Great Marches & Waltzes

~ Release by London Promenade Orchestra (see all versions of this release, 2 available)

Tracklist

1▼Cassette
#TitleArtistRatingLength
A1Two Hearts in Three-Quarter Time
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of:
Zwei Herzen im Dreivierteltakt: Akt III. Zwei Herzen im Dreivierteltakt
lyricist:
Walter Reisch and Armin Robinson (German lyricist)
composer:
Robert Stolz (Viennese operetta composer, songwriter and conductor)
librettist:
Robert Gilbert, Paul Knepler (librettist and composer) and Ignaz Michael Welleminsky
part of:
Zwei Herzen im Dreivierteltakt (Der verlorene Walzer)
Robert Stolz3:17
A2Washington Post March
orchestra:
The National Honor Band
conductor:
Edwin Philip Pryor
recording of:
The Washington Post
composer:
John Philip Sousa (conductor and composer) (in 1889)
John Philip Sousa2:28
A3Danube Waves
recording engineer:
James Locke (producer, percussionist and songwriter, The Chimes-member) and Kenneth Wilkinson (engineer)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971) and National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1971-09)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell) and Charles Gerhardt (conductor, producer, arranger) (in 1971-09)
recorded at:
Kingsway Hall in London (Greater London), England, United Kingdom (in 1971-09)
recording of:
Valurile Dunării (The Waves of the Danube) (in 1971-09)
composer:
Iosif Ivanovici (in 1880)
Iosif Ivanovici5:28
A4Colonel Bogey March
orchestra:
The National Honor Band
conductor:
Edwin Philip Pryor
recording of:
Colonel Bogey March (also known as Dink March or Underberg)
composer:
Kenneth J. Alford (in 1914)
Kenneth Alford3:19
A5The Merry Widow Waltz
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
The Merry Widow Waltz (1952 original film soundtrack)
composer:
Franz Lehár (composer)
Franz Lehár5:11
A6Gypsy Love Waltz
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Gypsy Love Waltz
composer:
Franz Lehár (composer)
Franz Lehár3:04
A7March of the Toreadors
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Carmen Suite no. 1: VI. Les Toréadors. Allegro giocoso (theme from Carmen: Prelude to Act I and Carmen: Act IV. « Les voici ! Voici la quadrille ! »)
composer:
Georges Bizet (French composer)
is based on:
Carmen : Acte IV. No. 26 « Les voici ! Voici la quadrille ! » (Chœur, les gamins, Escamillo, Carmen, Frasquita, Mercédès)
is based on:
Carmen : Prélude
part of:
Carmen Suite no. 1
Georges Bizet2:12
A8Waltz From Sylvia
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Sylvia: Ballet Suite: II. Intermezzo et Valse lente
composer:
Léo Delibes (French composer) (from 1876 until 1880)
part of:
Sylvia: Ballet Suite
Léo Delibes4:21
A9Waltz From Faust
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Waltz from Faust (catch-all for arrangements)
composer:
Charles Gounod (French composer)
arrangement of:
Faust : Acte II. No. 9 Valse et chœur « Ainsi que la brise légère … » (Chœur, Méphistophélès, Faust, Siébel) (Valse de Faust, Waltz; Faust-Walzer)
Charles‐François Gounod3:27
A10March of the Toys
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Babes in Toyland: Act II. March of the Toys
composer:
Victor Herbert (American composer)
part of:
Babes in Toyland
Victor Herbert4:02
B1Seventy-Six Trombones
orchestra:
The National Honor Band
conductor:
Edwin Philip Pryor
instrumental recording of:
Seventy-Six Trombones (The Music Man)
lyricist and composer:
Meredith Willson
publisher:
MPL UK Publishing
part of:
The Music Man
Meredith Willson2:33
B2Barcarolle
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Les Contes d’Hoffmann: Acte III. “Belle nuit, ô nuit d’amour” (Nicklausse, Giulietta)
composer:
Jacques Offenbach (German-French composer, cellist and impresario)
librettist:
Jules Barbier
part of:
Les Contes d’Hoffmann: Acte III (Giulietta) (alternate order)
Jacques Offenbach4:09
B3Love's Joy (Liebesfreud)
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Liebesfreud (for violin and piano)
composer:
Fritz Kreisler (Austrian‐American violinist and composer)
publisher:
Schott Music International (publisher; do not use as label) and ショット・ミュージック 株式会社 Dept. 3 (Schott Music Corporation Dept. 3)
part of:
Alt-Wiener Tanzweisen (for violin and piano)
Fritz Kreisler, arr. Sergei Rachmaninoff3:52
B4The National Emblem
orchestra:
The National Honor Band
conductor:
Edwin Philip Pryor
recording of:
National Emblem
composer:
Bruce Broughton and Edwin Eugene Bagley (in 1902)
Edwin Eugene Bagley3:00
B5Vienna, My City of Dreams
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of:
Wien, du Stadt meiner Träume (Wien, Wien, nur du allein)
lyricist and composer:
Rudolf Sieczyński (in 1914)
publisher:
Adolf Robitschek Musikverlag
Rudolf Sieczyński3:08
B6The Yellow Rose of Texas
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of:
The Yellow Rose of Texas
lyricist:
[traditional] (special purpose artist) and Don George (US songwriter/composer, 1909–1987)
composer:
[traditional] (special purpose artist)
publisher:
EMI Full Keel Music
[traditional]3:01
B7The Kiss Waltz
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
instrumental recording of:
Il bacio
lyricist:
Gottardo Aldighieri (operatic baritone, librettist)
composer:
Luigi Arditi
Luigi Arditi4:41
B8The March of the Siamese Children
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
March of the Siamese Children (The King and I)
orchestrator:
Robert Russell Bennett (American composer and arranger)
composer:
Richard Rodgers (composer)
publisher:
Williamson Music Company
part of:
The King and I (Rodgers & Hammerstein musical)
Richard Rodgers2:49
B9Belle of the Ball
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Belle of the Ball
composer:
Leroy Anderson (until 1951-05-12)
Leroy Anderson2:45
B10Pomp and Circumstance March no. 1
orchestra:
London Promenade Orchestra (before it became known as the National Philharmonic Orchestra in ca. 1971)
conductor:
Eric Hammerstein (possibly a pseudonym used by American conductor Robert Mandell)
recording of:
Pomp and Circumstance Military Marches, op. 39: March no. 1 in D major
premiered in:
Liverpool, Merseyside, England, United Kingdom (on 1901-10-19)
publisher:
Sir Edward Elgar (dec’d) (Edward Elgar, composer)
composer:
Edward Elgar (composer) (in 1901)
publisher:
Boosey & Co. Ltd. (music publisher founded in the 1760s, forebear of Boosey & Hawkes)
part of:
Pomp and Circumstance Military Marches, op. 39
Sir Edward Elgar6:19