25 jaar Top 40 hits, Deel 3: ’73–’76

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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1CD
Nr.TitelKünstlerBewertungLänge
1You’re So Vain
recording engineer:
Robin Geoffrey Cable (von 1972-09 bis 1972-10)
Techniker(in):
Robin Geoffrey Cable
Produzent(in):
Richard Perry (producer)
Bass:
Klaus Voorman (von 1972-09 bis 1972-10)
Gitarre:
Jimmy Ryan (American guitarist and singer/songwriter) (von 1972-09 bis 1972-10)
Klavier und Sologesang:
Carly Simon (von 1972-09 bis 1972-10)
Perkussion:
Richard Perry (producer) (von 1972-09 bis 1972-10)
Schlagzeug:
Jim Gordon (US drummer with Derek and the Dominos) (von 1972-09 bis 1972-10)
Hintergrundgesang:
Mick Jagger (The Rolling Stones) (von 1972-09 bis 1972-10)
zusätzlich Hintergrundgesang:
Carly Simon (von 1972-09 bis 1972-10) und Doris Troy (von 1972-09 bis 1972-10)
Saiteninstrumente arranger:
Carly Simon
Orchestrator(in):
Paul Buckmaster
phonographisches Urheberrecht (℗) von:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (in 1972), Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1972), Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1978), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984) und Rhino Entertainment Company (not for release label use!) (in 2015)
aufgenommen bei:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1972-09 bis 1972-10)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 100), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 140) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 495)
recording of:
You’re So Vain (von 1972-09 bis 1972-10)
Texter und Komponist(in):
Carly Simon
publisher:
C’est Music, Quackenbush Music, Ltd. (ASCAP-affiliated), Universal Music Corporation (USA, affiliated with ASCAP) und Universal Music Publishing Group
Carly Simon4.554:18
2Go Like Elijah
Bass:
Larry Knechtel
Gitarre:
Dean Parks (American session guitarist)
membranophone:
Jim Gordon (US drummer with Derek and the Dominos)
vocals:
Billy Barnum Chorus
recording of:
Go Like Elijah
Texter und Komponist(in):
Chi Coltrane
publisher:
Global Publishing und Trane Music (label and publisher)
Chi Coltrane3:58
3Superstition
recording engineer:
Joan DeCola und Austin Godsey
Moog-Programmierung:
Malcolm Cecil (in 1972) und Robert Margouleff (in 1972)
Partner-Produzent(in):
Malcolm Cecil und Robert Margouleff
Produzent(in):
Stevie Wonder
Mix:
Malcolm Cecil und Robert Margouleff
Clavinet, Moog und Schlagzeug:
Stevie Wonder (in 1972)
Saxophon:
Trevor Lawrence (70s–90s saxophonist & producer, father of Trevor Lawrence Jr.) (in 1972)
Trompete:
Steve Madaio (in 1972)
aufgenommen bei:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten (in 1972)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 12) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 74)
recording of:
Superstition
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, 大洋音楽 (Taiyō Music), Jobete Music Co., Inc. (in 1972) und Stein & Van Stock, Inc. (in 1972)
Stevie Wonder4.84:27
4Tie a Yellow Ribbon
phonographisches Urheberrecht (℗) von:
Bell Records (50s-70s US/UK pop, later became Arista) (in 1973)
Teil von:
Billboard: Greatest of All Time Hot 100 Songs (Nummer: 52)
recording of:
Tie a Yellow Ribbon Round the Ole Oak Tree
Verfasser(in):
Lawrence Russell Brown (lyricist) und Irwin Levine
publisher:
Irwin Levine Music (BMI-affiliated), Larball Publishing Co., Inc. und peermusic (“Peermusic—the global independent”)
Dawn & Tony Orlando53:21
5We Were All Wounded at Wounded KneeRedbone43:29
6Ginny Come Lately
cover recording of:
Ginny Come Lately
Texter:
Peter Udell
Komponist(in):
Gary Geld
publisher:
Bibo Music Publishing, Inc. und Pogo Music Corp.
Albert West22:53
7Free Electric Band
Produzent(in):
Albert Hammond
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1973)
recording of:
The Free Electric Band
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
Imagem Songs Ltd. und Landers‐Roberts Music
Albert Hammond3.53:23
8Radar Love
Produzent(in):
Golden Earring
phonographisches Urheberrecht (℗) von:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1973) und Red Bullet Productions B.V. (in 1973)
recording of:
Radar Love
Texter:
Barry Hay
Komponist(in):
George Kooymans
publisher:
Dayglow Music (publisher), Larry Shayne Music, Inc., Louvigny-Marquee Music Ltd., New Dayglow Music, Snamyook Music (publisher associated with George Kooymans) und Sony/ATV Music Publishing
Golden Earring4.255:02
9My Friend the WindDemis Roussos3:50
10Dirty Ol’ Man
vocals:
Sheila Ferguson, Valerie Holiday und Fayette Pinkney
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1973)
Bearbeitung von:
Dirty Ol’ Man (Ferguson, Holiday, Pinkney) von The Three Degrees
recording of:
Dirty Ol’ Man
Texter und Komponist(in):
Kenneth Gamble (songwriter for Philadelphia International) und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) und Mighty Three Music (in 1973)
The Three Degrees3:02
11Dynamite
Produzent(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
phonographisches Urheberrecht (℗) von:
RAK Records Ltd. (in 1973)
recording of:
Dyna-Mite
Texter und Komponist(in):
Mike Chapman (Australian producer and songwriter) und Nicky Chinn
Mud52:56
12The Air That I Breathe
Techniker(in):
Mike Jarratt (recording, mixing and lacquer cutting engineer) und Alan Parsons (of The Alan Parsons Project)
Produzent(in):
The Hollies und Ron Richards
vocals:
Allan Clarke (of The Hollies) (von 1973-11-15 bis 1973-11-22), Tony Hicks (von 1973-11-15 bis 1973-11-22) und Terry Sylvester (singer and guitarist) (von 1973-11-15 bis 1973-11-22)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1973), The Hollies Ltd. (in 1973, in 1974, in 2008) und Polydor International GmbH (not for release label use!) (in 1974)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1973-11-15 bis 1973-11-22)
cover recording of:
The Air That I Breathe (von 1973-11-15 bis 1973-11-22)
Verfasser(in):
Albert Hammond und Mike Hazlewood
publisher:
April Music Inc., Concord Songs Ltd., EMI April Music Inc., Landers‐Roberts Music, Rondor Music (Australia) P/L, Rondor Music (London) Ltd. und Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
sub-publisher:
ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Hollies3.84:07
13Emma
Produzent(in):
Mickie Most (English record producer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) und RAK Records Ltd. (in 1974)
recording of:
Emma
Verfasser(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) und Tony Wilson (bassist/songwriter, member of Hot Chocolate)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing (PRS‐affiliated)
Hot Chocolate3.753:51
14Sugar Baby Love
Techniker(in):
John Mackswith (English sound engineer)
Produzent(in):
Wayne Bickerton
recording of:
Sugar Baby Love (The Rubettes)
Texter:
Wayne Bickerton
Komponist(in):
Tony Waddington
uraufgeführt von:
The Rubettes (in 1974-01)
publisher:
Arlovol Music, Budde Music Inc. (US publisher) und WB Music Corp. (1929–2019)
The Rubettes3:28
15Rock Your Baby
vocals:
George McCrae
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1974)
recording of:
Rock Your Baby
Verfasser(in):
Harry Wayne Casey, Richard Finch und KC (Harry Wayne Casey of the Sunshine Band)
publisher:
EMI Longitude Music und Peer Music (UK) Ltd.
George McCrae3.253:14
16I Shot the Sheriff
cover recording of:
I Shot the Sheriff
Texter und Komponist(in):
Bob Marley (Jamaican reggae artist)
publisher:
Blackwell Fuller Music Publishing LLC, Cayman Music, PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998), Blue Mountain Music (in 1974), Cayman Music Inc (in 1974), Fifty Six Hope Road Music Limited (in 1974) und Odnil Music Ltd. (in 1974)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label) und ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
Eric Clapton4:19
17Swinging on a Star
cover recording of:
Swinging on a Star
Texter:
Johnny Burke (American lyricist, 1908–1964) (in 1944)
Komponist(in):
Jimmy Van Heusen (in 1944)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Inc. und Music Sales Corporation (American copyright holder in both popular and classical music)
Teil von:
The 17th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1944 winner)
Spooky and Sue2:36
18Long Tall Glasses
Produzent(in):
David Courtney (songwriter, singer and producer) und Adam Faith
phonographisches Urheberrecht (℗) von:
Chrysalis (in 1974)
recording of:
Long Tall Glasses
Texter:
Leo Sayer
Komponist(in):
David Courtney (songwriter, singer and producer)
Leo Sayer3:03
19Love Hurts
recording engineer:
Tony Taverner
zusätzlich recording engineer und zusätzliche(r) Mix:
John Punter
Produzent(in):
Manny Charlton (singer-songwriter and guitarist)
Bassgitarre:
Pete Agnew (singer-songwriter and bassist)
Gitarre und Synthesizer:
Manny Charlton (singer-songwriter and guitarist)
Schlagzeug:
Darrell Sweet (drummer and songwriter)
Hintergrundgesang:
Pete Agnew (singer-songwriter and bassist) und Darrell Sweet (drummer and songwriter)
Sologesang:
Dan McCafferty (singer, songwriter)
phonographisches Urheberrecht (℗) von:
Mountain Records (British record company, established early 1970s, best known act is Nazareth) (in 1974) und USM Copyrights Ltd. (in 1975)
aufgenommen bei:
Associated Recording Studios in London (Greater London), England, Vereinigtes Königreich und Escape Studios in Kent, England, Vereinigtes Königreich
Teil von:
New York Post: 100 Greatest Covers (2007) (Nummer: 75)
cover recording of:
Love Hurts
Texter und Komponist(in):
Boudleaux Bryant
publisher:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. und Acuff-Rose Publications, Inc. (BMI) (am 1960-08-30)
sub-publisher:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) und ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Nazareth4.43:53
20You’re the First, the Last, My EverythingBarry White4.454:30
2CD
Nr.TitelKünstlerBewertungLänge
1Voulez‐vous coucher avec moi çe soir?
Produzent(in):
Allen R. Toussaint
arranger:
Allen R. Toussaint
phonographisches Urheberrecht (℗) von:
Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1974) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1974)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 411) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 479)
cover recording of:
Lady Marmalade (Voulez-vous coucher avec moi, ce soir ?) (in 1974)
Verfasser(in):
Bob Crewe und Kenny Nolan
publisher:
Ardmore and Beechwood Ltd., EMI (EMI Records, or EMI Music only if there is no other imprint), EMI April Music Inc., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Songs Australia Pty. Ltd., Jobete Music Co., Inc., Kenny Nolan Publishing, Pathe Publications (F.E.) Ltd., Stone Diamond Music Corporation und TannyBoy Music
LaBelle3.33:56
2Sailor
recording of:
Sailor
Texter und Komponist(in):
Georg Kajanus
Sailor2:53
3Paloma blanca
recording of:
Paloma blanca
Texter und Komponist(in):
Hans Bouwens
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Holland B.V., Musik Unserer Zeit (publisher; do NOT use as release label), RMI (publisher) und EMI Music Holland B.V. (record company currently known as EMI Music Netherlands B.V. don't use as release label) (in 1975)
George Baker Selection2:57
4House for SaleLucifer3:46
5Love Is All
phonographisches Urheberrecht (℗) von:
British Lion Music Ltd.
recording of:
Love Is All (in 1974)
Verfasser(in):
Roger Glover und Eddie Hardin
publisher:
British Lion Music Ltd., Glove Music Ltd., Halit Music und Lion Music
Roger Glover & Guests3:06
6I’m Not in Love
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1975)
recording of:
I’m Not in Love
Verfasser(in):
Graham Gouldman und Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music und St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
10cc4:41
7Roll Over Lay Down
recording of:
Roll Over Lay Down
Texter:
Alan Lancaster, Robert Keith Young (UK musician & author, Young & Moody; Status Quo) und Francis Rossi
Komponist(in):
John Coughlan, Alan Lancaster, Rick Parfitt (UK guitarist for Status Quo), Robert Keith Young (UK musician & author, Young & Moody; Status Quo) und Francis Rossi
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), S.Q. Publishing Eaton, Shawbury Music Ltd. (publisher), Status Quo Publishing und Valley Music Ltd (publisher)
Status Quo5:40
8That’s the Way I Like It
recording of:
That’s the Way (I Like It)
Verfasser(in):
Harry Wayne Casey und Richard Finch
publisher:
EMI Longitude Music, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Australia Pty Ltd (not for release label use!) und Mushroom Music (Mushroom label’s publishing company)
KC & the Sunshine Band2:07
9Mississippi
recording of:
Mississippi
Texter und Komponist(in):
Werner Theunissen
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!) und EMI Music Publishing Australia Pty Ltd (not for release label use!)
Pussycat3:07
10Bohemian Rhapsody
zusätzliches Sound-Engineering:
Gary Lyons (UK engineer & producer)
leitende(r) Techniker(in):
Mike Stone (producer and engineer, 1960s–80s)
zusätzliche(r) Techniker(in):
Kris Fredriksson
leitende(r) Produzent(in):
Brian May (Queen guitarist) und Roger Taylor (Queen drummer)
Produzent(in):
Roy Thomas Baker (producer) und Queen (UK rock group)
Bassgitarre:
John Deacon (von 1975-08-24 bis 1975-09-14)
Gitarre:
Brian May (Queen guitarist) (von 1975-08-24 bis 1975-09-14)
gong, Pauke und Schlagzeug:
Roger Taylor (Queen drummer) (von 1975-08-24 bis 1975-09-14)
Klavier und Sologesang und sonstiger Gesang [operatic vocals]:
Freddie Mercury (von 1975-08-24 bis 1975-09-14)
sonstiger Gesang [operatic vocals]:
Brian May (Queen guitarist) (von 1975-08-24 bis 1975-09-14) und Roger Taylor (Queen drummer) (von 1975-08-24 bis 1975-09-14)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1975) und Queen Productions Ltd. (company and copyright holder, do not use as an imprint or release label) (in 1975, in 2011)
aufgenommen bei:
Rockfield Studios in Monmouth, Monmouthshire, Wales, Vereinigtes Königreich (von 1975-08-24 bis 1975-09-14)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich
Musikvideos:
Bohemian Rhapsody von Queen (UK rock group)
Teil von:
SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2018 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2021 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 1), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 2), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 2), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 3), SWR1 Hitparade 2003 (Baden-Württemberg) (Nummer: 3), SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 3), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 14), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 17), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Spotify: Top Hits of 2019 (Nummer: 65) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 163)
recording of:
Bohemian Rhapsody (von 1975-08-24 bis 1975-09-14)
Texter und Komponist(in):
Freddie Mercury
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd., イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
enthalten in:
We Will Rock You (Queen musical)
enthalten in:
We Will Rock You (German version of the Queen musical)
Queen4.45:59
11Let Your Love Flow
Produzent(in):
Phil Gernhard (songwriter and producer) (in 1975-10) und Tony Scotti (in 1975-10)
Bassgitarre:
Emory Gordy (in 1975-10)
Gitarre:
David Bellamy (Bellamy Brothers) (in 1975-10), Howard Bellamy (Bellamy Brothers) (in 1975-10), Richard Bennett (American guitarist) (in 1975-10) und Doug Rhone (American guitarist, songwriter, touring and studio musician) (in 1975-10)
Perkussion:
King Errison (conguero) (in 1975-10)
Schlagzeug:
Dennis St. John (in 1975-10)
Synthesizer:
Alan Lindgren (American keyboardist, arranger, producer, studio & session musician) (in 1975-10)
Sologesang:
David Bellamy (Bellamy Brothers) (in 1975-10) und Howard Bellamy (Bellamy Brothers) (in 1975-10)
phonographisches Urheberrecht (℗) von:
Curb Records (in 1975) und MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (in 1976)
engineered at:
Wally Heider Recording Studio (@ 1604 North Cahuenga, Hollywood) in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (in 1975-10)
recording of:
Let Your Love Flow (in 1975-10)
Texter und Komponist(in):
Lawrence Eugene Williams (songwriter, "Let Your Love Flow") (in 1975)
Bellamy Brothers3.653:14
12Music
Techniker(in):
Alan Parsons (of The Alan Parsons Project) (von 1975-11 bis 1975-12)
Produzent(in):
Alan Parsons (of The Alan Parsons Project)
Bass:
Bob Marshall (bassist/songwriter, worked with John Miles) (von 1975-11 bis 1975-12)
Gitarre, Keyboard, Synthesizer und Sologesang:
John Miles (UK singer/songwriter/guitarist/keyboardist) (von 1975-11 bis 1975-12)
Perkussion:
Barry Black (von 1975-11 bis 1975-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, Vereinigtes Königreich (von 1975-11 bis 1975-12)
Teil von:
SWR1 Hitparade 2004 der Frauen (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2005 der Württemberger (Baden-Württemberg) (Nummer: 6), SWR1 Hitparade 2004 der Männer (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2005 der Badener (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2010 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2011 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2016 (Baden-Württemberg) (Nummer: 7), SWR1 Hitparade 2009 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2013 (Baden-Württemberg) (Nummer: 8), SWR1 Hitparade 2007 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2008 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2012 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2014 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2017 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2019 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2022 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2023 (Baden-Württemberg) (Nummer: 9), SWR1 Hitparade 2015 (Baden-Württemberg) (Nummer: 10) und SWR1 Hitparade 2020 (Baden-Württemberg) (Nummer: 10)
recording of:
Music (von 1975-11 bis 1975-12)
Texter und Komponist(in):
John Miles (UK singer/songwriter/guitarist/keyboardist)
publisher:
Velvet Music (John Miles)
John Miles4.45:51
13Arms of Mary
Produzent(in):
Howard Albert und Ron Albert
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1975)
recording of:
Arms of Mary (in 1976)
Texter und Komponist(in):
Iain Sutherland (Sutherland Brothers)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Island Music Ltd., Skerry Rock Ltd. und Smash Brothers Ltd.
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Sutherland Brothers & Quiver52:35
14Show Me the Way
Produzent(in):
Peter Frampton
Bassgitarre:
Stanley Sheldon (bass player)
Flügel, Orgel und Rhodes Piano:
Bob Mayo (US session keyboardist & guitarist)
Gitarre:
Peter Frampton und Bob Mayo (US session keyboardist & guitarist)
Schlagzeug [drums]:
John Siomos
Talkbox:
Peter Frampton
vocals:
Peter Frampton, Bob Mayo (US session keyboardist & guitarist) und Stanley Sheldon (bass player)
arranger:
Peter Frampton
phonographisches Urheberrecht (℗) von:
A&M Records (in 1976)
live recording of:
Show Me the Way
Texter und Komponist(in):
Peter Frampton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP) und United Artists Music Co., Inc.
Peter Frampton3.74:33
15Kiss and Say Goodbye
recording of:
Kiss and Say Goodbye
Texter und Komponist(in):
Winfred Lovett (Lovett Winfred Lorenzo)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Blackwood Music Inc. und EMI Songs Ltd.
Manhattans2:47
16Don’t Go Breaking My Heart
phonographisches Urheberrecht (℗) von:
Happenstance Limited (record and publishing company) (in 1976)
recording of:
Don’t Go Breaking My Heart
Texter:
Carte Blanche (aka. Bernie Taupin, Onions)
Komponist(in):
Ann Orson (English singer, songwriter, pianist, and composer)
publisher:
Big Pig Music Ltd. (publisher), Rocket Music Ltd. (publisher), Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group) und Universal–Songs of PolyGram International, Inc.
Elton John & Kiki Dee3:55
17Let’s Stick Together
cover recording of:
Let’s Stick Together
Texter und Komponist(in):
Wilbert Harrison (singer, pianist, guitarist and harmonica player)
publisher:
ABZ Music Corp., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Catalogue Partnership, EMI Music Publishing Scandinavia AB, EMI United Partnership Ltd., SBK United Partnership Ltd., United Artists Music Ltd., United Partnership Ltd., Windswept Pacific Entertainment Co. und SBK/U Catalog (in 1969)
Bryan Ferry2:54
18Dancing Queen
Techniker(in):
Michael B. Tretow
Produzent(in):
Benny Andersson (ABBA) und Björn Ulvaeus
Bass:
Rutger Gunnarsson (von 1976-08-04 bis 1976-08-05)
Bratsche / Viola:
Åke Arvinder (Swedish violist) (am 1976-09-12), Lars Brolin (am 1976-09-12) und Håkan Roos (Swedish violist) (am 1976-09-12)
Cello:
Hans‐Göran Eketorp (Swedish cellist) (am 1976-09-12) und Åke Olofsson (Swedish cellist) (am 1976-09-12)
Clavinet und Keyboard:
Benny Andersson (ABBA) (von 1976-08-04 bis 1976-08-05)
Geige / Violine:
Martin Bylund (Swedish violinist) (am 1976-09-12), Anders Dahl (Swedish violinist) (am 1976-09-12), Lars Stegenberg (Swedish violinist) (am 1976-09-12), Gunnar Michols (Swedish violinist) (am 1976-09-12), Claes Nilsson (Swedish violinist) (am 1976-09-12), Bertil Orsin (Swedish violinist) (am 1976-09-12), Sixten Strömvall (Swedish violinist) (am 1976-09-12), Harry Teike (am 1976-09-12) und Krzysztof Zdrzalka (Swedish violinist) (am 1976-09-12)
Schlagzeug:
Roger Palm (von 1976-08-04 bis 1976-08-05, am 1976-12-03)
Sologesang:
Agnetha Fältskog (in 1976-09) und Frida (Swedish singer and member of ABBA) (in 1976-09)
Saiteninstrumente arranger:
Sven-Olof Walldoff
arranger:
Benny Andersson (ABBA) und Björn Ulvaeus
phonographisches Urheberrecht (℗) von:
Polar Music AB (in 1976) und Polar Music International AB (in 1976)
aufgenommen bei:
Metronome Studio in Stockholm, Stockholms län (Stockholm county), Schweden (in 1976), Glen Studio in Stockholms län (Stockholm county), Schweden (von 1976-08-04 bis 1976-08-05) und KMH Studios in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-12-03)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 2), SWR1 Hitparade 2006 (Baden-Württemberg) (Nummer: 5), SWR1 Hitparade 2003 (Baden-Württemberg) (Nummer: 7), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (Nummer: 9), Q50 – December 2005 (Nummer: 37), BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 171) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 286)
recording of:
Dancing Queen (in 1976)
Verfasser(in):
Stig Anderson (Stikkan), Benny Andersson (ABBA) und Björn Ulvaeus
publisher:
Bocu Music Ltd., EMI Grove Park Music, Inc., EMI Music Publishing (do not use as a release label!), Union Songs AB (publisher), Union Songs Music, Universal Music Publishing Group, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal–Songs of PolyGram International, Inc., EMI Waterford Music (vom 1976 bis heute), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (vom 1976 bis heute) und Universal/Union Songs Musikförlag AB (vom 1976 bis heute)
Premiere bei:
Kungliga Operan (Royal Swedish Opera) in Stockholm, Stockholms län (Stockholm county), Schweden (am 1976-06-18)
Teil von:
Mamma Mia! (1999 musical)
ABBA4.053:45
19Mon amour
recording of:
Mon amour
Texter:
Jan Keizer (Dutch singer)
Komponist(in):
Thomas Tol
BZN2:57
20It’s a Long Way There
Techniker(in):
Ross Cockle
Produzent(in):
Little River Band und Glenn Wheatley
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.) (in 1975), EMI (Australia) Ltd. (not for release label use! EMI's AU subsidiary, active from May 1957 to late 1980s) (in 1975), Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1982) und Capitol Records Ltd. (not for release label use; UK company) (in 1989)
produced for:
Tumbleweed Productions
aufgenommen bei:
Armstrong's Studio (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australien
mixed at:
Capitol Towers in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
recording of:
It’s a Long Way There
geschrieben in:
Australien (in 1972)
Texter und Komponist(in):
Graeham Goble (in 1972)
publisher:
Australian Tumbleweed Music, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sunbury Music Ltd., Tumbleweed Music, Tumbleweed Music Pty. Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell Pty. Ltd. und Wheatley Music Pty Ltd.
Little River Band4:07

Nennungen

Veröffentlichung

mastering:Digipro-Brussels (Belgian branch of the design and mastering studio Digipro)
design:Hotline (Dutch graphical design company)
urheberrechtlich geschützt (©) von und vermarkted von:EVA (for use with NL/BE/FR releases only, see annotation)
phonographisches Urheberrecht (℗) von:EVA (for use with NL/BE/FR releases only, see annotation) (in 1989)
Discogs:https://www.discogs.com/release/734754 [Info]

Veröffentlichungsgruppe

Teil von:25 Jaar Top 40 Hits (Edison) (Nummer: 3) (Reihenfolge: 3)
Discogs:https://www.discogs.com/master/61914 [Info]