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~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 2 disponibili)

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1▼CD: The Classics
#TitoloArtistaValutazioneDurata
1Well All Right
assistente tecnico:
Gary Boatner (engineer)
produttore:
Dennis Lambert e Brian Potter (US songwriter & producer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso:
Western Recorders (@ 6000 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California, Stati Uniti (dal 1978-07 al 1978-08)
registrazione cover di:
Well… All Right (dal 1978-07 al 1978-08)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e MPL Music Publishing Inc.
Santana2.654:10
2You Took the Words Right Out of My Mouth
tecnico, produttore e tecnico di missaggio:
Todd Rundgren
basso :
Kasim Sultan
famiglia delle chitarre e percussione :
Todd Rundgren
membranofono :
Max Weinberg
percussione :
Marvin Lee
sassofono :
Edgar Winter
sintetizzatore :
Roger Powell (US musician, programmer, and columnist, band "Utopia")
tastiera e percussione :
Jim Steinman
tastiera e pianoforte :
Roy Bittan
voce di accompagnamento:
Rory Dodd, Ellen Foley e Todd Rundgren
voce principale:
Meat Loaf
arrangiatore:
Todd Rundgren e Jim Steinman
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1977), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1977) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977)
raccolta di:
You Took the Words Right out of My Mouth (Hot Summer Night) (beginning) di Meat Loaf e You Took the Words Right out of My Mouth (Hot Summer Night) (conclusion) di Meat Loaf
registrazione di:
You Took the Words Right Out of My Mouth (Hot Summer Night)
paroliere e compositore:
Jim Steinman
editore:
Carlin Music Corporation e J. Albert & Son Pty. Ltd.
Meat Loaf45:01
3Don't Look Back
assistente tecnico:
Eric Carr (Engineer), Dennis Coscia e Rob Rosati
tecnico e produttore:
Tom Scholz
tecnico di missaggio:
Wally Traugott (engineer, mastering engineer, cutting engineer, remastering, mixing engineer lacquer-cutting)
basso e percussione :
Fran Sheehan
batteria e percussione :
Sib Hashian
chitarra a 12 corde, chitarra acustica, basso, chitarra elettrica, organo e pianoforte :
Tom Scholz
chitarra, percussione e chitarra slide :
Barry Goudreau
voce:
Brad Delp
arrangiatore:
Tom Scholz
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso e mixata presso:
Tom Scholz Hideaway Studio in Massachusetts, Stati Uniti
registrazione di:
Don’t Look Back
paroliere e compositore:
Tom Scholz
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Pure Songs (nel 1978)
Boston36:05
4The Final Countdown
tecnico di registrazione e tecnico di missaggio:
Wally Buck e Kevin Elson
produttore:
Kevin Elson
batteria [drums] :
Ian Haugland
chitarra :
John Norum
chitarra basso [bass] :
John Levén
tastiera :
Mic Michaeli
voce di accompagnamento:
Ian Haugland, Mic Michaeli e John Norum
voce principale:
Joey Tempest (Swedish singer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
è stato produttore per:
Elson Music Vision, Inc.
registrata presso e mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Powerplay Studios in Maur, Zürich (Canton Zurigo), Svizzera e Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Svezia
video musicale per:
The Final Countdown di Europe (Swedish band)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 66) e Cachitos Nochevieja 2022 (numero: 155)
registrazione di:
The Final Countdown
paroliere e compositore:
Joey Tempest (Swedish singer)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Australia Pty Ltd (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe4.055:08
5I Want You to Want Me
tecnico di registrazione:
鈴木智雄 (Tomoo Suzuki) (dal 1978-04-28 al 1978-04-30)
assistente tecnico:
Mike Beriger
tecnico:
Gary Ladinsky (engineer)
produttore:
Cheap Trick e Jack Douglas
tecnico di missaggio:
Cheap Trick, Gary Ladinsky (engineer) e Jay Messina (nel 1978)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977), CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1978), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1978), EPC (nel 1978), Epic/Sony Inc. (JP record company, Aug 1978 – Mar 1988) (nel 1978, nel 1979), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1978) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1978)
registrata presso:
Nippon Budokan in Kitanomaru Kōen, Chiyoda (Chiyoda-ku), Tokyo, Giappone (dal 1978-04-28 al 1978-04-30)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1978)
registrazione dal vivo di:
I Want You to Want Me (dal 1978-04-28 al 1978-04-30)
paroliere e compositore:
Rick Nielsen
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing (do not use as a release label!), Gil Music Corporation, Screen Gems–EMI Music Ltd., Adult Music (nel 1977) e Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) (nel 1977)
parte di:
10 Things I Hate About You
Cheap Trick3.853:41
6Black Betty
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1977), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1977), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1977), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1977) e CBS Schallplatten GmbH (nel 1990)
registrazione cover di:
Black Betty
paroliere e compositore:
[traditional] (special purpose artist) e Huddie William Ledbetter
editore:
Kensington Music Ltd., Robert Mellin Music Publishing Corp., Sony/ATV Music Publishing Australia Pty Ltd., TRO-Folkways Music Publishers, Inc., Folkways Music Publ. Co. (publisher) (dal 1977 a oggi) e TRO (publisher) (dal 1977 a oggi)
Ram Jam3.653:57
7How Can I Refuse
tecnico:
Brian Foraker, Keith Olsen (US producer and engineer) e Dennis Sager (engineer)
produttore:
Keith Olsen (US producer and engineer)
batteria :
Denny Carmassi
chitarra basso :
Mark Andes
chitarra elettrica [lead and rhythm guitar] :
Howard Leese
chitarra elettrica [lead guitar] :
Nancy Wilson (guitarist/singer of “Heart”)
sintetizzatore :
David Paich
voce di accompagnamento:
Mark Andes, Howard Leese, Ann Wilson (lead singer of Heart) e Nancy Wilson (guitarist/singer of “Heart”)
voce principale:
Ann Wilson (lead singer of Heart)
arrangiatore:
Keith Olsen (US producer and engineer)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983)
è stato produttore per:
Pogologo Corporation
registrazione di:
How Can I Refuse
autore:
Mark Andes, Denny Carmassi, Sue Ennis, Howard Leese, Ann Wilson (lead singer of Heart) e Nancy Wilson (guitarist/singer of “Heart”)
editore:
Songs of Universal, Inc. (BMI), Know Music (dal 1983 a oggi), Primal Energy Music (dal 1983 a oggi), Sheer Music (US work publisher) (dal 1983 a oggi), Sounds Like Music (dal 1983 a oggi) e Strange Euphoria Music (dal 1983 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Heart53:48
8Two Princes
tecnico:
Frank Aversa e Spin Doctors
produttore:
Frank Aversa, Peter Denenberg, Frankie LaRocka e Spin Doctors
tecnico di missaggio:
Peter Denenberg, Frankie LaRocka e Spin Doctors
chitarra :
Eric Schenkman
chitarra basso :
Mark White (Spin Doctors)
organo Hammond, batteria e percussione :
Aaron Comess
voce:
Chris Barron
voce di accompagnamento ospite:
John Popper
diritti fonografici (℗) detenuti da:
Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1991), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1991), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1991) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1991)
registrazione di:
Two Princes (original version)
autore:
Chris Barron, Aaron Comess, Eric Schenkman e Mark White (Spin Doctors)
editore:
Mow B'jow Music, Sony Songs Inc. e Sony/ATV Music Publishing Ltd.
registrazione di:
Two Princes (Muppets parody)
versione parodia di:
Two Princes (original version)
Spin Doctors4.24:14
9Celebrate Youth
registrazione di:
Celebrate Youth
paroliere e compositore:
Rick Springfield
editore:
Super Ron Music
Rick Springfield3:56
10Tuff Enuff
tecnico:
Carey Taylor
produttore:
Dave Edmunds
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
parte di:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (numero: 96)
registrazione di:
Tuff Enuff
paroliere e compositore:
Kim Wilson
editore:
Hello Mr. Wilson
The Fabulous Thunderbirds3.53:21
11God Gave Rock and Roll to You
registrazione di:
God Gave Rock and Roll to You
paroliere e compositore:
Russ Ballard
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Mainspring Music e Verulam Music Co., Ltd.
Argent6:41
12Runaway Train
assistente tecnico:
David Michael Dill (engineer) e Dan Gellert (sound engineer)
produttore:
Michael Beinhorn
assistente tecnico di missaggio:
Craig Doubet (recording engineer) e Steve Sisco
tecnico di missaggio:
Andy Wallace (engineer)
diritti fonografici (℗) detenuti da:
Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1992) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1992)
registrazione di:
Runaway Train
paroliere e compositore:
Dave Pirner
editore:
EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), LFR Music, Standing Water Music, Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell North America Ltd., Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09) e WB Music Corp. (1929–2019)
Soul Asylum4.44:22
13Demons
The Gregg Allman Band3:27
14Mystified
produttore:
Jeff Burstin e Joe Camilleri
tecnico di missaggio:
Chris Corr
batteria :
Peter Luscombe
chitarra acustica e mandolino :
Jeff Burstin
organo :
Mick O'Connor (keyboard)
pianoforte :
Paul Grabowsky (Australian pianist and composer)
tromba :
Bob Venier (brass)
voce di accompagnamento:
Venetta Fields e Sherlie Matthews (US vocalist)
registrata presso:
Sing Sing Recording Studios (fka “Sing Sing South” until 2017) in South Yarra, Melbourne, Victoria, Australia
mixata presso:
Platinum Studios in Melbourne, Victoria, Australia
registrazione di:
Mystified
autore:
Joe Camilleri e Nick Smith (Australian Guitar Player and Songwriter)
The Black Sorrows4:29
15Ist Es Wichtig?
registrazione di:
Ist es wichtig?
compositore:
Christian Neander e Jan Piewka
Selig3:48
16Die Flut
produttore:
José Alvarez-Brill e Joachim Witt
voce principale ospite aggiuntiva:
Peter Heppner
esecutore:
Peter Heppner e Joachim Witt
video musicali:
Die Flut di Witt / Heppner
registrazione di:
Die Flut
paroliere e compositore:
Peter Heppner e Joachim Witt
witt / Heppner4:07
2▼CD: The Ballads
#TitoloArtistaValutazioneDurata
1Send Her My Love
assistente tecnico:
Wally Buck
tecnico:
Mike Stone (producer and engineer, 1960s–80s)
produttore e tecnico di missaggio:
Kevin Elson e Mike Stone (producer and engineer, 1960s–80s)
batteria e percussione :
Steve Smith (US drummer most associated with Journey)
chitarra :
Neal Schon
chitarra basso :
Ross Valory
tastiera :
Jonathan Cain
voce:
Jonathan Cain, Neal Schon e Ross Valory
voce principale:
Steve Perry (former lead singer of Journey)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti (nel 1982)
mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti
video musicali:
Send Her My Love (music video) di Journey (American rock band)
registrazione di:
Send Her My Love
autore:
Jonathan Cain e Steve Perry (former lead singer of Journey)
editore:
Love Batch Music e Twist and Shout Music
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey3.253:54
2Straight From the Heart
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983) e Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (nel 1995)
registrazione cover di:
Straight From the Heart
autore:
Eric Kagna e Bryan Adams (Canadian singer/songwriter) (nel 1978)
editore:
Adams Communications Inc., Calypso Toonz, Irving Music of Canada, Rondor Music (London) Ltd. e Irving Music, Inc. (nel 1980)
Bonnie Tyler4.53:38
3Broken Wings
tecnico:
Paul DeVilliers e Lois Oki
produttore:
Paul DeVilliers e Mr. Mister (American pop rock band)
tecnico di missaggio:
Mick Guzauski e Mike Shipley (audio engineer, mixer, producer)
batteria :
Pat Mastelotto
chitarra :
Steve Farris (US session guitarist, member of Mr. Mister)
chitarra basso e voce principale:
Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
tastiera :
Steve George (US keyboardist for Mr. Mister & Pages)
voce:
Steve George (US keyboardist for Mr. Mister & Pages)
diritti fonografici (℗) detenuti da:
BMG Entertainment International (nel 1985), BMG Music (nel 1985), BMG Music International (nel 1985) e RCA Records (not for release label use! for the imprint, please use “RCA” instead) (nel 1985)
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister45:31
4I'll Be Over You
tecnico di registrazione:
Shep Lonsdale e Tom Knox
programmazione:
Steve Porcaro
tecnico:
Tom Knox e Shep Lonsdale
tecnico aggiunto:
Dan Garcia (engineer/producer) (incarico: additional), Doug Linnell (incarico: additional), Duane Seykora (incarico: additional), Jack Puig (incarico: additional), John Jessel (incarico: additional), Julie Last (incarico: additional), Mike Ross (US engineer, active 1980s–present) (incarico: additional), Murray Dvorkin (incarico: additional) e Teruo "Mu" Murakami (incarico: additional)
produttore:
Bruce Dickinson (engineer and producer) e Toto (US rock group)
tecnico di missaggio:
Greg Ladanyi
basso :
Mike Porcaro
batteria :
Jeff Porcaro
chitarra :
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
chitarra basso :
Michael Porcaro
percussione :
Lenny Castro, Paulinho da Costa (Brazilian percussionist) e Jeff Porcaro
piano Rhodes [Yamaha DX7 rhodes] :
David Paich
sintetizzatore e tastiera :
David Paich e Steve Porcaro
strumenti:
Steve Porcaro
voce:
David Paich, Joseph Williams (vocalist for Toto, son of composer John Williams), Michael McDonald (R&B & soul singer), Steve Lukather (guitarist, vocalist, composer, producer and arranger) e Steve Porcaro
voce di accompagnamento:
Steve Lukather (guitarist, vocalist, composer, producer and arranger), Michael McDonald (R&B & soul singer) e Joseph Williams (vocalist for Toto, son of composer John Williams)
voce principale:
Jean-Michel Byron e Steve Lukather (guitarist, vocalist, composer, producer and arranger)
esecutore:
Mike McDonald (R&B & soul singer)
arrangiatore:
Toto (US rock group)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1986) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1986)
registrazione di:
I'll Be Over You
autore:
R.Goodrum e S.Lukather (guitarist, vocalist, composer, producer and arranger)
registrazione di:
I’ll Be Over You
autore:
Randy Goodrum e Steve Lukather (guitarist, vocalist, composer, producer and arranger)
editore:
California Phase Music, Randy Goodrum Inc., Rehtakul Veets Music e Universal Music–MGB Songs
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), フジパシフィックミュージック (Fujipacific Music, Inc.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Toto3.53:49
5Carrie
tecnico di registrazione e tecnico di missaggio:
Wally Buck e Kevin Elson
produttore:
Kevin Elson
batteria [drums] :
Ian Haugland
chitarra :
John Norum
chitarra basso [bass] :
John Levén
tastiera :
Mic Michaeli
voce di accompagnamento:
Ian Haugland, Mic Michaeli e John Norum
voce principale:
Joey Tempest (Swedish singer)
diritti fonografici (℗) detenuti da:
CBS Records AB (SE subsidiary of CBS Records, renamed Sony Music Entertainment (Sweden) AB in 1991) (nel 1986), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1986) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1986)
è stato produttore per:
Elson Music Vision, Inc.
registrata presso e mixata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Powerplay Studios in Maur, Zürich (Canton Zurigo), Svizzera e Soundtrade Studios in Solna City, Stockholms län (Stockholm county), Svezia
registrazione di:
Carrie (Europe song)
autore:
Mic Michaeli e Joey Tempest (Swedish singer)
editore:
EMI Music Sweden AB (not for release label use! SE subsidiary of EMI), Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Seven Doors Music
Europe3.94:31
6Where the Eagles Learn to Fly
registrazione di:
Where the Eagle Learns to Fly
paroliere e compositore:
Andi Deris
Pink Cream 694:33
7Beautiful Goodbye
registrazione di:
Beautiful Goodbye
autore:
David Tyson (Canadian producer/songwriter) e Christopher Ward (Canadian songwriter & veejay)
Amanda Marshall5:15
8Lucky Man
registrazione di:
Lucky Man
paroliere e compositore:
Greg Lake
editore:
Bosworth & Co. Ltd. e Leadchoice, Ltd.
Emerson, Lake & Palmer4:38
9Lady in Black
registrazione di:
Lady in Black
paroliere e compositore:
Ken Hensley
editore:
Dick James Music, Inc. (USA, affiliated with BMI), EMI Music (do not use as release label! this is a music publisher), EMI Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), EMI Publishing, EMI Publishing Ltd., Fanfare Musikverlag Global Musik GmbH & Co. KG, S. Bron Music Co. Ltd. e Sidney Bron Music (also spelled “Sydney”)
Uriah Heep4:36
10Dreamer
assistente tecnico:
Michael Bronstein (engineer)
tecnico:
Lee Kiefer e Dave Moore (engineer)
produttore:
Tommy Bolin (guitarist, and songwriter)
produttore associato:
Lee Kiefer
batteria :
Jeff Porcaro
chitarra :
Tommy Bolin (guitarist, and songwriter)
chitarra basso :
Stanley Sheldon (bass player)
pianoforte e sintetizzatore :
David Foster (Canadian music producer, arranger and composer)
voce:
Tommy Bolin (guitarist, and songwriter)
remixer:
Dennis MacKay (70s–present UK producer/engineer)
registrata in aggiunta presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti e Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
registrata presso:
The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Trident Studios (London, UK) in Soho, Westminster, London (Greater London), England, Regno Unito
registrazione di:
Dreamer
autore:
Jeff Cook (UK metal songwriter, works with Tommy Bolin)
Tommy Bolin5:07
11All the Young Dudes
produttore:
David Bowie (English singer‐songwriter)
voce principale:
Ian Hunter (Mott the Hoople)
arrangiatore:
David Bowie (English singer‐songwriter)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1972), CBS, Inc. (US broadcasting company; file no releases here!) (nel 1972), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (nel 1972), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1972) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1972, nel 1976)
parte di:
Songs banned by the BBC, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 166) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 253)
registrazione di:
All the Young Dudes
paroliere e compositore:
David Bowie (English singer‐songwriter)
editore:
BMG Blue, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing, Chrysalis Songs, EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Music Publishing Ltd. (PRS‐affiliated), Jones Music America, Mainman Ltd., Mainman Saag (New York), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated), Northern Songs Ltd., RZO Music Ltd, Screen Gems–EMI Music, Inc. (USA, affiliated with BMI) e Tintoretto Music
sub-editore:
EMI Music Publishing France, Warner Chappell Music France, ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), 渡辺音楽出版 CM事業部 (Watanabe Music Publishing CM division), フジパシフィック音楽出版 BMG事業部 (fino al 2014-12-31) e フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (dal 2015-01-01 a oggi)
Mott the Hoople4.23:29
12Julia
Pavlov’s Dog3:11
13Foolish Heart
registrazione di:
Foolish Heart
autore:
Randy Goodrum e Steve Perry (former lead singer of Journey)
editore:
Randy Goodrum Inc., Round Hill Songs / Randy Goodrum Music e Street Talk Tunes
sub-editore:
フジパシフィックミュージック (Fujipacific Music, Inc.)
Steve Perry3:36
14Do I Love You
LAKE4:02
15Couldn't Get It Right
assistente tecnico:
Colin Fairley
tecnico:
Pete Henderson (engineer)
produttore:
Mike Vernon
diritti fonografici (℗) detenuti da:
Chrysalis Copyrights Ltd.
registrazione di:
Couldn’t Get It Right
autore:
Colin Cooper, John Cuffley, Pete Haycock, Derek Holt e Richard Jones (Climax Blues Band)
editore:
AIR Music (London) Ltd., Bleu-Disque-Music Co. Inc. (publisher), EMI (EMI Records, or EMI Music only if there is no other imprint), EMI Music Publishing Germany GmbH (2008–today) e Neue Welt Musikverlag
Climax Blues Band3.253:08
16Day After Day
registrazione di:
Day After Day
paroliere e compositore:
Don Dokken
Dokken5:34
3▼CD: Heavy Metal
#TitoloArtistaValutazioneDurata
121st Century Digital Boy
produttore:
Bad Religion (nel 1990-05)
basso elettrico :
Jay Bentley (nel 1990-05)
batteria :
Pete Finestone (US drummer, Bad Religion) (nel 1990-05)
chitarra elettrica :
Brett Gurewitz (guitarist and songwriter in Bad Religion) (nel 1990-05) e Greg Hetson (nel 1990-05)
voce principale:
Greg Graffin (nel 1990-05)
registrazione di:
21st Century (Digital Boy) (nel 1990-05)
paroliere e compositore:
Brett Gurewitz (guitarist and songwriter in Bad Religion)
Bad Religion4.452:48
2Baby Love
registrazione dal vivo di:
Baby Love
paroliere e compositore:
Jerry Seay
editore:
Sat Songs Music
Mother’s Finest44:16
3Poison
tecnico di registrazione:
Sir Arthur Payson (dal 1988 al 1989)
programmazione degli strumenti:
Steve Deutsch
assistente tecnico:
George Cowan (US engineer), Ben Fowler, Lolly Grodner, Robert Hart (engineer), John Herman (engineer), Don Peterkofsky, Duane Seykora, Brian Sterber e Mark Tanzer
produttore:
Desmond Child
tecnico di missaggio:
Michael Barbiero (producer, mixer, engineer, songwriter, collaborator with Steve Thompson) e Steve Thompson (producer)
altri strumenti [special effects] aggiunto:
Gregg Mangiafico (dal 1988 al 1989)
batteria :
Bobby Chouinard (dal 1988 al 1989)
chitarra :
John McCurry (dal 1988 al 1989)
chitarra basso :
Hugh McDonald (bassist) (dal 1988 al 1989)
tastiera :
Alan St. John (dal 1988 al 1989)
tastiera aggiunto:
Paul Chiten (songwriter and producer) (dal 1988 al 1989) e Gregg Mangiafico (dal 1988 al 1989)
voce di accompagnamento:
Alan St. John (dal 1988 al 1989), Michael Anthony (US bassist, formerly of Van Halen) (dal 1988 al 1989), Desmond Child (dal 1988 al 1989), Diana Grasselli (dal 1988 al 1989), Jango (backing vocalist on “Trash” by Alice Cooper) (dal 1988 al 1989), Louie Merlino (dal 1988 al 1989), Hugh McDonald (bassist) (dal 1988 al 1989), Jamie Sever (dal 1988 al 1989), Bernie Shanahan (dal 1988 al 1989), Stiv Bator (dal 1988 al 1989), Tom Teeley (dal 1988 al 1989), Joe Turano (singer, multi-instrumentalist, composer/arranger, jazz) (dal 1988 al 1989), Myriam Valle (dal 1988 al 1989) e Maria Vidal (American singer-songwriter) (dal 1988 al 1989)
voce principale:
Alice Cooper (the singer, active as a solo artist 1975–present) (dal 1988 al 1989)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1989), Epic Records (a division of Sony Music Entertainment; holding company, not a release label) (nel 1989), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1989), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1989) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1989)
registrata presso:
Bearsville Studios in Bearsville, New York, Stati Uniti (dal 1988 al 1989), Blue Jay Recording Studios in Carlisle, Massachusetts, Stati Uniti (dal 1988 al 1989), Grog Kill Studio in Woodstock, New York, Stati Uniti (dal 1988 al 1989), Mediasound Studios in New York, New York, Stati Uniti (dal 1988 al 1989), Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti (dal 1988 al 1989), Right Track Recording in Manhattan, New York, New York, Stati Uniti (dal 1988 al 1989), Sigma Sound Studios (New York) in New York, New York, Stati Uniti (dal 1988 al 1989), The Complex Studios in Los Angeles, California, Stati Uniti (dal 1988 al 1989), The Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (dal 1988 al 1989) e The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (dal 1988 al 1989)
registrazione di:
Poison (dal 1988 al 1989)
autore:
Desmond Child, Alice Cooper (the singer, active as a solo artist 1975–present) e John McCurry
editore:
Desmobile Inc., Desmobile Music Co., Inc. (publisher), EMI April Music Inc., EMI Music Publishing Australia Pty. Limited (not for release label use!), EMI Songs Ltd., Ezra Music, Kat and Mouse Music (, dal 1989 a oggi), MCA Music Ltd., Primary Wave Music Publishing, SBK April Music Inc. (, dal 1989 al ????), SBK Songs Ltd., Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony Songs Inc., Sony/ATV Music Publishing Ltd., Sony/ATV Music Publishing Scandinavia, Universal (plain logo “Universal” used by Universal Music and Universal Pictures), Universal Music Publishing (use ONLY if no country‐specific information is available), Universal Music Publishing Group, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Universal PolyGram International Publishing, Inc. (existed only since ca. 1998), Universal/MCA Music Ltd. (not for release label use!), Universal/MCA Music Publishing Pty Ltd, Universal/MCA Music Publishing Scandinavia AB (Universal MCA Music Scandinavia AB), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Ezra Music Corp. (dal 1989 a oggi)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Alice Cooper4.44:29
4(Don't Fear) The Reaper
tecnico di registrazione:
Andy Abrams (nel 1976-03) e Shelly Yakus (nel 1976-03)
tecnico:
Andy Abrams e Shelly Yakus
produttore:
Murray Krugman, David Lucas (US producer, composer & engineer) e Sandy Pearlman
tecnico di missaggio:
Andy Abrams (dal 1975 al 1976) e Shelly Yakus (dal 1975 al 1976)
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1976) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1976)
registrata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (nel 1976-03)
mixata presso:
The Record Plant (New York) in Midtown Manhattan, New York, New York, Stati Uniti (dal 1975 al 1976)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 55) e Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 60)
registrazione di:
(Don’t Fear) The Reaper (nel 1976-03)
paroliere e compositore:
Donald Roeser (singer, lead guitarist and songwriter)
editore:
Blue Oyster Cult Songs, Inc., Carlin Music Corporation, Screen Gems–EMI Music Ltd., Sony Music Publishing Ltd., Sony/ATV Music Publishing LLC (1995–2020), Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC e Sony/ATV Tunes LLC (ASCAP) (nel 1976)
sub-editore:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Blue Öyster Cult4.555:07
5Paranoid
tecnico:
Tom Allom e Brian Humphries
produttore:
Rodger Bain (dal 1970-06 al 1970-07)
basso elettrico :
Geezer Butler (dal 1970-06-16 al 1970-06-21)
batteria e percussione :
Bill Ward (dal 1970-06-16 al 1970-06-21)
chitarra elettrica :
Tony Iommi (dal 1970-06-16 al 1970-06-21)
voce principale:
Ozzy Osbourne (nel 1970)
diritti fonografici (℗) detenuti da:
Gimcastle Ltd., Sanctuary Records Group Ltd. (not for release label use, for copyrights use only), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint), Castle Copyrights Ltd. (nel 1970), Interworld Communications (nel 1970), Sanctuary Copyrights Ltd. (nel 1970), NEMS (UK label, 1976–1983) (nel 1976) e Icarus Music (Argentinian metal label and distributor) (nel 2006)
registrata presso:
Island Studios (fka Island Studios till 1975, became Sarm West Studios in 1982) in Notting Hill, Kensington and Chelsea, London (Greater London), England, Regno Unito (nel 1970) e Regent Sound Studios in London (Greater London), England, Regno Unito (dal 1970-06-16 al 1970-06-21)
parte di:
VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 4), NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (numero: 6), Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 13), TV Cream: Real 100 Best Singles Ever (numero: 27), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, BILLIONS CLUB, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 250) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 338)
registrazione di:
Paranoid (dal 1970-06-16 al 1970-07-08)
paroliere:
Geezer Butler
compositore:
Geezer Butler, Tony Iommi, Ozzy Osbourne e Bill Ward
editore:
Essex Music International Ltd., Essex Music International, Inc., TRO Essex Japan, A-Division, TRO Essex Music International, Inc., Tro-Andover Music, Inc. e Westminster Music Ltd. (nel 1970)
Black Sabbath4.62:48
6Ace of Spades
produttore:
Vic Maile (dal 1980-08-04 al 1980-09-15)
basso elettrico e voce principale:
Ian 'Lemmy' Kilmister (“Lemmy” from Motörhead) (dal 1980-08-04 al 1980-09-15)
batteria :
Phil 'Philthy Animal' Taylor (former Motörhead drummer) (dal 1980-08-04 al 1980-09-15)
chitarra elettrica :
'Fast' Eddie Clarke (Motörhead guitarist) (dal 1980-08-04 al 1980-09-15)
diritti fonografici (℗) detenuti da:
Castle Copyrights Ltd. (nel 1980), Sanctuary Records Group Ltd. (not for release label use, for copyrights use only) (nel 1980) e Universal Music (plain logo: “Universal Music”) (nel 1980)
registrata presso:
Jackson’s Studios in Rickmansworth, Hertfordshire, England, Regno Unito (dal 1980-08-04 al 1980-09-15)
video musicali:
Ace of Spades di Motörhead
parte di:
Rolling Stone: The 100 Greatest Heavy Metal Songs of All Time (numero: 3), VH1: 100 Greatest Hard Rock Songs (2008-12-29) (numero: 10), Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 33), TV Cream: Real 100 Best Singles Ever (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 442)
registrazione di:
Ace of Spades (dal 1980-08-04 al 1980-09-15)
autore:
Eddie Clarke (Motörhead guitarist), Ian Fraser Kilmister (“Lemmy” from Motörhead) e Phil Taylor (former Motörhead drummer)
editore:
Motor Music Ltd. (Motörhead publisher)
Motörhead4.252:47
7Wang Dang Sweet Poontang
tecnico:
Tim Geelan e Wayne Tarnowski
produttore:
Cliff Davies (British drummer, songwriter and producer), Lew Futterman e Tom Werman
registrazione di:
Wang Dang Sweet Poontang
paroliere e compositore:
Ted Nugent
editore:
Magicland Music
Ted Nugent3.53:15
8We Will Rock You
video musicali:
We Will Rock You di Warrant (US hair metal band)
registrazione cover di:
We Will Rock You
paroliere e compositore:
Brian May (Queen guitarist)
editore:
Beechwood Music Corporation, EMI Music Publishing Ltd. (PRS‐affiliated), Queen Music Ltd. e Sony/ATV
compresa in:
We Will Rock You (Queen musical)
compresa in:
We Will Rock You (German version of the Queen musical)
Warrant2:57
9Don't Tread Me Bad
registrazione di:
Don't Treat Me Bad
autore:
Michael Foster (drummer of American glam metal band Firehouse), Bill Leverty e CJ Snare (frontman of American glam metal band FireHouse)
editore:
CBS Music Inc. e Wocka-Wocka Music
FireHouse3:57
10A Touch of Evil
tecnico:
Attie Bauw e Patrice Rouillon Tsernsoff de Gironville
produttore:
Judas Priest e Chris Tsangarides
basso elettrico :
Ian Hill (UK bassist for Judas Priest) (dal 1990-01 al 1990-03)
batteria :
Scott Travis (hard rock/heavy metal drummer) (dal 1990-01 al 1990-03)
chitarra elettrica :
Kenneth Downing (dal 1990-01 al 1990-03) e Glenn Tipton (dal 1990-01 al 1990-03)
chitarra elettrica solista :
Glenn Tipton (dal 1990-01 al 1990-03)
voce principale:
Rob Halford (dal 1990-01 al 1990-03)
registrata presso:
Studio Miraval in Le Val, Var, Provence-Alpes-Côte-d'Azur, Francia (dal 1990-01 al 1990-03) e Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands (dal 1990-01 al 1990-03)
mixata presso:
Wisseloord Studios in Hilversum, Noord-Holland (North Holland), Paesi Bassi, Kingdom of the Netherlands
video musicali:
A Touch of Evil (music video) di Judas Priest
registrazione di:
A Touch of Evil (dal 1990-01 al 1990-03)
autore:
Kenneth Downing, Rob Halford, Glenn Tipton e Chris Tsangarides
editore:
SBK Songs Ltd. e Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing)
Judas Priest3.555:45
11Flirtin' With Disaster
tecnico di registrazione e tecnico di missaggio:
Gary Ladinsky (engineer)
assistente tecnico:
Cary Pritikin e Bill Vermillion
produttore:
Tom Werman
diritti fonografici (℗) detenuti da:
Sony Music Entertainment France (nel 1979)
registrata presso:
Bee Jay Recording Studios in Orlando, Florida, Stati Uniti (nel 1979) e Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti (nel 1979)
mixata presso:
Record Plant (aka “Record Plant” Los Angeles) in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Flirtin' With Disaster (nel 1979)
autore:
Danny Joe Brown (vocalist for Southern rock band Molly Hatchet), Dave Hlubek e Banner Thomas
Molly Hatchet44:59
12Bloody Buccaneers
basso elettrico e tastiera :
Rinus Gerritsen (bass player)
batteria :
Cesar Zuiderwijk (Dutch drummer, member of Golden Earring)
chitarra :
George Kooymans
voce:
Barry Hay e George Kooymans
registrazione di:
Bloody Buccaneers
paroliere:
Barry Hay
compositore:
George Kooymans
Golden Earring4:48
13Gunfighter
assistente tecnico:
Scott Blockland, Jim Champagne, Ken Pavlakovich e Rick Ornstein
tecnico:
Timm Baldwin
produttore:
Roy Thomas Baker (producer)
batteria :
Mark Geary (Dangerous Toys drummer)
chitarra :
Danny Aaron e Scott Dalhover
chitarra basso :
Mike Watson (Dangerous Toys bassist)
voce di accompagnamento:
Danny Aaron e Mike Watson (Dangerous Toys bassist)
voce principale:
Jason McMaster (US hard rock singer)
diritti fonografici (℗) detenuti da:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1991)
è stato produttore per:
SBK Record Productions Inc.
registrata in aggiunta presso:
Summa Music Group in West Hollywood, California, Stati Uniti (dal 1990-11 al 1991-02) e Track Record Studios in North Hollywood, Los Angeles, California, Stati Uniti (dal 1990-11 al 1991-02)
registrata presso:
The Village Recorder (Village Studios, aka The Village Recorder) in Los Angeles, California, Stati Uniti (dal 1990-11 al 1991-02)
registrazione di:
Gunfighter
paroliere:
Jason McMaster (US hard rock singer)
compositore:
Danny Aaron, Scott Dalhover, Mark Geary (Dangerous Toys drummer), Jason McMaster (US hard rock singer) e Mike Watson (Dangerous Toys bassist)
editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30), EMI Blackwood Music Inc. (dal 1991 a oggi), Wank Music (dal 1991 a oggi) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Dangerous Toys4:49
14The Final Word
tecnico e produttore:
Mark Dodson (UK producer)
tecnico di missaggio:
Tom Fletcher (engineer)
chitarra :
John Marshall (metal guitarist/producer) (nel 1990) e Craig Wells (guitarist) (nel 1990)
chitarra basso :
Duke Erickson (ex "Metal Church" member) (nel 1990)
membranofono :
Kirk Arrington (nel 1990)
voce principale:
Mike Howe (Metal Church) (nel 1990)
registrata presso:
Devonshire Studios in North Hollywood, Los Angeles, California, Stati Uniti (nel 1990)
registrazione di:
The Final Word (nel 1990)
autore:
Mike Howe (Metal Church) e Kurdt Vanderhoof
registrazione di:
The Final Word
Metal Church45:55
15How Will I Laugh Tomorrow
registrazione di:
How Will I Laugh Tomorrow
autore:
Mike Clark (Suicidal Tendencies guitarist) e Mike Muir
Suicidal Tendencies4:04
16Metal Health
registrazione di:
Metal Health (Bang Your Head)
autore:
Frankie Banali (US drummer), Carlos Cavazo, Tony Cavazo e Kevin DuBrow
editore:
Embassy Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Quiet Riot5:16