| # | Title | Rating | Length |
|---|
| 1 | El Camino Real- recording engineer:
- Jim Anderson (from 1996-09-24 until 1996-09-27)
- assistant mixer:
- Lawrence Manchester
- mixer:
- Jim Anderson
- bass:
- Rufus Reid (from 1996-09-24 until 1996-09-27)
- drums (drum set):
- Victor Lewis (from 1996-09-24 until 1996-09-27)
- euphonium:
- Bruce Bonvissuto (from 1996-09-24 until 1996-09-27) and Alan Raph (from 1996-09-24 until 1996-09-27)
- French horn:
- Bob Carlisle (from 1996-09-24 until 1996-09-27), John Clark (from 1996-09-24 until 1996-09-27), Chris Comer (from 1996-09-24 until 1996-09-27) and Marshall Sealy (from 1996-09-24 until 1996-09-27)
- percussion:
- Freddie Santiago (from 1996-09-24 until 1996-09-27)
- solo trombone:
- J.J. Johnson (from 1996-09-24 until 1996-09-27)
- trombone:
- Dave Taylor (from 1996-09-24 until 1996-09-27), Jim Pugh (from 1996-09-24 until 1996-09-27), Doug Purviance (from 1996-09-24 until 1996-09-27) and Steve Turre (from 1996-09-24 until 1996-09-27)
- trumpet:
- Danny Cahn (from 1996-09-24 until 1996-09-27), Jon Faddis (from 1996-09-24 until 1996-09-27), Earl Gardner (from 1996-09-24 until 1996-09-27), Lew Soloff (from 1996-09-24 until 1996-09-27), Byron Stripling (from 1996-09-24 until 1996-09-27) and Joe Wilder (from 1996-09-24 until 1996-09-27)
- tuba:
- Howard Johnson (from 1996-09-24 until 1996-09-27)
- conductor:
- Tom Everett (from 1996-09-24 until 1996-09-27)
- recorded at:
- Clinton Recording Studios in New York, New York, United States (from 1996-09-24 until 1996-09-27)
- mixed at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- El Camino Real (from 1996-09-24 until 1996-09-27)
- composer:
- J.J. Johnson
| | 6:11 |
| 2 | Enigma- recording engineer:
- Jim Anderson (from 1996-09-24 until 1996-09-27)
- assistant mixer:
- Lawrence Manchester
- mixer:
- Jim Anderson
- bass:
- Rufus Reid (from 1996-09-24 until 1996-09-27)
- drums (drum set):
- Victor Lewis (from 1996-09-24 until 1996-09-27)
- euphonium:
- Bruce Bonvissuto (from 1996-09-24 until 1996-09-27) and Alan Raph (from 1996-09-24 until 1996-09-27)
- flugelhorn:
- Jon Faddis (from 1996-09-24 until 1996-09-27) and Lew Soloff (from 1996-09-24 until 1996-09-27)
- French horn:
- Bob Carlisle (from 1996-09-24 until 1996-09-27), John Clark (from 1996-09-24 until 1996-09-27), Chris Comer (from 1996-09-24 until 1996-09-27) and Marshall Sealy (from 1996-09-24 until 1996-09-27)
- percussion:
- Freddie Santiago (from 1996-09-24 until 1996-09-27)
- piano:
- Renee Rosnes (from 1996-09-24 until 1996-09-27)
- solo tenor saxophone:
- Dan Faulk (from 1996-09-24 until 1996-09-27)
- solo trombone:
- J.J. Johnson (from 1996-09-24 until 1996-09-27)
- trombone:
- Dave Taylor (from 1996-09-24 until 1996-09-27), Robin Eubanks (from 1996-09-24 until 1996-09-27), Jim Pugh (from 1996-09-24 until 1996-09-27), Doug Purviance (from 1996-09-24 until 1996-09-27) and Steve Turre (from 1996-09-24 until 1996-09-27)
- tuba:
- Howard Johnson (from 1996-09-24 until 1996-09-27)
- conductor:
- Slide Hampton (from 1996-09-24 until 1996-09-27)
- recorded at:
- Clinton Recording Studios in New York, New York, United States (from 1996-09-24 until 1996-09-27)
- mixed at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- Enigma (from 1996-09-24 until 1996-09-27)
- composer:
- J.J. Johnson
- publisher:
- TRO-Folkways Music Publishers, Inc.
| | 6:28 |
| 3 | Gingerbread Boy- recording engineer:
- Jim Anderson (from 1996-09-24 until 1996-09-27)
- assistant mixer:
- Lawrence Manchester
- mixer:
- Jim Anderson
- bass:
- Rufus Reid (from 1996-09-24 until 1996-09-27)
- drums (drum set):
- Victor Lewis (from 1996-09-24 until 1996-09-27)
- euphonium:
- Bruce Bonvissuto (from 1996-09-24 until 1996-09-27) and Alan Raph (from 1996-09-24 until 1996-09-27)
- French horn:
- Bob Carlisle (from 1996-09-24 until 1996-09-27), John Clark (from 1996-09-24 until 1996-09-27), Chris Comer (from 1996-09-24 until 1996-09-27) and Marshall Sealy (from 1996-09-24 until 1996-09-27)
- percussion:
- Milton Cardona (from 1996-09-24 until 1996-09-27), Kevin Johnson (from 1996-09-24 until 1996-09-27) and Freddie Santiago (from 1996-09-24 until 1996-09-27)
- piano:
- Renee Rosnes (from 1996-09-24 until 1996-09-27)
- solo tenor saxophone:
- Dan Faulk (from 1996-09-24 until 1996-09-27)
- solo trombone:
- J.J. Johnson (from 1996-09-24 until 1996-09-27)
- solo trumpet:
- Eddie Henderson (from 1996-09-24 until 1996-09-27)
- trombone:
- Dave Taylor (from 1996-09-24 until 1996-09-27), Jim Pugh (from 1996-09-24 until 1996-09-27), Doug Purviance (from 1996-09-24 until 1996-09-27) and Steve Turre (from 1996-09-24 until 1996-09-27)
- trumpet:
- Danny Cahn (from 1996-09-24 until 1996-09-27), Jon Faddis (from 1996-09-24 until 1996-09-27), Earl Gardner (from 1996-09-24 until 1996-09-27), Lew Soloff (from 1996-09-24 until 1996-09-27), Byron Stripling (from 1996-09-24 until 1996-09-27) and Joe Wilder (from 1996-09-24 until 1996-09-27)
- tuba:
- Howard Johnson (from 1996-09-24 until 1996-09-27)
- conductor:
- Slide Hampton (from 1996-09-24 until 1996-09-27)
- recorded at:
- Clinton Recording Studios in New York, New York, United States (from 1996-09-24 until 1996-09-27)
- mixed at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- Gingerbread Boy (from 1996-09-24 until 1996-09-27)
- composer:
- Jimmy Heath
| | 5:23 |
| 4 | Canonn for Bela- recording engineer:
- Jim Anderson (from 1996-09-24 until 1996-09-27)
- assistant mixer:
- Lawrence Manchester
- mixer:
- Jim Anderson
- bass:
- Rufus Reid (from 1996-09-24 until 1996-09-27)
- drums (drum set):
- Victor Lewis (from 1996-09-24 until 1996-09-27)
- euphonium:
- Bruce Bonvissuto (from 1996-09-24 until 1996-09-27) and Alan Raph (from 1996-09-24 until 1996-09-27)
- French horn:
- Bob Carlisle (from 1996-09-24 until 1996-09-27), John Clark (from 1996-09-24 until 1996-09-27), Chris Comer (from 1996-09-24 until 1996-09-27) and Marshall Sealy (from 1996-09-24 until 1996-09-27)
- percussion:
- Freddie Santiago (from 1996-09-24 until 1996-09-27)
- piano and solo piano:
- Renee Rosnes (from 1996-09-24 until 1996-09-27)
- solo trombone:
- J.J. Johnson (from 1996-09-24 until 1996-09-27)
- trombone:
- Dave Taylor (from 1996-09-24 until 1996-09-27), Joe Alessi (from 1996-09-24 until 1996-09-27), Jim Pugh (from 1996-09-24 until 1996-09-27), Doug Purviance (from 1996-09-24 until 1996-09-27) and Steve Turre (from 1996-09-24 until 1996-09-27)
- trumpet:
- Danny Cahn (from 1996-09-24 until 1996-09-27), Jon Faddis (from 1996-09-24 until 1996-09-27), Earl Gardner (from 1996-09-24 until 1996-09-27), Lew Soloff (from 1996-09-24 until 1996-09-27), Byron Stripling (from 1996-09-24 until 1996-09-27) and Joe Wilder (from 1996-09-24 until 1996-09-27)
- tuba:
- Howard Johnson (from 1996-09-24 until 1996-09-27)
- conductor:
- Tom Everett (from 1996-09-24 until 1996-09-27)
- recorded at:
- Clinton Recording Studios in New York, New York, United States (from 1996-09-24 until 1996-09-27)
- mixed at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States
| | 3:24 |
| 5 | Comfort Zone- recording engineer:
- Jim Anderson (from 1996-09-24 until 1996-09-27)
- assistant mixer:
- Lawrence Manchester
- mixer:
- Jim Anderson
- bass:
- Rufus Reid (from 1996-09-24 until 1996-09-27)
- drums (drum set):
- Victor Lewis (from 1996-09-24 until 1996-09-27)
- euphonium:
- Bruce Bonvissuto (from 1996-09-24 until 1996-09-27) and Alan Raph (from 1996-09-24 until 1996-09-27)
- French horn:
- Bob Carlisle (from 1996-09-24 until 1996-09-27), John Clark (from 1996-09-24 until 1996-09-27), Chris Comer (from 1996-09-24 until 1996-09-27) and Marshall Sealy (from 1996-09-24 until 1996-09-27)
- percussion:
- Milton Cardona (from 1996-09-24 until 1996-09-27), Kevin Johnson (from 1996-09-24 until 1996-09-27) and Freddie Santiago (from 1996-09-24 until 1996-09-27)
- piano:
- Renee Rosnes (from 1996-09-24 until 1996-09-27)
- solo tenor saxophone:
- Dan Faulk (from 1996-09-24 until 1996-09-27)
- solo trombone:
- Robin Eubanks (from 1996-09-24 until 1996-09-27)
- solo trumpet:
- Eddie Henderson (from 1996-09-24 until 1996-09-27)
- trombone:
- Dave Taylor (from 1996-09-24 until 1996-09-27), Jim Pugh (from 1996-09-24 until 1996-09-27), Doug Purviance (from 1996-09-24 until 1996-09-27) and Steve Turre (from 1996-09-24 until 1996-09-27)
- trumpet:
- Danny Cahn (from 1996-09-24 until 1996-09-27), Jon Faddis (from 1996-09-24 until 1996-09-27), Earl Gardner (from 1996-09-24 until 1996-09-27), Lew Soloff (from 1996-09-24 until 1996-09-27), Byron Stripling (from 1996-09-24 until 1996-09-27) and Joe Wilder (from 1996-09-24 until 1996-09-27)
- tuba:
- Howard Johnson (from 1996-09-24 until 1996-09-27)
- conductor:
- Slide Hampton (from 1996-09-24 until 1996-09-27)
- recorded at:
- Clinton Recording Studios in New York, New York, United States (from 1996-09-24 until 1996-09-27)
- mixed at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States
| | 7:49 |
| 6 | Wild is the Wind- recording engineer:
- Jim Anderson (from 1996-09-24 until 1996-09-27)
- assistant mixer:
- Lawrence Manchester
- mixer:
- Jim Anderson
- bass:
- Rufus Reid (from 1996-09-24 until 1996-09-27)
- drums (drum set):
- Victor Lewis (from 1996-09-24 until 1996-09-27)
- euphonium:
- Bruce Bonvissuto (from 1996-09-24 until 1996-09-27) and Alan Raph (from 1996-09-24 until 1996-09-27)
- flugelhorn:
- Jon Faddis (from 1996-09-24 until 1996-09-27) and Lew Soloff (from 1996-09-24 until 1996-09-27)
- French horn:
- Bob Carlisle (from 1996-09-24 until 1996-09-27), John Clark (from 1996-09-24 until 1996-09-27), Chris Comer (from 1996-09-24 until 1996-09-27) and Marshall Sealy (from 1996-09-24 until 1996-09-27)
- percussion:
- Freddie Santiago (from 1996-09-24 until 1996-09-27)
- piano:
- Renee Rosnes (from 1996-09-24 until 1996-09-27)
- solo trombone:
- J.J. Johnson (from 1996-09-24 until 1996-09-27)
- trombone:
- Dave Taylor (from 1996-09-24 until 1996-09-27), Jim Pugh (from 1996-09-24 until 1996-09-27), Doug Purviance (from 1996-09-24 until 1996-09-27) and Steve Turre (from 1996-09-24 until 1996-09-27)
- tuba:
- Howard Johnson (from 1996-09-24 until 1996-09-27)
- conductor:
- Tom Everett (from 1996-09-24 until 1996-09-27)
- recorded at:
- Clinton Recording Studios in New York, New York, United States (from 1996-09-24 until 1996-09-27)
- mixed at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States
- instrumental recording of:
- Wild Is the Wind (from 1996-09-24 until 1996-09-27)
- lyricist:
- Ned Washington
- composer:
- Dimitri Tiomkin
- publisher:
- BMG Music Publishing Ltd., Carlin Music Corporation, Shapiro, Bernstein & Co., Inc., Universal Music Publishing MGB Ltd., Anne-Rachel Music Corp. (in 1957, in 1985), Catharine Hinen Music (in 1957, in 1985), Chappell & Co., Inc. (in 1957), Largo Music Inc. (in 1957, in 1985) and Patti Washington Music (in 1957, in 1985)
- part of:
- The 30th Academy Award for Best Original Song (number: 2)
| | 5:03 |
| 7 | If I Hit the Lottery- recording engineer:
- Jim Anderson (from 1996-09-24 until 1996-09-27)
- assistant mixer:
- Lawrence Manchester
- mixer:
- Jim Anderson
- bass:
- Rufus Reid (from 1996-09-24 until 1996-09-27)
- bass drum:
- Freddie Santiago (from 1996-09-24 until 1996-09-27)
- euphonium:
- Bruce Bonvissuto (from 1996-09-24 until 1996-09-27) and Alan Raph (from 1996-09-24 until 1996-09-27)
- French horn:
- Bob Carlisle (from 1996-09-24 until 1996-09-27), John Clark (from 1996-09-24 until 1996-09-27), Chris Comer (from 1996-09-24 until 1996-09-27) and Marshall Sealy (from 1996-09-24 until 1996-09-27)
- piano:
- Renee Rosnes (from 1996-09-24 until 1996-09-27)
- snare drum:
- Kevin Johnson (from 1996-09-24 until 1996-09-27), Victor Lewis (from 1996-09-24 until 1996-09-27) and Freddie Santiago (from 1996-09-24 until 1996-09-27)
- solo trombone:
- J.J. Johnson (from 1996-09-24 until 1996-09-27)
- solo trumpet:
- Eddie Henderson (from 1996-09-24 until 1996-09-27)
- tenor saxophone:
- Dan Faulk (from 1996-09-24 until 1996-09-27)
- trombone:
- Dave Taylor (from 1996-09-24 until 1996-09-27), Jim Pugh (from 1996-09-24 until 1996-09-27), Doug Purviance (from 1996-09-24 until 1996-09-27) and Steve Turre (from 1996-09-24 until 1996-09-27)
- trumpet:
- Danny Cahn (from 1996-09-24 until 1996-09-27), Jon Faddis (from 1996-09-24 until 1996-09-27), Earl Gardner (from 1996-09-24 until 1996-09-27), Lew Soloff (from 1996-09-24 until 1996-09-27), Byron Stripling (from 1996-09-24 until 1996-09-27) and Joe Wilder (from 1996-09-24 until 1996-09-27)
- tuba:
- Howard Johnson (from 1996-09-24 until 1996-09-27)
- conductor:
- Slide Hampton (from 1996-09-24 until 1996-09-27)
- recorded at:
- Clinton Recording Studios in New York, New York, United States (from 1996-09-24 until 1996-09-27)
- mixed at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States
| | 4:09 |
| 8 | Cross Currents | | 6:55 |
| 9 | Ballad for Joe- recording engineer:
- Jim Anderson (from 1996-09-24 until 1996-09-27)
- assistant mixer:
- Lawrence Manchester
- mixer:
- Jim Anderson
- bass:
- Rufus Reid (from 1996-09-24 until 1996-09-27)
- drums (drum set):
- Victor Lewis (from 1996-09-24 until 1996-09-27)
- euphonium:
- Bruce Bonvissuto (from 1996-09-24 until 1996-09-27) and Alan Raph (from 1996-09-24 until 1996-09-27)
- French horn:
- Bob Carlisle (from 1996-09-24 until 1996-09-27), John Clark (from 1996-09-24 until 1996-09-27), Chris Comer (from 1996-09-24 until 1996-09-27) and Marshall Sealy (from 1996-09-24 until 1996-09-27)
- percussion:
- Freddie Santiago (from 1996-09-24 until 1996-09-27)
- solo trombone:
- J.J. Johnson (from 1996-09-24 until 1996-09-27)
- solo trumpet:
- Eddie Henderson (from 1996-09-24 until 1996-09-27) and Joe Wilder (from 1996-09-24 until 1996-09-27)
- trombone:
- Dave Taylor (from 1996-09-24 until 1996-09-27), Joe Alessi (from 1996-09-24 until 1996-09-27), Jim Pugh (from 1996-09-24 until 1996-09-27) and Doug Purviance (from 1996-09-24 until 1996-09-27)
- trumpet:
- Danny Cahn (from 1996-09-24 until 1996-09-27), Jon Faddis (from 1996-09-24 until 1996-09-27), Earl Gardner (from 1996-09-24 until 1996-09-27), Lew Soloff (from 1996-09-24 until 1996-09-27), Byron Stripling (from 1996-09-24 until 1996-09-27) and Joe Wilder (from 1996-09-24 until 1996-09-27)
- tuba:
- Howard Johnson (from 1996-09-24 until 1996-09-27)
- conductor:
- Tom Everett (from 1996-09-24 until 1996-09-27)
- recorded at:
- Clinton Recording Studios in New York, New York, United States (from 1996-09-24 until 1996-09-27)
- mixed at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States
| | 4:27 |
| 10 | Cadenza | | 1:41 |
| 11 | Why Indianapolis, Why Not Indianapolis?- recording engineer:
- Jim Anderson (from 1996-09-24 until 1996-09-27)
- assistant mixer:
- Lawrence Manchester
- mixer:
- Jim Anderson
- bass:
- Rufus Reid (from 1996-09-24 until 1996-09-27)
- drums (drum set):
- Victor Lewis (from 1996-09-24 until 1996-09-27)
- euphonium:
- Bruce Bonvissuto (from 1996-09-24 until 1996-09-27) and Alan Raph (from 1996-09-24 until 1996-09-27)
- French horn:
- Bob Carlisle (from 1996-09-24 until 1996-09-27), John Clark (from 1996-09-24 until 1996-09-27), Chris Comer (from 1996-09-24 until 1996-09-27) and Marshall Sealy (from 1996-09-24 until 1996-09-27)
- percussion:
- Freddie Santiago (from 1996-09-24 until 1996-09-27)
- piano:
- Renee Rosnes (from 1996-09-24 until 1996-09-27)
- solo tenor saxophone:
- Dan Faulk (from 1996-09-24 until 1996-09-27)
- solo trombone:
- J.J. Johnson (from 1996-09-24 until 1996-09-27)
- trombone:
- Dave Taylor (from 1996-09-24 until 1996-09-27), Joe Alessi (from 1996-09-24 until 1996-09-27), Doug Purviance (from 1996-09-24 until 1996-09-27) and Steve Turre (from 1996-09-24 until 1996-09-27)
- trumpet:
- Danny Cahn (from 1996-09-24 until 1996-09-27), Jon Faddis (from 1996-09-24 until 1996-09-27), Earl Gardner (from 1996-09-24 until 1996-09-27), Lew Soloff (from 1996-09-24 until 1996-09-27), Byron Stripling (from 1996-09-24 until 1996-09-27) and Joe Wilder (from 1996-09-24 until 1996-09-27)
- tuba:
- Howard Johnson (from 1996-09-24 until 1996-09-27)
- conductor:
- Tom Everett (from 1996-09-24 until 1996-09-27)
- recorded at:
- Clinton Recording Studios in New York, New York, United States (from 1996-09-24 until 1996-09-27)
- mixed at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- Why Indianapolis, Why Not Indianapolis? (from 1996-09-24 until 1996-09-27)
- composer:
- J.J. Johnson
| | 5:53 |
| 12 | Horn of Plenty (from Perceptions)- recording engineer:
- Jim Anderson (from 1996-09-24 until 1996-09-27)
- assistant mixer:
- Lawrence Manchester
- mixer:
- Jim Anderson
- bass:
- Rufus Reid (from 1996-09-24 until 1996-09-27)
- drums (drum set):
- Victor Lewis (from 1996-09-24 until 1996-09-27)
- French horn:
- Bob Carlisle (from 1996-09-24 until 1996-09-27), John Clark (from 1996-09-24 until 1996-09-27), Chris Comer (from 1996-09-24 until 1996-09-27) and Marshall Sealy (from 1996-09-24 until 1996-09-27)
- solo trumpet:
- Jon Faddis (from 1996-09-24 until 1996-09-27)
- trombone:
- Dave Taylor (from 1996-09-24 until 1996-09-27), Joe Alessi (from 1996-09-24 until 1996-09-27), Doug Purviance (from 1996-09-24 until 1996-09-27) and Steve Turre (from 1996-09-24 until 1996-09-27)
- trumpet:
- Danny Cahn (from 1996-09-24 until 1996-09-27), Earl Gardner (from 1996-09-24 until 1996-09-27), Lew Soloff (from 1996-09-24 until 1996-09-27), Byron Stripling (from 1996-09-24 until 1996-09-27) and Joe Wilder (from 1996-09-24 until 1996-09-27)
- tuba:
- Howard Johnson (from 1996-09-24 until 1996-09-27)
- conductor:
- Tom Everett (from 1996-09-24 until 1996-09-27)
- recorded at:
- Clinton Recording Studios in New York, New York, United States (from 1996-09-24 until 1996-09-27)
- mixed at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- Horn of Plenty (from 1996-09-24 until 1996-09-27)
- composer and arranger:
- J.J. Johnson
| | 3:33 |
| 13 | Balade (from Perceptions)- recording engineer:
- Jim Anderson (from 1996-09-24 until 1996-09-27)
- assistant mixer:
- Lawrence Manchester
- mixer:
- Jim Anderson
- bass:
- Rufus Reid (from 1996-09-24 until 1996-09-27)
- drums (drum set):
- Victor Lewis (from 1996-09-24 until 1996-09-27)
- French horn:
- Bob Carlisle (from 1996-09-24 until 1996-09-27), John Clark (from 1996-09-24 until 1996-09-27), Chris Comer (from 1996-09-24 until 1996-09-27) and Marshall Sealy (from 1996-09-24 until 1996-09-27)
- solo trumpet:
- Jon Faddis (from 1996-09-24 until 1996-09-27)
- trombone:
- Dave Taylor (from 1996-09-24 until 1996-09-27), Joe Alessi (from 1996-09-24 until 1996-09-27), Doug Purviance (from 1996-09-24 until 1996-09-27) and Steve Turre (from 1996-09-24 until 1996-09-27)
- trumpet:
- Danny Cahn (from 1996-09-24 until 1996-09-27), Earl Gardner (from 1996-09-24 until 1996-09-27), Joe Shepley (from 1996-09-24 until 1996-09-27), Lew Soloff (from 1996-09-24 until 1996-09-27), Byron Stripling (from 1996-09-24 until 1996-09-27) and Joe Wilder (from 1996-09-24 until 1996-09-27)
- tuba:
- Howard Johnson (from 1996-09-24 until 1996-09-27)
- conductor:
- Tom Everett (from 1996-09-24 until 1996-09-27)
- recorded at:
- Clinton Recording Studios in New York, New York, United States (from 1996-09-24 until 1996-09-27)
- mixed at:
- Avatar Studios in Hell's Kitchen, New York, New York, United States
- recording of:
- Ballade (from 1996-09-24 until 1996-09-27)
- composer and arranger:
- J.J. Johnson
| | 6:34 |
| 14 | Swing Spring | | 3:21 |