American Songbook Series: Cole Porter

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

#10 from Columbia 36767

Anmerkung zuletzt geändert am 2008-02-24 04:53 UTC.

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Anything Goes
Klavier:
Cole Porter (composer) (am 1934-10-26)
vocals:
Cole Porter (composer) (am 1934-10-26)
recording of:
Anything Goes (am 1934-10-26)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd. und Warner Bros., Inc. (not for release label use!)
Cole Porter3:13
2I Get a Kick Out of You
vocals:
Ethel Merman (am 1934-12-04)
conductor:
Johnny Green (composer and conductor, often credited as John Green) (am 1934-12-04)
recording of:
I Get a Kick Out of You (am 1934-12-04)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Chappell Music (UK), Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (not for release label use!), Warner Chappell und Chappell (in 1974)
Teil von:
Anything Goes
Ethel Merman3:11
3Night and Day
Geige / Violine:
Lew Conrad (am 1932-11-22) und Sammy Schklar (am 1932-11-22)
Posaune:
Ernie Gibbs (am 1932-11-22)
Rohrblattinstrumente:
Jess Smith (reeds in Leo Reisman & His Orchestra) (am 1932-11-22) und Burt Williams (am 1932-11-22)
Trompete:
Lew Sherwood (am 1932-11-22)
vocals:
Fred Astaire (am 1932-11-22)
Orchester:
Leo Reisman and His Orchestra (am 1932-11-22)
conductor:
Leo Reisman (violinist, bandleader, arranger) (am 1932-11-22)
aufgenommen bei:
Victor Studio #1 (Cherokee A) in New York, New York, Vereinigte Staaten (am 1932-11-22)
recording of:
Night and Day (Cole Porter; from “The Gay Divorce”) (am 1932-11-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Fred Astaire53:29
4Miss Otis Regrets
vocals:
Ethel Waters (am 1934-08-20)
recording of:
Miss Otis Regrets (am 1934-08-20)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1934)
Ethel Waters3:06
5Begin the Beguine
recorded in:
New York, New York, Vereinigte Staaten (am 1938-07-24)
alto saxophone:
Hank Freeman (American jazz saxophonist) (am 1938-07-24) und Les Robinson (am 1938-07-24)
Gitarre:
Al Avola (am 1938-07-24)
Klarinette:
Artie Shaw (am 1938-07-24)
Klavier:
Les Burness (am 1938-07-24)
Kontrabass:
Sid Weiss (am 1938-07-24)
Posaune:
George Arus (am 1938-07-24), Harry Rogers (US big-band trombonist and arranger) (am 1938-07-24) und Ted Vesely (am 1938-07-24)
Schlagzeug:
Cliff Leeman (am 1938-07-24)
Tenorsaxophon:
Tony Pastor (am 1938-07-24) und Ronnie Perry (am 1938-07-24)
Trompete:
Claude Bowen (am 1938-07-24), John Best (jazz trumpeter) (am 1938-07-24) und Chuck Peterson (trumpet) (am 1938-07-24)
Orchester:
Artie Shaw and His Orchestra (am 1938-07-24)
conductor:
Artie Shaw (am 1938-07-24)
arranger:
Jerry Gray (US big band arranger and conductor)
aufgenommen bei und engineered at:
Victor Studio #2 (Cherokee B) in Manhattan, New York, New York, Vereinigte Staaten (am 1938-07-24)
instrumental recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
recording of:
Begin the Beguine (am 1938-07-24)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner Chappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Jubilee
Artie Shaw and His Orchestra33:17
6My Heart Belongs to Daddy
vocals:
Mary Martin (US film and musical actor/singer) (am 1940-01-25)
conductor:
Ray Sinatra (am 1940-01-25)
recording of:
My Heart Belongs to Daddy (am 1940-01-25)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Mary Martin2:34
7Let’s Do It
alto saxophone:
Eddie Barefield (am 1941-03-21) und Leslie Johnakins (am 1941-03-21)
Gitarre:
John Collins (US jazz guitarist) (am 1941-03-21)
Klavier:
Eddie Heywood (pianist, composer and bandleader, aka Eddie Heywood Jr.) (am 1941-03-21)
Kontrabass:
Ted Sturgis (am 1941-03-21)
Schlagzeug:
Kenny Clarke (am 1941-03-21)
Tenorsaxophon:
Lester Young (saxophonist) (am 1941-03-21)
Trompete:
Shad Collins (am 1941-03-21)
vocals:
Billie Holiday (am 1941-03-21)
recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (am 1941-03-21)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
Billie Holiday2:59
8Easy to Love
vocals:
Lee Wiley (am 1940-04-15)
Orchester:
Paul Weston's Orchestra (am 1940-04-15)
recording of:
Easy to Love (am 1940-04-15)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA), Chappell Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
Anything Goes
Teil von:
Born to Dance
Lee Wiley3:12
9Don’t Fence Me In
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-07-25) und Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1944-07-25)
Sologesang:
The Andrews Sisters (am 1944-07-25) und Bing Crosby (am 1944-07-25)
Orchester:
Vic Schoen and His Orchestra (am 1944-07-25)
conductor:
Vic Schoen (am 1944-07-25)
recording of:
Don’t Fence Me In (am 1944-07-25)
Texter:
Robert Fletcher (US poet) (in 1934) und Cole Porter (composer) (in 1934)
Komponist(in):
Cole Porter (composer) (in 1934)
publisher:
Warner Bros., Inc. (not for release label use!)
Bing Crosby & The Andrews Sisters3.53:08
10Ev’ry Time We Say Goodbye
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1944-11-16)
Klavier:
Teddy Wilson (am 1944-11-16)
Kontrabass:
Sid Weiss (am 1944-11-16)
Schlagzeug:
Morey Feld (am 1944-11-16)
Vibraphon:
Red Norvo (am 1944-11-16)
vocals:
Peggy Mann (am 1944-11-16)
recording of:
Ev’ry Time We Say Goodbye (Seven Lively Arts musical revue) (am 1944-11-16)
Texter und Komponist(in):
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co Ltd., Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Co. Inc. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Benny Goodman Quintet3:30
11Be a Clown
vocals:
Judy Garland und Gene Kelly (US dancer/actor)
Orchester:
MGM Orchestra
conductor:
Lennie Hayton
recording of:
Be a Clown (The Pirate film) (am 1947-07-14)
Texter und Komponist(in):
Cole Porter (composer) (in 1946)
Teil von:
The Pirate (1948 film)
Gene Kelly & Judy Garland2:38
12It’s All Right With Me
Harfe:
Stella Castellucci (am 1956-06-05)
Holzblasinstrumente:
Bud Shank (am 1956-06-05)
Klavier:
Lou Levy (am 1956-06-05)
Schlagzeug:
Nick Fatool (am 1956-06-05)
Tenorsaxophon:
Bob Cooper (US jazz saxophonist) (am 1956-06-05)
vocals:
Peggy Lee (jazz vocalist) (am 1956-06-05)
arranger:
Sy Oliver
cover recording of:
It’s All Right with Me (Can‐Can musical) (am 1956-06-05)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
recording of:
It’s All Right with Me (Can‐Can musical) (am 1956-06-05)
Texter und Komponist(in):
Cole Porter (composer) (in 1953)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Peggy Lee2:23
13I’ve Got You Under My Skin
Klavier:
Jimmy Rowles (am 1953-04-30)
Kontrabass:
Max Wayne (am 1953-04-30)
Schlagzeug:
Ed Shaughnessy (am 1953-04-30)
Trompete:
Pete Candoli (am 1953-04-30)
vocals:
Peggy Lee (jazz vocalist) (am 1953-04-30)
recording of:
I’ve Got You Under My Skin (am 1953-04-30)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1936 nominee)
Teil von:
Born to Dance
Peggy Lee2:32
14Love for Sale
Klavier:
Oscar Peterson (Canadian jazz pianist and composer) (in 1952-04)
vocals:
Billie Holiday (in 1952-04)
recording of:
Love for Sale (in 1952-04)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
Billie Holiday3:00
15It’s De‐Lovely
Klavier:
Stan Freeman (am 1954-11-07) und Cy Walter (am 1954-11-07)
Kontrabass:
Frank Carroll (US bass player) (am 1954-11-07)
vocals:
Mabel Mercer (am 1954-11-07)
recording of:
It’s De‐Lovely (am 1954-11-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1936)
Teil von:
Anything Goes
Teil von:
Red, Hot and Blue (1936 Cole Porter musical)
Mabel Mercer3:41
16Just One of Those Things
vocals:
Lena Horne (am 1957-03-04)
conductor:
Lennie Hayton (am 1957-03-04)
recording of:
Just One of Those Things (am 1957-03-04)
Texter und Komponist(in):
Cole Porter (composer) (in 1935)
publisher:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) und Warner Bros., Inc. (not for release label use!) (in 1929)
Teil von:
Can‐Can (1960 musical film)
Teil von:
High Society (stage musical)
Teil von:
Jubilee
Teil von:
Panama Hattie (1942 film)
Lena Horne2:05
17What Is This Thing Called Love?
vocals:
Ella Fitzgerald (American jazz singer) (am 1956-02-09)
conductor:
Buddy Bregman (am 1956-02-09)
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue) (am 1956-02-09)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
Ella Fitzgerald2:05
18Always True to You in My Fashion
vocals:
Lisa Kirk (in 1959-07)
conductor:
Pembroke Davenport (conductor) (in 1959-07)
recording of:
Always True to You in My Fashion (in 1959-07)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
Teil von:
Kiss Me, Kate (musical)
Lisa Kirk3:50
19Which?
vocals:
Jeri Southern (in 1959)
conductor:
Billy May (in 1959)
arranger:
Billy May
recording of:
Which? (in 1959)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Jeri Southern2:44
20In the Still of the Night
vocals:
Eileen Farrell (soprano) (am 1961-09-01)
conductor:
Percy Faith (am 1961-09-01)
arranger:
Percy Faith
recording of:
In the Still of the Night (Cole Porter song) (am 1961-09-01)
Texter und Komponist(in):
Cole Porter (composer) (in 1937)
publisher:
Chappell (library/production music) und Chappell & Co., Inc. (USA)
Eileen Farrell3:15
21At Long Last Love
Klavier:
Bobby Short (am 1971-07-22)
Schlagzeug:
Richard Sheridan (drummer) (am 1971-07-22)
vocals:
Bobby Short (am 1971-07-22)
recording of:
At Long Last Love (am 1971-07-22)
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
You Never Know
Bobby Short4:21
22The Laziest Gal in Town
vocals:
Marlene Dietrich (actress and singer) (am 1964-12-12)
conductor:
Burt Bacharach (am 1964-12-12)
recording of:
The Laziest Gal in Town (am 1964-12-12)
Texter und Komponist(in):
Cole Porter (composer) (in 1927)
Marlene Dietrich2:50
23You’re the Top
vocals:
Hal Linden (am 1962-07-02) und Eileen Rodgers (am 1962-07-02)
conductor:
Ted Simons (am 1962-07-02)
arranger:
Julian Stein
recording of:
You’re the Top (am 1962-07-02)
Texter und Komponist(in):
Cole Porter (composer) (in 1934)
Teil von:
Anything Goes
Eileen Rodgers & Hal Linden3:30

Nennungen

Veröffentlichung

art direction und design:Ed Lee (design, photography, art direction)
liner notes:Dwight Blocker Bowers
Partner-Produzent(in):Dennis Britton
Produzent(in):Dwight Blocker Bowers
Margaret Robinson
Editing:Jane Sapp
Partner-Editing:J.R. Taylor
mastering:Frank Abbey (engineer / producer)
ASIN:US: B0000017TM [Info]

Veröffentlichungsgruppe

künstlerische Leitung:Tom Asalone
Teil von:American Songbook Series (Reihenfolge: 2)
Discogs:https://www.discogs.com/master/1777413 [Info]