Classic Rock Ballads

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleArtistRatingLength
1I Want to Know What Love Is
additional engineer:
Josh Abbey, Larry Alexander (producer/engineer), Jason Corsaro (U.S. music engineer, and record producer), Joe Ferla and Howie Lindeman
assistant engineer:
Bobby Cohen (engineer), Tim Crich and Scott “Abada” Mabuchi
engineer:
Frank Filipetti
producer:
Mick Jones (Foreigner/Spooky Tooth, worked in France) and Alex Sadkin
additional keyboard:
Tom Bailey (Thompson Twins)
bass guitar:
Rick Wills
drums (drum set):
Dennis Elliott
electric guitar:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
additional vocals:
Jennifer Holliday
background vocals:
Donnie Harper, Mick Jones (Foreigner/Spooky Tooth, worked in France) and Rick Wills
choir vocals:
The New Jersey Mass Choir
lead vocals:
Lou Gramm (American rock singer-songwriter; Black Sheep, Foreigner & Shadow King)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1984), Warner Music International (trademark of Warner Music International the company) (in 1984), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984, in 2018) and Rhino Entertainment Company (not for release label use!) (in 2009)
additionally recorded at:
Right Track Recording in Manhattan, New York, New York, United States
recorded at:
The Hit Factory in Manhattan, New York, New York, United States
mixed at:
Right Track Recording in Manhattan, New York, New York, United States
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 65), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 205) and Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 476)
recording of:
I Want to Know What Love Is
lyricist and composer:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
publisher:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (until 2014-12-31) and Fujipacific Music, Inc. (from 2015-01-01 to present)
Foreigner3.954:59
2I’m Not in Love
recording engineer:
10cc (in 1974)
engineer and mixer:
Eric Stewart
producer:
10cc
bass and guitar:
Graham Gouldman (in 1974)
effects [musical effects], electric piano and lead vocals:
Eric Stewart (in 1974)
Moog:
Kevin (in 1974)
piano:
Lol (in 1974)
synclavier [control desk]:
Graham Gouldman (in 1974), Kevin (in 1974), Lol (in 1974) and Eric Stewart (in 1974)
background vocals:
Graham Gouldman (in 1974), Kevin (in 1974) and Lol (in 1974)
other vocals [whisper vocals]:
Kathy Redfern (in 1974)
phonographic copyright (℗) by:
Mercury Records Limited (not for release label use!) (in 1975), Mercury Records Ltd. (London) (for copyrights use only) (in 1975), Phonogram, Inc. (in 1975), Phonogram Ltd. (not for release label use!) (in 1979) and Mercury Records Ltd. (not for release label use!) (in 1996)
recorded by:
Phonogram Ltd. (London) (company name, NOT a label!)
recorded at:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, United Kingdom (in 1974)
music videos:
I’m Not in Love by 10cc
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 319)
recording of:
I’m Not in Love (in 1974)
writer:
Graham Gouldman and Eric Stewart
publisher:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, in 1975), Schubert Music Publishing, St. Anne's Music and St. Anne’s Music Ltd.
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
10cc3.856:05
3(I Just) Died in Your Arms
engineer:
Terry Brown (producer)
producer:
Terry Brown (producer), Cutting Crew and John Jansen (US recording engineer and producer)
mixer:
Tim Palmer (British producer/mixer)
acoustic guitar, electric guitar and synthesizer [E-mu Emulator]:
Kevin MacMichael
bass:
Colin Farley
drums (drum set), percussion and tambourine:
Martin Beedle
piano:
Peter-John Vettese (British keyboardist, songwriter, arranger and record producer)
background vocals:
Peter Birch
lead vocals:
Nick Van Eede
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) and Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1986)
recorded at:
AIR Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, United Kingdom
mixed at:
Utopia Studios (London) in London (Greater London), England, United Kingdom
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 26)
recording of:
(I Just) Died in Your Arms
lyricist and composer:
Nick Van Eede
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Songs, Inc. and Sony/ATV Music Publishing (UK) Ltd.
Cutting Crew4.14:40
4Closer to the Heart
recording engineer:
Terry Brown (producer) (in 1977-06) and Pat Moran (UK male singer, keyboardist sound engineer and producer) (in 1977-06)
producer and mixer:
Terry Brown (producer)
assistant mixer:
Declan O’Doherty and Ken Thomas (British producer and engineer)
12 string guitar, bass guitar and Minimoog:
Geddy Lee (in 1977-06)
12 string guitar [twelve string acoustic guitar], 12 string guitar [twelve string electric guitar], acoustic guitar, classical guitar and electric guitar:
Alex Lifeson (in 1977-06)
bass pedals [bass pedal synthesizer]:
Geddy Lee (in 1977-06) and Alex Lifeson (in 1977-06)
bell tree, cowbell, drums (drum set), temple blocks, triangle, tubular bells, tubular bells [orchestra bells], vibraslap and wind chime:
Neil Peart (in 1977-06)
vocals:
Geddy Lee (in 1977-06)
recorded at:
Rockfield Studios in Monmouth, Monmouthshire, Wales, United Kingdom (in 1977-06)
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, United Kingdom
recording of:
Closer to the Heart (in 1977-06)
lyricist:
Neil Peart and Peter Talbot
composer:
Geddy Lee and Alex Lifeson
publisher:
フジパシフィック音楽出版 (Fujipacific Music inc.) (until 2014-12-31), Anthem Core Music Publishing (SOCAN‐affiliated) (from 1980 to present) and フジパシフィックミュージック (Fujipacific Music, Inc.) (from 2015-01-01 to present)
Rush4.62:53
5Headed for a Heartbreak
assistant engineer:
Noah Baron and Jimmy Hoyson
engineer and producer:
Beau Hill
audio engineer:
Bob Caputo (engineer) and Bob Schwall (technician)
editor:
Stephen Benben
bass guitar and lead vocals:
Kip Winger
cello:
Maria Kitsopoulos
drums (drum set) and percussion:
Rod Morgenstein
guitar:
Reb Beach and Paul Taylor (Winger rhythm guitarist and keyboardist)
keyboard:
Paul Taylor (Winger rhythm guitarist and keyboardist) and Kip Winger
viola:
Rebecca Young (violist)
violin:
Hae-Young Ham (violinist) and Sandra Park (violinist)
additional vocals:
Beau Hill and Ira McLaughlin (engineer)
background vocals:
Reb Beach, Rod Morgenstein and Paul Taylor (Winger rhythm guitarist and keyboardist)
strings arranger:
Kip Winger
arranger:
Beau Hill and Winger
recorded at and mixed at:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, United States
recording of:
Headed for a Heartbreak
lyricist and composer:
Kip Winger
publisher:
EMI-Virgin Songs, Small Hope Music and Varseau Music
Winger45:15
6Be My Friend
engineer:
Andy Johns
producer:
Free (60s/70s UK blues rock group)
recorded at:
Island Studios (aka the Fallout Shelter, located in Hammersmith, London) in Hammersmith, Hammersmith and Fulham, London (Greater London), England, United Kingdom
recording of:
Be My Friend
writer:
Andy Fraser (English bassist, member of Free) and Paul Rodgers
Free4.55:45
7Horse With No Name
engineer:
Robin Black (engineer) and Ken Scott (UK record producer & engineer)
additional producer:
America (US folk/soft rock band) and Jeff Dexter
producer:
America (US folk/soft rock band), Jeff Dexter, George Martin (producer, arranger, composer, conductor, audio engineer, and musician) and Ian Samwell
mixer:
George Martin (producer, arranger, composer, conductor, audio engineer, and musician)
12 string guitar:
Gerry Beckley (in 1971)
acoustic guitar and lead vocals:
Dewey Bunnell (in 1971)
bass guitar:
Dan Peek (in 1971)
drums (drum set):
Kim Haworth (in 1971)
percussion:
Ray Cooper (percussionist) (in 1971)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1971, in 1972), Warner Music (global imprint of Warner Music Group, ‘W’ logo either with “Warner Music” or no text) (in 1972) and Rhino Entertainment Company (not for release label use!) (in 2011)
recorded at:
Morgan Studios (Morgan Sound Studios) in Willesden, Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1971)
recording of:
A Horse With No Name (in 1971)
lyricist and composer:
Dewey Bunnell
publisher:
Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996) and WB Music Corp. (1929–2019)
America4.254:09
8Hard Habit to Break
engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
assistant mixer:
Larry Fergusson
lead vocals:
Peter Cetera (in 1984) and Bill Champlin (in 1984)
instruments arranger:
Jeremy Lubbock
arranger:
David Foster (Canadian music producer, arranger and composer)
phonographic copyright (℗) by:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1983, in 1984) and Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1984, in 2010)
recorded at:
Sunset Sound in Hollywood, Los Angeles, California, United States (in 1984), The Lighthouse (studio located in N. Hollywood, California) in North Hollywood, Los Angeles, California, United States (in 1984) and The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, United States (in 1984)
mixed at:
Lion Share Recording Studios in Los Angeles, California, United States
recording of:
Hard Habit to Break (in 1984)
writer:
Steve Kipner (in 1984) and John Lewis Parker (in 1984)
publisher:
Bocu Music Ltd., EMI April Music Inc., EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Songs Ltd., MCA Music Ltd., Music Corporation of America, Inc. (BMI‐affiliated music publisher of MCA Records, Inc.?), Songs of Universal, Inc. (BMI), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), April Music Inc. (in 1984), Parker Songs (in 1984), Stephen A. Kipner Music (in 1984) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present)
Chicago44:45
9The King Will Come
engineer:
Martin Birch
producer:
Derek Lawrence (British producer)
bass guitar:
Martin Turner
guitar:
Andy Powell and Ted Turner (of Wishbone Ash)
membranophone and percussion:
Steve Upton
lead vocals:
Andy Powell and Martin Turner
vocals:
Andy Powell and Martin Turner
recording of:
The King Will Come
lyricist and composer:
Martin Turner
writer:
Andy Powell, Ted Turner (of Wishbone Ash) and Steve Upton
Wishbone Ash47:06
10High Enough
recording of:
High Enough
writer:
Jack Blades (of Night Ranger), Ted Nugent and Tommy Shaw (of Styx)
Damn Yankees4:22
11Endless Summer Nights
additional engineer:
David Cole (US musician/producer, member of C+C Music Factory)
engineer, producer and mixer:
Humberto Gatica
bass guitar [bass]:
Nathan East
drums (drum set):
John Keane (drummer)
guitar:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) and Mike Landau
keyboard:
Tom Keane (keyboards, of The Keane Brothers)
percussion:
Paulinho da Costa (Brazilian percussionist)
saxophone:
Dave Boruff
background vocals and lead vocals:
Richard Marx
phonographic copyright (℗) by:
Manhattan Records (EMI Music / Universal Music; 1984–1987, relaunched 2001) (in 1987)
produced for:
Hum Productions, Inc.
recording of:
Endless Summer Nights
lyricist and composer:
Richard Marx
publisher:
BMG Monarch, フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) and Chi‐Boy Music (in 1987)
Richard Marx4:31
12I Believe in You
engineer:
Harvey Goldberg, Ken Kessie, Gary Ladinsky (engineer), Wayne Lewis (engineer) and Gary Lubow
producer:
Robert Shulman and David Sieff
assistant mixer:
Greg Mann (engineer)
mixer:
Harvey Goldberg
phonographic copyright (℗) by:
A&M Records (in 1981)
recorded at:
The Automatt in San Francisco, California, United States
mixed at:
Mediasound Studios in New York, New York, United States
recording of:
I Believe in You
writer:
Joey Alves, Leonard Haze, Phil Kennemore and Dave Meniketti
publisher:
Bob-Shul-Bop Music, Facemelting Music and Hot Sieffood Music
Y & T7:14
13Empty Rooms
engineer:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
assistant producer:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
producer:
Peter Collins (producer)
assistant mixer:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
guest keyboard [keyboards]:
Andy Richards (Strawbs keyboard player/record producer)
guest sampler [sampled drums]:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
guitar [guitars] and lead vocals:
Gary Moore (Thin Lizzy, blues guitar)
guest background vocals [backing vocals]:
Neil Carter
remixer:
James (Jimbo) Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
phonographic copyright (℗) by:
10 Records Ltd. (company and copyright holder for 10 Records) (in 1985)
produced for:
Peter Collins Productions
produced at:
Sarm East (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, United Kingdom
recording of:
Empty Rooms
lyricist:
Gary Moore (Thin Lizzy, blues guitar)
composer:
Neil Carter and Gary Moore (Thin Lizzy, blues guitar)
publisher:
10 Music Ltd.
Gary Moore3.754:15
14Silent Lucidity
assistant recording engineer:
Marc Ramaer
recording engineer and mixer:
James “Jimbo” Barton (Australian/US producer/engineer, fl. 1990’s–2020’s)
producer:
Peter Collins (producer)
assistant mixer:
Dan Harjung
12 string guitar, acoustic guitar and electric guitar:
Chris DeGarmo and Michael Wilton
drums (drum set) and percussion:
Scott Rockenfield
electric bass guitar, fretless bass and background vocals:
Eddie Jackson (US metal bassist for Queensrÿche)
keyboard, lead vocals and whistling:
Geoff Tate
orchestrator:
Michael Kamen (American score composer)
produced for:
Jill Music Ltd.
recorded at:
Vancouver Studios in Vancouver, British Columbia, Canada
mixed at:
Royal Recorders in Lake Geneva, Wisconsin, United States
recording of:
Silent Lucidity
orchestrator:
Michael Kamen (American score composer)
lyricist and composer:
Chris DeGarmo
Queensrÿche4.35:46
15Alone Again
additional engineer:
Gary McGachan
associate producer:
Roy Thomas Baker (producer)
producer:
Tom Werman
mixer:
Michael Wagener
bass guitar and keyboard:
Jeff Pilson
drums (drum set):
Mick Brown (US drummer, formerly of Dokken)
guitar:
Don Dokken and George Lynch
background vocals:
Mick Brown (US drummer, formerly of Dokken) and Jeff Pilson
lead vocals:
Don Dokken
phonographic copyright (℗) by:
Elektra Entertainment (company, DO NOT USE as release label, for releases use “Elektra”) (in 1984) and Elektra Entertainment Group (not for release label use! a division of Warner Communications, Inc. for the United States, and WEA International Inc. for the world outside the United States) (in 1984)
recording of:
Alone Again
writer:
Mick Brown (US drummer, formerly of Dokken), Don Dokken, George Lynch and Jeff Pilson
publisher:
E/A Music Inc., Megadude Music, WB Music Corp. (1929–2019) and エイベックス・ミュージック・パブリッシング (Avex Music Publishing Inc.)
Dokken3.654:21
16Beth
engineer:
Jay Messina and Corky Stasiak
producer:
Bob Ezrin
acoustic guitar:
Dick Wagner
grand piano:
Bob Ezrin
lead vocals:
Peter Criss
orchestra:
New York Philharmonic
recorded at and mixed at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States
recording of:
Beth
writer:
Peter Criss, Bob Ezrin and Stan Penridge
publisher:
KISS Songs Inc. (ended), All by Myself Publishing Company, Café Americana Inc., Irving Music of Canada, Peter Criss Publishing, Reach Music Canada, Reach Music Publishing, Inc. and Rock Steady Music
sub-publisher:
ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 日音 Synch事業部 (NICHION, INC. Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
KISS4.152:47
2▼CD
#TitleArtistRatingLength
1Missing You
assistant engineer:
Ken Stiger (engineer)
engineer:
Gary Hellman
producer:
Gary Gersh, David Thoener and John Waite
mixer and editor:
John Luongo
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1984), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1984), EMI America Records (holding – file NO releases here!) (in 1984) and EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1984)
recording of:
Missing You
lyricist:
John Waite
composer:
Mark Leonard, Chas Sandford and John Waite
publisher:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, in 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Fallwater Music (in 1984), Markeem Music (publisher) (in 1984), The Hudson Bay Music Co. (publisher) (in 1984) and WC Music Corp. (from 2019-05-28 to present)
John Waite53:50
2To Be With You
assistant engineer:
Chris Kupper, David Luke (engineer), Scott Ralston, Michael Semanick and Andy Udoff
engineer and mixer:
Kevin Elson and Tom Size (US audio engineer)
producer:
Kevin Elson
bass guitar [bass]:
Billy Sheehan
drums (drum set) [drums]:
Pat Torpey
guitar:
Paul Gilbert (hard rock/heavy metal guitarist; Mr. Big, Racer X, etc.)
lead vocals [vocals]:
Eric Martin (vocalist for Mr. Big)
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1991), Warner Music International (trademark of Warner Music International the company) (in 1991) and Warner Music H.K. Ltd. (in 1997)
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States, Fantasy Studios (Berkeley) in Berkeley, California, United States and Rumbo Recorders in Canoga Park, Los Angeles, California, United States
music videos:
To Be With You by Mr. Big (American hard rock band)
recording of:
To Be With You
writer:
David Grahame and Eric Martin (vocalist for Mr. Big)
publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (until 2021-06-30), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30), Dog Turner Music (from 1991 to present), EMI April Music Inc. (from 1991 to present), Eric Martin Songs (from 1991 to present), Tasmanian Compositions (from 1991 to present), ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (from 2021-07-01 to present) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
Mr. Big4.43:27
3Glory of Love
engineer and mixer:
Terry Christian (US recording and mixing engineer) and John Guess
producer:
Michael Omartian
guest background vocals:
Kenny Cetera
lead vocals:
Peter Cetera
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1986) and Warner Music International (trademark of Warner Music International the company) (in 1986)
recorded at and mixed at:
Lion Share Studios in Los Angeles, California, United States
recording of:
Glory of Love
writer:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) and Diane Nini
publisher:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (until 2021-06-30), Air Bear Music (in 1986), Fall Line Orange Music (in 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (in 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present) and ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (from 2021-07-01 to present)
part of:
The 59th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1986 nominee)
Peter Cetera4.24:20
4Stone Cold
engineer:
Nick Blagona (engineer/producer)
producer:
Roger Glover
mixer:
Nick Blagona (engineer/producer) and Roger Glover
bass guitar:
Roger Glover (in 1981-12)
drums (drum set):
Bob Rondinelli (in 1981-12)
guitar:
Ritchie Blackmore (in 1981-12)
keyboard:
David Rosenthal (US keyboardist) (in 1981-12)
lead vocals:
Joe Lynn Turner (US rock vocalist) (in 1981-12)
phonographic copyright (℗) by:
Universal Records Inc. (not for release label use! a division of UMG Recordings, Inc.) (in 1982)
recorded at:
Le Studio in Morin‐Heights, Québec (Quebec), Canada (in 1981-12)
recording of:
Stone Cold (in 1981-12)
lyricist and composer:
Ritchie Blackmore, Roger Glover and Joe Lynn Turner (US rock vocalist)
Rainbow35:18
5Only Women Bleed
assistant producer:
Michael Sherman (producer)
producer:
Bob Ezrin
bass:
Prakash John
drums (drum set):
Whitey Glan
guitar:
Steve Hunter (rock guitarist) and Dick Wagner
Rhodes piano:
Jozef Chirowski
slide guitar:
Dick Wagner
lead vocals:
Alice Cooper (the singer, active as a solo artist 1975–present)
vocals:
Jozef Chirowski and Dick Wagner
arranger:
Bob Ezrin and Allan MacMillan
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1975) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1975)
produced for:
My Own Production Company Ltd.
recording of:
Only Women Bleed
writer:
Alice Cooper (the singer, active as a solo artist 1975–present) and Dick Wagner
publisher:
BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Early Frost Music Corp. (, from 1975 to ????), EMI Blackwood Music Inc., Ezra Music, Mushroom Music Pty. Ltd., Primary Wave Music Publishing, Sony Music (global brand, excluding JP, owned by Sony Music Entertainment), Sony/ATV Songs LLC, Spirit One Music, Universal Music Publishing Group, Warner Chappell, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) and Ezra Music Corp. (from 1975 to present)
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper3.55:50
6If I Could Turn Back Time
recording engineer and mixer:
Frank Wolf (engineer at Skyline Recording)
additional engineer:
Guy Roche
assistant engineer:
Ken Allardyce, Mario Luccy, Craig Porteils (producer, engineer) and Duane Seykora
producer:
Guy Roche and Diane Warren (US songwriter)
additional guitar:
Gene Black and Glenn Sciurba
bass guitar:
John Pierce (US session bassist)
drums (drum set) and tambourine:
Mark T. Williams
guitar:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
keyboard:
Alan Pasqua and Guy Roche
background vocals:
Michael Anthony (US bassist, formerly of Van Halen), Robin Beck, Desmond Child, Jimmy Demers, Jean McClain and Maria Vidal (American singer-songwriter)
lead vocals:
Cher
phonographic copyright (℗) by:
Geffen Records (in 1989), The David Geffen Company (legal rights relating to Geffen Records) (in 1989), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Limited (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
Bill Schnee Studios in North Hollywood, Los Angeles, California, United States and Criterion Studios in Los Angeles, California, United States
mixed at:
The Complex Studios in Los Angeles, California, United States
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 386)
recording of:
If I Could Turn Back Time
lyricist and composer:
Diane Warren (US songwriter)
publisher:
EMI Music Publishing (do not use as a release label!) and Realsongs (in 1989)
Cher3.754:08
7For You
phonographic copyright (℗) by:
Mercury Records Ltd. (London) (for copyrights use only) (in 1977)
recording of:
For You
writer:
Rick Parfitt (UK guitarist for Status Quo)
publisher:
Eaton Music Limited, EMI Music Publishing Ltd. (PRS‐affiliated) and Shawbury Music Ltd. (publisher)
Status Quo3:02
8Still in Love With You
recording engineer:
Ron Nevison and Ted Sharp (engineer)
producer:
Phil Lynott and Ron Nevison
mixer:
Ron Nevison
bass guitar and lead vocals:
Phil Lynott
drums (drum set):
Brian Downey (Thin Lizzy drummer)
guest guitar:
Gary Moore (Thin Lizzy, blues guitar)
guitar:
Scott Gorham (Thin Lizzy guitarist) and Brian Robertson (Thin Lizzy & Motörhead)
guest lead vocals:
Frankie Miller (Scottish rock singer-songwriter)
recording of:
Still in Love With You
lyricist and composer:
Phil Lynott
publisher:
PolyGram Music Publishing Ltd.
Thin Lizzy5:40
9Young Girl Blues
Sammy Hagar8:56
10Private Dancer
producer:
Carter
solo guitar:
Jeff Beck (English rock guitarist)
lead vocals:
Tina Turner
remixer:
Humberto Gatica
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1984) and EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2004)
recording of:
Private Dancer
lyricist and composer:
Mark Knopfler
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Rondor Music (London) Ltd., Shinko Music Entertainment Co., Ltd., Straitjacket Songs Ltd., Universal Music Publishing France (not for release label use!) and Universal Music Publishing, Synch Division
Tina Turner3.54:01
11No Rain
assistant engineer:
Mr. Jon Plum
engineer:
Rick Parashar
producer and mixer:
Blind Melon and Rick Parashar
acoustic guitar [Gibson J-30]:
Christopher Thorn
bass [1969 Fender Jazz]:
Brad Smith (Blind Melon bassist)
drums (drum set), finger snaps, percussion and shakers:
Glen Graham (Blind Melon percussionist)
electric guitar [Fender Stratocaster, 1962 Reissue]:
Rogers Stevens
background vocals and lead vocals:
Shannon Hoon
recorded at:
London Bridge Studios in Seattle, Washington, United States
music videos:
No Rain by Blind Melon
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 14) and Indie 88: Top 500 Indie Rock Songs (number: 414)
recording of:
No Rain
writer:
Glen Graham (Blind Melon percussionist), Shannon Hoon, Brad Smith (Blind Melon bassist), Rogers Stevens and Christopher Thorn
publisher:
EMI April Music Inc. and Heavy Melon Music
Blind Melon4.33:38
12The Spirit Carries On (Scene Eight)
additional recording engineer and additional co-producer:
Terry Brown (producer) (from 1999-06 until 1999-07)
assistant engineer:
Michael Bates (sound/mastering engineer) (from 1999-02 until 1999-06) and Brian Quackenbush (from 1999-02 until 1999-06)
engineer:
Doug Oberkircher (from 1999-02 until 1999-06)
producer:
John Petrucci (US guitarist, composer and producer) and Mike Portnoy
assistant mixer:
Rory Romano (from 1999-07 until 1999-08)
mixer:
Kevin “Caveman” Shirley (producer & mixer) (from 1999-07 until 1999-08)
bass guitar:
John Myung
drums (drum set) and percussion:
Mike Portnoy
guitar:
John Petrucci (US guitarist, composer and producer)
keyboard:
Jordan Rudess
additional guest vocals:
Theresa Thomason (from 1999-07 until 1999-08)
background vocals:
John Petrucci (US guitarist, composer and producer) and Mike Portnoy
guest choir vocals:
Clarence Burke, Jr. (from 1999-07 until 1999-08), Mary Canty (from 1999-07 until 1999-08), Carol Cyrus (from 1999-07 until 1999-08), Dale Scott Robinson (from 1999-07 until 1999-08), Sheila Slappy (from 1999-07 until 1999-08), Jeanette Smith (from 1999-07 until 1999-08) and Mary Smith (Choir singer) (from 1999-07 until 1999-08)
lead vocals:
James LaBrie
conductor:
Jordan Rudess (from 1999-07 until 1999-08)
choir vocals arranger:
Jordan Rudess
phonographic copyright (℗) by:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (in 1999) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1999)
mixed at:
Avatar Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, United States (from 1999-07 until 1999-08)
additionally engineered at:
Little Bear Studios in Suffern, New York, United States (from 1999-02 until 1999-06) and Metalworks Studios (studio, Mississauga, ON) in Mississauga, Ontario, Canada (from 1999-06 until 1999-07)
engineered at:
Bear Tracks Recording Studio in Suffern, New York, United States (from 1999-02 until 1999-06)
recording of:
Act II: Scene Eight: The Spirit Carries On (from 1999-07 until 1999-08)
lyricist:
John Petrucci (US guitarist, composer and producer)
composer:
Dream Theater
publisher:
Key Wiz Music and Ytse Jams, Inc.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
Metropolis, Part 2: Scenes From a Memory
Dream Theater4.36:40
13The Price
recording engineer and mixer:
Geoff Workman
assistant engineer:
Gary McGachan
engineer:
John Agnello (engineer & producer) and Greg Laney
producer:
Tom Werman
bass guitar:
Mark Mendoza (Twisted Sister bassist)
drums (drum set):
A.J. Pero
electric guitar:
Jay Jay French and Eddie Ojeda
background vocals:
Jay Jay French, Mark Mendoza (Twisted Sister bassist), Eddie Ojeda, A.J. Pero and Dee Snider
lead vocals:
Dee Snider
arranger:
Twisted Sister and Tom Werman
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States (from 1984-02 until 1984-03), The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1984-02 until 1984-03) and Westlake Audio (former name of Westlake Recording Studios) in Los Angeles, California, United States (from 1984-02 until 1984-03)
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
The Price
lyricist and composer:
Dee Snider
publisher:
Universal Tunes
Twisted Sister3.63:49
14Ambition
Tommy Shaw4:22
1518 and Life
recording engineer, producer and mixer:
Michael Wagener
additional engineer:
Dave Kent (engineer)
bass guitar:
Rachel Bolan
drums (drum set):
Rob Affuso
guitar:
Scotti Hill and Dave “The Snake” Sabo
background vocals:
Rachel Bolan, Scotti Hill and Dave “The Snake” Sabo
lead vocals:
Sebastian Bach (Canadian metal singer)
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989)
recorded at:
Royal Recorders in Lake Geneva, Wisconsin, United States (in 1988)
part of:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (number: 60)
recording of:
18 and Life
writer:
Rachel Bolan and Dave “The Snake” Sabo
Skid Row3.853:51
16Don’t Want to Wait Anymore
recording engineer and mixer:
Humberto Gatica
producer:
David Foster (Canadian music producer, arranger and composer)
bass guitar [bass]:
Rick Anderson (bassist for The Tubes)
drums (drum set):
Prairie Prince
guitar and background vocals:
Bill Spooner (guitarist) and Roger Steen
synthesizer:
Michael Cotten
lead vocals:
Fee Waybill
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1981)
produced for:
Foster Frees Music Inc.
mixed at:
Studio 55 in Los Angeles, California, United States
recording of:
Don’t Want to Wait Anymore
writer:
Rick Anderson (bassist for The Tubes), Michael Cotten, David Foster (Canadian music producer, arranger and composer), Prairie Prince, Bill Spooner (guitarist), Roger Steen, Fee Waybill and Vince Welnick
publisher:
Boones Tunes, Decomposition Music, Foster Frees Music Inc., Irving Music (BMI), Peermusic III, Ltd. (BMI) and Sony/ATV Songs LLC
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
The Tubes4:15
17Heaven Tonight
additional recording engineer:
John Rollo (lead vocals)
assistant recording engineer:
Scott Gordon (US engineer, film/tv scores)
engineer:
Jeff Glixman
executive producer:
Jim Lewis (US manager, producer and record company executive)
producer:
Jeff Glixman and Yngwie Malmsteen
assistant mixer:
George Cowan (US engineer) and Scott Gordon (US engineer, film/tv scores)
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
bass guitar, electric bass guitar and guitar:
Yngwie Malmsteen
drums (drum set):
Anders Johansson (HammerFall drummer)
keyboard:
Jens Johansson
lead vocals:
Joe Lynn Turner (US rock vocalist)
phonographic copyright (℗) by:
PolyGram Records (in 1988) and PolyGram Records, Inc. (not for release label use! US division of PolyGram) (in 1988)
additionally recorded at:
House of Music in West Orange, New Jersey, United States (lead vocals) and Studio D in Austin, Texas, United States
recorded at and mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
additionally mixed at:
Bearsville Studios in Bearsville, New York, United States (lead vocals)
recording of:
Heaven Tonight
lyricist:
Joe Lynn Turner (US rock vocalist)
composer:
Yngwie Malmsteen
publisher:
Chappell Music, Inc. (publisher) and Malmsteen Music
Yngwie Malmsteen4:08
3▼CD
#TitleArtistRatingLength
1Simple Man
engineer:
Al Kooper, Bob “Tub” Langford, Rodney Mills and Danny Turbeville
producer:
Al Kooper
additional organ:
Roosevelt Gook
bass guitar:
Ed King (US guitarist, bassist & songwriter)
drums (drum set):
Bob Burns (Lynyrd Skynyrd drummer and songwriter)
guitar [rhythm guitar]:
Allen Collins and Gary Rossington
keyboard:
Billy Powell
lead vocals:
Ronnie Van Zant
remixer:
Al Kooper
recorded at:
Studio One (Doraville, GA) in Doraville, Georgia, United States
recording of:
Simple Man (in 1973-04)
writer:
Gary Rossington and Ronnie Van Zant
publisher:
EMI Longitude Music, Songs of Universal, Inc. (BMI) and Universal Duchess Music Corp.
Lynyrd Skynyrd4.655:59
2Every Rose Has Its Thorn
engineer:
Duane Baron
producer:
Tom Werman
mixer:
Duane Baron, John Purdell and Tom Werman
bass guitar:
Bobby Dall
drums (drum set):
Rikki Rockett
guitar:
C.C. DeVille
lead vocals:
Bret Michaels
performer:
Poison (US glam metal band)
phonographic copyright (℗) by:
Capitol Records (imprint of Capitol Records, Inc.) (in 1988), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1988), Enigma (1980s US rock & alternative) (in 1988) and Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1996)
part of:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 34)
recording of:
Every Rose Has Its Thorn
writer:
Bobby Dall, C.C. DeVille, Bret Michaels and Rikki Rockett
composer:
Siddhartha Khosla (American singer and score composer)
publisher:
Cyanide Publishing, Sweet Cyanide Music, Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) and Zomba Songs Inc.
Poison44:20
3Drive
recording engineer:
Nigel Green (engineer)
producer:
The Cars and Robert John “Mutt” Lange (Robert John Lange)
mixer:
Mike Shipley (audio engineer, mixer, producer)
bass:
Benjamin Orr (co-lead singer for The Cars)
drums (drum set):
David Robinson (US rock drummer)
guitar:
Elliot Easton and Ric Ocasek
keyboard:
Greg Hawkes
vocals:
Elliot Easton, Greg Hawkes, Ric Ocasek and Benjamin Orr (co-lead singer for The Cars)
phonographic copyright (℗) by:
Elektra/Asylum Records (not for release label use! copyrights holder, distributor within the US) (in 1984) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1984)
recorded at:
Battery Studios (London, owned by Zomba group) in London (Greater London), England, United Kingdom
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, United States
music videos:
Drive by The Cars
recording of:
Drive
publisher:
Ric Ocasek
lyricist and composer:
Ric Ocasek
publisher:
Carlin Music Corp., Gallo Music Publishing, Lido Music, Inc., Universal Music Corp. (USA, affiliated with ASCAP), Universal Music Publishing, Inc., Universal‐MCA Music Publishing (US) and Warner/Chappell Music Ltd. (1996–2019)
The Cars43:55
4Seagull
recording of:
Seagull
writer:
Mick Ralphs and Paul Rodgers
publisher:
Badco Music, Inc.
Bad Company54:03
5Don’t Know What You Got (Till It’s Gone)
assistant recording engineer:
Thom Cadley and Ryan Dorn
engineer:
Andy Johns
producer:
Eric Brittingham, Andy Johns and Tom Keifer
assistant mixer:
George Cowan (US engineer)
mixer:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) and Steve Thompson (producer)
acoustic guitar, harmonica, steel guitar [national steel guitar] and lead vocals:
Tom Keifer (from 1987 until 1988)
additional drums (drum set):
Denny Carmassi (from 1987 until 1988) and Cozy Powell (from 1987 until 1988)
additional guest Hammond organ [B3], additional guest piano and additional guest synthesizer:
Rick Criniti (from 1987 until 1988)
additional keyboard:
Kurt Shore (from 1987 until 1988) and John Webster (Canadian keyboardist) (from 1987 until 1988)
additional pedal steel guitar:
Jay Levine (from 1987 until 1988)
additional percussion:
Paulinho da Costa (Brazilian percussionist) (from 1987 until 1988)
bass guitar [12 string bass], electric bass guitar and background vocals:
Eric Brittingham (from 1987 until 1988)
drums (drum set):
Fred Coury (from 1987 until 1988)
electric guitar:
Tom Keifer (from 1987 until 1988) and Jeff LaBar (from 1987 until 1988)
phonographic copyright (℗) by:
PolyGram Records, Inc. (not for release label use! US division of PolyGram)
recorded at:
Bearsville Studios in Bearsville, New York, United States (from 1987 until 1988) and Kajem/Victory Studios (An American recording studio and production facility.) in Philadelphia, Pennsylvania, United States (from 1987 until 1988)
mixed at:
Bearsville Studios in Bearsville, New York, United States
recording of:
Don’t Know What You Got (Till It’s Gone) (from 1987 until 1988)
lyricist and composer:
Tom Keifer
Cinderella55:54
6When the Children Cry
assistant engineer:
Garth Richardson (Canadian music producer and engineer)
engineer, producer and mixer:
Michael Wagener
guitar:
Vito Bratta
lead vocals:
Mike Tramp
phonographic copyright (℗) by:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1987)
recording of:
When the Children Cry
lyricist and composer:
Vito Bratta
writer:
Mike Tramp
White Lion3.54:20
7Stranger in This Town
recording of:
Stranger in This Town
writer:
David Bryan (keyboardist for Bon Jovi) and Richie Sambora
publisher:
Aggressive Music (in 1991) and Moon Junction Music (in 1991)
Richie Sambora6:16
8Rough Boy
engineer:
Joe Hardy (US producer, engineer and musician, notably associated with ZZ Top among others) and Bob Ludwig (mastering engineer)
producer:
Bill Ham (manager of ZZ Top)
drums (drum set) and percussion:
Frank Beard (ZZ Top drummer)
electric bass guitar:
Dusty Hill
electric guitar and lead vocals:
Billy Gibbons
vocals:
Dusty Hill
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985)
recorded at:
Ardent Studios in Memphis, Tennessee, United States
recording of:
Rough Boy
writer:
Frank Beard (ZZ Top drummer), Billy Gibbons and Dusty Hill
publisher:
Hamstein Music Ltd., Music of Stage Three, Songs of Mosaic and Hamstein Music Company (publisher) (in 1985)
ZZ Top3.354:50
9China in Your Hand
engineer:
Jerry Napier
producer:
Roy Thomas Baker (producer)
bass:
Paul Jackson (T'Pau bassist)
drums (drum set) [drums] and percussion:
Tim Burgess (T'Pau drummer)
guitar [rhythm guitar] and other instruments [some bits]:
Ron Rogers (Ronald Phillip Rogers, T'Pau)
keyboard [keyboards]:
Michael Chetwood
other instruments [other bits] and solo guitar [guitar solos]:
Taj Wyzgowski
vocals:
Carol Decker
phonographic copyright (℗) by:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987)
produced for:
RTB Audio Visual Productions USA (Also credited as R.T.B. Audio Visual Productions Inc., RTB Audio Visual Productions (USA) Inc. and other similar variants)
recording of:
China in Your Hand
writer:
Carol Decker and Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. and Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau4.255:05
10Black Velvet
producer:
David Tyson (Canadian producer/songwriter)
mixer:
Kevin Doyle (award-winning sound engineer, producer)
lead vocals:
Alannah Myles
phonographic copyright (℗) by:
Atlantic Recording Corp. (not for release label use! copyrights holder, distributor within the US) (in 1989) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
part of:
RuPaul’s Drag Race Lip Sync Performances (season 2) (number: 6)
recording of:
Black Velvet
writer:
David Tyson (Canadian producer/songwriter) and Christopher Ward (Canadian songwriter & veejay)
publisher:
BMG Rights Management (see annotation), BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), David Tyson Music, EMI Songs Ltd., Into Wishin’, Kobalt Music Publishing Ltd. (UK), Ole Media Management LP and Zomba Music Publishing Ltd.
Alannah Myles4.54:49
11Face the Day
cover recording of:
Face the Day
writer:
John Brewster, Rick Brewster and Doc Neeson
Great White5:22
12Don’t Pray for Me
Little Angels4:28
13The Ballad of Jayne
assistant engineer:
Lawrence Ethan, Robert Hart (engineer), Marnie Riley, Mike Tacci and Gary Wagner (recording engineer)
engineer:
Duane Baron and John Purdell
producer:
Duane Baron, John Purdell and Tom Werman
12 string guitar, electric guitar, electric sitar and theremin:
Tracii Guns
acoustic guitar:
Mick Cripps and Tracii Guns
bass guitar and harmonica:
Kelly Nickels
drums (drum set) and percussion:
Steve Riley (US metal drummer for W.A.S.P./L.A. Guns)
guitar and piano:
Mick Cripps
additional guest background vocals:
Rick Nielsen and Robin Zander
background vocals:
Mick Cripps, Tracii Guns and Kelly Nickels
lead vocals:
Phil Lewis (heavy metal vocalist)
recorded at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States, Music Grinder Studios in Hollywood, Los Angeles, California, United States and One on One Studios in North Hollywood, Los Angeles, California, United States
mixed at:
Conway Recording Studios in Hollywood, Los Angeles, California, United States and The Village (Village Studios, aka The Village Recorder) in Los Angeles, California, United States
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 93)
recording of:
Ballad of Jayne
writer:
Mick Cripps, Tracii Guns, Phil Lewis (heavy metal vocalist), Kelly Nickels and Steve Riley (US metal drummer for W.A.S.P./L.A. Guns)
L.A. Guns44:34
14Stevie
Pat Travers7:12
15Harden My Heart
engineer:
Paul Grupp
producer:
John Boylan
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 32)
recording of:
Harden My Heart
lyricist and composer:
Marv Ross (guitarist, songwriter)
publisher:
Bonnie Bee Good Music (publisher) (in 1981), Geffen/Kaye Music (in 1981) and Narrow Dude Music (publisher) (in 1981)
Quarterflash43:53