart Catalog Inc., EMI United Partnership Ltd., Huh-Music, Unart Music Corp., United Artists Music Ltd., Valley Spring Music und Valley Spring Music Corp.
Ike & Tina Turner3.752:56
2Maggie May
Produzent(in):
Rod Stewart
Akustikgitarre:
Martin Quittenton (guitarist for Steamhammer) (in 1971)
Bassgitarre, E-Gitarre und zwölfsaitige Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (in 1971)
Becken und membranophone:
Micky Waller (in 1971)
Celesta:
Pete Sears (in 1971)
Hammond-Orgel:
Ian McLagan (in 1971)
Mandoline:
Ray Jackson (in 1971) und David Lindley (in 1971)
Sologesang:
Rod Stewart (in 1971)
phonographisches Urheberrecht (℗) von:
Mercury Records Inc. (copyrights use only) (in 1971), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1971), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1971) und UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (in 1971)
recording of:
Maggie May (in 1971)
publisher:
Rod Stewart
Verfasser(in):
Mike Peters, Martin Quittenton (guitarist for Steamhammer) und Rod Stewart
publisher:
Chappell Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., EMI Blackwood Music Inc., EMI Full Keel Music, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), H. G. Music Inc, Mushroom Music (Mushroom label’s publishing company), Rightsong Music Inc., Unichappell Music, Inc., Warner Chappell und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Rod Stewart4.25:13
3Saturday Night’s Alright (for Fighting)
recording of:
Saturday Night’s Alright for Fighting
Texter:
Bernie Taupin
Komponist(in):
Elton John (English singer, songwriter, pianist, and composer)
publisher:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
Elton John4:43
4Rubber Bullets
Produzent(in):
10cc
Bassgitarre und Gitarre:
Graham Gouldman
Gitarre und Keyboard:
Lol Creme und Eric Stewart
Schlagzeug:
Kevin Godley
Sologesang:
Lol Creme
vocals:
Kevin Godley, Graham Gouldman und Eric Stewart
recorded by:
U.K. Records Ltd.
Bearbeitung von:
Rubber Bullets (original album version) von 10cc
recording of:
Rubber Bullets
Verfasser(in):
Lol Creme, Kevin Godley und Graham Gouldman
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und St. Anne’s Music Ltd. (in 1973)
10cc44:41
5Burlesque
phonographisches Urheberrecht (℗) von:
Chappo Music (in 1972)
recording of:
Burlesque
Verfasser(in):
Roger Chapman und John Whitney (composer and conductor)
publisher:
EMI United Partnership Ltd.
Family4.54:04
6Black Night
E-Bass:
Roger Glover (in 1970-05)
E-Gitarre:
Ritchie Blackmore (in 1970-05)
Hammond-Orgel:
Jon Lord (in 1970-05)
Schlagzeug:
Ian Paice (in 1970-05)
Sologesang:
Ian Gillan (in 1970-05)
aufgenommen bei:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (in 1970-05)
recording of:
Black Night (in 1970-05)
Verfasser(in):
Ritchie Blackmore, Ian Gillan, Roger Glover, Jon Lord und Ian Paice
publisher:
EMI Music Publishing (do not use as a release label!), Glenwood Music Corp., HEC Music und Henrees Music co.
sub-publisher:
EMI Music Publishing France, EMI Music Publishing Japan C.F. division (bis 2021-06-30), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Deep Purple4.253:27
7Paranoid
Techniker(in):
Tom Allom und Brian Humphries
Produzent(in):
Rodger Bain (von 1970-06 bis 1970-07)
E-Bass:
Geezer Butler (von 1970-06-16 bis 1970-06-21)
E-Gitarre:
Tony Iommi (von 1970-06-16 bis 1970-06-21)
Perkussion und Schlagzeug:
Bill Ward (von 1970-06-16 bis 1970-06-21)
Sologesang:
Ozzy Osbourne (in 1970)
phonographisches Urheberrecht (℗) von:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (in 1970), Interworld Communications (in 1970), Sanctuary Copyrights Ltd. (in 1970), NEMS (UK label, 1976–1983) (in 1976) und Icarus Music (Argentinian metal label and distributor) (in 2006)
aufgenommen bei:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Vereinigtes Königreich (in 1970) und Regent Sound Studios in London (Greater London), England, Vereinigtes Königreich (von 1970-06-16 bis 1970-06-21)
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (Nummer: 13), TV Cream: Real 100 Best Singles Ever (Nummer: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 250) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 338)
recording of:
Paranoid (von 1970-06-16 bis 1970-07-08)
Texter:
Geezer Butler
Komponist(in):
Geezer Butler, Tony Iommi, Ozzy Osbourne und Bill Ward
publisher:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. und Westminster Music Ltd. (in 1970)
Black Sabbath4.62:49
8Paper Plane
Produzent(in):
Roger Glover
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (London) (for copyrights use only) (in 1972), Phonogram Ltd. (not for release label use!) (in 1972) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1972)
recording of:
Paper Plane
Verfasser(in):
Robert Keith Young (UK musician & author, Young & Moody; Status Quo) und Francis Rossi
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) und Valley Music Ltd (publisher)
Status Quo42:58
9Natural Born Bugie
Produzent(in):
Humble Pie
arranger:
Humble Pie
phonographisches Urheberrecht (℗) von:
Immediate (in 1969)
recording of:
Natural Born Boogie
Texter und Komponist(in):
Steve Marriott (English musician and songwriter)
publisher:
Avakak Music und Immediate Music (BMG Production Music (Germany) label [IMCD#], [IMX#])
Humble Pie44:16
10Let’s Work Together
recording engineer und Mix:
Tommy Oliver (US bandleader, producer, songwriter, arranger and engineer)
Techniker(in):
Joe Bellamy, Paul du Gré und Willie "Bass" Rice (engineer)
Produzent(in):
Canned Heat, Fito de la Parra und Skip Taylor
Bassgitarre:
Larry Taylor (US bassist) (von 2001-03 bis 2002-12)
flute, Horn [horns] und Mundharmonika:
Stanley Behrens (von 2001-03 bis 2002-12)
Gitarre [rhythm guitar]:
Harvey Mandel (American guitarist) (von 2001-03 bis 2002-12)
Perkussion, Schlagzeug und Timbales:
Fito de la Parra (von 2001-03 bis 2002-12)
Slide-Gitarre:
John Paulus (von 2001-03 bis 2002-12)
vocals:
Dallas Hodge (von 2001-03 bis 2002-12)
phonographisches Urheberrecht (℗) von:
Liberty Records, Inc. (in 1970)
aufgenommen bei und mixed at:
The Village (Village Studios, aka The Village Recorder) in Los Angeles, California (Kalifornien), Vereinigte Staaten
cover recording of:
Let’s Work Together (von 2001-03 bis 2002-12)
Texter:
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
EMI Catalogue Partnership, EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI United Partnership Ltd., Mozella Music Inc., SBK United Partnership Ltd., United Artists Music Co., Inc. und United Artists Musik GmbH
Canned Heat42:53
11Silver Machine
Hawkwind4:25
12Voodoo Chile
Techniker(in):
Eddie Kramer (engineer) (am 1968-05-03)
Produzent(in):
Bryan “Chas” Chandler und Jimi Hendrix
E-Bass:
Noel Redding (am 1968-05-03)
E-Gitarre und Sologesang:
Jimi Hendrix (am 1968-05-03)
Schlagzeug:
Mitch Mitchell (UK drummer for Jimi Hendrix Experience, many others) (am 1968-05-03)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1968), PolyGram International Music B.V. (not for release label use!) (in 1968) und Experience Hendrix, L.L.C. (in 1999)
aufgenommen bei:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-05-03)
produced at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Vereinigte Staaten (am 1968-05-03)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 15) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 101)
recording of:
Voodoo Child (slight return) (am 1968-05-03)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music und Experience Hendrix, L.L.C.
basiert auf:
Voodoo Chile
recording of:
Voodoo Chile (am 1968-05-03)
Texter und Komponist(in):
Jimi Hendrix
publisher:
Bella Godiva Music und Experience Hendrix, L.L.C.
The Jimi Hendrix Experience4.155:13
13The Boys Are Back in Town
Thin Lizzy3:12
14You Ain’t Seen Nothing Yet
Techniker(in):
Mark Smith (Canadian engineer)
Produzent(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
Solo-Gitarre und Sologesang:
Randy Bachman (Canadian guitarist, singer & songwriter)
phonographisches Urheberrecht (℗) von:
Mercury Records (the holding company; for use as ℗&© credits only!) (in 1974), Phonogram, Inc. (in 1974, in 1978), PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1974), The Island Def Jam Music Group (American holding company, not normally a release label) (in 1974), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recording of:
You Ain’t Seen Nothing Yet
Texter und Komponist(in):
Randy Bachman (Canadian guitarist, singer & songwriter)
publisher:
BMG Music Publishing Ltd., Ranbach Music (publisher), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Songs LLC und Top Soil Music (publisher)
sub-publisher:
Ranbach Music Ltd. und Sony/ATV Music Publishing (Germany) GmbH (1998–2002)
Bachman–Turner Overdrive4.53:32
15Motorbikin’
Techniker(in):
Douglas Hopkins (engineer)
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
Motor Bikin’
Texter und Komponist(in):
Chris Spedding
Chris Spedding3.352:39
16Roll Over Beethoven
Techniker(in):
Denny Bridges und John Middleton (engineer)
Produzent(in):
Jeff Lynne
Bass:
Michael d’Albuquerque (am 1972-09-08)
Cello:
Mike Edwards (English Cellist that was a member of ELO) (am 1972-09-08) und Colin Walker (English Cellist that was a member of ELO) (am 1972-09-08)
Geige / Violine:
Wilfred Gibson (UK violinist) (am 1972-09-08)
Gitarre, Harmonium und Moog:
Jeff Lynne (am 1972-09-08) und Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Klavier:
Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (am 1972-09-08)
Hintergrundgesang:
Michael d’Albuquerque (am 1972-09-08) und Richard Tandy (keyboardist for Electric Light Orchestra) (am 1972-09-08)
Sologesang:
Jeff Lynne (am 1972-09-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 2011), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1972) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (am 1972-09-08)
cover recording of:
Roll Over Beethoven (am 1972-09-08)
Texter und Komponist(in):
Chuck Berry (in 1956-01)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dualtone Words and Songs, Isalee Music Publishing Company und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
sub-publisher:
Fujipacific Music, Inc. und Rock ’n’ Roll Music
E.L.O.44:33
2CD
Nr.TitelKünstlerBewertungLänge
1I Hear You Knocking
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
EMI Records UK (company credits only; file no releases here!) (in 1970) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
cover recording of:
I Hear You Knocking
Texter und Komponist(in):
Dave Bartholomew und Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier und World Music (publisher)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds42:49
2Devils Answer
phonographisches Urheberrecht (℗) von:
Sanctuary Records (UK 1996–present) (in 1971)
recording of:
Devil’s Answer
Texter und Komponist(in):
John Du Cann (glam punk, UK)
publisher:
GH Music Ltd.
Atomic Rooster43:28
3Broken Down Angel
Produzent(in):
Roger Glover
Herausgeber:
Intersong Music
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1973)
recording of:
Broken Down Angel
Verfasser(in):
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) und Darrell Sweet (drummer and songwriter)
publisher:
Carlin Music Corporation und Mountain Music Ltd.
Nazareth3:42
4Who Do You Love
cover recording of:
Who Do You Love?
Texter und Komponist(in):
Ellas McDaniel (American singer, guitarist, songwriter and music producer) (in 1956)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher) und Tristan Music Ltd.
Juicy Lucy3:02
5Standing in the Road
Blackfoot Sue3:46
6Dance With the Devil
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1973)
recording of:
Dance With the Devil
Komponist(in):
Phil Dennys und Michael Hayes
publisher:
RAK Publishing Ltd.
Cozy Powell23:34
7Hi Ho Silver Lining
Produzent(in):
Mickie Most (English record producer) (am 1967-01-19)
Bassgitarre:
John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures) (am 1967-01-19)
E-Gitarre und Sologesang:
Jeff Beck (English rock guitarist) (am 1967-01-19)
Schlagzeug:
Clem Cattini (am 1967-01-19)
Hintergrundgesang:
Rod Stewart (am 1967-01-19)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1967)
engineered at:
De Lane Lea Studios in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (am 1967-01-19)
recording of:
Hi Ho Silver Lining (am 1967-01-19)
Verfasser(in):
Scott English und Larry Weiss (American singer-songwriter)
publisher:
EMI Music Publishing (do not use as a release label!)
Jeff Beck22:53
8Delilah
The Sensational Alex Harvey Band5:05
9Lola
recording of:
Lola
Texter und Komponist(in):
Ray Davies (UK singer/songwriter, member of The Kinks) (in 1970-04)
publisher:
Carlin Music Corporation, Carlin (in 1970, in 1984) und Davray (publisher) (in 1970, in 1984)
The Kinks4:00
10Get It OnT. Rex4:25
11Rock ’n’ Roll, Part 2
Produzent(in):
Mike Leander
recording of:
Rock & Roll, Part 2
Texter und Komponist(in):
Gary Glitter und Mike Leander
publisher:
Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?) und Songs of Universal, Inc. (BMI)
basiert auf:
Rock and Roll, Part 1
Gary Glitter4.353:02
12Devilgate Drive
recording of:
Devil Gate Drive
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music, BMG Music Publishing Ltd. und Universal Music Publishing MGB Australia
Suzi Quatro4.753:48
13Tiger Feet
Koproduzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Interpret(in):
Mud (UK glam rock band)
phonographisches Urheberrecht (℗) von:
RAK (in 1974)
recording of:
Tiger Feet
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it) und BMG Music Publishing Ltd.
Mud53:52
14See My Baby Jive
Produzent(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1972, in 1973)
recording of:
See My Baby Jive
Texter und Komponist(in):
Roy Wood (multi-instrumentalist singer-songwriter, The Move, ELO & Wizzard)
publisher:
Belinda Music, EMI Belinda Music Australia Pty. Ltd. und Roy Wood Music Ltd.
Wizzard54:58
15Mama Weer All Crazee Now
Produzent(in):
Bryan “Chas” Chandler
phonographisches Urheberrecht (℗) von:
Polydor Ltd. (aka Polydor Ltée, Canadian manufacturer and distributor from 1966–1978, may show maple-leaf logo) (in 1972)
recording of:
Mama Weer All Crazee Now
Verfasser(in):
Jim Lea und Neville Holder
publisher:
Barn Publishing (Slade) Ltd. und Warner Chappell
Slade4.23:45
16Angel Face
Produzent(in):
Mike Leander
Bassgitarre:
John Springate
Gitarre und Sologesang:
Gerry Shephard
Schlagzeug:
Pete Phipps
phonographisches Urheberrecht (℗) von:
Crimson Copyrights Ltd. (in 1974)
recording of:
Angel Face
Texter:
Gerry Shephard
Komponist(in):
John Rossall (The Glitter Band)
publisher:
EMI Tunes Ltd
The Glitter Band42:59
17Monster Mash
recording of:
Monster Mash
Verfasser(in):
Lenny Capizzi und Bobby “Boris” Pickett (novelty musician, known for “Monster Mash”)
publisher:
T.M. Music Australia Pty. Ltd. und TM Music Ltd.
Bobby “Boris” Pickett & The Crypt Kickers4.353:09
18The Laughing Gnome
Techniker(in):
Gus Dudgeon
Produzent(in):
Mike Vernon
Bass:
Derek Fearnley (bassist) (von 1967-01-26 bis 1967-03-08)
Cembalo:
Derek Boyes (pianist) (von 1967-01-26 bis 1967-03-08)
Gitarre:
Pete Hampshire (guitarist) (von 1967-01-26 bis 1967-03-08)
Schlagzeug:
John Eager (drummer) (von 1967-01-26 bis 1967-03-08)
Sologesang:
David Bowie (English singer‐songwriter) (von 1967-01-26 bis 1967-03-08)
Sprecher:
David Bowie (English singer‐songwriter) (von 1967-01-26 bis 1967-03-08) und Gus Dudgeon (von 1967-01-26 bis 1967-03-08)
arranger:
David Bowie (English singer‐songwriter) und Derek Fearnley (bassist)
phonographisches Urheberrecht (℗) von:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1967)
aufgenommen bei:
Decca Studios: Studio 2 in West Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich (am 1967-01-26, am 1967-02-07, am 1967-02-10, am 1967-03-08)
recording of:
The Laughing Gnome (von 1967-01-26 bis 1967-03-08)
Texter und Komponist(in):
David Bowie (English singer‐songwriter)
publisher:
The Richmond Organization Éditions Essex (TRO) und Westminster Music Ltd.
David Bowie3.653:00
3CD
Nr.TitelKünstlerBewertungLänge
1Tap Turns on the Water
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1971)
recording of:
Tap Turns on the Water
Verfasser(in):
John Cameron (British composer, arranger and conductor) und Alexis Korner
CCS23:43
2Indian Reservation
phonographisches Urheberrecht (℗) von:
Young Blood (in 1970)
cover recording of:
Indian Reservation (The Lament of the Cherokee Reservation Indian) (in 1968)
Texter und Komponist(in):
John D. Loudermilk
recording of:
Indian Reservation (The Lament of the Cherokee Reservation Indian)
Texter und Komponist(in):
John D. Loudermilk
Don Fardon3:24
3Neanderthal Man
recording of:
Neanderthal Man
Verfasser(in):
Lol Creme, Kevin Godley und Eric Stewart
Hotlegs4:22
4He’s Gonna Step on You AgainJohn Kongos4:25
5In Zaire
recording of:
In Zaire
Verfasser(in):
Johnny Wakelin
Johnny Wakelin23:21
6Sunshine DayOsibisa5:00
7Jig-A-Jig
East of Eden3:39
8Alright Alright Alright
recording of:
Alright Alright Alright
Texter:
Ray Dorset und Jacques Lanzmann
Komponist(in):
Jacques Dutronc
übersetzte Version von:
Et moi, et moi, et moi...
Mungo Jerry2:48
9One & One Is One
Produzent(in):
Tony Ashton (British pianist, singer, composer and producer)
phonographisches Urheberrecht (℗) von:
Polydor International GmbH (not for release label use!) (in 1973)
recording of:
One and One Is One (in 1973)
Texter und Komponist(in):
John Fiddler (British singer and guitarist)
publisher:
Biscuit Music Ltd. (publisher) (in 1973)
Medicine Head4.53:27
10Rag Mama Rag
Techniker(in):
Tony May (engineer), Robbie Robertson, John Simon (US producer, arranger, composer, songwriter and musician) und Joe Zagarino
Koproduzent(in):
John Simon (US producer, arranger, composer, songwriter and musician)
Produzent(in):
The Band (Canadian-American rock band)
Mix:
Tony May (engineer) und Joe Zagarino
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1969)
recording of:
Rag Mama Rag
Texter und Komponist(in):
Robbie Robertson
publisher:
Canaan Music Inc und Warner Chappell North America Ltd.
The Band43:02
11“5.7.0.5”
Produzent(in):
Robert John “Mutt” Lange (Robert John Lange)
recording of:
5.7.0.5.
Texter:
Lol Mason
Komponist(in):
Steve Broughton (drummer, with Edgar Broughton Band & Mike Oldfield)
City Boy53:15
12Question
recording of:
Question
Texter und Komponist(in):
Justin Hayward (of the Moody Blues)
publisher:
Essex (publisher)
The Moody Blues4:57
13Make Me Smile (Come Up and See Me)
Produzent(in):
Steve Harley und Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 18)
recording of:
Make Me Smile (Come Up and See Me)
Texter und Komponist(in):
Steve Harley
publisher:
EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Trigram Music Management Ltd.
Steve Harley & Cockney Rebel43:58
14January
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975)
recording of:
January
Orchestrator(in):
Andrew Powell (known for contributions to Alan Parsons Project)
Texter und Komponist(in):
David Paton (of Pilot)
publisher:
EMI Music Publishing (do not use as a release label!) und Robbins Music (publishing company owned by EMI Music Publishing Ltd.)
Pilot33:31
15American Pie
Techniker(in):
Tom Flye
Akustikgitarre und Banjo:
Don McLean (am 1971-05-26)
Bass:
Bob Rothstein (am 1971-05-26)
E-Gitarre:
David Spinozza (am 1971-05-26)
Hybrid-Piano:
Ray Colcord (am 1971-05-26)
Klavier:
Paul Griffin (American pianist, session musician) (am 1971-05-26)
Marimba und Vibraphon:
Mike Mainieri (am 1971-05-26)
Perkussion und Schlagzeug:
Roy Markowitz (am 1971-05-26)
Chorgesang:
West 44th Street Rhythm and Noise Choir (am 1971-05-26)
vocals:
Bob Rothstein (am 1971-05-26) und Don McLean (am 1971-05-26)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1971), EMI (EMI Records, or EMI Music only if there is no other imprint) (in 1971) und United Artists Records (for bootlegs and counterfeit) (in 1971)
teilweise recording of:
American Pie (am 1971-05-26)
Texter und Komponist(in):
Don McLean
publisher:
Benny Bird Co. Inc. (BMI-affiliated), Illegal Songs Inc., Mayday Music, MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), MCA Publishing Ltd., Songs of Universal, Inc. (BMI), Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing Ltd. (Hong Kong), Universal Records (UMG subsidiary, “RECORDS” must be a part of the logo; read annotation), Universal/MCA Music Publishing Pty Ltd und Yahweh Tunes, Inc.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Don McLean54:12
16Music
Techniker(in):
Alan Parsons (of The Alan Parsons Project) (von 1975-11 bis 1975-12)
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
Bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (von 1975-11 bis 1975-12)
Gitarre, Keyboard, Synthesizer und Sologesang:
John Miles (UK singer/songwriter/guitarist/keyboardist) (von 1975-11 bis 1975-12)
Perkussion:
Barry Black (von 1975-11 bis 1975-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-11 bis 1975-12)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 10) und SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 10)
recording of:
Music (von 1975-11 bis 1975-12)
Texter und Komponist(in):
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:53