Elvis

~ Release by Elvis Presley (see all versions of this release, 12 available)

Tracklist

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1▼CD
#TitleRatingLength
1Rip It Up
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Rip It Up (from 1956-09-01 until 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
21:56
2Love Me
engineer:
Thorne Nogar
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (on 1956-09-01, from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01, from 1956-09-01 until 1956-09-03)
piano:
Gordon Stoker (US pianist, tenor vocalist and music publisher) (on 1956-09-01, from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
additional vocals:
The Jordanaires (southern gospel group) (on 1956-09-01)
lead vocals:
Elvis Presley (“The King of Rock and Roll”) (on 1956-09-01)
vocals:
The Jordanaires (southern gospel group) (from 1956-09-01 until 1956-09-03)
phonographic copyright (℗) by:
BMG Entertainment (in 1956) and Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1956-09-01, from 1956-09-01 until 1956-09-03)
cover recording of:
Love Me (from 1956-09-01 until 1956-09-03)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
recording of:
Love Me, Love Me
writer:
George Richey and Glenn Sutton (US songwriter and producer)
42:45
3When My Blue Moon Turns to Gold Again
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
When My Blue Moon Turns to Gold Again (from 1956-09-01 until 1956-09-03)
writer:
Gene Sullivan (in 1940) and Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI) (on 1941-12-03)
12:23
4Long Tall Sally
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Long Tall Sally (from 1956-09-01 until 1956-09-03)
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
21:54
5First in Line
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
recording of:
First in Line (from 1956-09-01 until 1956-09-03)
composer:
Aaron Schroeder (1950s~1960s US songwriter) and Ben Weisman
publisher:
Rachel’s Own Music and Ross Jungnickel, Inc.
13:23
6Paralyzed
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
recording of:
Paralyzed (from 1956-09-01 until 1956-09-03)
composer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music and Williamson Music Company
22:28
7So Glad You’re Mine
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-01-30)
cover recording of:
So Glad You’re Mine (on 1956-01-30)
lyricist and composer:
Arthur “Big Boy” Crudup
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
12:23
8Old Shep
bass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (from 1956-09-01 until 1956-09-03)
drums (drum set):
D.J. Fontana (from 1956-09-01 until 1956-09-03)
guitar:
Scotty Moore (American guitarist and recording engineer) (from 1956-09-01 until 1956-09-03) and Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03)
piano:
Elvis Presley (“The King of Rock and Roll”) (from 1956-09-01 until 1956-09-03) and Gordon Stoker (US pianist, tenor vocalist and music publisher) (from 1956-09-01 until 1956-09-03)
vocals:
The Jordanaires (southern gospel group) (from 1956-09-01 until 1956-09-03)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Old Shep (from 1956-09-01 until 1956-09-03)
publisher:
Clyde Julian Foley (US country music musician) (on 1935-06-24)
lyricist:
Willis Arthur (lyricist)
composer:
Clyde Julian Foley (US country music musician)
publisher:
Westpar Music
34:12
9Ready Teddy
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Ready Teddy (from 1956-09-01 until 1956-09-03)
lyricist and composer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Aberbach Ltd. (publisher), ABG Elvis Songs, Elvis Presley Music, Elvis Presley Music Inc., Robin Hood Music Co., Songs of Kobalt Music Publishing, Sony/ATV Songs LLC and Venice Music, Inc.
21:58
10Anyplace Is Paradise
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
recording of:
Anyplace Is Paradise (from 1956-09-01 until 1956-09-03)
lyricist and composer:
Joe Thomas (US songwriter and Jazz saxophonist)
publisher:
Elvis Presley Music and Elvis Presley Music Inc.
12:27
11How’s the World Treating You
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
How’s the World Treating You (on 1956-09-01)
composer:
Chet Atkins and Boudleaux Bryant
publisher:
Acuff-Rose Publications, Inc. (BMI)
12:26
12How Do You Think I Feel
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
How Do You Think I Feel (from 1956-09-01 until 1956-09-03)
composer:
Webb Pierce and Wiley Walker
12:14
13Playing for Keeps
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Playing for Keeps (from 1956-09-01 until 1956-09-03)
lyricist and composer:
Stan Kesler (US session musician, composer and producer)
2:55
14Too Much
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Too Much (from 1956-09-01 until 1956-09-03)
writer:
Lee Rosenberg and Bernard Weinman
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., MCS Music Ltd. and Southern Belle Music
2:36
15Don’t Be Cruel
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
recording of:
Don’t Be Cruel (on 1956-07-02)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. and Williamson Music Company
2:05
16Hound Dog
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
cover recording of:
Hound Dog (on 1956-07-02)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
2:18
17Anyway You Want Me
recorded at:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, United States (on 1956-07-02)
recording of:
Any Way You Want Me (on 1956-07-02)
writer:
Cliff Owens and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Rachel’s Own Music and Ross Jungnickel, Inc.
2:18
18Rip It Up (takes 10–14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Rip It Up (from 1956-09-01 until 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
3:08
19Rip It Up (take 15)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Rip It Up (from 1956-09-01 until 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
2:04
20Rip It Up (take 16)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Rip It Up (from 1956-09-01 until 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
1:59
21Rip It Up (take 17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Rip It Up (from 1956-09-01 until 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
2:05
22Rip It Up (take 18–19/m)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Rip It Up (from 1956-09-01 until 1956-09-03)
writer:
Robert “Bumps” Blackwell and John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC and Venice Music
3:53
23Old Shep (take 5)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1956-09-01 until 1956-09-03)
cover recording of:
Old Shep (from 1956-09-01 until 1956-09-03)
publisher:
Clyde Julian Foley (US country music musician) (on 1935-06-24)
lyricist:
Willis Arthur (lyricist)
composer:
Clyde Julian Foley (US country music musician)
publisher:
Westpar Music
4:01
2▼CD
#TitleRatingLength
1Heartbreak Hotel (live)
recorded at:
Hirsch Coliseum in Shreveport, Louisiana, United States (on 1956-12-15)
live recording of:
Heartbreak Hotel (on 1956-12-15)
writer:
Mae Boren Axton, Tommy Durden and Elvis Presley (“The King of Rock and Roll”)
publisher:
Belwin Mills Music Ltd., Durden Breyer Publishing, EMI Harmonies Limited, EMI Mills Music Limited (PRS for Music-affiliated), Sony/ATV Songs LLC, Sony/ATV Tree Publishing and Unichappell Music
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
1:47
2Long Tall Sally (live)
recorded at:
Hirsch Coliseum in Shreveport, Louisiana, United States (on 1956-12-15)
live cover recording of:
Long Tall Sally (on 1956-12-15)
writer:
Enotris Johnson (on 1955-11-29), Richard Wayne Penniman (on 1955-11-29) and Robert Alexander Blackwell (on 1955-11-29)
publisher:
ATV Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Peermusic (UK) Ltd., Sony/ATV Songs LLC, Southern Music Publishing Company Limited, Unichappell Music and Venice Music
2:38
3I Was the One (live)
recorded at:
Hirsch Coliseum in Shreveport, Louisiana, United States (on 1956-12-15)
live recording of:
I Was the One (on 1956-12-15)
writer:
Hal Blair, Claude Demetrius, Bill Peppers and Aaron Schroeder (1950s~1960s US songwriter)
publisher:
Anne-Rachel Music, Carlin Music Corporation, Chappell & Co., Inc. (USA), MCA Music Ltd. and Rachel’s Own Music
3:08
4Love Me Tender (live)
recorded at:
Hirsch Coliseum in Shreveport, Louisiana, United States (on 1956-12-15)
live recording of:
Love Me Tender (on 1956-12-15)
lyricist:
Ken Darby (in 1956)
additional writer:
Vera Matson (in 1956) and Elvis Presley (“The King of Rock and Roll”) (in 1956)
composer:
George R. Poulton (in 1861)
publisher:
Aberbach Musikverlag (German publisher), ABG Elvis Songs, Carlin Music Corporation, Chrysalis Songs, Elvis Presley Music Inc., Elvis Presley Music Susan Aberbach Trust, R&H Music, Songs of Kobalt Music Publishing, Williamson Music Company and Elvis Presley Music (from 1956 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and 日音 Synch事業部 (NICHION, INC. Synch Division)
is based on:
Aura Lea
3:29
5Don’t Be Cruel (live)
recorded at:
Hirsch Coliseum in Shreveport, Louisiana, United States (on 1956-12-15)
live recording of:
Don’t Be Cruel (on 1956-12-15)
writer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music, Inc. and Williamson Music Company
2:57
6Love Me (live)
recorded at:
Hirsch Coliseum in Shreveport, Louisiana, United States (on 1956-12-15)
live cover recording of:
Love Me (on 1956-12-15)
lyricist:
Jerry Leiber
composer:
Mike Stoller
publisher:
Hornall Brothers Music Ltd. (limited company), Jerry Leiber Music, Mike Stoller Music (ASCAP), Quintet Music (Leiber & Stoller) and Sony/ATV Songs LLC
3:36
7I Got a Woman (live)
recorded at:
Hirsch Coliseum in Shreveport, Louisiana, United States (on 1956-12-15)
live cover recording of:
I Got a Woman (on 1956-12-15)
writer:
Ray Charles (soul musician, singer and songwriter) and Renald Richard
publisher:
Campbell Connelly & Co. Ltd., Mijac Music, Progressive Music Pub. Co., Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Warner/Chappell (Warner/Chappell Music, Inc.)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:21
8When My Blue Moon Turns to Gold Again (live)
recorded at:
Hirsch Coliseum in Shreveport, Louisiana, United States (on 1956-12-15)
live cover recording of:
When My Blue Moon Turns to Gold Again (on 1956-12-15)
writer:
Gene Sullivan (in 1940) and Wiley Walker (in 1940)
publisher:
APRS (American Performing Rights Society, Inc.(BMI)) and Peer International Corporation (BMI) (on 1941-12-03)
2:47
9Paralyzed (live)
recorded at:
Hirsch Coliseum in Shreveport, Louisiana, United States (on 1956-12-15)
live recording of:
Paralyzed (on 1956-12-15)
composer:
Otis Blackwell (American pianist, singer and songwriter) and Elvis Presley (“The King of Rock and Roll”)
publisher:
Carlin Music Corporation, Elvis Presley Music, Elvis Presley Music Inc., Shalimar Music Corp., Unichappell Music and Williamson Music Company
2:57
10Hound Dog (live)
recorded at:
Hirsch Coliseum in Shreveport, Louisiana, United States (on 1956-12-15)
live cover recording of:
Hound Dog (on 1956-12-15)
lyricist:
Jerry Leiber (on 1952-08-12)
composer:
Mike Stoller (on 1952-08-12)
previously attributed to:
Johnny Otis
publisher:
Chappell Morris Ltd., Cherry Lane, Cherry Lane Music, Cherry Lane Music Publishing, Elvis Presley Music, Gladys Music, Lion Publishing Co., MCA Music Inc. (US-based music publishers), MCA Music Ltd., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Sony/ATV Songs LLC, Universal Music Publishing (use ONLY if no country‐specific information is available), Universal/MCA Music (music publisher; do not use as release label!), Williamson Music Company and Williamson Music, Inc.
4:30

Credits

Release

manufactured in:Europe
art direction and producer:Ernst Mikael Jorgensen
Roger Semon
copyrighted (©) by and phonographic copyright (℗) by:Follow That Dream Records (specializes in Elvis reissues and collectibles) (in 2014)
licensed from:Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP)
Discogs:https://www.discogs.com/release/7941121 [info]