Der Sound Katalog 1/90: Ausschnitte

~ Release by Various Artists (see all versions of this release, 1 available)

Annotation

Dieser Sound-Katalog bring Ausschnitte aus 21 aktuellen Veröffentlichungen in absoluter DDD-Qualität.

Annotation last modified on 2013-01-26 23:54 UTC.

Tracklist

1▼CD
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1Concerto grosso G-dur, op. 6 Nr. 1: Allegro
orchestra:
I Musici
recording of:
Concerto grosso in G major, op. 6 no. 1, HWV 319: II. Allegro
composer:
George Frideric Handel (German‐British baroque composer) (in 1739)
part of:
Concerto grosso in G major, op. 6 no. 1, HWV 319
Georg Friedrich Händel1:49
2Messe H-moll, BWV 232: "Cruzifixus"
choir vocals:
Nederlands Kamerkoor (Netherlands Chamber Choir)
orchestra:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
recorded at:
Muziekcentrum Vredenburg (old venue, closed 2008) in Utrecht, Utrecht, Netherlands, Kingdom of the Netherlands
recording of:
h-Moll-Messe, BWV 232: II. Symbolum Nicenum: V. Crucifixus (Mass in B minor, BWV 232: IIIe. Symbolum nicenum: Chorus "Crucifixus") (in 1989-03)
composed in:
Leipzig, Sachsen (Saxony), Germany (from 1747 until 1749)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
is based on:
Kantate, BWV 12 “Weinen, Klagen, Sorgen, Zagen”: II. Coro “Weinen, Klagen, Sorgen, Zagen”
part of:
h-Moll-Messe, BWV 232 (Mass in B minor, BWV 232, Mass in B minor)
Johann Sebastian Bach3:05
3Menuett G-dur, BWV Anh. 114 / Menuett G-moll, BWV Anh. 115
harpsichord:
Gustav Leonhardt (conductor, harpsichordist)
recording of:
Menuet in G minor, BWV Anh. 115
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 5), Bach-Werke-Verzeichnis (second edition, 1990, BWV²) (number: BWV Anh. II 115 / Anh. III 183‑>) and Bach-Werke-Verzeichnis (first edition, 1950, BWV¹) (number: BWV Anh. 115)
recording of:
Minuet in G major, BWV Anh. 114 (for keyboard)
composer:
Christian Petzold
previously attributed to:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 4) and Bach-Werke-Verzeichnis (number: BWV Anh. 114)
Johann Sebastian Bach1:50
4Marsch D-dur, KV 335/2
orchestra:
Camerata Salzburg (Austrian chamber orchestra)
conductor:
Sándor Végh (violinist/conductor/teacher)
partial recording of:
March for Orchestra in D major, K. 320a/335 no. 2
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
2 Marches, K. 320a/335
Wolfgang Amadeus Mozart1:51
5Symphonie Nr. 36 C-dur, KV 425 "Linzer Symphonie": Andante
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Sir Colin Davis (English conductor)
partial recording of:
Symphony no. 36 in C major, K. 425 “Linz”: II. Andante
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1783)
part of:
Symphony no. 36 in C major, K. 425 “Linz”
Wolfgang Amadeus Mozart2:38
6Symphonie Nr. 38 D-dur, KV 504 "Prager Symphonie": Presto
orchestra:
Orchestra of the Eighteenth Century
conductor:
Frans Brüggen (recorder player, baroque flautist, conductor)
partial recording of:
Symphony no. 38 in D major, K. 504 “Prague”: III. Presto
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1786 until 1786-12-06)
part of:
Symphony no. 38 in D major, K. 504 “Prague”
Wolfgang Amadeus Mozart1:50
7Streichquartett Nr. 11 F-moll, op. 95: Allegro con brio
strings:
Guarneri Quartet
partial recording of:
String Quartet no. 11 in F minor, op. 95: I. Allegro con brio
composer:
Ludwig van Beethoven (German composer) (from 1810 until 1811)
part of:
String Quartet no. 11 in F minor, op. 95
Ludwig van Beethoven1:58
833 Veränderungen C-dur über einen Walzer von Anton Diabelli, op. 120: Thema - Variation Nr. 1: Alla marcia maestoso
recorded in:
London (Greater London), England, United Kingdom (in 1988-11)
recording engineer:
Cees Heijkoop (recording engineer) and Willem van Leeuwen (recording engineer)
producer and balance engineer:
Volker Straus (producer/engineer)
piano:
Alfred Brendel (Austrian pianist) (in 1988-11)
recording of:
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Tema. Vivace (in 1988-11)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120
recording of:
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120: Var. I. Alla marcia maestoso (in 1988-11)
composer:
Ludwig van Beethoven (German composer) (from 1819 until 1823)
part of:
33 Variations for Piano in C major on a Waltz by Anton Diabelli, op. 120
Ludwig van Beethoven2:29
9Guglielmo Tell: Arie der Matilde aus dem 2. Akt "Selva opaca"
soprano vocals:
Cheryl Studer (soprano)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan)
conductor:
Riccardo Muti (conductor)
recording of:
Guglielmo Tell: Atto II, scena 2. “Selva opaca, deserta brughiera”
composer:
Gioachino Rossini (composer)
librettist:
Hippolyte Louis-Florent Bis (librettist) and Étienne de Jouy
translator:
Calisto Bassi
part of:
Guglielmo Tell: Atto II
Gioachino Rossini2:17
10La Juive: Arie des Eléazar aus dem 4. Akt "Rachel, quand du Seigneur"
tenor vocals:
José Carreras (Spanish tenor)
conductor:
Antonio de Almeida (French conductor)
recording of:
La Juive : Acte IV. « Rachel, quand du Seigneur » (Éléazar)
composer:
Fromental Halévy (French composer)
librettist:
Eugène Scribe
part of:
La Juive: Acte IV
Jacques Fromental Halévy2:45
11Maria Stuarda: Szene Maria, Anna und Chor aus dem 3. Akt "Deh! Tu di un unile preghiera"
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir)
mezzo-soprano vocals:
Iris Vermillion (mezzo-soprano)
soprano vocals:
Edita Gruberová (soprano)
conductor:
Giuseppe Patanè (conductor)
recording of:
Maria Stuarda: Atto III, no. 17b. "Deh! Tu di un umile preghiera il suono" (Maria, Anna, Coro)
composer:
Gaetano Donizetti (Italian opera composer)
part of:
Maria Stuarda: Atto III
Gaetano Donizetti3:53
12La Damnation de Faust: Arie des Mephisophélès "Une puce gentile"
bass-baritone vocals:
Jean‐Philippe Lafont (baritone)
choir vocals:
Edinburgh Festival Chorus
orchestra:
Orchestre de l’Opéra de Lyon
conductor:
Sir John Eliot Gardiner (John Eliot Gardiner)
recording of:
La Damnation de Faust : Deuxième Partie : Scène 6. Chanson de Méphistophélès « Une puce gentille » (Méphistophélès, Chœur) / « Assez ! Fuyons ces lieux » (Faust, Méphistophélès)
composer:
Hector Berlioz (French composer)
librettist:
Hector Berlioz (French composer) and Almire Gandonnière (librettiste français)
part of:
La Damnation de Faust, op. 24: Deuxième Partie
Hector Berlioz1:34
13Symphonie Nr. 2 D-dur, op. 73: Allegretto grazioso
orchestra:
The Philadelphia Orchestra
conductor:
Riccardo Muti (conductor)
partial recording of:
Sinfonie Nr. 2 D-Dur, op. 73: III. Allegretto grazioso (quasi andantino)
composer:
Johannes Brahms (German composer) (in 1877)
part of:
Sinfonie Nr. 2 D-Dur, op. 73 (Symphony no. 2 in D major, op. 73)
Johannes Brahms2:49
14Dichterliebe, op. 48: "Hör ich das Liedchen klingen"
recording engineer:
Wolfgang Meyscheider
producer:
Torsten Schreier
piano:
Wolfgang Sawallisch (conductor) (on 1984-02-06)
tenor vocals:
Peter Schreier (German tenor and conductor) (on 1984-02-06)
live recording of:
Dichterliebe, op. 48: X. Hör' ich das Liedchen klingen (on 1984-02-06)
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
recording of:
Dichterliebe, op. 48: X. Hör' ich das Liedchen klingen
lyricist:
Heinrich Heine (German poet)
composer:
Robert Schumann (German classical composer) (in 1840)
part of:
Dichterliebe, op. 48
Robert Schumann1:50
15Symphonie Nr. 5 B-dur: Introduction (Adagio) - Allegro
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1988-03)
conductor:
Bernard Haitink (conductor) (in 1988-03)
partial recording of:
Symphony no. 5 in B-flat major, WAB 105 "Tragische": I. Introduction (Adagio) - Allegro. (1878 version, ed. Haas, 1935) (in 1988-03)
composer:
Anton Bruckner (Austrian composer) (from 1875 until 1876)
part of:
Symphony no. 5 in B-flat major, WAB 105 "Tragische" (Symphony no. 5 in B flat major, WAB 105 "Tragic", 1878 version, ed. Haas, 1935)
Anton Bruckner3:13
16Der fliegende Holländer: Chor der Matrosen "Steuermann! Laß die Wacht!"
choir vocals:
Rundfunkchor Leipzig
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra)
conductor:
Silvio Varviso (conductor)
recording of:
Der fliegende Holländer, WWV 63: Akt III, Nr. 7. Chor der Norvegischen Matrosen und Ensemble "Steuermann! Lass die Wacht!"
composer:
Richard Wagner (composer) (from 1840 until 1841)
librettist:
Richard Wagner (composer)
part of:
Der fliegende Holländer, WWV 63: Akt III
Richard Wagner2:34
17Images 1: Reflets dans l'eau
piano:
Kocsis Zoltán (pianist, conductor)
recording of:
Images, Livre 1, L. 110, CD 105 : No. 1. Reflets dans l’eau (Images, Book I: 1. Reflets dans l’eau)
composer:
Claude Debussy (French composer) (from 1901 until 1905)
premiered at:
[Concert des " Soirées d'art "] (1905-12-14)
part of:
Images, Livre 1, L. 110, CD 105 (for piano)
Claude Debussy2:18
18Mysteries of the Macabre
piano:
Roland Pöntinen (pianist and composer)
trumpet:
Håkan Hardenberger (classical trumpeter)
partial recording of:
Mysteries of the Macabre (for trumpet)
composer:
György Ligeti (Austrian-Hungarian composer) (from 1974 until 1977)
arranger:
Elgar Howarth (English conductor, composer and trumpeter) (in 1992)
is based on:
Le Grand Macabre
György Ligeti / Elgar Howarth2:23
19Douze Études pour piano: Nr. 7. Pour les Degrés chromatiques
piano:
内田光子 (Mitsuko Uchida, pianist)
recording of:
Études, L. 136: VII. Pour les degrés chromatiques
composer:
Claude Debussy (French composer) (from 1915-07-23 until 1915-09-29)
part of:
Douze Études, pour piano, L. 136, CD 143: Livre II (number: 7)
part of:
Douze Études, pour piano, L. 136, CD 143
Claude Debussy2:09
20The Planets: Mars
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra)
conductor:
Sir Colin Davis (English conductor)
partial recording of:
The Planets, op. 32: I. Mars, the Bringer of War
composer:
Gustav Holst (composer) (from 1914 until 1916)
orchestration of:
The Planets, op. 32: I. Mars, the Bringer of War (for two pianos)
part of:
The Planets, op. 32 (Suite for Large Orchestra)
Gustav Holst2:14
21Hooray for Hollywood
orchestra:
Boston Pops Orchestra
conductor:
John Williams (American score composer and conductor)
instrumental recording of:
Hooray for Hollywood
lyricist:
Johnny Mercer
composer:
Richard A. Whiting (composer)
Richard A. Whiting3:29