The Platinum Collection

~ Veröffentlichung von Louis Armstrong (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1▼Digitales Medium
Nr.TitelBewertungLänge
1I Got Rhythm
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-06)
alto saxophone:
Lester Boone (am 1931-11-06)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-06)
Klarinette und Sopransaxophon:
George James (US jazz saxophonist) (am 1931-11-06)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-06)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-06)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-06)
Schlagzeug:
Tubby Hall (am 1931-11-06)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-06)
Trompete:
Louis Armstrong (am 1931-11-06) und Zilner Randolph (am 1931-11-06)
vocals:
Louis Armstrong (am 1931-11-06)
recording of:
I Got Rhythm (am 1931-11-06)
Texter:
Ira Gershwin (in 1930)
Komponist(in):
George Gershwin (composer) (in 1930)
publisher:
Chappell Music Ltd., Warner/Chappell Music Holland BV und New World Music Co. (in 1930)
enthalten in:
An American in Paris (2015 Broadway musical)
Teil von:
Crazy for You (1992 musical)
Teil von:
Girl Crazy (1930 Musical)
Teil von:
When the Boys Meet the Girls (1965 film)
3:07
2Stardust
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1931-11-04)
alto saxophone:
Lester Boone (am 1931-11-04) und George James (US jazz saxophonist) (am 1931-11-04)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1931-11-04)
Klavier:
Charlie Alexander (US jazz pianist) (am 1931-11-04)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1931-11-04)
Posaune:
Preston Jackson (jazz trombonist) (am 1931-11-04)
Schlagzeug:
Tubby Hall (am 1931-11-04)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1931-11-04)
Trompete:
Louis Armstrong (am 1931-11-04) und Zilner Randolph (am 1931-11-04)
vocals:
Louis Armstrong (am 1931-11-04)
recording of:
Stardust (the jazz standard) (am 1931-11-04)
Texter:
Mitchell Parish (in 1929)
Komponist(in):
Hoagy Carmichael (in 1927)
publisher:
Mills Music, Inc. (beendet), All Nations Music, EMI Mills Music Inc. (ASCAP-affiliated), EMI Music Publishing Ltd. (PRS‐affiliated), Everbright Music Co., Hoagy Publishing Co., Lawrence Wright Music Co., Ltd. und Songs of Peer, Ltd. (ASCAP)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Teil von:
American Splendor
3:39
3Between the Devil and the Deep Blue Sea
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-01-25)
alto saxophone:
Lester Boone (am 1932-01-25) und George James (US jazz saxophonist) (am 1932-01-25)
Gitarre:
Mike McKendrick (Jazz banjo and guitar) (am 1932-01-25)
Klavier:
Charlie Alexander (US jazz pianist) (am 1932-01-25)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton) (am 1932-01-25)
Posaune:
Preston Jackson (jazz trombonist) (am 1932-01-25)
Schlagzeug:
Tubby Hall (am 1932-01-25)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1932-01-25)
Trompete:
Louis Armstrong (am 1932-01-25) und Zilner Randolph (am 1932-01-25)
vocals:
Louis Armstrong (am 1932-01-25)
recording of:
Between the Devil and the Deep Blue Sea (am 1932-01-25)
Texter:
Ted Koehler
Komponist(in):
Harold Arlen
publisher:
Mills Music, S.A. Music Co. und Ted Koehler Music Co.
3:02
4Ain't Misbehavin'
recorded in:
New York, New York, Vereinigte Staaten (am 1929-07-19)
alto saxophone:
Bert Curry (am 1929-07-19) und Crawford Wethington (am 1929-07-19)
Banjo:
Mancy "Peck" Carr (am 1929-07-19)
Geige / Violine:
Carroll Dickerson (am 1929-07-19)
Klavier:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-19)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-19)
Schlagzeug:
Zutty Singleton (am 1929-07-19)
Tenorsaxophon:
Jimmy Strong (am 1929-07-19)
Trompete:
Louis Armstrong (am 1929-07-19) und Homer Hobson (am 1929-07-19)
Tuba:
Pete Briggs (am 1929-07-19)
vocals:
Louis Armstrong (am 1929-07-19)
conductor:
Carroll Dickerson (am 1929-07-19)
recording of:
Ain’t Misbehavin’ (am 1929-07-19)
Texter:
Andy Razaf (in 1929)
Komponist(in):
Harry Brooks (jazz pianist & songwriter) (in 1929) und Fats Waller (in 1929)
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), EMI Music (do not use as release label! this is a music publisher), Redwood Music und Redwood Music Ltd. (Carlin)
4.853:25
5I Can't Give You Anything but Love
cover recording of:
I Can’t Give You Anything but Love, Baby (am 1929-03-05)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
3:36
6Knockin' a Jug
recording of:
Knockin’ a Jug (am 1929-03-05)
Komponist(in):
Louis Armstrong und Eddie Condon
3:27
7Lawd, You Made the Night Too Long
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1932-03-11)
alto saxophone:
Lester Boone und George James (US jazz saxophonist)
Gitarre:
Mike McKendrick (Jazz banjo and guitar)
Klavier:
Charlie Alexander (US jazz pianist)
Kontrabass:
John Lindsay (US trombonist/bassist, worked with Jelly Roll Morton)
Posaune:
Preston Jackson (jazz trombonist)
Schlagzeug:
Tubby Hall
Tenorsaxophon:
Albert Washington (jazz tenor sax)
Trompete:
Louis Armstrong und Zilner Randolph
vocals:
Louis Armstrong
recording of:
Lord, You Made the Night Too Long (am 1932-03-11)
Texter:
Sam M. Lewis (1930s lyricist) (in 1932)
Komponist(in):
Victor Young (American composer, arranger, violinist & conductor) (in 1932)
3:28
8That's My Home
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-08, am 1932-12-28)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08) und Edgar Sampson (am 1932-12-08)
Geige / Violine:
Edgar Sampson (am 1932-12-08)
Gitarre:
John Trueheart (am 1932-12-08)
Klarinette:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08)
Klavier:
Don Kirkpatrick (jazz pianist) (am 1932-12-08)
Kontrabass [bass] und Tuba:
Elmer James (am 1932-12-08)
Posaune:
Charlie Green (Trombonist) (am 1932-12-08)
Schlagzeug:
Chick Webb (am 1932-12-08)
Tenorsaxophon:
Elmer Williams (am 1932-12-08)
Trompete:
Louis Armstrong (am 1932-12-08, am 1932-12-28), Louis Bacon (am 1932-12-08), Billy Hicks (US jazz trumpeter) (am 1932-12-08) und Louis Hunt (am 1932-12-08)
vocals:
Louis Armstrong (am 1932-12-08, am 1932-12-28)
Orchester:
Louis Armstrong and His Orchestra (am 1932-12-28)
recording of:
That’s My Home (am 1932-12-08)
Komponist(in):
Ben Ellison, Leon René und Otis René
43:12
9Hobo, You Can Ride This Train
recorded in:
Camden, New Jersey, Vereinigte Staaten (am 1932-12-08)
alto saxophone:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08) und Edgar Sampson (am 1932-12-08)
alto saxophone und Klarinette und Klarinette:
Pete Clark (Jazz altoist born around 1910) (am 1932-12-08)
Banjo und Klavier und Gitarre:
John Trueheart (am 1932-12-08)
Geige / Violine:
Edgar Sampson (am 1932-12-08)
Glocken:
Mezz Mezzrow (am 1932-12-08)
Klavier:
Don Kirkpatrick (jazz pianist) (am 1932-12-08)
Kontrabass [bass], Kontrabass und Tuba und Tuba:
Elmer James (am 1932-12-08)
Posaune:
Charlie Green (Trombonist) (am 1932-12-08)
Schlagzeug:
Chick Webb (am 1932-12-08)
Tenorsaxophon:
Elmer Williams (am 1932-12-08)
Trompete:
Louis Armstrong (am 1932-12-08), Louis Bacon (am 1932-12-08), Bill Hicks (US jazz trumpeter) (am 1932-12-08) und Louis Hunt (am 1932-12-08)
vocals:
Louis Armstrong (am 1932-12-08)
recording of:
Hobo, You Can’t Ride This Train (am 1932-12-08)
Verfasser(in):
Louis Armstrong
3:04
10I Gotta Right to Sing the Blues
recording of:
I Gotta Right to Sing the Blues (am 1933-01-26)
Texter:
Ted Koehler (in 1932)
Komponist(in):
Harold Arlen (in 1932)
publisher:
Warner Bros., Inc. (not for release label use!)
3:04
11Black and Blue
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Celesta [celeste]:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Tenorsaxophon:
Jimmy Strong (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
Black and Blue (am 1929-07-22)
Texter:
Harry Brooks (jazz pianist & songwriter) und Andy Razaf
Komponist(in):
Fats Waller
publisher:
Memory Lane Music Ltd. und Redwood Music Ltd. (Carlin)
3:10
12That Rhythm Man
alto saxophone:
Bert Curry (am 1929-07-22) und Crawford Wethington (am 1929-07-22)
Banjo:
Mancy "Peck" Carr (am 1929-07-22)
Geige / Violine:
Carroll Dickerson (am 1929-07-22)
Klarinette:
Jimmy Strong (am 1929-07-22)
Klavier:
Gene Anderson (Jazz pianist. Played with Louis Armstrong) (am 1929-07-22)
Posaune:
Fred Robinson (American trombonist) (am 1929-07-22)
Schlagzeug:
Zutty Singleton (am 1929-07-22)
Trompete:
Louis Armstrong (am 1929-07-22) und Homer Hobson (am 1929-07-22)
Tuba:
Pete Briggs (am 1929-07-22)
vocals:
Louis Armstrong (am 1929-07-22)
Orchester:
Louis Armstrong and His Orchestra (in 1929)
conductor:
Carroll Dickerson (am 1929-07-22)
recording of:
That Rhythm Man (am 1929-07-22)
Verfasser(in):
Harry Brooks (jazz pianist & songwriter), Andy Razaf und Thomas Waller (Fats Waller)
3:12
13I Ain't Got Nobody
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-10)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-10) und Albert Nicholas (am 1929-12-10)
Gitarre:
Will Johnson (jazz musician) (am 1929-12-10)
Klavier:
Luis Russell (am 1929-12-10)
Kontrabass:
George "Pops" Foster (am 1929-12-10)
Posaune:
J.C. Higginbotham (am 1929-12-10)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-10)
Tenorsaxophon:
Teddy Hill (am 1929-12-10)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-10), Louis Armstrong (am 1929-12-10) und Otis Johnson (trumpet) (am 1929-12-10)
vocals:
Louis Armstrong (am 1929-12-10)
Orchester:
Louis Armstrong and His Orchestra (in 1929)
recording of:
I Ain’t Got Nobody (am 1929-12-10)
Texter:
Roger Graham
Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
2:47
14Rockin' Chair
recording of:
Rockin’ Chair (1929 Hoagy Carmichael song) (am 1929-12-13)
Texter:
Hoagy Carmichael
Komponist(in):
Hoagy Carmichael (in 1929)
publisher:
Songs of Peer, Ltd. (ASCAP)
3:24
15Bessie Couldn't Help It
recorded in:
New York, New York, Vereinigte Staaten (am 1930-02-01)
alto saxophone:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1930-02-01) und William Thornton Blue (American jazz reed player) (am 1930-02-01)
Gitarre:
Will Johnson (jazz musician) (am 1930-02-01)
Klavier:
Luis Russell (am 1930-02-01)
Kontrabass:
George "Pops" Foster (am 1930-02-01)
Posaune:
J.C. Higginbotham (am 1930-02-01)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1930-02-01)
Tenorsaxophon:
Teddy Hill (am 1930-02-01)
Trompete:
Henry “Red” Allen (jazz musician) (am 1930-02-01), Louis Armstrong (am 1930-02-01) und Otis Johnson (trumpet) (am 1930-02-01)
vocals:
Louis Armstrong (am 1930-02-01)
Orchester:
Louis Armstrong and His Orchestra (in 1930)
recording of:
Bessie Couldn’t Help It (am 1930-02-01)
Verfasser(in):
Charles A. Bayha, Jacques Richmond (songwriter) und Byron Warner (active in the 1960's)
3:25
16Dallas Blues
recorded in:
New York, New York, Vereinigte Staaten (am 1929-12-10)
Gitarre:
Will Johnson (jazz musician) (am 1929-12-10)
Klarinette:
Teddy Hill (am 1929-12-10), Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-10) und Albert Nicholas (am 1929-12-10)
Klavier:
Luis Russell (am 1929-12-10)
Kontrabass:
George "Pops" Foster (am 1929-12-10)
Posaune:
J.C. Higginbotham (am 1929-12-10)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1929-12-10)
Trompete:
Henry “Red” Allen (jazz musician) (am 1929-12-10), Louis Armstrong (am 1929-12-10) und Otis Johnson (trumpet) (am 1929-12-10)
vocals:
Louis Armstrong (am 1929-12-10)
recording of:
Dallas Blues (am 1929-12-10)
Texter und Komponist(in):
Lloyd Garrett und Hart Wand
3:18
17Dear Old Southland
Orchester:
Louis Armstrong and His Orchestra (am 1930-04-05)
recording of:
Dear Old Southland (jazz standard) (am 1930-04-05)
Texter:
Henry Creamer (Lyricist) (in 1921)
Komponist(in):
Turner Layton (in 1921)
publisher:
Mills Music
3:20
18Sugar Foot Strut
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-06-29)
Banjo:
Mancy "Peck" Carr (am 1928-06-29)
Becken:
Zutty Singleton (am 1928-06-29)
Klarinette:
Jimmy Strong (am 1928-06-29)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1928-06-29)
Posaune:
Fred Robinson (American trombonist) (am 1928-06-29)
Trompete:
Louis Armstrong (am 1928-06-29)
vocals:
Louis Armstrong (am 1928-06-29)
recording of:
Sugar Foot Strut (am 1928-06-28)
Komponist(in):
Henry Myers (in 1927), Billy Pierce (Choreographer) (in 1927) und Charles M. Schwab (in 1927)
3:22
19Basin Street Blues
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1928-12-04)
Banjo:
Mancy "Peck" Carr (am 1928-12-04)
Celesta [celeste]:
Earl Hines (jazz pianist and bandleader) (am 1928-12-04)
Klarinette:
Jimmy Strong (am 1928-12-04)
Posaune:
Fred Robinson (American trombonist) (am 1928-12-04)
Schlagzeug:
Zutty Singleton (am 1928-12-04)
Trompete und Sologesang:
Louis Armstrong (am 1928-12-04)
vocals:
Louis Armstrong (am 1928-12-04), Mancy "Peck" Carr (am 1928-12-04) und Earl Hines (jazz pianist and bandleader) (am 1928-12-04)
recording of:
Basin Street Blues (am 1928-12-04)
Texter und Komponist(in):
Spencer Williams (US jazz composer, pianist & singer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
3:17
20Once in a While
recording of:
Once in a While (am 1937-11-15)
Texter:
Bud Green (in 1937)
Komponist(in):
Michael Edwards (in 1937)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. und Miller Music Corp.
Teil von:
New York, New York (1977 musical film soundtrack)
3:11
2▼Digitales Medium
Nr.TitelBewertungLänge
1Sweet Little Papa
recording of:
Sweet Little Papa (am 1926-06-23)
Komponist(in):
Kid Ory
2:51
2You Made Me Love You
recorded in:
Chicago, Illinois, Vereinigte Staaten (am 1926-11-27)
Banjo:
Johnny St. Cyr (am 1926-11-27)
Klarinette:
Johnny Dodds (am 1926-11-27)
Klavier:
Lil Hardin Armstrong (am 1926-11-27)
Kornett:
Louis Armstrong (am 1926-11-27)
Posaune:
Hy Clark (US jazz trombonist) (am 1926-11-27)
vocals:
Louis Armstrong (am 1926-11-27)
recording of:
You Made Me Love You (am 1926-11-27)
Verfasser(in):
Louis Armstrong und Percy Venable
2:59
3Chicago Breakdown
alto saxophone:
Boyd Atkins (am 1927-05-09) und Joe Walker (US early jazz saxophonist) (am 1927-05-09)
Banjo und Gitarre:
Rip Bassett (am 1927-05-09)
baritone saxophone:
Joe Walker (US early jazz saxophonist) (am 1927-05-09)
Klarinette und Sopransaxophon:
Boyd Atkins (am 1927-05-09)
Klavier:
Earl Hines (jazz pianist and bandleader) (am 1927-05-09)
Kornett:
Louis Armstrong (am 1927-05-09) und Bill Wilson (US early jazz cornetist) (am 1927-05-09)
Posaune:
Honoré Dutrey (am 1927-05-09)
Schlagzeug:
Tubby Hall (am 1927-05-09)
Tenorsaxophon:
Albert Washington (jazz tenor sax) (am 1927-05-09)
Tuba:
Pete Briggs (am 1927-05-09)
recording of:
Chicago Breakdown (am 1927-05-09)
Komponist(in):
Jelly Roll Morton
publisher:
Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.)
3:27
4Coal Cart Blues
recording of:
Coal Cart Blues (am 1940-05-27)
Verfasser(in):
Louis Armstrong, Lil Hardin Armstrong und Clarence Williams (US jazz pianist, composer, singer and bandleader)
2:56
5Down in Honky Tonk Town
recording of:
Down in Honky Tonk Town (am 1940-05-27)
Verfasser(in):
Charles McCarron (in 1916) und Chris Smith (Ragtime composer) (in 1916)
3:05
6Perdido Street Blues
recording of:
Perdido Street Blues (am 1940-05-27)
Komponist(in):
Lil Armstrong
3:02
7Jeepers Creepers
recorded in:
New York, New York, Vereinigte Staaten (am 1939-01-18)
alto saxophone:
Rupert Cole (swing era jazz clarinetist and saxophonist) (am 1939-01-18) und Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1939-01-18)
Gitarre:
Lee Blair (am 1939-01-18)
Klavier:
Luis Russell (am 1939-01-18)
Kontrabass:
George "Pops" Foster (am 1939-01-18)
Posaune:
Wilbur de Paris (am 1939-01-18), J.C. Higginbotham (am 1939-01-18) und Bull City Red (aka George Washington) (am 1939-01-18)
Schlagzeug:
Sid Catlett (am 1939-01-18)
Tenorsaxophon:
Bingie Madison (am 1939-01-18) und Albert Nicholas (am 1939-01-18)
Trompete:
Henry “Red” Allen (jazz musician) (am 1939-01-18), Louis Armstrong (am 1939-01-18), Shelton "Scad" Hemphill (am 1939-01-18) und Otis Johnson (trumpet) (am 1939-01-18)
vocals:
Louis Armstrong (am 1939-01-18)
Orchester:
Louis Armstrong & His Orchestra (am 1939-01-18)
Interpret(in):
Louis Armstrong & His Orchestra
spätere Veröffentlichungen:
Jeepers Creepers von Louis Armstrong
recording of:
Jeepers Creepers (am 1939-01-18)
Texter:
Johnny Mercer (in 1938)
Verfasser(in):
Richard A. Whiting (composer)
Komponist(in):
Harry Warren (US composer and lyricist) (in 1938)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946) und Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
Teil von:
The 11th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1938 nominee)
42:41
8Dippermouth Blues
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1936-08-07)
Gitarre:
Roc Hillman (songwriter, arranger) (am 1936-08-07)
Klarinette:
Jimmy Dorsey (am 1936-08-07)
Kontrabass:
Slim Taft (am 1936-08-07)
Posaune:
Bobby Byrne (am 1936-08-07), Don Matteson (am 1936-08-07) und Joe Yukl (am 1936-08-07)
Rohrblattinstrumente:
Jimmy Dorsey (am 1936-08-07), Skeets Herfurt (am 1936-08-07), Fud Livingston (am 1936-08-07) und Jack Stacey (am 1936-08-07)
Schlagzeug:
Ray McKinley (am 1936-08-07)
Trompete:
Louis Armstrong (am 1936-08-07), Tutti Camarata (am 1936-08-07) und George Thow (am 1936-08-07)
vocals:
Louis Armstrong (am 1936-08-07)
Orchester:
Jimmy Dorsey and His Orchestra (am 1936-08-07)
recording of:
Dippermouth Blues (am 1936-08-07)
Komponist(in):
Louis Armstrong und King Oliver (jazz cornetist)
2:44
9Eventide
recording of:
Ev'ntide
Texter und Komponist(in):
Hoagy Carmichael
2:53
10Swing That Music
recorded in:
New York, New York, Vereinigte Staaten (am 1936-05-18)
Gitarre:
Lee Blair (am 1936-05-18)
Klavier:
Luis Russell (am 1936-05-18)
Kontrabass:
George "Pops" Foster (am 1936-05-18)
Posaune:
Jimmy Archey (am 1936-05-18) und Snub Mosley (am 1936-05-18)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1936-05-18), Henry “Moon” Jones (swing era reeds) (am 1936-05-18) und Greely Walton (am 1936-05-18)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1936-05-18)
Tenorsaxophon:
Bingie Madison (am 1936-05-18)
Trompete:
Gus Aiken (am 1936-05-18), Louis Armstrong (am 1936-05-18), Louis Bacon (am 1936-05-18) und Leonard "Ham" Davis (American jazz trumpeter) (am 1936-05-18)
vocals:
Louis Armstrong (am 1936-05-18)
Orchester:
Louis Armstrong & His Orchestra (am 1936-05-18)
recording of:
Swing That Music (am 1936-05-18)
Texter und Komponist(in):
Louis Armstrong und Horace Gerlach
2:51
11I'm in the Mood for Love
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Bass:
George "Pops" Foster (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
I’m in the Mood for Love (am 1935-10-03)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
43:09
12I Can't Believe That You're in Love With Me
recorded in:
New York, New York, Vereinigte Staaten (am 1930-04-05)
alto saxophone:
Bobby Holmes (jazz sax) (am 1930-04-05) und Ted McCord (am 1930-04-05)
Gitarre:
Bernard Addison (am 1930-04-05)
Klavier:
Joe Turner (Jazz pianist, 1907–1990) (am 1930-04-05)
Posaune:
Henry Hicks (jazz trombonist) (am 1930-04-05)
Schlagzeug:
Willie Lynch (US jazz drummer) (am 1930-04-05)
Tenorsaxophon:
Castor McCord (saxophonist) (am 1930-04-05)
Trompete:
Ed Anderson (early jazz trumpeter) (am 1930-04-05) und Louis Armstrong (am 1930-04-05)
Tuba:
Lavert Hutchinson (US jazz tuba player) (am 1930-04-05)
vocals:
Louis Armstrong (am 1930-04-05)
recording of:
I Can’t Believe That You’re in Love With Me (am 1930-04-05)
Texter:
Clarence Gaskill
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Mills Music, Inc.
3:12
13I'm a Ding Dong Daddy (From Dumas)
recording of:
I'm a Ding Dong Daddy (am 1930-07-21)
Verfasser(in):
Phil Baxter (US songwriter, singer and band leader)
3:10
14I'm in the Market for You
recorded in:
New York, New York, Vereinigte Staaten (am 1935-10-03)
Bass:
George "Pops" Foster (am 1935-10-03)
Gitarre:
Lee Blair (am 1935-10-03)
Klavier:
Luis Russell (am 1935-10-03)
Posaune:
Jimmy Archey (am 1935-10-03) und Harry White (jazz trombonist) (am 1935-10-03)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1935-10-03), Henry “Moon” Jones (swing era reeds) (am 1935-10-03) und Bingie Madison (am 1935-10-03)
Schlagzeug:
Paul Barbarin (jazz drummer from New Orleans) (am 1935-10-03)
Tenorsaxophon:
Greely Walton (am 1935-10-03)
Trompete:
Gus Aiken (am 1935-10-03), Louis Armstrong (am 1935-10-03), Louis Bacon (am 1935-10-03) und Leonard "Ham" Davis (American jazz trumpeter) (am 1935-10-03)
vocals:
Louis Armstrong (am 1935-10-03)
Orchester:
Louis Armstrong & His Orchestra (am 1935-10-03)
recording of:
I’m in the Mood for Love (am 1935-10-03)
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Margenia Music, MCI Music Publishing Ltd., EMI Robbins Catalog Inc. (ASCAP) (in 1935, in 1963) und EMI Music Publishing Ltd. (PRS‐affiliated) (in 2016)
43:16
15If I Could Be With You One Hour Tonight
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-08-19)
alto saxophone:
Leon Herriford (am 1930-08-19) und Willie Stark (am 1930-08-19)
Banjo:
Ceele Burke (am 1930-08-19)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-08-19)
Posaune:
Lawrence Brown (jazz trombonist) (am 1930-08-19)
Schlagzeug:
Lionel Hampton (am 1930-08-19)
Tenorsaxophon:
William Franz (am 1930-08-19)
Trompete:
Louis Armstrong (am 1930-08-19) und Leon Elkins (am 1930-08-19)
Tuba:
Reggie Jones (am 1930-08-19)
recording of:
If I Could Be With You (One Hour Tonight) (am 1930-08-19)
Texter:
Henry Creamer (Lyricist) (in 1926)
Komponist(in):
James P. Johnson (in 1926)
3:39
16Body & Soul
recording of:
Body and Soul (am 1930-10-09)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:20
17Memories of You
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Les Hite (am 1930-10-16) und Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug und Vibraphon:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
Memories of You (am 1930-10-16)
Texter:
Andy Razaf (in 1930)
Komponist(in):
Eubie Blake (in 1930)
publisher:
Shapiro, Bernstein & Co., Inc.
3:13
18You're Lucky to Me
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1930-10-16)
alto saxophone:
Marvin Johnson (US jazz saxophonist and bandleader) (am 1930-10-16)
baritone saxophone:
Les Hite (am 1930-10-16)
Gitarre:
Bill Perkins (jazz guitar and banjo) (am 1930-10-16)
Klarinette und Tenorsaxophon:
Charlie Jones (jazz clarinet/sax) (am 1930-10-16)
Klavier:
Harvey Brooks (US jazz pianist and composer) (am 1930-10-16) und Henry Prince (am 1930-10-16)
Kontrabass:
Joe Bailey (US double bassist and songwriter) (am 1930-10-16)
Posaune:
Luther Craven (am 1930-10-16)
Schlagzeug:
Lionel Hampton (am 1930-10-16)
Trompete:
Louis Armstrong (am 1930-10-16), George Orendorff (am 1930-10-16) und Harold Scott (am 1930-10-16)
vocals:
Louis Armstrong (am 1930-10-16)
conductor:
Les Hite (am 1930-10-16)
recording of:
You’re Lucky to Me (am 1930-10-16)
Texter:
Andy Razaf
Komponist(in):
Eubie Blake
3:26
19Sweethearts on Parade
recording of:
Sweethearts on Parade (am 1930-12-23)
Texter:
Charles Newman (Charles Chas Newman, early 20th century songwriter) (in 1928)
Komponist(in):
Carmen Lombardo (in 1928)
3:14
3▼Digitales Medium
Nr.TitelBewertungLänge
1Zip-A-Dee-Doo-Dah
recording of:
Zip‐a‐Dee‐Doo‐Dah (Song of the South)
Texter:
Ray Gilbert
Komponist(in):
Allie Wrubel (US composer and songwriter)
publisher:
J. Albert & Son, Joy Music Inc. und Walt Disney Music Company (music publisher, do not use as release label) (in 1945)
Teil von:
The 20th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1947 winner)
Teil von:
Song of the South (1946 live action/animated film)
2:22
2Ten Feet Off the Ground
recording of:
Ten Feet Off the Ground
Texter und Komponist(in):
Richard M. Sherman und Robert B. Sherman (American songwriter)
2:46
3Heigh-Ho (The Dwarf's Marching Song)
recording of:
Heigh‐Ho (The Dwarfs’ Marching Song)
Texter:
Larry Morey (American lyricist, 1905–1971)
Komponist(in):
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher)
Teil von:
On est toutes Blanche-Neige
Teil von:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
2:37
4Whistle While You Work
cover recording of:
Whistle While You Work (from "Snow White and the Seven Dwarfs")
Texter:
Larry Morey (American lyricist, 1905–1971)
Komponist(in):
Frank Churchill
publisher:
Bourne Co. (not for release label use, this is a music publisher) und EMI Allans Music Australia Pty Ltd
Teil von:
Snow White and the Seven Dwarfs (1937 Disney animated film, songs and musical score)
3.51:56
5Chim Chim Cher-Ee
cover recording of:
Chim Chim Cher-ee (Mary Poppins)
Texter und Komponist(in):
Richard M. Sherman und Robert B. Sherman (American songwriter)
publisher:
Campbell Connelly & Co. Ltd., The Walt Disney Co. und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1964)
Teil von:
The 37th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1964 winner)
Teil von:
Mary Poppins (stage version)
Teil von:
Mary Poppins (1964 film version)
46:39
6Bibbidi-Bobbidi-Boo
recording of:
Bibbidi‐Bobbidi‐Boo (Cinderella, 1950 animated film)
Verfasser(in):
Mack David (American lyricist and songwriter) (in 1948), Al Hoffman (in 1948) und Jerry Livingston (songwriter) (in 1948)
publisher:
Campbell Connelly & Co. Ltd. und Walt Disney Music Company (music publisher, do not use as release label) (in 1948)
Teil von:
The 23rd Academy Award for Best Original Song (Nummer: 2)
Teil von:
Cinderella (1950 Disney animated film)
2:08
7'Bout Time
recording of:
'Bout Time
Texter und Komponist(in):
Richard M. Sherman und Robert B. Sherman (American songwriter)
2:53
8The Ballad of Davy Crocket
recording of:
The Ballad of Davy Crockett
Texter:
Tom Blackburn
Komponist(in):
George Bruns
publisher:
Walt Disney Music Company (music publisher, do not use as release label)
3:15
9The Bare Necessities
cover recording of:
The Bare Necessities (From "The Jungle Book")
Texter und Komponist(in):
Terry Gilkyson
publisher:
Campbell Connelly & Co. Ltd. und Wonderland Music Company, Inc. (a division of Disney Music Publishing) (in 1964)
Teil von:
The 40th Academy Award for Best Original Song (Nummer: 2)
adaptations:
Le Livre de la jungle : Il en faut peu pour être heureux
Teil von:
The Jungle Book (1967 Disney film soundtrack)
2:26
10When You Wish Upon a Star
recording of:
When You Wish Upon a Star (Pinocchio, 1940 film)
Texter:
Ned Washington
Komponist(in):
Leigh Harline
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Chappell Music Ltd.
Teil von:
The 13th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1940 winner)
Medley von:
Little Wooden Head (Pinocchio, 1940 film, music cue)
Medley von:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
Medley von:
When You Wish Upon a Star (Pinocchio, 1940 film, music cue)
Teil von:
Celebrate the Future Hand in Hand
Teil von:
Pinocchio (1940 Disney film soundtrack)
44:28