The Buddy Holly Story

~ Release by Buddy Holly (see all versions of this release, 3 available)

Tracklist

1▼Medium
#TitleRatingLength
1Rave On
co-producer:
Joe Renzetti (US film composer, session musician)
producer:
Freddy Bauer
mixer:
Joel Fein (sound engineer)
double bass [bass]:
Charles Martin Smith
drums (drum set) [drums]:
Don Stroud (actor)
guitar [lead guitar]:
Gary Busey
vocals:
Gary Busey
arranger:
Joe Renzetti (US film composer, session musician)
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
Rave On
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Nor-Va-Jak Music, Southern Music (publisher) and Wren Music Co.
2:07
2It's So Easy
co-producer:
Joe Renzetti (US film composer, session musician)
producer:
Freddy Bauer
mixer:
Joel Fein (sound engineer)
double bass [bass]:
Charles Martin Smith
drums (drum set) [drums]:
Don Stroud (actor)
guitar [lead guitar]:
Gary Busey
vocals:
Gary Busey
arranger:
Joe Renzetti (US film composer, session musician)
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
It’s So Easy
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Publications Inc., Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1958)
1:17
3True Love Ways
co-producer:
Joe Renzetti (US film composer, session musician)
producer:
Freddy Bauer
mixer:
Joel Fein (sound engineer)
double bass [bass]:
Charles Martin Smith
drums (drum set) [drums]:
Don Stroud (actor)
guitar [lead guitar]:
Gary Busey
vocals:
Gary Busey
arranger:
Joe Renzetti (US film composer, session musician)
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
True Love Ways
writer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
2:52
4Clear Lake Medley: That'll Be the Day / Oh Boy! / Peggy Sue / Maybe Baby
co-producer:
Joe Renzetti (US film composer, session musician)
producer:
Freddy Bauer
mixer:
Joel Fein (sound engineer)
double bass [bass]:
Charles Martin Smith
drums (drum set) [drums]:
Don Stroud (actor)
guitar [lead guitar]:
Gary Busey
vocals:
Gary Busey
arranger:
Joe Renzetti (US film composer, session musician)
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
medley including a cover recording of:
Maybe Baby
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
medley including a cover recording of:
Not Fade Away
writer:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited and Wren Music
medley including a cover recording of:
Oh, Boy!
writer:
Norman Petty, Bill Tilghman (songwriter) and Sonny West (American songwriter and musician Joseph “Sonny” West)
publisher:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) and Wren Music Co.
medley including a cover recording of:
Peggy Sue
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) and Wren Music Co.
medley including a cover recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
5:52
5I'm Gonna Love You Too
co-producer:
Joe Renzetti (US film composer, session musician)
producer:
Freddy Bauer
mixer:
Joel Fein (sound engineer)
double bass [bass]:
Charles Martin Smith
drums (drum set) [drums]:
Don Stroud (actor)
guitar [lead guitar]:
Gary Busey
vocals:
Gary Busey
arranger:
Joe Renzetti (US film composer, session musician)
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
I’m Gonna Love You Too
writer:
Joe B. Mauldin (double bassist, songwriter, and recording engineer), Norman Petty and Niki Sullivan
publisher:
MPL (Paul McCartney-related) (ended), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (in 1957, in 1958)
2:34
6Whole Lotta Shakin' Goin' On
co-producer:
Joe Renzetti (US film composer, session musician)
producer:
Freddy Bauer
mixer:
Joel Fein (sound engineer)
double bass [bass]:
Charles Martin Smith
drums (drum set) [drums]:
Don Stroud (actor)
guitar [lead guitar]:
Gary Busey
vocals:
Gary Busey
arranger:
Joe Renzetti (US film composer, session musician)
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
Whole Lotta Shakin’ Goin’ On
writer:
Sunny David (US rockabilly pianist & songwriter) and Dave “Curly” Williams
publisher:
Cherio Music Publishers, Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Marlyn Music Publishing Inc. (also displayed as “Marlyn Music Publishers Inc.” on releases), Marlyn Music Publishing Ltd., Ni'Mani Entertainment Co. (ASCAP-affiliated) and Whole Lotta Shakin' Music
2:27
7Well All Right
co-producer:
Joe Renzetti (US film composer, session musician)
producer:
Freddy Bauer
mixer:
Joel Fein (sound engineer)
double bass [bass]:
Charles Martin Smith
drums (drum set) [drums]:
Don Stroud (actor)
guitar [lead guitar]:
Gary Busey
vocals:
Gary Busey
arranger:
Joe Renzetti (US film composer, session musician)
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
Well… All Right
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) and MPL Music Publishing Inc.
1:31
8Listen to Me
co-producer:
Joe Renzetti (US film composer, session musician)
producer:
Freddy Bauer
mixer:
Joel Fein (sound engineer)
double bass [bass]:
Charles Martin Smith
drums (drum set) [drums]:
Don Stroud (actor)
guitar [lead guitar]:
Gary Busey
vocals:
Gary Busey
arranger:
Joe Renzetti (US film composer, session musician)
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
Listen to Me
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter)
writer:
Charles Hardin (Charles Hardin Holley) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) and Wren Music Co.
2:04
9Maybe Baby
co-producer:
Joe Renzetti (US film composer, session musician)
producer:
Freddy Bauer
mixer:
Joel Fein (sound engineer)
double bass [bass]:
Charles Martin Smith
drums (drum set) [drums]:
Don Stroud (actor)
guitar [lead guitar]:
Gary Busey
vocals:
Gary Busey
arranger:
Joe Renzetti (US film composer, session musician)
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
Maybe Baby
lyricist and composer:
Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Melody Lane Pub and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
2:19
10Everyday
co-producer:
Joe Renzetti (US film composer, session musician)
producer:
Freddy Bauer
mixer:
Joel Fein (sound engineer)
double bass [bass]:
Charles Martin Smith
drums (drum set) [drums]:
Don Stroud (actor)
guitar [lead guitar]:
Gary Busey
vocals:
Gary Busey
arranger:
Joe Renzetti (US film composer, session musician)
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
cover recording of:
Everyday
writer:
Charles Hardin (Charles Hardin Holley), Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
Peer International Corporation (BMI) and Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
2:27
11Roller Rink Medley: Rock Around With Ollie Vee / That'll Be the Day
co-producer:
Joe Renzetti (US film composer, session musician)
producer:
Freddy Bauer
mixer:
Joel Fein (sound engineer)
double bass [bass]:
Charles Martin Smith
drums (drum set) [drums]:
Don Stroud (actor)
guitar [lead guitar]:
Gary Busey
vocals:
Gary Busey
arranger:
Joe Renzetti (US film composer, session musician)
mixed at:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
medley including a cover recording of:
Rock Around With Ollie Vee
writer:
Sonny Curtis
publisher:
Palace Music, Skol Music (BMI-affiliated) and Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
medley including a cover recording of:
That’ll Be the Day
writer:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) and Norman Petty
publisher:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. and MPL Communications (not for release label use! Paul McCartney-related, London-based company) (in 1976)
3:15

Credits

Release group

part of:Academy Award winners for “Best Original Score” (soundtrack collection) (number: 51) (order: 39)
Discogs:https://www.discogs.com/master/255724 [info]
IMDb:https://www.imdb.com/title/tt0077280/ [info]
Wikidata:Q1211819 [info]