The Essential George Benson

~ Release by George Benson (see all versions of this release, 2 available)

Tracklist

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1CD
#TitleArtistRatingLength
1Rock Candy (live)
Jack McDuff & George Benson6:13
2Shadow Dancers
George Benson4:46
3Clockwise
recorded in:
New York, New York, United States (on 1966-02-09)
baritone saxophone:
Ronnie Cuber (on 1966-02-09)
drums (drum set):
Jimmy Lovelace (on 1966-02-09)
guitar:
George Benson (jazz guitarist/singer) (on 1966-02-09)
organ:
Dr. Lonnie Smith (on 1966-02-09)
recording of:
Clockwise (on 1966-02-09)
composer:
George Benson (jazz guitarist/singer)
George Benson4:28
4Willow Weep for Me
cover recording of:
Willow Weep for Me
lyricist and composer:
Ann Ronell (in 1932)
publisher:
Ann Ronell Music and Bourne Co. (not for release label use, this is a music publisher)
sub-publisher:
日音 Synch事業部 (NICHION, INC. Synch Division)
George Benson7:49
5A Foggy Day
cover recording of:
A Foggy Day (in London Town)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
George Benson2:42
6The Borgia StickGeorge Benson3:09
7Paraphernalia
producer:
Teo Macero (American jazz saxophonist and composer)
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1968-01-16)
drums (drum set):
Tony Williams (American jazz drummer) (on 1968-01-16)
electric guitar, electric guitar [guitar] and guest performer:
George Benson (jazz guitarist/singer) (on 1968-01-16)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (on 1968-01-16)
tenor saxophone:
Wayne Shorter (US jazz saxophonist and composer) (on 1968-01-16)
trumpet:
Miles Davis (jazz trumpeter, bandleader, songwriter) (on 1968-01-16)
recorded at:
Columbia (CBS) Studio ‘B’ in New York, New York, United States (on 1968-01-16) and Columbia Studios in New York, New York, United States (on 1968-01-16)
recording of:
Paraphernalia (on 1968-01-16)
composer:
Wayne Shorter (US jazz saxophonist and composer)
Miles Davis & George Benson12:39
8Sugar
recording of:
Sugar
composer:
Stanley Turrentine
Stanley Turrentine & George Benson10:05
9So What
engineer:
Rudy van Gelder (on 1971-02-02)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist)
drums (drum set):
Jack DeJohnette
guitar:
George Benson (jazz guitarist/singer)
organ:
Clarence Palmer
percussion:
Michael Cameron and Albert Nicholson (percussionist/drummer)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1971-02-02)
cover recording of:
So What
composer:
Miles Davis (jazz trumpeter, bandleader, songwriter)
publisher:
Jazz Horn Music
part of:
The Real Book (compilation of jazz standards, volume I)
George Benson9:19
10Ode to a Kudu (alternate take)
engineer:
Rudy van Gelder (on 1971-02-03)
producer:
Creed Taylor
bass:
Ron Carter (US jazz double-bassist) (on 1971-02-03)
drums (drum set):
Jack DeJohnette (on 1971-02-03)
guitar:
George Benson (jazz guitarist/singer) (on 1971-02-03)
organ:
Clarence Palmer (on 1971-02-03)
percussion:
Michael Cameron (on 1971-02-03) and Albert Nicholson (percussionist/drummer) (on 1971-02-03)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1971-02-03)
recording of:
Ode to a Kudu (on 1971-02-03)
composer:
George Benson (jazz guitarist/singer)
publisher:
Char‐Liz Music, Inc., Music in One and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
George Benson4:42
11California Dreamin'
engineer:
Rudy van Gelder (in 1971-11)
producer:
Creed Taylor
acoustic guitar:
Jay Berliner (in 1971-11)
alto flute:
Phil Bodner (Woodwind player) (in 1971-11), Hubert Laws (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
baritone horn and trombone:
Wayne Andre (in 1971-11)
bass:
Ron Carter (US jazz double-bassist) (in 1971-11)
bass clarinet:
Romeo Penque (in 1971-11)
bassoon:
Jane Taylor (bassoonist) (in 1971-11)
clarinet:
George Marge (in 1971-11) and Romeo Penque (in 1971-11)
cor anglais and oboe:
Phil Bodner (Woodwind player) (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
drums (drum set):
Billy Cobham (in 1971-11)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1971-11)
flugelhorn and trumpet:
John Frosk (in 1971-11) and Al Rubin (in 1971-11)
flute:
Phil Bodner (Woodwind player) (in 1971-11), Hubert Laws (in 1971-11) and George Marge (in 1971-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (in 1971-11)
guitar:
George Benson (jazz guitarist/singer) (in 1971-11)
harp:
Gloria Agostini (Harp) (in 1971-11)
percussion:
Phil Kraus (in 1971-11) and Airto Moreira (percussionist) (in 1971-11)
piccolo:
Hubert Laws (in 1971-11)
vibraphone:
Phil Kraus (in 1971-11)
vocals:
Airto Moreira (percussionist) (in 1971-11)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1971-11)
instrumental cover recording of:
California Dreamin’ (in 1971-11)
writer:
John Phillips (The Mamas & The Papas) and Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) and Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) and ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
George Benson47:19
2CD
#TitleArtistRatingLength
1White Rabbit
engineer:
Rudy van Gelder (in 1971-11)
producer:
Creed Taylor
acoustic guitar:
Jay Berliner (in 1971-11)
alto flute:
Phil Bodner (Woodwind player) (in 1971-11), Hubert Laws (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
baritone horn and trombone:
Wayne Andre (in 1971-11)
bass:
Ron Carter (US jazz double-bassist) (in 1971-11)
bass clarinet:
Romeo Penque (in 1971-11)
bassoon:
Jane Taylor (bassoonist) (in 1971-11)
clarinet:
George Marge (in 1971-11) and Romeo Penque (in 1971-11)
cor anglais and oboe:
Phil Bodner (Woodwind player) (in 1971-11), George Marge (in 1971-11) and Romeo Penque (in 1971-11)
drums (drum set):
Billy Cobham (in 1971-11)
electric piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer) (in 1971-11)
flugelhorn:
John Frosk (in 1971-11) and Al Rubin (in 1971-11)
flute:
Phil Bodner (Woodwind player) (in 1971-11) and George Marge (in 1971-11)
French horn:
Jim Buffington (US jazz, studio and classical hornist) (in 1971-11)
guitar:
George Benson (jazz guitarist/singer) (in 1971-11)
harp:
Gloria Agostini (Harp) (in 1971-11)
percussion:
Airto Moreira (percussionist) (in 1971-11)
percussion and vibraphone and vibraphone [vibes]:
Phil Kraus (in 1971-11)
piccolo and solo flute:
Hubert Laws (in 1971-11)
solo trumpet:
John Frosk (in 1971-11)
trumpet:
Al Rubin (in 1971-11)
vocals:
Airto Moreira (percussionist) (in 1971-11)
conductor:
Don Sebesky (in 1971-11)
arranger:
Don Sebesky
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (in 1971-11)
instrumental cover recording of:
White Rabbit (in 1971-11)
lyricist and composer:
Grace Slick
publisher:
Irving Music, Inc. and Rondor Music (London) Ltd.
is based on:
Alice’s Adventures in Wonderland (novel)
is based on:
Through the Looking‐Glass, and What Alice Found There (novel)
George Benson46:57
2Body Talk
engineer:
Rudy van Gelder (on 1973-07-17)
producer:
Creed Taylor
double bass [bass]:
Ron Carter (US jazz double-bassist) (on 1973-07-17)
drums (drum set):
Jack DeJohnette (on 1973-07-17)
electric bass guitar:
Gary King (jazz bassist, arranger and songwriter) (on 1973-07-17)
electric piano:
Harold Mabern (American jazz pianist) (on 1973-07-17)
guitar:
George Benson (jazz guitarist/singer) (on 1973-07-17) and Earl Klugh (on 1973-07-17)
percussion:
Mobutu (percussionist) (on 1973-07-17)
tenor saxophone:
Frank Foster (saxophonist) (on 1973-07-17)
trombone:
Gerald Chamberlain (trombonist) (on 1973-07-17) and Dick Griffin (on 1973-07-17)
trumpet:
Jon Faddis (on 1973-07-17), John Gatchell (on 1973-07-17) and Waymon Reed (on 1973-07-17)
conductor:
Pee Wee Ellis (on 1973-07-17)
arranger:
Pee Wee Ellis
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1973-07-17)
recording of:
Body Talk (on 1973-07-17)
composer:
George Benson (jazz guitarist/singer)
George Benson48:22
3Take Five
engineer:
Rudy van Gelder (on 1974-05-29)
bass:
Ron Carter (US jazz double-bassist) (on 1974-05-29)
drums (drum set):
Steve Gadd (drummer) (on 1974-05-29)
guitar:
George Benson (jazz guitarist/singer) (on 1974-05-29) and Phil Upchurch (on 1974-05-29)
piano:
Kenny Barron (on 1974-05-29)
recorded at:
Van Gelder Studio (Englewood Cliffs, July 20, 1959 –) in Englewood Cliffs, New Jersey, United States (on 1974-05-29)
later releases:
Take Five by George Benson (jazz guitarist/singer)
cover recording of:
Take Five (original instrumental version) (on 1974-05-29)
composer:
Paul Desmond
publisher:
Derry Music Company, Desmond Music Company (Paul Desmond), Valentine Music Group Ltd., Valentine Music Verlag and シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
part of:
The Real Book (compilation of jazz standards, volume I)
George Benson47:07
4Summertime
live cover recording of:
Summertime (American songbook standard from 1935 opera Porgy and Bess)
lyricist:
Ira Gershwin (in 1934), Dorothy Heyward (playwright) (in 1934) and DuBose Heyward (in 1934)
composer:
George Gershwin (composer) (in 1934)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music Ltd., Dubose and Dorothy Heyward Memorial Fund Publishing, George Gershwin Music, New Dawn Music, Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.), Warner/Chappell Music Holland BV, Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Ira Gershwin Music (in 1935), WB Music Corp. (1929–2019) (from 1935 until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
version of:
Porgy and Bess: Act I, Scene I. “Summertime” (Clara)
George Benson6:05
5Breezin'
cover recording of:
Breezin’
composer:
Bobby Womack
publisher:
Unart Music Corp. (ended), ABKCO Music, Inc. (this is a music publisher; for release labels, please use “ABKCO”), EMI Unart Catalog Inc., Tracebob Music Co., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and 日本アブコ音楽出版 (ABKCO Japan Publishing)
George Benson5:22
6This Masquerade
cover recording of:
This Masquerade
lyricist and composer:
Leon Russell
publisher:
Chrysalis One Music Publishing Group Ireland, Embassy Music Corporation, Pathe Publications (Far East) Limited, Reservoir 416, Reservoir One America, Rondor Music (London) Ltd., Skyhill Pub. Co., Inc., ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
George Benson8:04
7On Broadway
recording engineer and mixer:
Al Schmitt
assistant engineer:
Don Henderson (engineer)
producer:
Tommy LiPuma
additional synthesizer [string ensemble]:
Nick de Caro (from 1977-09-30 until 1977-10-02)
bass guitar:
Stanley Banks (bassist) (from 1977-09-30 until 1977-10-02)
drums (drum set):
Harvey Mason (jazz drummer) (from 1977-09-30 until 1977-10-02)
guitar [lead guitar]:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
guitar [rhythm guitar]:
Phil Upchurch (from 1977-09-30 until 1977-10-02)
keyboard:
Jorge Dalto (from 1977-09-30 until 1977-10-02) and Ronnie Foster (from 1977-09-30 until 1977-10-02)
percussion:
Ralph MacDonald (from 1977-09-30 until 1977-10-02)
piano:
Jorge Dalto (from 1977-09-30 until 1977-10-02)
vocals:
George Benson (jazz guitarist/singer) (from 1977-09-30 until 1977-10-02)
recorded at:
George Benson at The Roxy (1977-09-30), George Benson at The Roxy (1977-10-01) and George Benson at The Roxy (1977-10-02)
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1978)
additionally recorded at:
House of Music in West Orange, New Jersey, United States
recorded at:
The Roxy in West Hollywood, California, United States (from 1977-09-30 until 1977-10-02)
mixed at:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, United States
live cover recording of:
On Broadway (Mann/Weil/Leiber/Stoller version for The Drifters) (from 1977-09-30 until 1977-10-02)
additional writer:
Jerry Leiber and Mike Stoller
writer:
Barry Mann and Cynthia Weil
publisher:
Colgems-EMI Music Inc., Screen Gems‐Col, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (until 2021-06-30) and ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (from 2021-07-01 to present)
version of:
On Broadway (original Mann/Weil version)
George Benson10:10
8Give Me the Night
recording engineer and mixer:
Bruce Swedien
assistant engineer:
Sheridan Eldridge, Ralph Osborne (engineer) and Mark Sackett
producer:
Quincy Jones
bass guitar:
Abraham Laboriel
bass synthesizer:
Richard Tee
drums (drum set):
John “JR” Robinson (session drummer)
flute and saxophone:
Kim Hutchcroft and Larry Williams (jazz keyboard, sax, flute & clarinet; producer, composer, arranger, and multi‐instrumentalist)
guitar:
George Benson (jazz guitarist/singer) and Lee Ritenour
percussion:
Paulinho da Costa (Brazilian percussionist)
piano:
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
synthesizer:
Michael Boddicker
background vocals:
Patti Austin, Tom Bahler, Jim Gilstrap, Diva Gray and Jocelyn Allen
phonographic copyright (℗) by:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1980)
produced for:
Quincy Jones Productions, Inc.
recorded at:
Cherokee Studios in Hollywood, Los Angeles, California, United States and Kendun Recorders in Burbank, California, United States
mixed at:
Cherokee Studios in Hollywood, Los Angeles, California, United States
recording of:
Give Me the Night
lyricist and composer:
Rod Temperton
publisher:
Rodsongs (publisher), Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
George Benson3.655:02
9Hip Skip
recording engineer:
Jack Malken
assistant engineer:
Michael Barry (engineer) and Ken Robertson (sound engineer)
engineer:
Don Puluse
producer:
Tony Williams (American jazz drummer)
mixer:
Jack Malken and Tony Williams (American jazz drummer)
additional alto saxophone:
David Sanborn
additional baritone saxophone:
Ronnie Cuber
additional trombone:
Barry Rogers
additional trumpet:
Randy Brecker and Jon Faddis
drums (drum set):
Tony Williams (American jazz drummer)
electric bass guitar:
Paul Jackson (jazz bassist)
guitar:
George Benson (jazz guitarist/singer)
Minimoog and Rhodes piano:
Jan Hammer
percussion:
Ralph MacDonald
tenor saxophone:
Michael Brecker (American jazz saxophonist, multi‐instrumentalist and composer)
horn arranger:
William Eaton (US producer & arranger)
Tony Williams & George Benson8:07
10Gotham City
Dexter Gordon & George Benson9:20

Credits

Release group

part of:The Essential (Sony/Legacy compilations) (order: 88)
Wikidata:Q60787698 [info]