The Complete Verve Tal Farlow Sessions

~ Release by Tal Farlow (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Tenderly
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1952-07-01)
guitar:
Tal Farlow (jazz guitarist) (on 1952-07-01)
vibraphone:
Red Norvo (on 1952-07-01)
instrumental recording of:
Tenderly (on 1952-07-01)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
2:52
2I Remember You
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1951-10-16)
guitar:
Tal Farlow (jazz guitarist) (on 1951-10-16)
vibraphone:
Red Norvo (on 1951-10-16)
instrumental recording of:
I Remember You (on 1951-10-16)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
3:26
3Skylark
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1951-10-16)
guitar:
Tal Farlow (jazz guitarist) (on 1951-10-16)
vibraphone:
Red Norvo (on 1951-10-16)
instrumental recording of:
Skylark (on 1951-10-16)
lyricist:
Johnny Mercer
composer:
Hoagy Carmichael (in 1941)
publisher:
Frank Music Corp., George Simon Music Co., George Simon, Inc., Hoagy Publishing Co., Songs of Peer, Ltd. (ASCAP), The Johnny Mercer Foundation, Warner Bros. Music (publisher; do NOT use as release label), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
3:18
4If There's Someone Lovelier Than You
double bass:
Oscar Pettiford (on 1954-06-02)
drums (drum set):
Joe Morello (on 1954-06-02)
guitar:
Tal Farlow (jazz guitarist) (on 1954-06-02) and Barry Galbraith (on 1954-06-02)
instrumental recording of:
If There Is Someone Lovelier Than You (on 1954-06-02)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
2:45
5With the Wind and the Rain in Your Hair (10'' LP take)
double bass:
Oscar Pettiford (on 1954-06-02)
drums (drum set):
Joe Morello (on 1954-06-02)
guitar:
Tal Farlow (jazz guitarist) (on 1954-06-02) and Barry Galbraith (on 1954-06-02)
instrumental recording of:
With the Wind and the Rain in Your Hair (on 1954-06-02)
writer:
Clara Edwards (American singer and songwriter) and Jack Lawrence (US songwriter)
3:02
6My Old Flame
double bass:
Oscar Pettiford (on 1954-06-02)
drums (drum set):
Joe Morello (on 1954-06-02)
guitar:
Tal Farlow (jazz guitarist) (on 1954-06-02) and Barry Galbraith (on 1954-06-02)
instrumental recording of:
My Old Flame (on 1954-06-02)
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
3:36
7Gibson Boy
double bass:
Oscar Pettiford (on 1954-06-02)
drums (drum set):
Joe Morello (on 1954-06-02)
guitar:
Tal Farlow (jazz guitarist) (on 1954-06-02) and Barry Galbraith (on 1954-06-02)
2:46
8You and the Night and the Music
double bass:
Oscar Pettiford (on 1954-06-02)
drums (drum set):
Joe Morello (on 1954-06-02)
guitar:
Tal Farlow (jazz guitarist) (on 1954-06-02) and Barry Galbraith (on 1954-06-02)
instrumental recording of:
You and the Night and the Music (on 1954-06-02)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Bienstock Publishing Company (ASCAP affiliated), Carlin Music Corporation, Chappell Music Ltd., Harms, Inc. and Warner Bros. Music (publisher; do NOT use as release label)
part of:
The Band Wagon (1953 film)
3:43
9Love Nest
double bass:
Oscar Pettiford (on 1954-06-02)
drums (drum set):
Joe Morello (on 1954-06-02)
guitar:
Tal Farlow (jazz guitarist) (on 1954-06-02) and Barry Galbraith (on 1954-06-02)
instrumental recording of:
The Love Nest (on 1954-06-02)
lyricist:
Otto Harbach
composer:
Louis A. Hirsch (composer, co-founder of ASCAP)
publisher:
Victoria Publishing Corp (on 1920-04-12)
2:46
10Blues in the Closet
double bass:
Oscar Pettiford (on 1954-06-02)
drums (drum set):
Joe Morello (on 1954-06-02)
guitar:
Tal Farlow (jazz guitarist) (on 1954-06-02) and Barry Galbraith (on 1954-06-02)
recording of:
Blues in the Closet (on 1954-06-02)
composer:
Oscar Pettiford
2:51
11Everything I've Got
double bass:
Oscar Pettiford (on 1954-06-02)
drums (drum set):
Joe Morello (on 1954-06-02)
guitar:
Tal Farlow (jazz guitarist) (on 1954-06-02) and Barry Galbraith (on 1954-06-02)
instrumental recording of:
Ev’rything I’ve Got (on 1954-06-02)
lyricist:
Lorenz Hart (in 1942)
composer:
Richard Rodgers (composer) (in 1942)
publisher:
Chappell & Co., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:31
12With the Wind and the Rain in Your Hair (12'' LP take)
double bass:
Oscar Pettiford (on 1954-06-02)
drums (drum set):
Joe Morello (on 1954-06-02)
guitar:
Tal Farlow (jazz guitarist) (on 1954-06-02) and Barry Galbraith (on 1954-06-02)
instrumental recording of:
With the Wind and the Rain in Your Hair (on 1954-06-02)
writer:
Clara Edwards (American singer and songwriter) and Jack Lawrence (US songwriter)
3:03
13Everything I've Got (alternate take)
double bass:
Oscar Pettiford (on 1954-06-02)
drums (drum set):
Joe Morello (on 1954-06-02)
guitar:
Tal Farlow (jazz guitarist) (on 1954-06-02) and Barry Galbraith (on 1954-06-02)
instrumental recording of:
Ev’rything I’ve Got (on 1954-06-02)
lyricist:
Lorenz Hart (in 1942)
composer:
Richard Rodgers (composer) (in 1942)
publisher:
Chappell & Co., Chappell Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
3:30
14I Like to Recognize the Tune
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
I Like to Recognize the Tune (in 1954-11)
lyricist:
Lorenz Hart
composer:
Richard Rodgers (composer)
3:12
15Strike Up the Band
recorded in:
Hollywood, Los Angeles, California, United States (from 1954-11-15 until 1954-11-16)
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Strike Up the Band (1927 Gershwin song) (in 1954-11)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
3:29
16Autumn in New York
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (from 1954-11-15 until 1954-11-16)
drums (drum set):
Chico Hamilton (from 1954-11-15 until 1954-11-16)
electric guitar [guitar]:
Tal Farlow (jazz guitarist) (from 1954-11-15 until 1954-11-16)
piano:
Gerald Wiggins (from 1954-11-15 until 1954-11-16)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Autumn in New York (1934) (from 1954-11-15 until 1954-11-16)
lyricist and composer:
Vernon Duke
publisher:
Chappell & Co. and Warner Bros., Inc. (not for release label use!)
5:06
17And She Remembers Me
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
4:25
18Little Girl Blue
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Little Girl Blue (in 1954-11)
lyricist:
Lorenz Hart (in 1935)
composer:
Richard Rodgers (composer) (in 1935)
arranger:
Sarah Latto
publisher:
Chappell Music Ltd., Lorenz Hart Publishing Co., T.B. Harms Co., Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Warner Chappell North America, WC Music Corp., Williamson Music Company, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Jumbo
3:25
19Have You Met Miss Jones?
recorded in:
Hollywood, Los Angeles, California, United States (from 1954-11-15 until 1954-11-16)
producer:
Norman Granz
bass and double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Have You Met Miss Jones? (I’d Rather Be Right) (in 1954-11)
lyricist:
Lorenz Hart (in 1937)
composer:
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) and Williamson Music Company
part of:
I’d Rather Be Right
4:59
20Tal's Blues
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
5:12
21Cherokee
producer:
Norman Granz
double bass:
Ray Brown (jazz bassist) (in 1954-11)
drums (drum set):
Chico Hamilton (in 1954-11)
guitar:
Tal Farlow (jazz guitarist) (in 1954-11)
piano:
Gerald Wiggins (in 1954-11)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (from 1954-11-15 until 1954-11-16)
instrumental recording of:
Cherokee (in 1954-11)
lyricist and composer:
Ray Noble
publisher:
Peter Maurice Music Co., Redwood Music Ltd. (Carlin) and Shapiro, Bernstein & Co., Inc.
4:54
2▼CD
#TitleRatingLength
1These Foolish Things
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
These Foolish Things (Remind Me of You) (on 1955-01-17)
lyricist:
Holt Marvell (in 1935)
additional composer:
Harry Link (US vaudeville actor & songwriter)
composer:
Jack Strachey (in 1935)
publisher:
Boosey & Co. (music publisher founded in the 1760s, forebear of Boosey & Hawkes), Boosey & Hawkes Music Publishers, Ltd, Boosey & Hawkes, Inc. (USA, publisher; do NOT use as release label), Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., E.G. Music Inc. and Lafleur Music Ltd.
2:54
2I Remember You
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
I Remember You (on 1955-01-17)
lyricist:
Johnny Mercer (in 1941)
composer:
Victor Schertzinger (in 1941)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Paramount Music Corporation and Sony/ATV Music Publishing Australia Pty Ltd.
4:16
3How Deep Is the Ocean
recorded in:
Hollywood, Los Angeles, California, United States (on 1955-01-17)
producer:
Norman Granz
bass and double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
How Deep Is the Ocean? (on 1955-01-17)
lyricist and composer:
Irving Berlin (in 1932)
publisher:
Francis, Day & Hunter Ltd. and Irving Berlin Music Corp.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:01
4Fascinating Rhythm
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
Fascinatin’ Rhythm (on 1955-01-17)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
3:51
5Manhattan
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
Manhattan (on 1955-01-17)
lyricist:
Lorenz Hart (in 1925)
composer:
Richard Rodgers (composer) (in 1925)
publisher:
Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Piedmont Music Company and Williamson Music Company
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:18
6Autumn Leaves
solo guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
instrumental recording of:
Autumn Leaves (jazz standard, English lyrics) (on 1955-01-17)
lyricist:
Jacques Prévert (in 1945)
composer:
Joseph Kosma (composer) (in 1945)
translator:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. and MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
translated version of:
Les Feuilles mortes (Autumn Leaves)
1:43
7It's You or No One
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
It’s You or No One (on 1955-01-17)
lyricist:
Sammy Cahn
composer:
Sammy Cahn and Jule Styne
part of:
Romance on the High Seas
3:28
8Tenderly
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
Tenderly (on 1955-01-17)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
4:37
9There Will Never Be Another You
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
recording of:
There Will Never Be Another You (on 1955-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
instrumental recording of:
There Will Never Be Another You (on 1955-01-17)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Morley Music Corp.
part of:
The Real Book (compilation of jazz standards, volume I)
3:49
10Just One of Those Things
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-01-17)
drums (drum set):
Stan Levey (on 1955-01-17)
guitar:
Tal Farlow (jazz guitarist) (on 1955-01-17)
piano:
Claude Williamson (on 1955-01-17)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-01-17)
instrumental recording of:
Just One of Those Things (on 1955-01-17)
lyricist and composer:
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) and Warner Bros., Inc. (not for release label use!) (in 1929)
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
part of:
Jubilee
part of:
Panama Hattie (1942 film)
3:04
11Out of Nowhere
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-04)
double bass:
Monty Budwig (on 1955-05-04)
drums (drum set):
Lawrence Marable (on 1955-05-04)
guitar:
Tal Farlow (jazz guitarist) (on 1955-05-04)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-05-04)
trombone:
Bob Enevoldsen (on 1955-05-04)
instrumental recording of:
Out of Nowhere (on 1955-05-04)
lyricist:
Edward Heyman
composer:
Johnny Green (composer and conductor, often credited as John Green)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
5:29
12Walkin'
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-03)
double bass:
Monty Budwig (on 1955-05-03)
drums (drum set):
Lawrence Marable (on 1955-05-03)
guitar:
Tal Farlow (jazz guitarist) (on 1955-05-03)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-05-03)
trombone:
Bob Enevoldsen (on 1955-05-03)
recording of:
Walkin’ (usually credited to Richard Carpenter) (on 1955-05-03)
composer:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.)
5:29
13Moonlight Becomes You
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-04)
double bass:
Monty Budwig (on 1955-05-04)
drums (drum set):
Lawrence Marable (on 1955-05-04)
guitar:
Tal Farlow (jazz guitarist) (on 1955-05-04)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-05-04)
trombone:
Bob Enevoldsen (on 1955-05-04)
recording of:
Moonlight Becomes You (on 1955-05-04)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1942)
composer:
Jimmy Van Heusen (in 1942)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Sony/ATV Harmony and ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
4:26
14On the Alamo
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-03)
double bass:
Monty Budwig (on 1955-05-03)
drums (drum set):
Lawrence Marable (on 1955-05-03)
guitar:
Tal Farlow (jazz guitarist) (on 1955-05-03)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-05-03)
trombone:
Bob Enevoldsen (on 1955-05-03)
recording of:
On the Alamo (on 1955-05-03)
lyricist:
Gilbert Keyes and Joe Lyons (US songwriter & arranger)
composer:
Isham Jones
publisher:
Forster Music Publisher, Inc. (from 1922-08-02 to present) and Tell Taylor, Inc. (from 1922-03-17 until 1922-08-02)
4:10
15Will You Still Be Mine
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-03)
double bass:
Monty Budwig (on 1955-05-03)
drums (drum set):
Lawrence Marable (on 1955-05-03)
guitar:
Tal Farlow (jazz guitarist) (on 1955-05-03)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-05-03)
trombone:
Bob Enevoldsen (on 1955-05-03)
recording of:
Will You Still Be Mine? (on 1955-05-03)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
4:03
16Lorinesque
producer:
Norman Granz
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-04)
double bass:
Monte Budwig (on 1955-05-04)
drums (drum set):
Lawrence Marable (on 1955-05-04)
guitar:
Tal Farlow (jazz guitarist) (on 1955-05-04)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-05-04)
trombone and valve trombone:
Bob Enevoldsen (on 1955-05-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-05-04)
4:17
17Bye Bye Baby
producer:
Norman Granz
baritone saxophone:
Bob Gordon (US jazz saxophonist) (on 1955-05-04)
double bass:
Monte Budwig (on 1955-05-04)
drums (drum set):
Lawrence Marable (on 1955-05-04)
guitar:
Tal Farlow (jazz guitarist) (on 1955-05-04)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-05-04)
trombone and valve trombone:
Bob Enevoldsen (on 1955-05-04)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-05-04)
instrumental recording of:
Bye Bye Baby (Gentlemen Prefer Blondes) (on 1955-05-04)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Jule Styne
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
part of:
Gentlemen Prefer Blondes (1949 musical based on novel of the same name by Anita Loos)
4:10
3▼CD
#TitleRatingLength
1Lullaby of the Leaves
recorded in:
Los Angeles, California, United States (on 1955-04-25)
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-04-25)
drums (drum set):
Stan Levey (on 1955-04-25)
guitar:
Tal Farlow (jazz guitarist) (on 1955-04-25)
piano:
Claude Williamson (on 1955-04-25)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-04-25)
instrumental recording of:
Lullaby of the Leaves (on 1955-04-25)
lyricist:
Joe Young (US lyricist)
composer:
Bernice Petkere
3:47
2Stompin' at the Savoy
recorded in:
Los Angeles, California, United States (on 1955-04-25)
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-04-25)
drums (drum set):
Stan Levey (on 1955-04-25)
guitar:
Tal Farlow (jazz guitarist) (on 1955-04-25)
piano:
Claude Williamson (on 1955-04-25)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-04-25)
instrumental recording of:
Stompin’ at the Savoy (on 1955-04-25)
lyricist:
Andy Razaf
composer:
Benny Goodman (clarinetist and bandleader), Edgar Sampson and Chick Webb
publisher:
EMI Robbins Catalog (ASCAP), Ragbag Music (ASCAP), Razaf Music, Rytvoc (ASCAP), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
3:18
3This Is Always
recorded in:
Los Angeles, California, United States (on 1955-04-25)
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-04-25)
drums (drum set):
Stan Levey (on 1955-04-25)
guitar:
Tal Farlow (jazz guitarist) (on 1955-04-25)
piano:
Claude Williamson (on 1955-04-25)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-04-25)
instrumental recording of:
This Is Always (on 1955-04-25)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
WB Music Corp. (1929–2019)
3:07
4Tea for Two
recorded in:
Los Angeles, California, United States (on 1955-04-25)
producer:
Norman Granz
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-04-25)
drums (drum set):
Stan Levey (on 1955-04-25)
guitar:
Tal Farlow (jazz guitarist) (on 1955-04-25)
piano:
Claude Williamson (on 1955-04-25)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1955-04-25)
instrumental recording of:
Tea for Two (No, No, Nanette) (on 1955-04-25)
lyricist:
Irving Caesar
composer:
Vincent Youmans
publisher:
Chappell Music Ltd., Irving Caesar Music Corp., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1924-06-10)
sub-publisher:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
part of:
No, No, Nanette
2:58
5I Wished on the Moon
cello:
Oscar Pettiford (on 1956-02-11)
double bass:
Ray Brown (jazz bassist) (on 1956-02-11)
drums (drum set):
Henry Bellson (on 1956-02-11)
guitar:
Tal Farlow (jazz guitarist) (on 1956-02-11)
piano:
Hank Jones (piano) (on 1956-02-11)
instrumental recording of:
I Wished on the Moon (on 1956-02-11)
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
7:09
6Swingin' Till the Girls Come Home
cello:
Oscar Pettiford (on 1956-02-11)
double bass:
Ray Brown (jazz bassist) (on 1956-02-11)
drums (drum set):
Henry Bellson (on 1956-02-11)
guitar:
Tal Farlow (jazz guitarist) (on 1956-02-11)
piano:
Hank Jones (piano) (on 1956-02-11)
recording of:
Swingin' Till the Girls Come Home (on 1956-02-11)
composer:
Jon Hendricks and Oscar Pettiford
6:48
7Jordu
cello:
Oscar Pettiford (on 1956-02-11)
double bass:
Ray Brown (jazz bassist) (on 1956-02-11)
drums (drum set):
Henry Bellson (on 1956-02-11)
guitar:
Tal Farlow (jazz guitarist) (on 1956-02-11)
piano:
Hank Jones (piano) (on 1956-02-11)
recording of:
Jordu (on 1956-02-11)
composer:
Duke Jordan (in 1953)
5:37
8The Way You Look Tonight
cello:
Oscar Pettiford (on 1956-02-11)
double bass:
Ray Brown (jazz bassist) (on 1956-02-11)
drums (drum set):
Henry Bellson (on 1956-02-11)
guitar:
Tal Farlow (jazz guitarist) (on 1956-02-11)
piano:
Hank Jones (piano) (on 1956-02-11)
instrumental recording of:
The Way You Look Tonight (from “Swing Time”) (on 1956-02-11)
publisher:
Jerome Kern (on 1936-07-24)
lyricist:
Dorothy Fields (American librettist and lyricist) (in 1936)
composer:
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
part of:
The 9th Academy Award for Best Original Song (number: 1) and Academy Award for Best Original Song (number: 1936 winner)
part of:
Swing Time (film)
4:44
9Bernie's Tune
cello:
Oscar Pettiford (on 1956-02-11)
double bass:
Ray Brown (jazz bassist) (on 1956-02-11)
drums (drum set):
Henry Bellson (on 1956-02-11)
guitar:
Tal Farlow (jazz guitarist) (on 1956-02-11)
piano:
Hank Jones (piano) (on 1956-02-11)
instrumental recording of:
Bernie’s Tune (on 1956-02-11)
lyricist:
Jerry Leiber and Mike Stoller
writer:
Jerry Leiber, Miller (US jazz pianist 1919-1945; wrote 'Bernie's Tune') and Mike Stoller
composer:
Bernie Miller (US jazz pianist 1919-1945; wrote 'Bernie's Tune')
publisher:
Atlantic Music Corp. (BMI)
8:37
10I Wished on the Moon (alternate take)
cello:
Oscar Pettiford (on 1956-02-11)
double bass:
Ray Brown (jazz bassist) (on 1956-02-11)
drums (drum set):
Henry Bellson (on 1956-02-11)
guitar:
Tal Farlow (jazz guitarist) (on 1956-02-11)
piano:
Hank Jones (piano) (on 1956-02-11)
instrumental recording of:
I Wished on the Moon (on 1956-02-11)
lyricist:
Dorothy Parker
composer:
Ralph Rainger
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
7:09
11Bernie's Tune (alternate take)
cello:
Oscar Pettiford (on 1956-02-11)
double bass:
Ray Brown (jazz bassist) (on 1956-02-11)
drums (drum set):
Henry Bellson (on 1956-02-11)
guitar:
Tal Farlow (jazz guitarist) (on 1956-02-11)
piano:
Hank Jones (piano) (on 1956-02-11)
instrumental recording of:
Bernie’s Tune (on 1956-02-11)
lyricist:
Jerry Leiber and Mike Stoller
writer:
Jerry Leiber, Miller (US jazz pianist 1919-1945; wrote 'Bernie's Tune') and Mike Stoller
composer:
Bernie Miller (US jazz pianist 1919-1945; wrote 'Bernie's Tune')
publisher:
Atlantic Music Corp. (BMI)
8:40
4▼CD
#TitleRatingLength
1Taking a Chance on Love
double bass:
Vinnie Burke (on 1956-05-31)
guitar:
Tal Farlow (jazz guitarist) (on 1956-05-31)
piano:
Eddie Costa (on 1956-05-31)
instrumental recording of:
Taking a Chance on Love (on 1956-05-31)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
4:45
2Yardbird Suite
double bass:
Vinnie Burke (on 1956-05-31)
guitar:
Tal Farlow (jazz guitarist) (on 1956-05-31)
piano:
Eddie Costa (on 1956-05-31)
recording of:
Yardbird Suite (instrumental version) (on 1956-05-31)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1946)
5:18
3You Stepped Out of a Dream
double bass:
Vinnie Burke (on 1956-05-31)
guitar:
Tal Farlow (jazz guitarist) (on 1956-05-31)
piano:
Eddie Costa (on 1956-05-31)
instrumental recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (on 1956-05-31)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
part of:
Ziegfeld Girl (1941)
5:42
4They Can't Take That Away From Me
double bass:
Vinnie Burke (on 1956-05-31)
guitar:
Tal Farlow (jazz guitarist) (on 1956-05-31)
piano:
Eddie Costa (on 1956-05-31)
instrumental recording of:
They Can’t Take That Away From Me (from “Shall We Dance”) (on 1956-05-31)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), Chappell Music Ltd., Ira Gershwin Music, Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (until 2019-05-28) and Gershwin Publishing Corp (in 1937)
part of:
The 10th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1937 nominee)
included in:
An American in Paris (2015 Broadway musical)
part of:
Crazy for You (1992 musical)
part of:
Shall We Dance (1937 film soundtrack)
5:45
5Like Someone in Love
double bass:
Vinnie Burke (on 1956-05-31)
guitar:
Tal Farlow (jazz guitarist) (on 1956-05-31)
piano:
Eddie Costa (on 1956-05-31)
instrumental recording of:
Like Someone in Love (on 1956-05-31)
lyricist:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
composer:
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Chappell Morris Ltd., Dorsey Brothers Music and Music Sales Corporation (American copyright holder in both popular and classical music)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
6:41
6Meteor
double bass:
Vinnie Burke (on 1956-05-31)
guitar:
Tal Farlow (jazz guitarist) (on 1956-05-31)
piano:
Eddie Costa (on 1956-05-31)
6:39
7I Love You
double bass:
Vinnie Burke (on 1956-05-31)
guitar:
Tal Farlow (jazz guitarist) (on 1956-05-31)
piano:
Eddie Costa (on 1956-05-31)
instrumental recording of:
I Love You (Mexican Hayride musical) (on 1956-05-31)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
5:34
8Gone With the Wind
double bass:
Vinnie Burke (on 1956-05-31)
guitar:
Tal Farlow (jazz guitarist) (on 1956-05-31)
piano:
Eddie Costa (on 1956-05-31)
instrumental recording of:
Gone With the Wind (on 1956-05-31)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
5:22
9Taking a Chance on Love (alternate take)
double bass:
Vinnie Burke (on 1956-05-31)
guitar:
Tal Farlow (jazz guitarist) (on 1956-05-31)
piano:
Eddie Costa (on 1956-05-31)
instrumental recording of:
Taking a Chance on Love (on 1956-05-31)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
4:49
10Yardbird Suite (alternate take)
double bass:
Vinnie Burke (on 1956-05-31)
guitar:
Tal Farlow (jazz guitarist) (on 1956-05-31)
piano:
Eddie Costa (on 1956-05-31)
recording of:
Yardbird Suite (instrumental version) (on 1956-05-31)
composer:
Charlie Parker (aka “Bird”, jazz alto saxophonist) (in 1946)
4:52
11Gone With the Wind (alternate take)
double bass:
Vinnie Burke (on 1956-05-31)
guitar:
Tal Farlow (jazz guitarist) (on 1956-05-31)
piano:
Eddie Costa (on 1956-05-31)
instrumental recording of:
Gone With the Wind (on 1956-05-31)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
5:28
12Taking a Chance on Love (breakdown)
double bass:
Vinnie Burke (on 1956-05-31)
guitar:
Tal Farlow (jazz guitarist) (on 1956-05-31)
piano:
Eddie Costa (on 1956-05-31)
partial instrumental recording of:
Taking a Chance on Love (on 1956-05-31)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
1:10
5▼CD
#TitleRatingLength
1Isn't It Romantic
double bass:
Vinnie Burke (on 1956-06-05)
guitar:
Tal Farlow (jazz guitarist) (on 1956-06-05)
piano:
Eddie Costa (on 1956-06-05)
instrumental recording of:
Isn’t It Romantic? (from 1932 film “Love Me Tonight”) (on 1956-06-05)
lyricist:
Lorenz Hart (in 1932)
composer:
Richard Rodgers (composer) (in 1932)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) and Sony/ATV Harmony
10:11
2(There Is) No Greater Love
double bass:
Vinnie Burke (on 1956-06-05)
guitar:
Tal Farlow (jazz guitarist) (on 1956-06-05)
piano:
Eddie Costa (on 1956-06-05)
instrumental recording of:
There Is No Greater Love (on 1956-06-05)
lyricist:
Marty Symes (lyricist)
composer:
Isham Jones
publisher:
Banta Music, Music Sales Corporation (American copyright holder in both popular and classical music) and World Music, Inc.
3:58
3How About You?
double bass:
Vinnie Burke (on 1956-06-05)
guitar:
Tal Farlow (jazz guitarist) (on 1956-06-05)
piano:
Eddie Costa (on 1956-06-05)
instrumental recording of:
How About You? (on 1956-06-05)
lyricist:
Ralph Freed
composer:
Burton Lane
publisher:
CBS Feist Catalog, Inc., EMI Feist Catalog Inc., EMI United Partnership Ltd., Leo Feist, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
part of:
The 15th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1942 nominee)
6:04
4Anything Goes
double bass:
Vinnie Burke (on 1956-06-05)
guitar:
Tal Farlow (jazz guitarist) (on 1956-06-05)
piano:
Eddie Costa (on 1956-06-05)
instrumental recording of:
Anything Goes (on 1956-06-05)
lyricist and composer:
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. and Warner Bros., Inc. (not for release label use!)
5:10
5Yesterdays
double bass:
Vinnie Burke (on 1956-06-05)
guitar:
Tal Farlow (jazz guitarist) (on 1956-06-05)
piano:
Eddie Costa (on 1956-06-05)
instrumental recording of:
Yesterdays (on 1956-06-05)
lyricist:
Otto Harbach
composer:
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Roberta
5:54
6You Don't Know What Love Is
double bass:
Vinnie Burke (on 1956-06-05)
guitar:
Tal Farlow (jazz guitarist) (on 1956-06-05)
piano:
Eddie Costa (on 1956-06-05)
instrumental recording of:
You Don’t Know What Love Is (on 1956-06-05)
lyricist:
Don Raye
composer:
Gene de Paul
publisher:
Leeds Music Corp., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Universal Music Corp. (USA, affiliated with ASCAP), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
4:22
7Chuckles
recorded in:
New York, New York, United States (on 1956-06-05)
double bass:
Vinnie Burke (on 1956-06-05)
guitar:
Tal Farlow (jazz guitarist) (on 1956-06-05)
piano:
Eddie Costa (on 1956-06-05)
4:59
8Broadway
double bass:
Vinnie Burke (on 1956-06-05)
guitar:
Tal Farlow (jazz guitarist) (on 1956-06-05)
piano:
Eddie Costa (on 1956-06-05)
instrumental recording of:
Broadway (on 1956-06-05)
writer:
Bill Bird (US composer mostly known for co-writing "Broadway" in 1940), Teddy McRae and William Henri Woode
publisher:
Rayven Music
6:19
6▼CD
#TitleRatingLength
1Lean on Me
producer:
Norman Granz (on 1958-02-17)
double bass:
Knobby Totah (jazz bassist) (on 1958-02-17)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-17)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-17)
piano:
Eddie Costa (on 1958-02-17)
recording of:
Lean on Me (on 1958-02-17)
composer:
Alan Greene and Edwin Waldman
4:13
2Wonder Why
producer:
Norman Granz (on 1958-02-17)
double bass:
Knobby Totah (jazz bassist) (on 1958-02-17)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-17)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-17)
piano:
Eddie Costa (on 1958-02-17)
instrumental recording of:
Wonder Why (Rich, Young and Pretty) (on 1958-02-17)
lyricist:
Sammy Cahn
composer:
Nicholas Brodzsky
publisher:
Primary Wave Songs and Robbins Music Corp.
part of:
The 24th Academy Award for Best Original Song (number: 2)
4:55
3Night and Day
producer:
Norman Granz (on 1958-02-17)
double bass:
Knobby Totah (jazz bassist) (on 1958-02-17)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-17)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-17)
piano:
Eddie Costa (on 1958-02-17)
instrumental recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (on 1958-02-17)
lyricist and composer:
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (until 2019-05-28) and Harms, Inc. (on 1932-11-18)
part of:
Gay Divorce
4:23
4Stella by Starlight
producer:
Norman Granz (on 1958-02-17)
double bass:
Knobby Totah (jazz bassist) (on 1958-02-17)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-17)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-17)
piano:
Eddie Costa (on 1958-02-17)
instrumental recording of:
Stella by Starlight (on 1958-02-17)
lyricist:
Ned Washington (in 1946)
composer:
Victor Young (American composer, arranger, violinist & conductor) (in 1944)
publisher:
BMG Music Publishing Ltd. and Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
part of:
The Real Book (compilation of jazz standards, volume I)
3:35
5The More I See You
producer:
Norman Granz (on 1958-02-18)
double bass:
Bill Takas (jazz bassist) (on 1958-02-18)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-18)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-18)
piano:
Eddie Costa (on 1958-02-18)
instrumental recording of:
The More I See You (on 1958-02-18)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
translated version of:
The More I See You (Valli’s version with french lyrics)
4:51
6All the Things You Are
producer:
Norman Granz (on 1958-02-18)
double bass:
Bill Takas (jazz bassist) (on 1958-02-18)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-18)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-18)
piano:
Eddie Costa (on 1958-02-18)
instrumental recording of:
All the Things You Are (from “Very Warm for May”) (on 1958-02-18)
lyricist:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1939)
composer:
Jerome Kern (in 1939)
publisher:
Polygram Int. Publishing (renamed Universal PolyGram International Publishing, Inc. circa 1998) (ended), T.B. Harms Inc. (ended) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
part of:
Broadway Rhythm (film)
4:25
7How Long Has This Been Going On?
producer:
Norman Granz (on 1958-02-18)
double bass:
Bill Takas (jazz bassist) (on 1958-02-18)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-18)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-18)
piano:
Eddie Costa (on 1958-02-18)
instrumental recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1958-02-18)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
4:15
8Topsy
producer:
Norman Granz (on 1958-02-18)
double bass:
Bill Takas (jazz bassist) (on 1958-02-18)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-18)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-18)
piano:
Eddie Costa (on 1958-02-18)
recording of:
Topsy (on 1958-02-18)
composer:
Edgar Battle and Eddie Durham (American guitarist, trombonist, composer and arranger.)
publisher:
Leosong Copyright Service Ltd.
3:40
9'Deed I Do
double bass:
Knobby Totah (jazz bassist) (on 1958-02-17)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-17)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-17)
piano:
Eddie Costa (on 1958-02-17)
instrumental recording of:
’Deed I Do (on 1958-02-17)
lyricist:
Walter Hirsch
composer:
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
3:30
10We'll Be Together Again
double bass:
Knobby Totah (jazz bassist) (on 1958-02-17)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-17)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-17)
piano:
Eddie Costa (on 1958-02-17)
instrumental recording of:
We’ll Be Together Again (on 1958-02-17)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:26
11We'll Be Together Again (alternate take 1)
double bass:
Knobby Totah (jazz bassist) (on 1958-02-17)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-17)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-17)
piano:
Eddie Costa (on 1958-02-17)
instrumental recording of:
We’ll Be Together Again (on 1958-02-17)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
4:33
12We'll Be Together Again (alternate take 2)
double bass:
Knobby Totah (jazz bassist) (on 1958-02-17)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-17)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-17)
piano:
Eddie Costa (on 1958-02-17)
instrumental recording of:
We’ll Be Together Again (on 1958-02-17)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:21
13The More I See You (breakdowns)
double bass:
Knobby Totah (jazz bassist) (on 1958-02-17)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-17)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-17)
piano:
Eddie Costa (on 1958-02-17)
partial instrumental recording of:
The More I See You (on 1958-02-17)
lyricist:
Mack Gordon
composer:
Harry Warren (US composer and lyricist)
publisher:
Bregman, Vocco & Conn, Inc., Four Jays Music Co., Peermusic (UK) Limited, Warner Bros., Inc. (not for release label use!) and Warner/Chappell Music International Ltd.
translated version of:
The More I See You (Valli’s version with french lyrics)
3:55
14'Deed I Do (breakdowns)
double bass:
Knobby Totah (jazz bassist) (on 1958-02-17)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-17)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-17)
piano:
Eddie Costa (on 1958-02-17)
partial instrumental recording of:
’Deed I Do (on 1958-02-17)
lyricist:
Walter Hirsch
composer:
Fred Rose (songwriter)
publisher:
Keith Prowse Music Publishing Co. Ltd.
5:27
15We'll Be Together Again (breakdowns)
double bass:
Knobby Totah (jazz bassist) (on 1958-02-17)
drums (drum set):
Jimmy Campbell (American jazz drummer) (on 1958-02-17)
guitar:
Tal Farlow (jazz guitarist) (on 1958-02-17)
piano:
Eddie Costa (on 1958-02-17)
partial instrumental recording of:
We’ll Be Together Again (on 1958-02-17)
lyricist:
Frankie Laine
composer:
Carl T. Fischer (Native American jazz pianist and composer)
publisher:
Cares Music, Cares Music Company, EDM Music, Fischer-Carey Music Co., Marmor Music, Inc., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Ltd., Sparta Florida Music Group Ltd., Terry Fischer Music Co., ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion) and ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
2:03
7▼CD
#TitleRatingLength
1A Foggy Day
double bass:
Milt Hinton (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
woodwind:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (in 1959-12)
instrumental recording of:
A Foggy Day (in London Town) (in 1959-12)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3:23
2The Man in My Life
double bass:
Wendell Marshall (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
piano:
Dick Hyman (jazz pianist) (in 1959-12)
woodwind:
Frank Wess (in 1959-12)
instrumental recording of:
The Man in My Life (in 1959-12)
lyricist:
Johnny Mercer
composer:
Harold Arlen
4:48
3Sweet Lorraine
double bass:
Milt Hinton (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
woodwind:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (in 1959-12)
instrumental recording of:
Sweet Lorraine (in 1959-12)
lyricist:
Mitchell Parish (in 1928)
composer:
Cliff Burwell (in 1928)
publisher:
EMI Mills Music Inc. (ASCAP-affiliated), Everbright Music Co. and Mills Music, Inc.
5:28
4Wess Side
double bass:
Wendell Marshall (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
piano:
Dick Hyman (jazz pianist) (in 1959-12)
woodwind:
Frank Wess (in 1959-12)
recording of:
Wess Side (in 1959-12)
composer:
Frank Wess
4:39
5Telefunky
double bass:
Milt Hinton (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
woodwind:
Bobby Jaspar (Belgian 1940-60s tenor saxophonist) (in 1959-12)
6:29
6Blue Funk
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-12)
double bass:
Joe Benjamin (US jazz bassist) (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
piano:
Dick Hyman (jazz pianist) (in 1959-12)
trombone:
Benny Powell (jazz trombonist) (in 1959-12)
woodwind:
Frank Wess (in 1959-12)
7:41
7Saratoga
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-12)
double bass:
Joe Benjamin (US jazz bassist) (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
piano:
Dick Hyman (jazz pianist) (in 1959-12)
trombone:
Benny Powell (jazz trombonist) (in 1959-12)
woodwind:
Frank Wess (in 1959-12)
instrumental recording of:
Saratoga (in 1959-12)
lyricist:
Johnny Mercer
composer:
Harold Arlen
5:16
8Blues in the Night
double bass:
Wendell Marshall (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
piano:
Dick Hyman (jazz pianist) (in 1959-12)
woodwind:
Frank Wess (in 1959-12)
instrumental recording of:
Blues in the Night (My Mama Done Tol’ Me) (in 1959-12)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
6:50
9Hit the Road to Dreamland
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-12)
double bass:
Joe Benjamin (US jazz bassist) (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
piano:
Dick Hyman (jazz pianist) (in 1959-12)
trombone:
Benny Powell (jazz trombonist) (in 1959-12)
woodwind:
Frank Wess (in 1959-12)
instrumental recording of:
Hit the Road to Dreamland (in 1959-12)
lyricist:
Johnny Mercer
composer:
Harold Arlen
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
4:57
10For Every Man There's a Woman
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-12)
double bass:
Wendell Marshall (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
piano:
Dick Hyman (jazz pianist) (in 1959-12)
trombone:
Benny Powell (jazz trombonist) (in 1959-12)
woodwind:
Frank Wess (in 1959-12)
instrumental recording of:
For Every Man There’s a Woman (in 1959-12)
lyricist:
Leo Robin (US composer, lyricist & songwriter)
composer:
Harold Arlen
publisher:
Harwin Music Corporation
part of:
The 21st Academy Award for Best Original Song (number: 2)
4:25
11As Long as I Live
double bass:
Wendell Marshall (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
piano:
Dick Hyman (jazz pianist) (in 1959-12)
woodwind:
Frank Wess (in 1959-12)
instrumental recording of:
As Long as I Live (in 1959-12)
lyricist:
Ted Koehler (in 1934)
composer:
Harold Arlen (in 1934)
publisher:
Arko Music Corp.
6:33
12Between the Devil and the Deep Blue Sea
double bass:
Wendell Marshall (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
piano:
Dick Hyman (jazz pianist) (in 1959-12)
woodwind:
Frank Wess (in 1959-12)
instrumental recording of:
Between the Devil and the Deep Blue Sea (in 1959-12)
lyricist:
Ted Koehler
composer:
Harold Arlen
publisher:
Mills Music, S.A. Music Co. and Ted Koehler Music Co.
3:07
13Petticoat High
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-12)
double bass:
Wendell Marshall (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
piano:
Dick Hyman (jazz pianist) (in 1959-12)
trombone:
Benny Powell (jazz trombonist) (in 1959-12)
woodwind:
Frank Wess (in 1959-12)
instrumental recording of:
Petticoat High (in 1959-12)
lyricist:
Johnny Mercer
composer:
Harold Arlen
4:42
14One Step - Two Step
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-12)
double bass:
Wendell Marshall (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
piano:
Dick Hyman (jazz pianist) (in 1959-12)
trombone:
Benny Powell (jazz trombonist) (in 1959-12)
woodwind:
Frank Wess (in 1959-12)
3:12
15Lessons in Love
baritone saxophone:
Charlie Fowlkes (baritone saxophonist) (in 1959-12)
double bass:
Joe Benjamin (US jazz bassist) (in 1959-12)
drums (drum set):
Osie Johnson (in 1959-12)
guitar:
Tal Farlow (jazz guitarist) (in 1959-12)
piano:
Dick Hyman (jazz pianist) (in 1959-12)
trombone:
Benny Powell (jazz trombonist) (in 1959-12)
woodwind:
Frank Wess (in 1959-12)
instrumental recording of:
Lessons in Love (in 1959-12)
lyricist:
Johnny Mercer
composer:
Harold Arlen
3:14