111 More Classic Tracks

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

| |
1▼CD: Abbado – Chaliapin
#TitleArtistRatingLength
1Carmen: Prelude to Act IV
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
editor:
Joachim Niss
orchestra:
London Symphony Orchestra (from 1977-08 until 1977-09)
conductor:
Claudio Abbado (conductor) (from 1977-08 until 1977-09)
balance engineer:
Karl‐August Naegler (balance engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1978) and Polydor International GmbH (not for release label use!) (in 1978)
recorded at:
George Watson’s College in Edinburgh, Scotland, United Kingdom (in 1977-08) and St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1977-09)
recording of:
Carmen : Acte III. Entr’acte (intermission between Acts III & IV) (from 1977-08 until 1977-09)
composer:
Georges Bizet (French composer)
librettist:
Ludovic Halévy (French librettist) and Henri Meilhac
part of:
Carmen : Acte III
part of:
Carmen: Act III (english lyrics)
part of:
Carmen: Akt 3 (German translation, Julius Hopp)
part of:
Carmen: Atto III (italian lyrics)
Georges Bizet2:16
2Symphony no. 10 in E minor, op. 93: II. Allegro
orchestra:
Česká filharmonie (Czech Philharmonic, formerly Czech Philharmonic Orchestra) (in 1955-10)
conductor:
Karel Ančerl (conductor) (in 1955-10)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1955-10)
recording of:
Symphony no. 10 in E minor, op. 93: II. Allegro (in 1955-10)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer) (from 1946 until 1953)
publisher:
Boosey & Hawkes Music Publishers, Ltd
part of:
Symphony no. 10 in E minor, op. 93
Дмитрий Дмитриевич Шостакович3:52
32 Études de Concert, S.145 3 no. 1: Waldesrauschen
piano:
Géza Anda (Geza Anda, pianist) (in 1966-05)
recorded at:
Studio Rosenhügel in Wien (Vienna), Austria (in 1966-05)
recording of:
Zwei Konzertetüden, S. 145, Nr. 1: Waldesrauschen (in 1966-05)
composer:
Franz Liszt (Hungarian composer, pianist and conductor) (from 1862 until 1863)
part of:
Zwei Konzertetüden, S. 145
Franz Liszt3:37
4Trumpet Concerto in E‐flat, H.VIIe no. 1: III. Allegro
engineer:
Klaus Scheibe (editor/engineer)
executive producer:
Hans Hickmann
producer:
Wolfgang Lohse
editor:
Helmut Najda
harpsichord:
Hilde Noe (in 1966-11)
trumpet:
Maurice André (French trumpeter) (in 1966-11)
orchestra:
Münchener Kammerorchester (Munich Chamber Orchestra) (in 1966-11)
conductor:
Hans Stadlmair (conductor) (in 1966-11)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1968)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-11)
recording of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1: III. Allegro (in 1966-11)
composer:
Joseph Haydn (composer) (in 1796)
part of:
Konzert für Trompete und Orchester Es-Dur, Hob. VIIe:1 (Trumpet Concerto in E-flat major)
Joseph Haydn4:36
5Czech Dances Tance II: 2. Slepicka in B‐flat major (moderato)
piano:
Stefan Askenase (Polish-Belgian pianist) (in 1952-03)
balance engineer:
Heinz Wildhagen (engineer, producer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1952-03, on 1952-03-25)
recording of:
Czech Dances, Book II, JB 1:114 No. 2: Slepička (in 1952-03)
composer:
Bedřich Smetana (composer) (in 1879)
part of:
Czech Dances, Book II, JB 1:114
Bedřich Smetana3:03
6Piano Concerto no. 4 in G major, op. 58: III. Presto
executive producer:
Otto Gerdes (conductor and producer)
producer:
Rainer Brock (producer and recording supervisor for Deutsche Grammophon)
piano:
Martha Argerich (Argentine pianist) (from 1967-05 until 1967-06)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1967-05 until 1967-06)
conductor:
Claudio Abbado (conductor) (from 1967-05 until 1967-06)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1967-05 until 1967-06)
recording of:
Piano Concerto in G major: III. Presto (in 1967-06)
composer:
Maurice Ravel (French composer) (from 1929 until 1931)
part of:
Piano Concerto in G major
Maurice Ravel3:57
7Piano Sonata no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile
producer:
Werner Mayer (classical producer) and Dr. Steven Paul (classical arranger/producer for Deutsche Grammophon)
piano:
Daniel Barenboim (pianist and conductor) (in 1983-12)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Salle de la Mutualité in Paris, Île-de-France, France (in 1983-12)
recording of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”: II. Adagio cantabile (in 1983-12)
composer:
Ludwig van Beethoven (German composer) (in 1798)
part of:
Sonata for Piano no. 8 in C minor, op. 13 “Pathétique”
Ludwig van Beethoven5:24
8Cantata no. 202 “Weichet Nur, Betrübte Schatten” (Wedding Cantata), BWV 202: V. Aria: Wenn Die Frühlingslüfte Streichen
producer:
Thomas Frost (classical music producer)
violin:
Itzhak Perlman (violinist and conductor) (in 1990-08)
soprano vocals:
Kathleen Battle (soprano) (in 1990-08)
orchestra:
Orchestra of St. Luke’s (in 1990-08)
conductor:
John Nelson (American conductor) (in 1990-08)
balance engineer:
Tom Lazarus (in 1990-08)
recorded at:
RCA Studio A (New York) in New York, New York, United States (in 1990-08)
recording of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten": V. Aria "Wenn die Frühlingslüfte streichen" (in 1990-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (from 1718 until 1723)
librettist:
[anonymous] (special purpose artist)
part of:
Kantate, BWV 202 "Weichet nur, betrübte Schatten"
Johann Sebastian Bach2:41
9Suite Populaire Espagnole Nana
producer:
Rudolf Werner (producer at Deutsche Grammophon)
guitar:
Narciso Yepes (classical guitarist) (in 1976-12, from 1976-12-15 until 1976-12-20)
mezzo-soprano vocals:
Teresa Berganza (mezzo-soprano) (in 1976-12, from 1976-12-15 until 1976-12-20)
balance engineer:
Heinz Wildhagen (engineer, producer)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1976-12, from 1976-12-15 until 1976-12-20)
recording of:
Siete canciones populares españolas, G. 40, nº 5: Nana (from 1976-12-15 until 1976-12-20)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
recording of:
Siete canciones populares españolas, G. 40, nº 5: Nana (in 1976-12)
composer:
Manuel de Falla (Spanish composer) (in 1914)
part of:
Siete canciones populares españolas, G. 40 (Seven Spanish Folksongs, original for soprano and piano)
Manuel de Falla1:31
10Lieder Eines Fahrenden Gesellen Ging Heut’ Morgen Übers Feld
baritone vocals:
Thomas Hampson (baritone) (on 1990-02-24)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (on 1990-02-24)
conductor:
Leonard Bernstein (American conductor, composer, pianist) (on 1990-02-24)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1991)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (on 1990-02-24)
live recording of:
Lieder eines fahrenden Gesellen: II. "Ging heut morgen übers Feld" (on 1990-02-24)
lyricist and composer:
Gustav Mahler (composer)
part of:
Lieder eines fahrenden Gesellen (Songs of a Wayfarer)
Gustav Mahler4:09
11Peer Gynt, op. 23 Sung in German Der Winter Mag Scheiden (Solveig’s Song)
recorded in:
Berlin, Germany (in 1934-10)
soprano vocals:
Erna Berger (German lyric soprano) (in 1934-10)
orchestra:
Staatskapelle Berlin (in 1934-10)
conductor:
Leo Blech (conductor and composer) (in 1934-10)
recording of:
Peer Gynt, op. 23: 4. akt: Solveigs sang (german lyrics) (in 1934-10)
composer:
Edvard Grieg (composer)
version of:
Peer Gynt, op. 23: 4. akt: Solveigs sang
Edvard Grieg3:02
12Piano Sonata no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto
recording engineer:
Mark Buecker (engineer of classical recordings)
producer:
Arend Prohmann (producer / editor)
piano:
Rafał Blechacz (Polish pianist) (in 2008-07)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2008)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 2008-07)
recording of:
Sonata for Piano no. 2 in A major, op. 2 no. 2: III. Scherzo. Allegretto (in 2008-07)
composer:
Ludwig van Beethoven (German composer) (from 1794 until 1795)
part of:
Sonata for Piano no. 2 in A major, op. 2 no. 2
Ludwig van Beethoven3:02
13Bassoon Concerto in B‐flat, K.191: III. Rondo (Tempo di menuetto)
executive producer:
Dr. Ellen Hickmann (producer for Deutsche Grammophon)
producer:
Werner Mayer (classical producer)
bassoon:
Dietmar Zeman (bassoonist) (in 1973-05, in 1973-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1973-05, in 1973-11)
conductor:
Karl Böhm (Austrian conductor) (in 1973-05, in 1973-11)
balance engineer:
Günter Hermanns (producer/engineer) (in 1973-05) and Klaus Scheibe (editor/engineer) (in 1973-05)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1974)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1973-05, in 1973-11)
recording of:
Concerto for Bassoon in B-flat major, K. 186e/191: III. Rondeau. Tempo di menuetto (from 1973-05 until 1973-11)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Concerto for Bassoon in B-flat major, K. 186e/191
Wolfgang Amadeus Mozart4:24
14Carmina Burana: III. Cour D’Amours “In Trutina”
recording engineer:
Jürgen Bulgrin (sound engineer) and Jobst Eberhardt (sound engineer, mainly for Deutsche Grammophon)
producer:
Christopher Alder (editor/engineer/producer)
editor:
Ingmar Haas (engineer)
soprano vocals:
Barbara Bonney (soprano) (in 1993-10)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1993-10)
conductor:
André Previn (pianist, conductor, composer, arranger) (in 1993-10)
balance engineer:
Hans‐Peter Schweigmann (engineer)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1993-10)
live recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1993-10)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:32
15Nocturnes: II. Fêtes (orchestral version)
producer:
Karl-August Naegler (balance engineer)
orchestra:
The Cleveland Orchestra (in 1993-03)
conductor:
Pierre Boulez (composer and conductor) (in 1993-03)
balance engineer:
Helmut Burk (in 1993-03)
recorded at:
TempleLive Cleveland Masonic in Cleveland, Ohio, United States (in 1993-03)
recording of:
Nocturnes, L. 91, CD 98 : II. Fêtes (in 1993-03)
composer:
Claude Debussy (French composer) (from 1897-12 until 1899-12)
premiered at:
[concert] (1900-12-09)
part of:
Nocturnes, L. 91, CD 98 (for orchestra)
Claude Debussy6:31
16Tosca, Act I.: “Recondita Armonia”
bass vocals:
Fernando Corena (operatic bass) (in 1979-09)
tenor vocals:
José Carreras (Spanish tenor) (in 1979-09)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1979-09)
conductor:
Herbert von Karajan (conductor) (in 1979-09)
recorded at:
Berliner Philharmonie in Mitte, Berlin, Germany (in 1979-09)
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”) (in 1979-09)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto I (Tosca: Act 1)
Giacomo Puccini4:05
17Concerto in A minor for two Violins, Strings, and Continuo, R.523: II. Largo
assistant engineer:
Bastian Schick
producer:
Arend Prohmann (producer / editor)
violin:
Giuliano Carmignola (violinist) (in 2007-10) and Viktoria Mullova (violinist) (in 2007-10)
orchestra:
Venice Baroque Orchestra (in 2007-10)
conductor:
Andrea Marcon (Italian conductor & keyboardist) (in 2007-10)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Kulturzentrum Grand Hotel: Gustav-Mahler-Saal (Gustav Mahler Concert Hall) in Toblach, Bolzano (South Tyrol), Trentino-Alto Adige, Italy (in 2007-10)
recording of:
Concerto for 2 Violins in A minor, RV 523: II. Largo (in 2007-10)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for 2 Violins in A minor, RV 523
Antonio Vivaldi2:22
18Boris Godounov, Act IV.: “Proshchay, Moy Syn” (Death of Boris)
recorded in:
Sankt-Peterburg (Saint Petersburg), Russia (in 1911-10)
bass vocals:
Feodor Chaliapin (operatic bass) (in 1911-10)
orchestra:
[unknown] (Special Purpose Artist – Do not add releases here, if possible.) (in 1911-10)
recording of:
Boris Godunow: Act IV "Tod des Boris" (in 1911-10)
composer:
Модест Петрович Мусоргский (Modest Mussorgsky, composer)
part of:
Борис Годунов: Act IV (1872 version)
Модест Петрович Мусоргский4:44
2▼CD: Collins – Galway
#TitleArtistRatingLength
1Clarinet Concerto in A major, K. 622: II. Adagio
clarinet:
Michael Collins (clarinetist & conductor) (in 1997-07)
orchestra:
Russian National Orchestra (in 1997-07)
conductor:
Mikhail Pletnev (pianist & conductor) (in 1997-07)
recorded at:
Московская Государственная Консерватория им. П. И. Чайковского: большой зал (Moscow Conservatory: The Grand Hall) in Moscow, Russia (in 1997-07)
recording of:
Concerto for Clarinet in A major, K. 622: II. Adagio (Concerto for Clarinet and Orchestra in A major, K. 622: II. Adagio) (in 1997-07)
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1791-09-28 until 1791-10-07)
part of:
Concerto for Clarinet in A major, K. 622
Wolfgang Amadeus Mozart7:44
2Symphony no. 4 in E minor, op. 98: III. Allegro giocoso (Poco meno presto) - Tempo I
recorded in:
Berlin, Germany (in 1939-04)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1939-04)
conductor:
Victor de Sabata (conductor and composer) (in 1939-04)
recording of:
Sinfonie Nr. 4 e-Moll, op. 98: III. Allegro giocoso (in 1939-04)
composer:
Johannes Brahms (German composer) (from 1884 until 1885)
part of:
Sinfonie Nr. 4 e-Moll, op. 98 (Symphony no. 4 in E minor, op. 98)
Johannes Brahms5:38
3Te lo juro yo
engineer:
Stephan Flock
executive producer:
Ute Fesquet and Valentina Granados (executive producer)
producer:
Sid McLauchlan (engineer/producer)
guitar:
José María Gallardo del Rey (in 2007-07)
tenor vocals:
Plácido Domingo (tenor) (in 2007-07)
vocals:
Plácido Domingo (tenor) (in 2007-07)
orchestra:
Orquesta de la Comunidad de Madrid (in 2007-07)
conductor:
Miguel Roa (conductor) (in 2007-07)
orchestrator:
Emilio Aragón (Spanish director)
recorded at:
Teatro Albéniz in Madrid, Comunidad de Madrid (Community of Madrid), Spain (from 2007-07 to present, in 2007-07)
recording of:
Te lo juro yo (I Swear It) (in 2007-07)
lyricist and composer:
Manuel Quiroga (Spanish pianist and composer, 1899-1988)
Manuel Quiroga2:41
4Kalinka & Grünes Gras
bass vocals:
Paul Myhalik (in 1964-01)
choir vocals:
Don Cossack Choir (in 1964-01)
tenor vocals:
Igor Seifert (in 1964-01) and Georg Tymczenko (in 1964-01)
conductor:
Serge Jaroff
chorus master:
Сергей Жаров (Serge Jaroff) (in 1964-01)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1964)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1964-01)
recording of:
Kalinka & Grünes Gras (in 1964-01)
composer:
[anonymous] (special purpose artist)
arranger:
Сергей Жаров (Serge Jaroff)
[unknown]4:24
5“West Side Story” - Symphonic Dances: IV. Mambo
orchestra:
Orquesta Sinfónica Simón Bolívar (Simón Bolívar Symphony Orchestra) (in 2008-01)
conductor:
Gustavo Dudamel (conductor and violinist) (in 2008-01)
recorded at:
Sala Simón Bolivar (CASPM) in Caracas, Venezuela (in 2008-01)
live recording of:
Symphonic Dances from West Side Story: IV. Mambo. Presto (in 2008-01)
additional orchestrator:
Irwin Kostal (in 1960) and Sid Ramin (in 1960)
orchestrator and composer:
Leonard Bernstein (American conductor, composer, pianist) (in 1960)
part of:
Symphonic Dances from West Side Story
live recording of:
West Side Story: The Dance at the Gym: Mambo
composer:
Leonard Bernstein (American conductor, composer, pianist)
arranger:
Michael Sweeney (American composer)
part of:
West Side Story: The Dance at the Gym
Leonard Bernstein2:21
6Allegretto (Polka) for String Quartet
producer:
Da-Hong Seetoo
cello:
David Finckel (in 1998-07)
string quartet:
Emerson String Quartet (in 1998-07)
viola:
Lawrence Dutton (violist) (in 1998-07)
violin:
Eugene Drucker (in 1998-07) and Philip Setzer (violinist) (in 1998-07)
recorded at:
Harris Concert Hall in Aspen, Colorado, United States (in 1998-07)
edit of:
Allegretto (Polka) for String Quartet After the Polka From “The Age of Gold”, op. 22 (w/ applause) by Emerson String Quartet
live recording of:
Two Pieces for String Quartet: II. Polka (in 1998-07)
composer:
Дмитрий Дмитриевич Шостакович (Dmitri Shostakovich, composer)
arrangement of:
Suite from "The Age of Gold", op. 22a: III. Polka
part of:
Two Pieces for String Quartet (sometimes labelled op. 36)
Дмитрий Дмитриевич Шостакович2:27
7Hora staccato
piano:
Jean‐Claude Ambrosini (pianist) (on 1968-12-19)
violin:
Christian Ferras (violinist) (on 1968-12-19)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1969)
recorded at:
Studio Polydor in Paris, Île-de-France, France (on 1968-12-19)
recording of:
Hora Staccato (for violin and piano, arr. Heifetz) (on 1968-12-19)
composer:
Grigoraș Dinicu (Romanian violin virtuoso and composer)
piano and violin arranger:
Jascha Heifetz (violinist) (in 1932)
arrangement of:
Hora Staccato (dance for solo violin)
Grigoraș Dinicu2:21
8Lieder, op. 62: “Herr Pfarrer hat zwei Fraeulchen” Book II no. 4 (Poem: Die Pfarrjuengferchen)
piano:
Cord Garben (pianist and conductor) (in 1987-10)
mezzo-soprano vocals:
Brigitte Fassbaender (mezzo-soprano) (in 1987-10)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1987-10)
recording of:
Die Pfarrjüngferchen, op. 62, Heft 1, no. 10 (in 1987-10)
lyricist:
Friedrich Rückert (German poet)
composer:
Carl Loewe (composer)
part of:
Liederkreis nach Gedichten von Friedrich Rückert, op. 62
Carl Loewe2:23
9Cantata “Christ lag in Todesbanden”, BWV 4: VI. Versus 5: “Hier ist das rechte Osterlamm”
organ:
Maria Jung (in 1950-08)
baritone vocals:
Dietrich Fischer‐Dieskau (baritone) (in 1950-08)
orchestra:
Bach Festival Orchestra 1950 (in 1950-08)
conductor:
Fritz Lehmann (conductor) (in 1950-08)
recorded at:
Johanniskirche in Göttingen, Niedersachsen (Lower Saxony), Germany (in 1950-08)
recording of:
Kantate, BWV 4 „Christ lag in Todesbanden“: VI. Arie (Bass) Versus V „Hier ist das rechte Osterlamm“ (in 1950-08)
composed in:
Mühlhausen, Thüringen (Thuringia), Germany (from 1707 until 1708)
revised in:
Leipzig, Sachsen (Saxony), Germany (from 1724 until 1725)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1707)
librettist:
Martin Luther (German theologian of the Reformation) (in 1524)
part of:
Kantate, BWV 4 „Christ lag in Todesbanden“ (Leipzig version, commonly recorded)
Johann Sebastian Bach4:25
10Sonata for Violin and Piano in A major: I. Allegretto ben moderato
executive producer:
Christopher Alder (editor/engineer/producer)
producer:
Arend Prohmann (producer / editor)
piano:
Maria João Pires (pianist) (from 1993-09 until 1993-10)
violin:
Augustin Dumay (violinist) (from 1993-09 until 1993-10)
balance engineer:
Helmut Burk (from 1993-09 until 1993-10)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1995)
recorded at:
Hochschule für Musik und Theater München: Großer Konzertsaal in München (Munich), Bayern (Bavaria), Germany (from 1993-09 until 1993-10)
recording of:
Sonata for Violin and Piano in A major, M. 8, CFF 123: I. Allegretto ben moderato (from 1993-09 until 1993-10)
composer:
César Franck (Belgian‐born French composer) (in 1886)
part of:
Sonata for Violin and Piano in A major, M. 8, CFF 123
César Franck5:48
11Ragtime Bass in C‐sharp
producer:
Dr. Fred Hamel
piano:
Földes Andor (Hungarian pianist) (in 1951-09)
balance engineer:
Karl-Heinz Westphal (in 1951-09)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1951-09)
recording of:
Ragtime Bass in C-sharp (in 1951-09)
composer:
Virgil Thomson (American composer)
Virgil Thomson1:46
12The Tale of Tsar Saltan: The Flight of the Bumble‐Bee
producer:
Hansjoachim Reiser (engineer/producer)
cello:
Pierre Fournier (cellist) (in 1969-01, from 1969-01-08 until 1969-01-10)
piano:
Lamar Crowson (pianist) (in 1969-01, from 1969-01-08 until 1969-01-10)
balance engineer:
Heinz Wildhagen (engineer, producer) (from 1969-01-08 until 1969-01-10)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1969-01, from 1969-01-08 until 1969-01-10)
recording of:
Flight of the Bumblebee (for cello and piano, Strimer) (from 1969-01-08 until 1969-01-10)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer) (from 1899 until 1900)
arranger:
Joseph Strimer
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
recording of:
Flight of the Bumblebee (Rimski‐Korsakov work, catch‐all for arrangements) (in 1969-01)
composer:
Николай Андреевич Римский‐Корсаков (Nikolai Rimsky‐Korsakov, Russian composer)
publisher:
Domaine public (refers to works that are in the public domain)
arrangement of:
Полёт шмеля (Flight of the Bumblebee, Flight of the Bumblebee; orchestral interlude between Tableaus 1 & 2 in Act III of The Tale of Tsar Saltan)
Николай Андреевич Римский‐Корсаков1:17
13Tritsch‐Tratsch‐Polka, op. 214
producer:
Hans Weber (producer/engineer)
orchestra:
Radio-Symphonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1961-02-02 until 1961-02-09)
conductor:
Ferenc Fricsay (conductor) (from 1961-02-02 until 1961-02-09)
balance engineer:
Günter Hermanns (producer/engineer)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1961-02-02 until 1961-02-09)
recording of:
Tritsch–Tratsch Polka, op. 214 (from 1961-02-02 until 1961-02-09)
composer:
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son) (until 1858)
part of:
Works of Johann Strauss Jr. by opus number (number: op. 214)
Johann Strauss II2:29
14Rosamunde, D.797 (Incidental music to Helmina von Chézy’s Play): Ballet Music no. 2
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1929-06)
conductor:
Wilhelm Furtwängler (conductor) (in 1929-06)
recorded at:
Hochschule für Musik Hanns Eisler Berlin in Berlin, Germany (in 1929-06)
recording of:
Rosamunde, D. 797: IX. Ballettmusik Nr. 2 G-Dur. Andantino (in 1929-06)
composer:
Franz Schubert (composer) (in 1823)
part of:
Rosamunde, D. 797
Franz Schubert5:20
15Bachianas brasileiras no. 5 for Soprano and Cellos: Aria (Cantilena)
executive producer:
Christian Leins
producer:
Sid McLauchlan (engineer/producer)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2006-07)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-07)
conductor:
Fabio Luisi (conductor) (in 2006-07)
arranger:
[anonymous] (special purpose artist)
balance engineer:
Hans‐Ulrich Bastin and Andrew Wedman (producer and engineer)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-07)
recording of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (catch-all for arrangements) (in 2006-07)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1936)
arrangement of:
Bachianas Brasileiras nº 5, W389: I. Aria (Cantilena) (for voice and cellos)
Heitor Villa‐Lobos6:21
16Die Schöpfung Hob. XXI:2 Erster Teil - XIV. Chor und Terzett: “Die Himmel erzählen die Ehre Gottes” / “Dem kommenden Tage sagt es der Tag”
recording engineer:
Stephan Flock
producer:
Karl-August Naegler (balance engineer)
editor:
Ludger Böckenhoff and Martin Derner
instruments:
English Baroque Soloists (The English Baroque Soloists)
bass vocals [Raphael]:
Gerald Finley (bass-baritone) (from 1995-02-16 until 1995-02-21)
choir vocals:
Monteverdi Choir (English vocal Baroque ensemble) (from 1995-02-16 until 1995-02-21)
soprano vocals [Gabriel]:
Sylvia McNair (soprano) (from 1995-02-16 until 1995-02-21)
tenor vocals [Uriel]:
Michael Schade (tenor) (from 1995-02-16 until 1995-02-21)
orchestra:
English Baroque Soloists (The English Baroque Soloists) (from 1995-02-16 until 1995-02-21)
conductor:
John Eliot Gardiner (from 1995-02-16 until 1995-02-21)
balance engineer:
Rainer Maillard
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1996)
recorded at:
All Saints Church (Tooting, London) in London (Greater London), England, United Kingdom (from 1995-02-16 until 1995-02-21)
recording of:
Die Schöpfung, Hob XXI:2: Part I: XIV. Chor und Terzett: Die Himmel erzählen die Ehre Gottes (from 1995-02-16 until 1995-02-21)
composer:
Joseph Haydn (composer)
publisher:
Oxford University Press
part of:
Die Schöpfung, Hob. XXI:2: Part I (The Creation, Hob. XXI:2: Part I)
Joseph Haydn3:50
17Fantasias (7 Piano Pieces), op. 116: VII. Capriccio in D minor
piano:
Emil Gilels (pianist) (from 1975-09-08 until 1975-09-10)
recorded at:
Turun konserttitalo (Turku Concert Hall) in Turku, Varsinais-Suomi (Finland Proper), Finland (from 1975-09-08 until 1975-09-10)
recording of:
7 Fantasias, op. 116: No. 7 in D minor. Capriccio. Allegro agitato (from 1975-09-08 until 1975-09-10)
composer:
Johannes Brahms (German composer) (in 1892)
part of:
7 Fantasias, op. 116
Johannes Brahms2:19
18Requiem, Op.48: VII. In Paradisum
recording engineer:
Hans Weber (producer/engineer)
executive producer:
Günther Breest (producer for classical music)
organ:
Timothy Farrell (organist) (in 1986-03)
baritone vocals:
Andreas Schmidt (bass-baritone & teacher)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (in 1986-03)
soprano vocals:
Kathleen Battle (soprano)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1986-03)
conductor:
Carlo Maria Giulini (conductor) (in 1986-03)
chorus master:
Horst Neumann (choir master and conductor) (in 1986-03)
balance engineer:
Klaus Scheibe (editor/engineer)
recorded at:
Watford Town Hall (Watford Colosseum, fka the Watford Town Hall Assembly Rooms 1939–1994, as CTS Colosseum since 1995, and as Watford Colosseum since 2011) in Watford, Hertfordshire, England, United Kingdom (in 1986-03)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1986-03)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:52
19Ayre: II. Una Madre Comió Asado (A Mother Roasted Her Child)
instruments:
The Andalucian Dogs (in 2004-08)
soprano vocals:
Dawn Upshaw (soprano) (in 2004-08)
recorded at:
The Hit Factory in Manhattan, New York, New York, United States (in 2004-08)
recording of:
Ayre: II. Una madre comió asado (in 2004-08)
lyricist and composer:
[traditional] (special purpose artist)
arranger:
Osvaldo Golijov (Argentinean composer)
part of:
Ayre
Osvaldo Golijov3:08
20Annie’s Song (arranged by Charles Gerhardt; adapted by Craig Leon)
producer:
Craig Leon (musician, arranger, composer and producer)
flute:
James Galway (flautist) (in 2004-06)
orchestra:
London Symphony Orchestra (in 2004-06)
conductor:
Klauspeter Seibel (conductor) (in 2004-06)
arranger:
Charles Gerhardt (conductor, producer, arranger) and Craig Leon (musician, arranger, composer and producer)
balance engineer:
Jonathan Allen (engineer)
recorded at:
Abbey Road Studios in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2004-06) and Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (in 2004-06)
recording of:
Annie’s Song (John Denver song) (in 2004-06)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen, Colorado, United States (in 1973-01)
instrumental recording of:
Annie’s Song (John Denver song) (in 2004-06)
lyricist:
John Denver (in 1973-01)
composer:
John Denver
dedicated to:
Annie Denver (ex-wife and friend of John Denver)
publisher:
Winter Hill Music
lyrics written at:
Aspen Mountain in Aspen, Colorado, United States (in 1973-01)
John Denver2:57
3▼CD: Goebel – Knappertsbusch
#TitleArtistRatingLength
1Sonate à la Marésienne: V. Très vivement
orchestra:
Musica Antiqua Köln (Musica Antiqua Cologne) (in 1978-01)
conductor:
Reinhard Goebel (violinist and conductor) (in 1978-01)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1978-01)
partial recording of:
Sonate à la Marésienne (in 1978-01)
composer:
Marin Marais (French composer)
Marin Marais2:05
2Sonata for Cello and Piano no. 1 in E minor, op. 38: II. Allegretto quasi minuetto
cello:
Truls Mørk (Norwegian cellist) (in 2005-05)
piano:
Hélène Grimaud (French pianist) (in 2005-05)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2005-05)
recording of:
Sonata for Piano and Cello no. 1 in E minor, op. 38: II. Allegretto quasi menuetto (in 2005-05)
composer:
Johannes Brahms (German composer) (from 1862 until 1865)
part of:
Sonata for Piano and Cello no. 1 in E minor, op. 38 (Cello Sonata no. 1 in E minor, op. 38)
Johannes Brahms5:25
3Stabat Mater: II. Cujus animam gementem
executive producer:
Prof. Elsa Schiller (Deutsche Grammophon's head of production 1952-1965)
producer:
Wolfgang Lohse
tenor vocals:
Ernst Haefliger (tenor) (from 1954-09-16 until 1954-09-19)
orchestra:
RIAS Symphonie-Orchester (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (from 1954-09-16 until 1954-09-19)
conductor:
Ferenc Fricsay (conductor) (from 1954-09-16 until 1954-09-19)
balance engineer:
Heinrich Keilholz and Alfred Steinke
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1954-09-16 until 1954-09-19)
recording of:
Stabat Mater: II. Aria - Cuius animam gementem (tenore) (from 1954-09-16 until 1954-09-19)
composer:
Gioachino Rossini (composer) (from 1832 until 1839)
part of:
Stabat Mater
Gioachino Rossini6:03
4Sonatine: II. Mouvement de menuet
producer:
Karl-Heinz Schneider (producer)
piano:
Monique Haas (pianist) (in 1955-11)
balance engineer:
Heinz Wildhagen (engineer, producer) (in 1955-11)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1955-11)
recording of:
Sonatine: II. Mouvement de menuet (for piano) (in 1955-11)
composer:
Maurice Ravel (French composer) (from 1903 until 1905)
part of:
Sonatine
Maurice Ravel2:53
5String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: III. Scherzo. Allegro molto
string quartet:
Hagen Quartett (Hagen Quartet, Austrian string quartet) (in 1990-10)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1990-10)
recording of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”: III. Scherzo (Allegro molto) (in 1990-10)
composer:
Franz Schubert (composer)
part of:
String Quartet no. 14 in D minor, D. 810 “Death and the Maiden”
Franz Schubert3:32
6Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto
recording engineer:
Stephan Flock (in 2007-03)
assistant engineer:
Hans‐Ulrich Bastin
producer:
Arend Prohmann (producer / editor)
violin:
Hilary Hahn (violinist) (in 2007-03)
orchestra:
Sveriges Radios Symfoniorkester (Swedish Radio Symphony Orchestra) (in 2007-03)
conductor:
Esa‐Pekka Salonen (conductor and composer) (in 2007-03)
recorded at:
Berwaldhallen (Berwald Hall) in Stockholm, Stockholms län (Stockholm county), Sweden (in 2007-03)
recording of:
Violin Concerto in D minor, op. 47: III. Allegro, ma non tanto (in 2007-03)
composer:
Jean Sibelius (Finnish composer) (from 1903 until 1905)
part of:
Violin Concerto in D minor, op. 47
Jean Sibelius7:16
7Piano Sonata no. 2 in F major, K. 280: II. Adagio
producer:
Hans Weber (producer/engineer)
piano:
Clara Haskil (Romanian classical pianist) (in 1960-05)
balance engineer:
Walter Alfred Wettler (in 1960-05)
recorded at:
Lukaskirche (Lucerne) in Lucerne, Luzern (Canton of Lucerne), Switzerland (in 1960-05)
recording of:
Sonata for Piano no. 2 in F major, K. 189e/280: II. Adagio (in 1960-05)
composed in:
Salzburg, Salzburg, Austria (in 1774)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1774)
part of:
Sonata for Piano no. 2 in F major, K. 189e/280
Wolfgang Amadeus Mozart4:32
8Le prophète: Act III. Roi du ciel
producer:
Christopher Alder (editor/engineer/producer)
choir vocals:
London Voices (from 2001-06 until 2001-07)
tenor vocals:
Ben Heppner (tenor) (from 2001-06 until 2001-07)
orchestra:
London Symphony Orchestra (from 2001-06 until 2001-07)
conductor:
Myung-Whun Chung (pianist and conductor) (from 2001-06 until 2001-07)
balance engineer:
Stephan Flock (from 2001-06 until 2001-07)
recorded at:
All Saints’ Church (East Finchley, London) in East Finchley, Barnet (London Borough of Barnet), London (Greater London), England, United Kingdom (from 2001-06 until 2001-07)
partial recording of:
Le Prophète: Acte III (from 2001-06 until 2001-07)
composer:
Giacomo Meyerbeer (composer) (until 1849-04-16)
librettist:
Eugène Scribe (until 1849-04-16)
part of:
Le Prophète
Giacomo Meyerbeer3:47
9Tambourin
engineer:
Mike Hatch (engineer/editor)
cello:
Jonathan Cohen (British conductor, cellist & keyboardist) (in 2009-06) and William Conway (UK cellist) (in 2009-06)
double bass:
Enno Senft (double bass player) (in 2009-06)
harpsichord:
Kristian Bezuidenhout (fortepianist, harpsichordist and pianist) (in 2009-06)
lute:
Stefan Maas (in 2009-06)
percussion:
Hans‐Kristian Kjos Sørensen (in 2009-06)
solo violin:
Daniel Hope (violinist) (in 2009-06)
theorbo:
Stephan Rath (lutenist and theorbist) (in 2009-06)
viola:
Stewart Eaton (violist) (in 2009-06)
violin:
Lucy Gould (violinist) (in 2009-06)
recording of:
Tambourin (in 2009-06)
composer:
Jean‐Marie Leclair (French composer and violinist)
Jean‐Marie Leclair1:44
106 Moments musicaux, op. 94 D. 780: no. 3 in F minor. Allegro moderato
recorded in:
New York, New York, United States (in 1988-12)
executive producer:
Günther Breest (producer for classical music)
producer:
Thomas Frost (classical music producer)
piano:
Vladimir Horowitz (Ukrainian‐American pianist and composer) (in 1988-12)
balance engineer:
Paul Goodman (engineer) and Tom Lazarus
recording of:
6 Moments musicaux for Piano, op. 94, D. 780: No. 3 in F minor. Allegro moderato (in 1988-12)
composer:
Franz Schubert (composer)
part of:
6 Moments musicaux for Piano, op. 94, D. 780
Franz Schubert1:58
11Vado, ma dove? oh Dei!, K.583
soprano vocals:
Gundula Janowitz (soprano) (in 1966-06)
orchestra:
Wiener Symphoniker (Vienna Symphony Orchestra) (in 1966-06)
conductor:
Wilfried Böttcher (conductor) (in 1966-06)
recording of:
Aria for Soprano and Orchestra in E-flat major, K. 583: Allegro - andante sostenuto “Vado, ma dove? oh Dei!” (in 1966-06)
lyricist:
Lorenzo Da Ponte
composer:
Wolfgang Amadeus Mozart (classical composer)
part of:
Köchelverzeichnis (Köchel catalogue, original numbering) (number: 583) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 583)
Wolfgang Amadeus Mozart4:44
12La Vierge: Scene 4. The Assumption: Dernier sommeil de la Vierge
cello:
Leo Winland (cellist)
choir vocals:
Gothenburg Symphony Chorus
orchestra:
Gothenburg Symphony Orchestra
conductor:
Neeme Järvi (Estonian conductor)
recording of:
La Vierge: Scene 4. The Assumption: Dernier sommeil de la Vierge
composer:
Jules Massenet (French Romantic composer)
librettist:
Charles Grandmougin
part of:
La Vierge
Jules Massenet3:53
13Locus Iste (Motet)
producer:
Wolfgang Lohse
choir vocals:
Chor des Bayerischen Rundfunks (Bavarian Radio Choir) (in 1966-06)
conductor:
Eugen Jochum (conductor) (in 1966-06)
chorus master:
Wolfgang Schubert (conductor) (in 1966-06)
balance engineer:
Klaus Scheibe (editor/engineer) (in 1966-06)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1967)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1966-06)
recording of:
Locus iste, WAB 23 (in 1966-06)
composer:
Anton Bruckner (Austrian composer) (in 1869)
part of:
Werkverzeichnis Anton Bruckners (number: WAB 23)
Anton Bruckner3:42
14Variations and Fugue on a Theme by Händel, op. 24: Theme - Variations 1‐4
Johannes Brahms3:54
15Sonatas for Harpsichord: Sonata in F major, K. 525: Allegro
producer:
Hans Ritter
harpsichord:
Ralph Kirkpatrick (harpsichordist, clavichordist, pianist) (in 1970-06)
balance engineer:
Günter Hermanns (producer/engineer)
recorded at:
Plenarsaal der Akademie der Wissenschaften (München, Residenz) in München (Munich), Bayern (Bavaria), Germany (in 1970-06)
recording of:
Sonata in F major, K 525, L 188: Allegro (in 1970-06)
composer:
Domenico Scarlatti (composer)
part of:
Alessandro Longo’s catalog of Domenico Scarlatti’s keyboard works (number: 188) and Ralph Kirkpatrick’s catalog of Domenico Scarlatti’s keyboard sonatas (number: 525)
Domenico Scarlatti2:56
16Ein deutsches Requiem, op. 45: IV. Chor “Wie lieblich sind deine Wohnungen, Herr Zebaoth!”
executive producer:
Otto Gerdes (conductor and producer)
producer:
Hans Weber (producer/engineer)
organ:
Wolfgang Meyer (organist, harpsichordist) (from 1964-05-16 until 1964-05-18)
choir vocals:
Wiener Singverein (from 1964-05-16 until 1964-05-18)
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1964-05-16 until 1964-05-18)
conductor:
Herbert von Karajan (conductor) (from 1964-05-16 until 1964-05-18)
chorus master:
Reinhold Schmidt (chorusmaster, composer) (from 1964-05-16 until 1964-05-18)
balance engineer:
Günter Hermanns (producer/engineer) (from 1964-05-16 until 1964-05-18)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (from 1964-05-16 until 1964-05-18)
recording of:
Ein deutsches Requiem, op. 45: IV. “Wie lieblich sind Deine Wohnungen” (Chor) (from 1964-05-16 until 1964-05-18)
composer:
Johannes Brahms (German composer)
part of:
Ein deutsches Requiem, op. 45
Johannes Brahms5:43
17Die Walküre: Act III. Walkürenritt
recording of:
Excerpt from Die Walküre, WWV 86B: Akt III, Scene I, Walkürenritt (The Valkyrie: Ride of the Valkyries)
composer:
Richard Wagner (composer) (from 1854 until 1856)
publisher:
Schott Music International (publisher; do not use as label)
part of:
Die Walküre, WWV 86B: Akt III, Scene I "Hojotoho! Hojotoho!"
Richard Wagner4:39
4▼CD: Kleiber – Mravinsky
#TitleArtistRatingLength
1La traviata: Act III. Prelude
engineer:
Klaus Scheibe (editor/engineer)
producer:
Hans Weber (producer/engineer) (from 1976-05-14 until 1977-06)
orchestra:
Bayerisches Staatsorchester (Bavarian State Orchestra, orchestra of the Bavarian State Opera in Munich, Germany) (from 1976-05-14 until 1977-06)
conductor:
Carlos Kleiber (conductor) (from 1976-05-14 until 1977-06)
recorded at:
Bürgerbräukeller in München (Munich), Bayern (Bavaria), Germany (from 1976-05-14 until 1977-06)
recording of:
La traviata: Atto III. Preludio (from 1976-05-14 until 1977-06)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Antonio Ghislanzoni
part of:
La traviata: Act III (english version)
part of:
La Traviata: Akt III.
part of:
La traviata: Atto III (La traviata: Act III)
part of:
Violetta (La traviata) (german lyrics)
Giuseppe Verdi3:43
28 Slavonic Dances for piano duet, op. 46: VII. no. 7 in C minor. Allegro assai
piano:
Alfons Kontarsky (pianist) (in 1983-10) and Aloys Kontarsky (pianist) (in 1983-10)
recording of:
Slawische Tänz, op. 46, nr. 7 in c-Moll, Allegro assai (Skočná) (for Piano, four hands)
composer:
Antonín Dvořák (composer) (from 1878-03-18 until 1878-05-07)
part of:
Slawische Tänze, op. 46, B. 78 (Slavonic Dances, op. 46, B. 78, for piano, four hands)
Antonín Dvořák2:49
3Le nozze di Figaro, K. 492: Act I. “Non so più cosa son, cosa faccio”
recording engineer:
Wolf‐Dieter Karwatky (in 2005-12)
assistant engineer:
Chris Barrett (British sound engineer, @AIR Lyndhurst Studios) (in 2005-12)
producer:
Marita Prohmann
fortepiano:
Jos van Immerseel (Belgian pianist and conductor) (in 2005-12)
mezzo-soprano vocals:
Magdalena Kožená (Czech mezzo-soprano)
soprano vocals:
Magdalena Kožená (Czech mezzo-soprano) (in 2005-12)
orchestra:
Orchestra of the Age of Enlightenment (in 2005-12)
conductor:
Simon Rattle (conductor) (in 2005-12)
balance engineer:
Ulrich Vette (engineer) (in 2005-12)
recorded at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, United Kingdom (in 2005-12)
recording of:
Le nozze di Figaro, K. 492: Atto I, Scena V. (no. 6) Aria “Non so più cosa son, cosa faccio” (Cherubino) (in 2005-12)
composer:
Wolfgang Amadeus Mozart (classical composer)
librettist:
Lorenzo Da Ponte
part of:
Le nozze di Figaro, K. 492: Atto I (The Marriage of Figaro, K. 492: Act I)
Wolfgang Amadeus Mozart2:42
4Concerto for violin and orchestra: I. ♩ = 104 - ♩ = 120
recording engineer:
Rainer Maillard
producer:
Wolfgang Stengel
violin:
Gidon Kremer (violinist) (in 1992-02)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-02)
conductor:
Christoph von Dohnányi (German conductor) (in 1992-02)
recorded at:
Wiener Musikverein: Großer Musikvereinssaal in Innere Stadt, Wien (Vienna), Austria (in 1992-02)
recording of:
Violin Concerto no. 1: I. ♩ = 104 — ♩ = 120 (in 1992-02)
composer:
Philip Glass (US composer & pianist) (in 1987)
part of:
Violin Concerto no. 1
Philip Glass6:37
5Circus Polka: For a Young Elephant
Игорь Фёдорович Стравинский3:25
6Rhapsody on a theme of Paganini, op. 43: Variation 18
recording engineer:
Jürgen Bulgrin (sound engineer) (in 2004-07) and Wolf‐Dieter Karwatky (in 2004-07)
producer:
Christian Gansch (conductor)
piano:
Lang Lang (Chinese pianist) (in 2004-07)
orchestra:
Orchestra of the Mariinsky Theatre (Mariinsky Theatre Orchestra, fka Kirov Orchestra till 1992) (in 2004-07)
conductor:
Valery Gergiev (conductor) (in 2004-07)
balance engineer:
Stephan Flock (in 2004-07)
phonographic copyright (℗) by:
Deutsche Austrophon GmbH (for copyrights use) (in 2005)
recorded at:
Mikaeli: Martti Talvela Hall in Mikkeli, Etelä-Savo (Southern Savonia), Finland (in 2004-07)
live recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile (in 2004-07)
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
recording of:
Rhapsody on a Theme of Paganini, op. 43: Variation XVIII: Andante cantabile
composer:
Sergei Rachmaninoff (Russian composer) (from 1934-07-03 until 1934-08-18)
part of:
Rhapsody on a Theme of Paganini, op. 43 (for piano and orchestra)
Сергей Рахманинов2:51
7Water Music Suite no. 1 in F, HWV 348: 15. Air
Georg Friedrich Händel1:12
8Ruy Blas Overture, op. 95
recording of:
Ruy Blas, op. 95
composer:
Felix Mendelssohn (composer)
part of:
Works of Felix Mendelssohn by opus number (number: op. 95) and Felix Mendelssohn Bartholdy: Thematisch-systematisches Verzeichnis der musikalischen Werke (MWV) (number: MWV P 15)
Felix Mendelssohn7:46
9Porgy and Bess Suite: “Oh, I Got Plenty o’ Nuttin’”
George Gershwin1:26
10El amor brujo: Danza ritual del fuego, para ahuyentar los malos espíritus
producer:
Karl Faust (producer)
orchestra:
Radio-Sinfonie-Orchester Berlin (aka RIAS‐Symphonie‐Orchester, 1946–1956 / Radio‐Symphonie‐Orchester Berlin, 1956–1993) (in 1965-06)
conductor:
Lorin Maazel (conductor) (in 1965-06)
balance engineer:
Günter Hermanns (producer/engineer) (in 1965-06)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (in 1965-06)
recording of:
El amor brujo: VIII. Danza ritual del fuego (in 1965-06)
composer:
Manuel de Falla (Spanish composer)
part of:
El amor brujo (for symphony orchestra)
Manuel de Falla3:58
11Après un rêve
cello:
Mischa Maisky (cellist)
piano:
Daria Hovora (pianist)
recording of:
Après un rêve, op. 7 no. 1 (for cello and piano, arr. Casals)
composer:
Gabriel Fauré (French composer)
cello and piano arranger:
Pau Casals (cellist, aka Pablo Casals)
arrangement of:
Après un rêve, op. 7 no. 1 (original; for voice and piano)
Gabriel Fauré3:24
12Egmont, op. 84: I. Overture
recording of:
Egmont, op. 84: Ouvertüre. Sostenuto, ma non troppo – Allegro
premiered in:
Wien (Vienna), Austria (on 1810-06-15)
composer:
Ludwig van Beethoven (German composer) (from 1809-10 until 1810-06)
part of:
Egmont, op. 84
Ludwig van Beethoven9:12
13Berceuse sur le nom de Gabriel Fauré
piano:
Jean Antonietti (Pianist) (in 1951-08)
violin:
Johanna Martzy (violinist) (in 1951-08)
recorded at:
Beethovensaal (Hannover) in Hannover (Hanover), Niedersachsen (Lower Saxony), Germany (in 1951-08)
recording of:
Berceuse sur le nom de Gabriel Fauré (in 1951-08)
composer:
Maurice Ravel (French composer)
part of:
Catalogue Marcel Marnat des œuvres de Maurice Ravel (number: M. 74)
Maurice Ravel2:40
14Mass in C minor, K. 427 “Grosse Messe”: Gloria: Laudamus Te
Wolfgang Amadeus Mozart4:47
15String Quartet no. 3 in D major, op. 44 no. 1: II. Menuetto. Un poco allegro
string quartet:
Melos Quartett (Melos Quartet) (in 1981-02)
recorded at:
Mozartsaal, Liederhalle in Stuttgart, Baden-Württemberg, Germany (in 1981-02)
recording of:
String Quartet no. 3 in D major, op. 44 no. 1: II. Menuetto. Un poco allegretto (in 1981-02)
composer:
Felix Mendelssohn (composer)
part of:
String Quartet no. 3 in D major, op. 44 no. 1
Felix Mendelssohn4:28
16Partita for violin solo no. 3 in E major, BWV 1006: I. Preludio
engineer:
Klaus Hiemann (engineer/producer)
producer:
Werner Mayer (classical producer)
violin:
Nathan Milstein (violinist) (in 1973)
recorded at:
Conway Hall in London (Greater London), England, United Kingdom (in 1973, in 1974-04)
recording of:
Violin Partita no. 3 in E major, BWV 1006.1/1006: I. Preludio (in 1974-04)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
part of:
Violin Partita No. 3 in E major, BWV 1006.1/1006
Johann Sebastian Bach3:38
17Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato - Allegro
orchestra:
Leningrad Philharmonic Orchestra (St. Petersburg Philharmonic Orchestra, founded in 1882; read the annotation to avoid incorrect use) (in 1960-09)
conductor:
Yevgeny Mravinsky (conductor) (in 1960-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (from 1960-09-14 until 1960-09-15)
recording of:
Symphony no. 4 in F minor, op. 36: III. Scherzo. Pizzicato ostinato (in 1960-09)
composer:
Pyotr Ilyich Tchaikovsky (Russian romantic composer) (from 1877 until 1878)
part of:
Symphony no. 4 in F minor, op. 36
Пётр Ильич Чайковский5:52
5▼CD: Mutter – Rostropovich
#TitleArtistRatingLength
1Berceuse, op. 16
recording engineer:
Wolf‐Dieter Karwatky (in 1992-11) and Reinhild Schmidt (Sound engineer and producer for Deutsche Grammophon) (in 1992-11)
additional producer:
Werner Mayer (classical producer) (in 1992-11)
co-producer:
Ewald Markl
executive producer:
Roger Wright (pianist)
violin:
Anne‐Sophie Mutter (violinist) (in 1992-11)
orchestra:
Wiener Philharmoniker (Vienna Philharmonic) (in 1992-11)
conductor:
James Levine (US conductor and pianist) (in 1992-11)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1993)
recorded at:
Wiener Musikverein in Innere Stadt, Wien (Vienna), Austria (in 1992-11)
recording of:
Berceuse for Violin (or Cello) and Piano in D major, op. 16 (in 1992-11)
composer:
Gabriel Fauré (French composer) (from 1878 until 1879)
part of:
Works of Gabriel Fauré by opus number (number: op. 16)
recording of:
Berceuse for Violin and Orchestra, op. 16
orchestrator and composer:
Gabriel Fauré (French composer)
orchestration of:
Berceuse for Violin (or Cello) and Piano in D major, op. 16
Gabriel Fauré4:28
2Qui es promesses
choir vocals:
Early Music Consort of London
vocals:
James Bowman (UK countertenor) and Charles Brett (English counter-tenor active in late 20th century)
orchestra and performer:
Early Music Consort of London
conductor:
David Munrow (UK early music historian & musician)
recording of:
Qui es promesses
recording of:
Qui es promesses / Ha, Fortune! / Et non est qui adjuvet
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut1:56
3Luisa Fernanda: Act III. “Cállate, corazón! Duèrmete y calla!”
soprano vocals [Luisa Fernanda]:
Anna Netrebko (soprano) (in 2006-08)
tenor vocals [Javier]:
Rolando Villazón (tenor) (in 2006-08)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2006-08)
conductor:
Nicola Luisotti (conductor) (in 2006-08)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2006-08)
recording of:
Luisa Fernanda: Acto III. “¡Cállate, corazón!” (in 2006-08)
composer:
Federico Moreno Torroba (composer)
librettist:
Guillermo Fernández Shaw and Federico Romero Sarachaga
part of:
Luisa Fernanda: Acto III
Federico Moreno Torroba5:28
4Sechs Gesänge, op. 3: I. Liebestreu “O versenk’, o versenk’ dein Leid”
piano:
Daniel Barenboim (pianist and conductor) (in 1978-03)
soprano vocals:
Jessye Norman (soprano) (in 1978-03)
phonographic copyright (℗) by:
Polydor International GmbH (not for release label use!) (in 1983)
recorded at:
Studio Lankwitz in Lankwitz, Berlin, Germany (in 1978-03)
recording of:
6 Gesänge, op. 3: Nr. 1. Liebestreu (O versenk', o versenk' dein Leid…) (in 1978-03)
lyricist:
Robert Reinick (German poet)
composer:
Johannes Brahms (German composer) (in 1853)
part of:
6 Gesänge, op. 3
Johannes Brahms2:19
5Navarra for two violins, op. 33
violin:
David Oistrakh (violinist) (on 1957-04-17) and Igor Oistrakh (violinist) (on 1957-04-17)
orchestra:
Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra) (on 1957-04-17)
conductor:
Franz Konwitschny (conductor) (on 1957-04-17)
recording of:
Navarra, op. 33 (on 1957-04-17)
composer:
Pablo de Sarasate (violinist and composer)
part of:
Works of Pablo de Sarasate by opus number (number: op. 33)
Pablo de Sarasate6:00
6Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz”
recording engineer and producer:
Rainer Maillard
assistant engineer:
Evert Menting (engineer)
executive producer:
Christian Leins
piano:
Alice Sara Ott (pianist) (in 2009-08)
piano technician:
Serge Poulain (piano technician)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2009, in 2010)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (in 2009-08)
recording of:
Waltz no. 6 in D‐flat major, op. 64 no. 1 “Minute Waltz” (in 2009-08)
composer:
Fryderyk Chopin (Frédéric Chopin, composer) (from 1846 until 1847)
part of:
Katalog Dzieł Fryderyka Chopina (Catalogue of the Works of Frédéric Chopin, Chomiński Catalogue) (number: C. 212)
part of:
Waltzes, op. 64
Fryderyk Chopin1:54
7Schickelgruber
recording engineer:
Jürgen Bulgrin (sound engineer) and Oliver Rogalla
executive producer:
Dr. Peter Czornyj and Pål Christian Moe
producer:
Hans Bernhard Bätzing (engineer, producer)
piano:
Bengt Forsberg (pianist) (in 1993-09)
mezzo-soprano vocals:
Anne Sofie von Otter (mezzo-soprano) (in 1993-09)
balance engineer:
Ulrich Vette (engineer)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1993-09)
cover recording of:
Schickelgruber (in 1993-09)
lyricist:
Howard Dietz (librettist)
composer:
Kurt Weill (composer)
Kurt Weill2:51
8Antiche danze ed arie, Suite no. 3: I. Italiana
orchestra:
Boston Symphony Orchestra
conductor:
Seiji Ozawa (conductor and composer)
recording of:
Ancient Airs and Dances Suite no. 3: I. Italiana
composer:
Ottorino Respighi (composer) (in 1932)
part of:
Ancient Airs and Dances Suite no. 3
Ottorino Respighi2:51
9Faust: Act II. “Le veau d’or”
bass vocals:
René Pape (operatic bass) (in 2008-02)
choir vocals:
Chor der Staatsoper Dresden (Dresden State Opera Chorus) (in 2008-02)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 2008-02)
conductor:
Sebastian Weigle (hornist and conductor) (in 2008-02)
recorded at:
Lukaskirche (Lutheran church in Dresden, used since sometime after WWII as a recording studio) in Dresden, Sachsen (Saxony), Germany (in 2008-02)
recording of:
Faust : Acte II. No. 7 « Le veau d’or est toujours debout » (Méphistophélès, Chœur) (in 2008-02)
composer:
Charles Gounod (French composer)
part of:
Faust : Acte II
Charles‐François Gounod1:58
10La traviata: Act II. “Lunge da lei” ... “De’ miei bollenti spiriti”
recording engineer:
Wolfgang Mitlehner
executive producer:
Pål Christian Moe
producer:
Wolfgang Stengel
tenor vocals [Alfredo Germont]:
Luciano Pavarotti (tenor) (in 1991-06)
orchestra:
Metropolitan Opera Orchestra (in 1991-06)
conductor:
James Levine (US conductor and pianist) (in 1991-06)
recorded at:
Manhattan Center in Midtown Manhattan, New York, New York, United States (in 1991-06)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi3:24
11Brandenburg Concerto no. 2 in F major, BWV 1047: III. Allegro assai
executive producer:
Dr. Andreas Holschneider
producer:
Dr. Gerd Ploebsch
baroque trumpet:
Michael Laird (classical trumpeter) (from 1982-03 until 1982-05)
harpsichord:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
oboe:
David Reichenberg (oboist) (from 1982-03 until 1982-05)
treble recorder / alto recorder:
Philip Pickett (musician) (from 1982-03 until 1982-05)
violin:
Simon Standage (English violinist and conductor) (from 1982-03 until 1982-05)
orchestra:
The English Concert (from 1982-03 until 1982-05)
conductor:
Trevor Pinnock (conductor / harpsichord) (from 1982-03 until 1982-05)
balance engineer:
Hans‐Peter Schweigmann (engineer)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1982)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (from 1982-03 until 1982-05)
recording of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047: III. Allegro assai (from 1982-03 until 1982-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Brandenburgisches Konzert Nr. 2 F-Dur, BWV 1047 (Brandenburg Concerto No. 2 in F major, BWV 1047)
Johann Sebastian Bach3:03
126 Moments musicaux, op. 94 D. 780: no. 5 in F minor. Allegro vivace
assistant engineer:
Klaus Behrens (engineer) and Wolf‐Dieter Karwatky
producer:
Christopher Alder (editor/engineer/producer)
piano:
Maria João Pires (pianist) (in 1989-02)
balance engineer:
Helmut Burk
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1989)
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1989-02)
recording of:
6 Moments musicaux for Piano, op. 94, D. 780: No. 5 in F minor. Allegro vivace (in 1989-02)
composer:
Franz Schubert (composer)
part of:
6 Moments musicaux for Piano, op. 94, D. 780
Franz Schubert2:15
13Variations for piano, op. 27: I. Sehr mässig - II. Sehr schnell - III. Ruhig, fliessend
piano:
Maurizio Pollini (pianist)
recording of:
Variations for Piano, op. 27
composer:
Anton Webern (composer) (in 1936)
part of:
Works of Anton Webern by opus number (number: op. 27)
Anton Webern5:57
14Zigeunerweisen, op. 20
recording of:
Zigeunerweisen, op. 20 (Gypsy Airs, op. 20, for violin and orchestra)
composer:
Pablo de Sarasate (violinist and composer) (in 1878)
part of:
Works of Pablo de Sarasate by opus number (number: op. 20)
arrangement of:
Zigeunerweisen, op. 20 (for violin and piano)
Pablo de Sarasate6:50
15Die schöne Müllerin, D. 795: I. Das Wandern
piano:
Justus Zeyen (pianist)
baritone vocals and bass-baritone vocals:
Thomas Quasthoff (bass-baritone)
recording of:
Die schöne Müllerin, D. 795: Nr. 1. Das Wandern
lyricist:
Wilhelm Müller (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Die schöne Müllerin, D. 795
Franz Schubert2:38
16Drumming: Part IV (excerpt)
Steve Reich2:52
17Sinfonia in D major, Wq 183 no. 1: III. Presto
producer:
Dr. Gerd Ploebsch
other instruments [continuo (improvisation)]:
Hedwig Bilgram (harpsichordist and organist) (in 1969-07)
orchestra:
Münchener Bach‐Orchester (Munich Bach Orchestra) (in 1969-07)
conductor:
Karl Richter (conductor/ choir master/ organist/ harpsichordist) (in 1969-07)
balance engineer:
Günter Hermanns (producer/engineer) (in 1969-07)
recorded at:
Herkulessaal in München (Munich), Bayern (Bavaria), Germany (in 1969-07)
recording of:
Symphony in D major, Wq 183 no. 1, H 663: III. Presto (in 1969-07)
composer:
Carl Philipp Emanuel Bach (German classical composer)
part of:
Symphony in D major, Wq. 183 no. 1, H. 663
Carl Philipp Emanuel Bach2:44
188 Fantasiestücke, op. 12: II. Aufschwung
engineer and balance engineer:
Alfred Steinke
producer:
Wolfgang Lohse
editor:
Günter Hermanns (producer/engineer)
piano:
Sviatoslav Richter (pianist) (from 1956-11-26 until 1956-11-29)
recorded at:
Rudolfinum (House of Artists) in Praha (Prague), Czechia (from 1956-11-26 until 1956-11-29)
recording of:
Fantasiestücke, op. 12: II. Aufschwung (from 1956-11-26 until 1956-11-29)
composer:
Robert Schumann (German classical composer) (until 1837-07)
part of:
Fantasiestücke, op. 12
Robert Schumann2:49
19Symphony in G major, Hob. I:92 “Oxford”: IV. Presto
recording engineer:
Günter Hermanns (producer/engineer) (from 1957-03-18 until 1957-03-19)
producer:
Wolfgang Lohse
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (from 1957-03-18 until 1957-03-19)
conductor:
Hans Rosbaud (conductor) (from 1957-03-18 until 1957-03-19)
balance engineer:
Alfred Steinke (from 1957-03-18 until 1957-03-19)
recorded at:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Germany (from 1957-03-18 until 1957-03-19)
recording of:
Symphony no. 92 in G major, Hob. I:92 "Oxford": IV. Presto (from 1957-03-18 until 1957-03-19)
composer:
Joseph Haydn (composer) (in 1789)
part of:
Symphony no. 92 in G major, Hob. I:92 "Oxford"
Joseph Haydn5:20
20Nutcracker Suite, op. 71a: Dance of the Reed‐Pipes
orchestra:
Berliner Philharmoniker (Berlin Philharmonic Orchestra) (in 1978-06)
conductor:
Mstislav Rostropovich (cellist/conductor) (in 1978-06)
recording of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques: f) Danse des mirlitons. Moderato assai (in 1978-06)
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
The Nutcracker (suite from the ballet), op. 71a: II. Danses caractéristiques
revision of:
Щелкунчик, op. 71: Действие II, Картина III, no. 12e. Дивертисмент (д) Танец пастушков (Dance of the shepherds)
Пётр Ильич Чайковский2:28
6▶CD: Seefried – Zimerman