The Ultimate Collection: Seventies

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1Grease
Techniker(in) und Mix:
Karl Richardson
Produzent(in):
Albhy Galuten, Barry Gibb und Karl Richardson
Gitarre:
Peter Frampton
Hintergrundgesang:
Barry Gibb
Sologesang:
Frankie Valli (American singer and actor, best known as the frontman of The Four Seasons)
arranger:
Albhy Galuten und Barry Gibb
phonographisches Urheberrecht (℗) von:
RSO Records, Inc. (US company that owned the RSO label, not the label itself.) (in 1978)
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 11)
recording of:
Grease (Grease, 1978 film)
Texter und Komponist(in):
Barry Gibb
publisher:
Careers–BMG Music Publishing, Inc. und Gibb Brothers Music
Teil von:
Grease (1978 film)
Frankie Valli4.43:19
2Magic
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974, in 1975, in 2003)
Teil von:
Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 41)
recording of:
Magic
Verfasser(in):
Billy Lyall und David Paton (of Pilot)
publisher:
Beechwood Music Corp., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated) und Robbins Music Corp. Ltd.
Pilot4.753:04
3You to Me Are Everything
Produzent(in):
Ken Gold
phonographisches Urheberrecht (℗) von:
Pye Records (in 1976) und Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (in 1976)
recording of:
You to Me Are Everything
Verfasser(in):
Michael Denne und Ken Gold
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Screen Gems–EMI Music Ltd.
The Real Thing3.653:30
4He’s the Greatest Dancer
recording of:
He’s the Greatest Dancer
Verfasser(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Sony/ATV Songs LLC, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Sister Sledge4.153:33
5I Want Your Love
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1978)
recording of:
I Want Your Love
Texter und Komponist(in):
Bernard Edwards (American bassist and record producer) und Nile Rodgers
publisher:
Bernard’s Other Music, Sony/ATV Songs LLC und Warner Chappell Music Ltd. (no slash; used 1988–1996) (in 1989)
Chic3:27
6Kung Fu Fighting
recording of:
Kung Fu Fighting
Texter und Komponist(in):
Carl Douglas
publisher:
Carren Music (publisher) und 渡辺音楽出版 (Watanabe Music Publishing Co., Ltd., Japanese publisher, 1962–present)
basiert auf:
[Oriental Riff]
Carl Douglas3:18
7Dancing in the City
Marshall Hain3:46
8How Long
Produzent(in):
John Anthony (British producer and record executive)
phonographisches Urheberrecht (℗) von:
Anchor Records (UK 70s indie label), Cavalcade Records Ltd, Minder Records (in 1974) und Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2015)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 7), Paste: The 50 Greatest One-Hit Wonders of All Time (Nummer: 31) und The Downloader’s Music Source Book (Nummer: 121)
recording of:
How Long?
Texter und Komponist(in):
Paul Carrack
publisher:
Anchor Music Ltd. und Minder Music Ltd.
Ace3.653:23
9In a Broken Dream
Python Lee Jackson feat. Rod Stewart3:40
10Dyna‐Mite
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1973)
recording of:
Dyna-Mite
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Mud52:57
11Kitty
Racey3:38
12Tell Him
Hello3:06
13Sometimes I Feel So Low
Japan3:49
14If I Had You
The Korgis4:01
157 Teen
The Regents3:23
16Girls, Girls, Girls
Techniker(in):
Jeffrey Lesser und Al Scott (Oysterband, engineer, song writer)
Partner-Produzent(in):
Rupert Holmes
Produzent(in):
Georg Kajanus, Jeffrey Lesser und Al Scott (Oysterband, engineer, song writer)
Mix:
Jeffrey Lesser
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment UK Limited (not for release label use! post-2008 subsidiary of Sony Music Entertainment) (in 1974)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1975-10)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 51)
recording of:
Girls, Girls, Girls (in 1975-10)
Texter und Komponist(in):
Georg Kajanus
publisher:
Chappell Morris Ltd.
recording of:
Girls, Girls, Girls
Texter:
Nikki Sixx
Komponist(in):
Tommy Lee (Mötley Crüe drummer), Mick Mars und Nikki Sixx
publisher:
Mars Mountain Music, Sixx/Gunner Music, Tommyland Music und WB Music Corp. (1929–2019)
Sailor33:03
17That Same Old Feeling
Pickettywitch3:05
18Sugar Me
Lynsey de Paul3:36
19In the Summertime
recording of:
In the Summertime
Texter und Komponist(in):
Ray Dorset
publisher:
Associated Music International Ltd., Bovina Music Inc., Broadley Music (International) Ltd. (PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI April Music Inc., Our Music Ltd. (possibly aka Our Music Ltd., associated mostly with Mungo Jerry), Satellite Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Tunes LLC (ASCAP) und Universal Music Publishing (use ONLY if no country‐specific information is available)
Mungo Jerry3:32
20Mouldy Old DoughLieutenant Pigeon2:44
2CD
Nr.TitelKünstlerBewertungLänge
1Make It With You
Bassgitarre, Gitarre, Saiteninstrumente, Hintergrundgesang und Sologesang:
David Gates (singer/songwriter, lead singer of Bread)
Schlagzeug:
Michael Botts
phonographisches Urheberrecht (℗) von:
Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1970) und Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 13)
recording of:
Make It With You
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), Screen Gems–EMI Music Ltd., Sony/ATV Tunes LLC (ASCAP) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Bread53:12
2Thank You for Being a Friend
recording of:
Thank You for Being a Friend
Texter und Komponist(in):
Andrew Gold
publisher:
Luckyu Music
Andrew Gold4:41
3Cat’s in the Cradle
Produzent(in):
Paul Leka
arranger:
Paul Leka
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1974)
aufgenommen bei:
Connecticut Recording Studios in Connecticut, Vereinigte Staaten
recording of:
Cat’s in the Cradle
Verfasser(in):
Sandra Campbell Chapin und Harry F Chapin
publisher:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:44
4Fool (If You Think It’s Over)
Chris Rea4:40
5Love Don’t Live Here Anymore
recording of:
Love Don’t Live Here Anymore
Texter und Komponist(in):
Miles Gregory
publisher:
Sony/ATV Ballad und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Rose Royce3:52
6When the Morning Comes
recorded in:
New York, New York, Vereinigte Staaten (in 1973)
Produzent(in):
Arif Mardin
Akustikgitarre:
John Oates (in 1973)
Bass:
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (in 1973)
E-Gitarre:
Hugh McCracken (in 1973)
Mandoline und Sologesang:
Daryl Hall (in 1973)
mellotron:
Chris Bond (producer, active circa 1970s) (in 1973)
Oboe:
Joe Farrell (in 1973)
Perkussion:
Ralph MacDonald (in 1973)
Schlagzeug:
Bernard “Pretty” Purdie (in 1973)
recording of:
When the Morning Comes (in 1973)
Texter und Komponist(in):
Daryl Hall
Daryl Hall & John Oates2.53:11
7Crazy Love
recording of:
Crazy Love
Texter und Komponist(in):
Van Morrison
publisher:
Caledonia Soul Music (, in 1970), Van-Jan Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America und WB Music Corp. (1929–2019) (in 1970)
Van Morrison2:36
8Summer Breeze
Produzent(in):
Louie Shelton
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1972) und Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (in 1972)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 10)
recording of:
Summer Breeze
Texter:
James Seals
Komponist(in):
Dash Crofts und James Seals
publisher:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.253:24
9A Song for You
Techniker(in):
Ed Barton (engineer) und Hugh Davies (US recording engineer)
Produzent(in):
Ric Grech und Gram Parsons
Akustikgitarre:
Gram Parsons (von 1972-09 bis 1972-10)
Bass:
Jack Conrad (producer and songwriter) (von 1972-09 bis 1972-10) und Ric Grech (von 1972-09 bis 1972-10)
E-Gitarre und Resonatorgitarre [dobro]:
James Burton (guitarist) (von 1972-09 bis 1972-10)
Fiddle:
Byron Berline (von 1972-09 bis 1972-10)
Gitarre:
Barry Tashian (von 1972-09 bis 1972-10)
Orgel und Klavier:
Glen D. Hardin (von 1972-09 bis 1972-10)
Pedal-Steel-Gitarre:
Buddy Emmons (von 1972-09 bis 1972-10) und Al Perkins (Texas born guitarist esp. steel guitar) (von 1972-09 bis 1972-10)
Schlagzeug:
Sam Goldstein (von 1972-09 bis 1972-10), John Guerin (von 1972-09 bis 1972-10) und Ron Tutt (drummer) (von 1972-09 bis 1972-10)
Sologesang:
Emmylou Harris und Gram Parsons (von 1972-09 bis 1972-10)
vocals:
Emmylou Harris (von 1972-09 bis 1972-10) und Barry Tashian (von 1972-09 bis 1972-10)
aufgenommen bei:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (von 1972-09 bis 1972-10)
recording of:
A Song for You
Texter und Komponist(in):
Gram Parsons
Gram Parsons4:57
10Every Which Way but Loose
Eddie Rabbitt2:51
11Haven’t Got the Time for PainCarly Simon53:53
12I Don’t Want to Talk About It
Crazy Horse5:20
13Me and You and a Dog Named Boo
recording of:
Me and You and a Dog Named Boo
Texter und Komponist(in):
Lobo (American singer-songwriter Roland Kent LaVoie)
Lobo2:59
14Only Love Can Break Your Heart
Produzent(in):
Tom Dowd, Arif Mardin und Jerry Wexler
accordion:
Arif Mardin
Bass:
Mike Leach (Nashville session musician and arranger)
Conga:
Larry McDonald (JM drummer/conga, memb. “The Crystalites”)
Gitarre [lead guitar]:
Reggie Young (guitarist and songwriter)
Gitarre [rhythm guitar]:
John Christopher (guitarist, lyricist, composer, singer, session musician)
Klavier [piano, electric piano]:
Bobby Wood (American pianist, keyboard player and songwriter)
Orgel:
Bobby Emmons
Perkussion [drums, percussion]:
Bishop Heywood
xylophone:
John Stewart (xylophone)
Hintergrundgesang:
Charlie Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes und Sandra Rhodes
remixer:
Tom Dowd
Interpret(in):
Denzil Laing
Holzblasinstrumente arranger und Streichquartett arranger:
Arif Mardin
cover recording of:
Only Love Can Break Your Heart
Texter und Komponist(in):
Neil Young (Canadian singer, songwriter & musician)
publisher:
Broken Arrow Music, Broken Arrow Music Pub, Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell Music, Inc.
Jackie DeShannon22:42
15I’d Really Love to See You Tonight
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1976)
recording of:
I’d Really Love to See You Tonight
Texter und Komponist(in):
Parker McGee
publisher:
Clearbox Rights LLC, Dawnbreaker Music, Faizilu Publishing und Sutjujo Music
England Dan & John Ford Coley52:38
16Lost in France
Produzent(in):
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
arranger:
David Mackay (Australian producer, arranger, musical director), Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
phonographisches Urheberrecht (℗) von:
RCA Records (not for release label use! for the imprint, please use “RCA” instead), Soundbarrier Ltd. (production company) (in 1976) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1995)
recording of:
Lost in France
Verfasser(in):
Ronnie Scott (a British pop music promoter, group manager and songwriter) und Steve Wolfe (producer, songwriter and guitar player)
publisher:
BMG Music Publishing Ltd. und Lojo Music
Bonnie Tyler2.353:53
17Born With a Smile on Your Face
Stephanie de Sykes3:14
18Nothing Rhymed
Gilbert O’Sullivan3:23
19Showdown
Techniker(in):
Denny Bridges und John Middleton (engineer)
Produzent(in):
Jeff Lynne
Bass und Hintergrundgesang:
Michael d’Albuquerque (in 1973-04)
Cello:
Mike Edwards (English Cellist that was a member of ELO) (in 1973-04) und Colin Walker (English Cellist that was a member of ELO) (in 1973-04)
Geige / Violine:
Wilfred Gibson (UK violinist) (in 1973-04)
Gitarre und Sologesang:
Jeff Lynne (in 1973-04)
Klavier und Moog:
Richard Tandy (keyboardist for Electric Light Orchestra) (in 1973-04)
Perkussion und Schlagzeug:
Bev Bevan (English rock drummer) (in 1973-04)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1973, in 2005, in 2011), Jet Records (in 1973), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
aufgenommen bei:
Air Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Vereinigtes Königreich (in 1973-04)
recording of:
Showdown (in 1973-04)
geschrieben in:
Birmingham, West Midlands, England, Vereinigtes Königreich
Texter und Komponist(in):
Jeff Lynne
publisher:
EMI April Music Inc., EMI Blackwood Music Inc., EMI Songs Ltd., EMI U Catalog Inc. (publisher; do NOT use as release label), Jet Music Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Electric Light Orchestra4.44:11
20Just When I Needed You Most
Produzent(in):
Del Newman (British conductor, orchestrator, arranger)
phonographisches Urheberrecht (℗) von:
Bearsville Records Inc. (in 1979) und Rhino Records, Inc. (company credits only; not for release label use!) (in 1979)
recording of:
Just When I Needed You Most
Texter und Komponist(in):
Randy VanWarmer
publisher:
Fourth Floor Music Inc. (US publisher), Terraform Music (publisher), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Randy VanWarmer4:00
3CD
Nr.TitelKünstlerBewertungLänge
1Working My Way Back to You
The Spinners4:02
2Disco Inferno
Teil von:
Billboard Year-End Hot 100 singles of 1978 (Nummer: 54)
recording of:
Disco Inferno
Verfasser(in):
Leroy Green (disco/soul songwriter) und Ron Kersey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), peermusic (“Peermusic—the global independent”), Reservoir 416, Reservoir Media Management, Inc. und Six Strings Music
The Trammps4.353:11
3That’s the Way (I Like It)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975, in 1976) und T.K. Records (Miami‐based disco label) (in 1975)
Bearbeitung von:
That’s the Way (I Like It) von KC and the Sunshine Band (US funk, R&B & disco band)
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC and the Sunshine Band4.43:03
4Knock on Wood
phonographisches Urheberrecht (℗) von:
Ariola America, Inc. (in 1978)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 3) (Nummer: 6)
cover recording of:
Knock on Wood
Verfasser(in):
Steve Cropper und Eddie Floyd
publisher:
East/Memphis Music, Irving Music, Inc., Rondor Music, Rondor Music (London) Ltd., Rondor Music Publishing, Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
adaptations:
Potkraj na les
Amii Stewart53:45
5Just a Touch of Love
recording of:
Just a Touch of Love
Verfasser(in):
Mark Adams (Slave bassist), Steve Arrington, Mark Hicks (member of Slave), Ray Turner (keyboard player), Daniel Webster und Starleana Young
Slave3:46
6Move on Up
Bearbeitung von:
Move On Up von Curtis Mayfield
recording of:
Move On Up
Texter und Komponist(in):
Curtis Mayfield
publisher:
Camad Music Company (beendet), Curtom Publishing Co Inc (beendet), EMI Tunes Ltd, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Curtis Mayfield42:46
7Express Yourself
Produzent(in):
Charles Wright
phonographisches Urheberrecht (℗) von:
Island Records (NOT for release label use! A division of UMG Recordings, Inc.) (in 2022)
Teil von:
Billboard Year-End Hot 100 singles of 1970 (Nummer: 57)
recording of:
Express Yourself
Texter und Komponist(in):
Charles Wright (in 1970)
Charles Wright & the Watts 103rd Street Rhythm Band4.53:50
8Then Came You
Gast vocals:
Dionne Warwick
Interpret(in):
The Spinners (The Detroit Spinners, US R&B/soul group, aka The Detroit Spinners)
cover recording of:
Then Came You
Verfasser(in):
Sherman Marshall und Philip Pugh
publisher:
Mijac Double Diamond Music und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dionne Warwick4.53:57
9Angel
recording engineer:
Phil Schier (in 1972-04)
Produzent(in):
Aretha Franklin und Quincy Jones
Mix:
Phil Schier
Tenorsaxophon:
Joe Farrell (in 1972-04)
remixer:
Quincy Jones und Phil Schier
arranger:
Aretha Franklin und Quincy Jones
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1973) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1973)
aufgenommen bei:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1972-04)
remixed at:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Angel (in 1972-04)
Verfasser(in):
Carolyn Franklin und Sonny Sanders
publisher:
Carlin Music Corporation und Springtime Music, Inc.
Aretha Franklin44:28
10Rainy Night in Georgia
cover recording of:
Rainy Night in Georgia
Texter und Komponist(in):
Tony Joe White
publisher:
Combine Music Corp. und EMI Songs Limited
Brook Benton3:34
11He Called Me BabyCandi Staton3:31
12A Song for You
cover recording of:
A Song for You
Texter und Komponist(in):
Leon Russell
publisher:
Irving Music (BMI), Irving Music, Inc., Rondor Music, Skyhill Pub. Co., Inc. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Donny Hathaway45:26
13Midnight at the Oasis
recording of:
Midnight at the Oasis
Texter und Komponist(in):
David Nichtern
publisher:
Space Potato Music (in 1974)
Maria Muldaur3:48
14Jack in the Box
The Moments3:58
15It’s Been So LongGeorge McCrae2:39
16Goodbye Nothing to Say
The Javells feat. Nosmo King2:46
17Shame, Shame, Shame
Shirley & Company3:45
18I Don’t Want to Be a Freak (But I Can’t Help Myself)
Dynasty3:26
19Galaxy of Love
recording of:
Galaxy of Love
Verfasser(in):
Vernon Britton und Freida Nerangis
Crown Heights Affair3:47
20Low Rider
recording of:
Low Rider
Verfasser(in):
Papa Dee Allen, Harold Brown, B.B. Dickerson, Jerry Goldstein (producer, record label owner and publisher), Lonnie Jordan, Charles Miller (US saxophonist & flutist, member of War), Lee Oskar und Howard E. Scott (US funk/rock guitarist, member of War)
War3:12
4CD
Nr.TitelKünstlerBewertungLänge
1Stay With Me
Produzent(in):
Faces (successor of “Small Faces”, members Rod Stewart, Ron Wood) und Glyn Johns
Bassgitarre:
Ronnie Lane
Gitarre:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
Schlagzeug:
Kenney Jones (drummer for Small Faces, Faces, and The Who)
Wurlitzer Electric Piano:
Ian McLagan
Sologesang:
Rod Stewart
phonographisches Urheberrecht (℗) von:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1971)
recording of:
Stay With Me
Verfasser(in):
Rod Stewart und Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
publisher:
EMI April Music Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Warner Bros. Music Co., Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) und WB Music Corp. (1929–2019)
Faces4.54:37
2Blockbuster
recording of:
Block Buster!
Verfasser(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
publisher:
BMG Music Publishing Ltd., Chinnichap Music Ltd., RAK Publ. Ltd. und Universal Music Publishing MGB Ltd.
The Sweet3:12
3I Hear You Knocking
cover recording of:
I Hear You Knocking
Texter und Komponist(in):
Dave Bartholomew und Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier und World Music (publisher)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
recording of:
I Hear You Knocking
Texter und Komponist(in):
Dave Bartholomew und Pearl King
publisher:
Commodore Music Corp., EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), Francis, Day & Hunter Ltd., Succemelodier und World Music (publisher)
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Dave Edmunds2:47
4Whole Lotta Love
Produzent(in):
Mickie Most (English record producer)
arranger:
John Cameron (British composer, arranger and conductor)
instrumental cover recording of:
Whole Lotta Love
zusätzlicher Texter:
Willie Dixon
Verfasser(in):
John Bonham, John Paul Jones (UK rock musician of Led Zeppelin & Them Crooked Vultures), Jimmy Page und Robert Plant (of Led Zeppelin)
publisher:
Flames of Albion Music, Inc., Succubus Music Ltd., Superhype Music, Inc., Superhype Publishing, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Scandinavia AB und WB Music Corp. (1929–2019)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
You Need Love
C.C.S.53:28
5Tush
recording engineer und Mix:
Terry Manning (US recording engineer)
Produzent(in):
Bill Ham (manager of ZZ Top)
Bassgitarre und Sologesang:
Dusty Hill
E-Gitarre:
Billy Gibbons
Schlagzeug:
Frank Beard (ZZ Top drummer)
aufgenommen bei:
Ardent Studios in Memphis, Tennessee, Vereinigte Staaten und Robin Hood Studios in Tyler, Texas, Vereinigte Staaten
Teil von:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (Nummer: 67)
recording of:
Tush
Verfasser(in):
Frank Beard (ZZ Top drummer), Billy Gibbons und Dusty Hill
publisher:
Music of Stage Three und Songs of Mosaic
ZZ Top4.552:17
6Werewolves of London
Techniker(in):
Dennis Kirk und Greg Ladanyi
Produzent(in):
Jackson Browne (American singer-songwriter) und Waddy Wachtel
Bass:
John McVie
Gitarre [guitars]:
Waddy Wachtel
Klavier:
Warren Zevon
Schlagzeug:
Mick Fleetwood
phonographisches Urheberrecht (℗) von:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1978), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1978) und Rhino Entertainment Company (not for release label use!) (vom 2007 bis heute)
aufgenommen bei:
The Sound Factory in Tucson, Arizona, Vereinigte Staaten (in 2007)
recording of:
Werewolves of London
Verfasser(in):
LeRoy P. Marinell, Waddy Wachtel und Warren Zevon
publisher:
Leadsheet Land Music, Polite Music, Tiny Tunes und Zevon Music Inc. (BMI)
Warren Zevon4.93:26
7Shake Some Action
leitende(r) Produzent(in):
Greg Shaw
Produzent(in):
Dave Edmunds
Schlagzeug:
Danny Mihm
produced at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich
recording of:
Shake Some Action
Verfasser(in):
Cyril Jordan und Chris Wilson (US guitarist, Ex- Flamin' Groovies)
publisher:
Bleu Disque Music Co., Inc. (publisher) und Chappell Music Ltd.
sub-publisher:
Warner Chappell Music France
Flamin’ Groovies54:32
8Roxette
recording of:
Roxette
Komponist(in):
Wilko Johnson
publisher:
EMI United Partnership Ltd.
Dr. Feelgood4.52:54
9Hanging Around
Techniker(in):
Alan Winstanley (English record producer)
Produzent(in):
Martin Rushent
assistierende(r) Mix:
Benny King (engineer)
Mix:
Doug Bennett (producer, engineer)
Bassgitarre:
Jean‐Jacques Burnel (von 1976-12-20 bis 1977-01-28)
Gitarre und Sologesang:
Hugh Cornwell (English rock musician) (von 1976-12-20 bis 1977-01-28)
Keyboard:
Dave Greenfield (von 1976-12-20 bis 1977-01-28)
Schlagzeug:
Jet Black (UK drummer Brian Duffy, member of The Stranglers) (von 1976-12-20 bis 1977-01-28)
Herausgeber:
EMI April Music Inc.
phonographisches Urheberrecht (℗) von:
A&M Records, Inc.
aufgenommen bei:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1976-12-20 bis 1977-01-28)
mixed at:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich
produced at:
T.W. Studios (Clanger Winstanley's studio in Fulham) in Fulham, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich (von 1977-01 bis 1977-02)
recording of:
Hanging Around (von 1976-12-20 bis 1977-01-28)
Verfasser(in):
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician) und Dave Greenfield
publisher:
Complete Music Ltd., Irving Music, Inc., Musik-Edition Discoton GmbH, Universal Music Publishing MGB Ltd., Albion Music Ltd. (in 1977) und April Music Ltd. (in 1977)
The Stranglers54:26
10Let’s Go
assistierende(r) Techniker(in):
George Tutko (engineer, producer)
Techniker(in):
Geoff Workman
Produzent(in):
Roy Thomas Baker (producer)
Bassgitarre und Sologesang:
Benjamin Orr (co-lead singer for The Cars)
Gitarre:
Elliot Easton und Ric Ocasek
Schlagzeug und Perkussion:
David Robinson (US rock drummer)
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1979), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1979), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1979) und Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 2017)
aufgenommen bei:
Cherokee Studios in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
Let’s Go
Texter und Komponist(in):
Ric Ocasek
publisher:
Carlin Music Corporation und Lido Music, Inc. (in 1979)
The Cars43:33
11Hot Blooded
Bearbeitung von:
Hot Blooded von Foreigner (British/American rock band)
recording of:
Hot Blooded
Verfasser(in):
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King) und Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), フジパシフィック音楽出版 (Fujipacific Music inc.) (bis 2014-12-31), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (bis 2017-03-31), フジパシフィックミュージック (Fujipacific Music, Inc.) (vom 2015-01-01 bis heute) und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (vom 2017-04-01 bis heute)
Foreigner3.653:03
12Bad Bad Boy
recording of:
Bad Bad Boy
Verfasser(in):
Pete Agnew (singer-songwriter and bassist), Manny Charlton (singer-songwriter and guitarist), Dan McCafferty (singer, songwriter) und Darrell Sweet (drummer and songwriter)
publisher:
Carlin Music Corporation, Intersong Music und Mountain Music Ltd.
Nazareth3:56
13Louie Louie
Produzent(in):
Eddie Clarke (Motörhead guitarist) (in 1978), Lemmy Kilmister (“Lemmy” from Motörhead) (in 1978), Neil Richmond (in 1978) und Phil “Philthy Animal” Taylor (former Motörhead drummer) (in 1978)
E-Bass und Sologesang:
Lemmy Kilmister (“Lemmy” from Motörhead) (in 1978)
E-Gitarre:
Eddie Clarke (Motörhead guitarist) (in 1978)
Schlagzeug:
Phil “Philthy Animal” Taylor (former Motörhead drummer) (in 1978)
aufgenommen bei:
Wessex Sound Studios in Highbury, Islington, London (Greater London), England, Vereinigtes Königreich (in 1978)
cover recording of:
Louie Louie (in 1978)
Texter und Komponist(in):
Richard Berry (US singer/songwriter, composed “Louie Louie”)
publisher:
EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Windswept Pacific Music Ltd. und World Wide Music
Teil von:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Motorhead3.252:45
14Sweet Jane
Produzent(in):
Geoffrey Haslam, Shel Kagan und The Velvet Underground (Lou Reed’s seminal rock band)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 335)
recording of:
Sweet Jane
Texter und Komponist(in):
Lou Reed
publisher:
Oakfield Avenue Music Ltd.
The Velvet Underground54:06
15Only After Dark
Mick Ronson3:29
16Making Up Again
Goldie3:27
17Must of Got Lost
The J. Geils Band2:55
18In My Chair
Status Quo3:13
19Red Dress
Produzent(in):
Peter Shelley (British 1970s pop singer/songwriter)
recording of:
Red Dress
Texter und Komponist(in):
Peter Shelley (British 1970s pop singer/songwriter)
Alvin Stardust2:50
20Ball Park Incident
Wizzard3:38
5CD
Nr.TitelKünstlerBewertungLänge
1I Can’t Tell the Bottom From the Top
The Hollies3:51
2Every Man Must Have a Dream
Liverpool Express3:54
3Northern Lights
Sologesang:
Annie Haslam
recording of:
Northern Lights
Verfasser(in):
Michael Dunford (guitarist / songwriter for the group Renaissance) und Betty Thatcher
Renaissance4:06
4Wonderous Stories
assistierende(r) Techniker(in):
David Richards (Swiss-based producer and engineer)
Techniker(in):
John Timperley
leitende(r) Produzent(in):
Brian Lane (producer)
Produzent(in):
Yes (British progressive rock band)
Bassgitarre:
Chris Squire (Yes bassist) (von 1976 bis 1977)
Moog [Polymoog]:
Rick Wakeman (von 1976 bis 1977)
portugiesische Gitarre [Vachalia] und E-Gitarre:
Steve Howe (von 1976 bis 1977)
Schlagzeug und Perkussion:
Alan White (Yes drummer) (von 1976 bis 1977)
Hintergrundgesang:
Steve Howe (von 1976 bis 1977) und Chris Squire (Yes bassist) (von 1976 bis 1977)
Sologesang:
Jon Anderson (Yes/Jon & Vangelis) (von 1976 bis 1977)
arranger:
Yes (British progressive rock band)
phonographisches Urheberrecht (℗) von:
Atlantic (Warner Music imprint) (in 1977), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1977) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1977)
aufgenommen bei:
Mountain Recording Studios (original Montreux location, 1975–2002) in Montreux, Vaud (Kanton Waadt), Schweiz (von 1976 bis 1977)
teilweise recording of:
Wonderous Stories (von 1976 bis 1977)
Texter und Komponist(in):
Jon Anderson (Yes/Jon & Vangelis)
publisher:
Rondor Music (London) Ltd., Topographic Music (publisher), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) und Topographic Music, Ltd. (in 1977)
Yes4.353:49
5Lucky Man
recording of:
Lucky Man
Texter und Komponist(in):
Greg Lake
publisher:
Bosworth & Co. Ltd. und Leadchoice, Ltd.
live recording of:
Lucky Man
Texter und Komponist(in):
Greg Lake
publisher:
Bosworth & Co. Ltd. und Leadchoice, Ltd.
Emerson, Lake & Palmer4:36
6Juke Box Gypsy
recording of:
Juke Box Gypsy
Verfasser(in):
Charlie Harcourt und Ray Jackson
Lindisfarne2:22
7The Mexican
Babe Ruth3:27
8Falling Apart at the Seams
Marmalade3:06
9I’ll Go Where the Music Takes Me
recording of:
I’ll Go Where Your Music Takes Me
Texter und Komponist(in):
Biddu (composer, songwriter, producer and musician)
publisher:
Reverb 2 Music Limited, Chappell (in 1976) und Subiddu Music (publisher) (in 1976)
Jimmy James & the Vagabonds3:27
10Softly Whispering I Love You
Techniker(in):
Peter Vince (engineer, producer)
Interpret(in):
Brian Keith und Alan Parker (guitarist & composer)
arranger:
Ken Woodman (British trumpeter, music director, arranger and composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1971)
aufgenommen bei:
EMI Studios (London) in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich
cover recording of:
Softly Whispering I Love You
Verfasser(in):
Roger Frederick Cook (US‐based British singer, songwriter and producer) und Roger John Reginald Greenaway
publisher:
Cookaway Music Ltd. (publisher, likely UK-based), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal/Dick James Music Ltd. (fka Dick James Music Ltd.)
Congregation23:00
11Emma
recording of:
Emma
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3:51
12Good Morning Freedom
recording of:
Good Morning Freedom
Texter:
Mike Hazlewood
Komponist(in):
Roger Cook (US‐based British singer, songwriter and producer), Roger Greenaway und Albert Hammond
publisher:
PolyGram Music Publishing
Blue Mink2:50
13(And the) Pictures in the Sky
Medicine Head2:34
14What a Night
City Boy2:38
15Streets of London
Produzent(in):
Gus Dudgeon
Gitarre:
Ralph McTell (in 1969)
vocals:
Ralph McTell (in 1969)
recording of:
Streets of London (in 1969)
Texter und Komponist(in):
Ralph McTell
publisher:
Essex Music International und ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Ralph McTell4:07
16The Prince
Produzent(in):
Clive Langer & Alan Winstanley
baritone saxophone und Tenorsaxophon:
Lee “Kix” Thompson (Madness)
Bass:
Mark Bedford
Gitarre:
Chris Foreman (UK musician, aka “Chrissy Boy”)
Keyboard:
Mike Barson
Schlagzeug und Perkussion:
Daniel Woodgate
Hintergrundgesang:
Chas Smash
vocals:
Suggs und Lee “Kix” Thompson (Madness)
recording of:
The Prince
Texter und Komponist(in):
Lee “Kix” Thompson (Madness)
gewidmet:
Prince Buster
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Madness2.753:20
17Double Barrel
Produzent(in):
Winston Riley
Bass:
Robert “Robbie” Shakespeare
Gitarre:
Ranchie McLean
Keyboard:
Ansel Collins (JM reggae keyboardist & producer)
membranophone:
Lowell “Sly” Dunbar
Sologesang:
Dave Barker (reggae artist)
Interpret(in):
Techniques All Stars
recording of:
Double Barrel
Texter und Komponist(in):
Dave Barker (reggae artist), Ansel Collins (JM reggae keyboardist & producer) und Winston Riley
Dave & Ansel Collins52:45
18Uptown Top Ranking
Althea & Donna3:53
19Help Me Make It Through the Night
John Holt3:06
20Everything I Own
Ken Boothe3:09

Nennungen

Veröffentlichungsgruppe

Teil von:The Ultimate Collection (Union Square Music, ULTIM5CD) (Nummer: W26) (Reihenfolge: 48)