Master Of The Guitar

~ Release by Pepe Romero (see all versions of this release, 1 available)

Tracklist

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1▼CD
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1Partita for Violin Solo No.2 in d, BWV 1004, 1. Allemande
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1981-08)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: I. Allemande (catch-all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Violin Partita no. 2 in D minor, BWV 1004: I. Allemande
part of:
Violin Partita no. 2 in D minor, BWV 1004 (catch-all for arrangements)
Johann Sebastian Bach3:49
2Partita for Violin Solo No.2 in d, BWV 1004, 2. Courante
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1981-08)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: II. Corrente (catch-all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Violin Partita no. 2 in D minor, BWV 1004: II. Courante
part of:
Violin Partita no. 2 in D minor, BWV 1004 (catch-all for arrangements)
Johann Sebastian Bach2:44
3Partita for Violin Solo No.2 in d, BWV 1004, 3. Sarabande
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1981-08)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: III. Sarabanda (catch-all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Violin Partita no. 2 in D minor, BWV 1004: III. Sarabande
part of:
Violin Partita no. 2 in D minor, BWV 1004 (catch-all for arrangements)
Johann Sebastian Bach4:13
4Partita for Violin Solo No.2 in d, BWV 1004, 4. Gigue
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1981-08)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Giga (catch-all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue
part of:
Violin Partita no. 2 in D minor, BWV 1004 (catch-all for arrangements)
Johann Sebastian Bach4:35
5Partita for Violin Solo No.2 in d, BWV 1004, 5. Chaconne
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1981-08)
recording of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (catch‐all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1720)
arrangement of:
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne
part of:
Violin Partita no. 2 in D minor, BWV 1004 (catch-all for arrangements)
Johann Sebastian Bach12:55
6Suite For Cello Solo No.3 in C, BWV 1009, 1. Prelude
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1981-08)
recording of:
Suite no. 3 C-Dur, BWV 1009: I. Prélude (catch-all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: I. Prélude (Cello Suite No. 3 in C major, BWV 1009: I. Prélude)
part of:
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
Johann Sebastian Bach3:41
7Suite For Cello Solo No.3 in C, BWV 1009, 2. Allemande
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1981-08)
recording of:
Suite no. 3 C-Dur, BWV 1009: II. Allemande (catch-all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: II. Allemande (Cello Suite No. 3 in C major, BWV 1009: II. Allemande)
part of:
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
Johann Sebastian Bach3:41
8Suite For Cello Solo No.3 in C, BWV 1009, 3. Courante
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1981-08)
recording of:
Suite no. 3 C-Dur, BWV 1009: III. Courante (catch-all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 3 C‐Dur, BWV 1009: III. Courante (Cello Suite No. 3 in C major, BWV 1009: III. Courante)
part of:
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
Johann Sebastian Bach3:13
9Suite For Cello Solo No.3 in C, BWV 1009, 4. Sarabande
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1981-08)
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite no. 3 C-Dur, BWV 1009: IV. Sarabande (catch-all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: IV. Sarabande (Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande)
part of:
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
recording of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: IV. Sarabande (Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach4:04
10Suite For Cello Solo No.3 in C, BWV 1009, 5. Bourree I/II
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
classical guitar and guitar:
Pepe Romero (classical and flamenco guitarist) (in 1981-08)
recording of:
Suite no. 3 C-Dur, BWV 1009: V. Bourrée I & II (catch-all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: V. Bourrée I & II (Cello Suite No. 3 in C major, BWV 1009: V. Bourrée I & II)
part of:
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
Johann Sebastian Bach3:42
11Suite For Cello Solo No.3 in C, BWV 1009, 6. Gigue
recorded in:
London (Greater London), England, United Kingdom (in 1981-08)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1981-08)
recording of:
Suite no. 3 C-Dur, BWV 1009: VI. Gigue (catch-all for arrangements) (in 1981-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: VI. Gigue (Cello Suite No. 3 in C major, BWV 1009: VI. Gigue)
part of:
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
Johann Sebastian Bach3:11
12Mandolin Concerto in C, RV 425, 1. Allegro
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto for Mandolin in C major, RV 425: I. Allegro (in 1984-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi2:36
13Mandolin Concerto in C, RV 425, 2. Largo
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto for Mandolin in C major, RV 425: II. Largo (in 1984-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi2:44
14Mandolin Concerto in C, RV 425, 3. (Allegro)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto for Mandolin in C major, RV 425: III. Allegro (in 1984-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi2:14
15Concerto in G, RV 532, 1. Allegro
classical guitar:
Ángel Romero (guitarist/conductor) (in 1984-06) and Pepe Romero (classical and flamenco guitarist) (in 1984-06)
guitar:
Ángel Romero (guitarist/conductor) and Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: I. Allegro (in 1984-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi4:00
16Concerto in G, RV 532, 2. Andante
guitar:
Ángel Romero (guitarist/conductor) (in 1984-06) and Pepe Romero (classical and flamenco guitarist) (in 1984-06)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
arranger:
Pepe Romero (classical and flamenco guitarist)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: II. Andante (in 1984-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi3:30
17Concerto in G, RV 532, 3. Allegro
classical guitar:
Ángel Romero (guitarist/conductor) (in 1984-06) and Pepe Romero (classical and flamenco guitarist) (in 1984-06)
guitar:
Ángel Romero (guitarist/conductor) and Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields (in 1984-06)
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1984-06)
recorded at:
Henry Wood Hall (London) in London (Greater London), England, United Kingdom (in 1984-06)
recording of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: III. Allegro (in 1984-06)
composer:
Antonio Vivaldi (Italian baroque composer and violinist)
part of:
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi3:32
2▼CD
#TitleArtistRatingLength
1Quintet No.1 in d, G.445, 1. Allegro moderato
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 1 for Guitar and Strings in D minor, G. 445: I. Allegro moderato
composer:
Luigi Boccherini (Italian composer) (in 1798)
arrangement of:
Quintet for Piano and Strings no. 10 in D minor, op. 57 no. 4, G. 416: I. Allegro giusto ma con vivacità
part of:
Quintet no. 1 for Guitar and Strings in D minor, G. 445
Luigi Boccherini5:21
2Quintet No.1 in d, G.445, 2. Cantabile
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 1 for Guitar and Strings in D minor, G. 445: II. Cantabile
composer:
Luigi Boccherini (Italian composer) (in 1798)
arrangement of:
Quintet for Piano and Strings no. 10 in D minor, op. 57 no. 4, G. 416: II. Largo cantabile
part of:
Quintet no. 1 for Guitar and Strings in D minor, G. 445
Luigi Boccherini4:15
3Quintet No.1 in d, G.445, 3. Minuetto
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 1 for Guitar and Strings in D minor, G. 445: III: Minuetto
composer:
Luigi Boccherini (Italian composer) (in 1798)
part of:
Quintet no. 1 for Guitar and Strings in D minor, G. 445
Luigi Boccherini4:21
4Quintet No.1 in d, G.445, 4. Finale (Allegro assai)
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 1 for Guitar and Strings in D minor, G. 445: IV: Finale. Allegro assai
composer:
Luigi Boccherini (Italian composer) (in 1798)
arrangement of:
Quintet for Piano and Strings no. 10 in D minor, op. 57 no. 4, G. 416. Finale. Allegro assai
part of:
Quintet no. 1 for Guitar and Strings in D minor, G. 445
Luigi Boccherini3:39
5Quintet No.3 in Bb, G.447, 1. Allegro moderato
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447: I. Allegretto
composer:
Luigi Boccherini (Italian composer) (in 1798)
part of:
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447
Luigi Boccherini7:29
6Quintet No.3 in Bb, G.447, 2. Tempo di minuetto
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447: II. Minuetto - Trio
composer:
Luigi Boccherini (Italian composer) (in 1798)
part of:
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447
Luigi Boccherini5:31
7Quintet No.3 in Bb, G.447, 3. Adagio
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447: III. Adagio
composer:
Luigi Boccherini (Italian composer) (in 1798)
part of:
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447
Luigi Boccherini4:18
8Quintet No.3 in Bb, G.447, 4. Allegro
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447: IV. Allegro
composer:
Luigi Boccherini (Italian composer) (in 1798)
part of:
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447
Luigi Boccherini6:14
9Quintet No.5 in D, G.449, 1. Andantino pausato
castanets and sistrum:
Tristan Fry (in 1978-12)
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
recording of:
Quintet no. 5 for Guitar and Strings in D major, G. 449: I. Andantino pausato
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quartet in D major, G. 237 (Op. 53/2): I, Andantino pausato
part of:
Quintet no. 5 for Guitar and Strings in D major, G. 449
Luigi Boccherini5:20
10Quintet No.5 in D, G.449, 2. Minuetto
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
recording of:
Quintet no. 5 for Guitar and Strings in D major, G. 449: II. Minuetto (Allegro) - Trio
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quartet in D major, G. 237 (Op. 53/2): II, Minuetto (Allegro)
part of:
Quintet no. 5 for Guitar and Strings in D major, G. 449
Luigi Boccherini3:17
11Quintet No.5 in D, G.449, Allegro giusto
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
recording of:
Quintet no. 5 for Guitar and Strings in D major, G. 449: III. Allegro giusto
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quartet in C major, G. 232, op. 52 no. 1: IV, Finale (Allegro giusto)
part of:
Quintet no. 5 for Guitar and Strings in D major, G. 449
Luigi Boccherini2:10
12Quintet No.5 in D, G.449, 4. Andantino pausato con variazioni
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
recording of:
Quintet no. 5 for Guitar and Strings in D major, G. 449: IV. Andantino pausato con variazioni
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
Quintet no. 5 for Piano and Strings in D major, G. 411, op. 56 no. 5: IV. Thema e variazioni. Andante piuttosto Lento
part of:
Quintet no. 5 for Guitar and Strings in D major, G. 449
Luigi Boccherini6:54
13Quintet No.7 in e, G.451, 1. Allegro moderato
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 7 for Guitar and Strings in E minor, G. 451: I. Allegro moderato
composer:
Luigi Boccherini (Italian composer) (from 1798 until 1799)
part of:
Quintet no. 7 for Guitar and Strings in E minor, G. 451
Luigi Boccherini4:55
14Quintet No.7 in e, G.451, 2. Adagio
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 7 for Guitar and Strings in E minor, G. 451: II. Adagio
composer:
Luigi Boccherini (Italian composer) (from 1798 until 1799)
part of:
Quintet no. 7 for Guitar and Strings in E minor, G. 451
Luigi Boccherini3:36
15Quintet No.7 in e, G.451, 3. Minuetto
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 7 for Guitar and Strings in E minor, G. 451: III. Menuetto
composer:
Luigi Boccherini (Italian composer) (from 1798 until 1799)
part of:
Quintet no. 7 for Guitar and Strings in E minor, G. 451
Luigi Boccherini4:13
16Quintet No.7 in e, G.451, 4. Allegretto
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 7 for Guitar and Strings in E minor, G. 451: IV. Allegretto
composer:
Luigi Boccherini (Italian composer) (from 1798 until 1799)
part of:
Quintet no. 7 for Guitar and Strings in E minor, G. 451
Luigi Boccherini5:35
3▼CD
#TitleArtistRatingLength
1Guitar Quintet no. 2 in E major, G 446: I. Maestoso assai
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 2 for Guitar and Strings in E major, G 446: I. Maestoso assai
composer:
Luigi Boccherini (Italian composer) (in 1798)
part of:
Quintet no. 2 for Guitar and Strings in E major, G 446
Luigi Boccherini5:34
2Guitar Quintet no. 2 in E major, G 446: II. Adagio - Allegretto
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 2 for Guitar and Strings in E major, G 446: II. Adagio
composer:
Luigi Boccherini (Italian composer) (in 1798)
part of:
Quintet no. 2 for Guitar and Strings in E major, G 446
Luigi Boccherini4:02
3Guitar Quintet no. 2 in E major, G 446: III. Polacca (Tempo di minuetto)
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 2 for Guitar and Strings in E major, G 446: IV. Polacca. Tempo di minuetto
composer:
Luigi Boccherini (Italian composer) (in 1798)
part of:
Quintet no. 2 for Guitar and Strings in E major, G 446
Luigi Boccherini5:48
4Guitar Quintet no. 4 in D major, G 448 "Fandango": I. Pastorale
castanets and sistrum:
Tristan Fry (in 1978-12)
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": I. Pastorale (in 1978-12)
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quintet for 2 violins, viola & 2 cellos in D major, G. 270 (op. 10/6) : I, Pastorale
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini4:35
5Guitar Quintet no. 4 in D major, G 448 "Fandango": II. Allegro maestoso
castanets and sistrum:
Tristan Fry (in 1978-12)
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": II. Allegro maestoso (in 1978-12)
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quintet for 2 violins, viola & 2 cellos in D major, G. 270 (op. 10/6) : II, Allegro maestoso
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini5:07
6Guitar Quintet no. 4 in D major, G 448 "Fandango": III. Grave assai - Fandango
castanets and sistrum:
Tristan Fry (in 1978-12)
cello:
Denis Vigay (cellist) (in 1978-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1978-12)
viola:
Stephen Shingles (in 1978-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1978-12) and Malcolm Latchem (violinist) (in 1978-12)
compilation of:
Quintet for Guitar and Strings, no. 4 in D, "Fandango", G. 448: III. Grave assai by Academy of St Martin in the Fields Chamber Ensemble (Academy of St Martin in the Fields), Pepe Romero (classical and flamenco guitarist) and Quintet for Guitar and Strings, no. 4 in D, "Fandango", G. 448: IV. Fandango by Academy of St Martin in the Fields Chamber Ensemble (Academy of St Martin in the Fields), Pepe Romero (classical and flamenco guitarist)
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": III. Grave assai (in 1978-12)
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quintet (Quintettino) for 2 violins, viola & 2 cellos in D major ("Fandango"), G. 341 (op. 40/2): I, Grave assai
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
recording of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": IV. Fandango (in 1978-12)
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quintet (Quintettino) for 2 violins, viola & 2 cellos in D major ("Fandango"), G. 341 (op. 40/2): II, Fandango
part of:
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini7:32
7Guitar Quintet no. 6 in G major, G 450: I. Allegro con vivacita
cello:
Denis Vigay (cellist) (in 1979-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1979-12)
viola:
Stephen Shingles (in 1979-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1979-12) and Malcolm Latchem (violinist) (in 1979-12)
recording of:
Quintet no. 6 for Guitar and Strings in G major, G. 450: I. Allegro con vivacità (in 1978-12)
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
Quintet no. 13 for Flute (Or Oboe) & Strings in G major, op. 55 no. 1, G. 431: I. Allegretto con vivacità
part of:
Quintet no. 6 for Guitar and Strings in G major, G. 450
Luigi Boccherini6:07
8Guitar Quintet no. 6 in G major, G 450: II. Andantino lento
cello:
Denis Vigay (cellist) (in 1979-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1979-12)
viola:
Stephen Shingles (in 1979-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1979-12) and Malcolm Latchem (violinist) (in 1979-12)
recording of:
Quintet no. 6 for Guitar and Strings in G major, G. 450: II. Andantino lento (in 1978-12)
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quartet in C Major, G. 240, op. 53 no. 5: I, Andantino lento
part of:
Quintet no. 6 for Guitar and Strings in G major, G. 450
Luigi Boccherini3:07
9Guitar Quintet no. 6 in G major, G 450: III. Tempo de minuetto
cello:
Denis Vigay (cellist) (in 1979-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1979-12)
viola:
Stephen Shingles (in 1979-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1979-12) and Malcolm Latchem (violinist) (in 1979-12)
recording of:
Quintet no. 6 for Guitar and Strings in G major, G. 450: III. Tempo di minuetto - Trio (in 1978-12)
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
String Quartet in C Major, G. 240, op. 53 no. 5: II, Tempo di minuetto
part of:
Quintet no. 6 for Guitar and Strings in G major, G. 450
Luigi Boccherini4:35
10Guitar Quintet no. 6 in G major, G 450: IV. Allegretto
cello:
Denis Vigay (cellist) (in 1979-12)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1979-12)
viola:
Stephen Shingles (in 1979-12)
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (in 1979-12) and Malcolm Latchem (violinist) (in 1979-12)
recording of:
Quintet no. 6 for Guitar and Strings in G major, G. 450: IV. Allegretto (in 1978-12)
composer:
Luigi Boccherini (Italian composer) (in 1798)
version of:
Quintet no. 13 for Flute (Or Oboe) & Strings in G major, op. 55 no. 1, G. 431: II. Allegretto
part of:
Quintet no. 6 for Guitar and Strings in G major, G. 450
Luigi Boccherini3:48
11Guitar Quintet no. 9 in C major, G 453: I. Allegro maestoso assai
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid": I. Allegro maestoso assai
composer:
Luigi Boccherini (Italian composer) (in 1799)
part of:
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid"
Luigi Boccherini11:03
12Guitar Quintet no. 9 in C major, G 453: II. Andantino
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid": II. Andantino
composer:
Luigi Boccherini (Italian composer) (in 1799)
part of:
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid"
Luigi Boccherini4:08
13Guitar Quintet no. 9 in C major, G 453: III. Allegretto
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid": III. Allegretto
composer:
Luigi Boccherini (Italian composer) (in 1799)
part of:
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid"
Luigi Boccherini5:25
14Guitar Quintet no. 9 in C major, G 453: IV. La ritirata di Madrid
cello:
Denis Vigay (cellist)
guitar:
Pepe Romero (classical and flamenco guitarist)
viola:
Stephen Shingles
violin:
Iona Brown (violinist and director of the Academy of St Martin in the Fields) and Malcolm Latchem (violinist)
recording of:
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid": IV. Maestoso e lento
composer:
Luigi Boccherini (Italian composer) (in 1799)
part of:
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid"
Luigi Boccherini6:59
4▼CD
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1Guitar Concerto in e, op.140: 1. Allegro
guitar:
Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
recording of:
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140: I. Allegro
composer:
Ferdinando Carulli (composer)
part of:
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140
Ferdinando Carulli7:15
2Guitar Concerto in e, op.140: 2. Largo
guitar:
Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
recording of:
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140: II. Largo
composer:
Ferdinando Carulli (composer)
part of:
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140
Ferdinando Carulli3:02
3Guitar Concerto in e, op.140: 3. Allegro
guitar:
Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields
conductor:
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
recording of:
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140: III. Allegro
composer:
Ferdinando Carulli (composer)
part of:
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140
Ferdinando Carulli5:12
4Adagio in E, K. 261
recording of:
Adagio for Violin and Orchestra in E major, K. 261 (catch-all for arrangements)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1776)
part of:
Adagio for Violin and Orchestra in E major, K. 261
Wolfgang Amadeus Mozart7:04
5Guitar Concerto in e, op. 56: 1. Allegro maestoso
Francesco Molino12:08
6Guitar Concerto in e, op. 56: 2. Maestoso molto
Francesco Molino5:13
7Guitar Concerto in e, op. 56: 3. Rondo (Allegro)
Francesco Molino6:44
8Rondo in C, K.373
recording of:
Rondo for Violin and Orchestra in C major, K. 373
composer:
Wolfgang Amadeus Mozart (classical composer) (from 1781 until 1781-04)
part of:
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 373), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 373) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 373)
Wolfgang Amadeus Mozart6:48
9Guitar Concerto in A, op. 8a: 1. Allegro
Ferdinando Carulli10:42
10Guitar Concerto in A, op. 8a: 2. Polonaise
Ferdinando Carulli5:34
5▼CD
#TitleArtistRatingLength
1Guitar Concerto No.1 in A, Op.30: 1. Allegro maestoso
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1974-04)
orchestra:
Academy of St Martin in the Fields (in 1974-04)
conductor:
Sir Neville Marriner (conductor) (in 1974-04)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1974-04)
recording of:
Guitar Concerto in A major, op. 30: I. Allegro maestoso (in 1974-04)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer) (until 1808)
part of:
First Grand Concerto for Guitar, op. 30
Mauro Giuliani9:29
2Guitar Concerto No.1 in A, Op.30: 2. Andantino (Siciliano)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1974-04)
orchestra:
Academy of St Martin in the Fields (in 1974-04)
conductor:
Sir Neville Marriner (conductor) (in 1974-04)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1974-04)
recording of:
Guitar Concerto in A major, op. 30: II. Andantino siciliano (in 1974-04)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer) (until 1808)
part of:
First Grand Concerto for Guitar, op. 30
Mauro Giuliani6:13
3Guitar Concerto No.1 in A, Op.30: 3. Polonaise (Allegretto)
producer:
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1974-04)
orchestra:
Academy of St Martin in the Fields (in 1974-04)
conductor:
Sir Neville Marriner (conductor) (in 1974-04)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1974-04)
recording of:
Guitar Concerto in A major, op. 30: III. Alla polacca (in 1974-04)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer) (until 1808)
part of:
First Grand Concerto for Guitar, op. 30
Mauro Giuliani6:51
4Guitar Concerto No.2 in A, Op.36: 1. Maestoso
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1976-09)
orchestra:
Academy of St Martin in the Fields (in 1976-09)
conductor:
Sir Neville Marriner (conductor) (in 1976-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Guitar Concerto no. 2 in A major, op. 36: I. Maestoso (in 1976-09)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Guitar Concerto no. 2 in A major, op. 36
Mauro Giuliani15:23
5Guitar Concerto No.2 in A, Op.36: 2. Andantino
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1976-09)
orchestra:
Academy of St Martin in the Fields (in 1976-09)
conductor:
Sir Neville Marriner (conductor) (in 1976-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Guitar Concerto no. 2 in A major, op. 36: II. Andantino (in 1976-09)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Guitar Concerto no. 2 in A major, op. 36
Mauro Giuliani7:00
6Guitar Concerto No.2 in A, Op.36: 3. Rondo (Allegretto)
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1976-09)
orchestra:
Academy of St Martin in the Fields (in 1976-09)
conductor:
Sir Neville Marriner (conductor) (in 1976-09)
recorded at:
Brent Town Hall (Wembley Town Hall) in Brent (London Borough of Brent), London (Greater London), England, United Kingdom (in 1976-09)
recording of:
Guitar Concerto no. 2 in A major, op. 36: III. Rondo (Allegretto) (in 1976-09)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Guitar Concerto no. 2 in A major, op. 36
Mauro Giuliani9:54
7Guitar Concerto No.3 in F, Op.70: 1. Allegro moderato
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1976-09)
orchestra:
Academy of St Martin in the Fields (in 1976-09)
conductor:
Sir Neville Marriner (conductor) (in 1976-09)
recording of:
Guitar Concerto no. 3, in F, op. 70: I. Allegro Maestoso
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Guitar Concerto no. 3, in F, op. 70
Mauro Giuliani13:17
8Guitar Concerto No.3 in F, Op.70: 2 .Andantino alla Siciliana con variazioni
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1976-09)
orchestra:
Academy of St Martin in the Fields (in 1976-09)
conductor:
Sir Neville Marriner (conductor) (in 1976-09)
recording of:
Guitar Concerto no. 3, in F, op. 70: II. Andantino alla Siciliana con Variazioni
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Guitar Concerto no. 3, in F, op. 70
Mauro Giuliani6:35
9Guitar Concerto No.3 in F, Op.70: 3. Polonaise (Allegretto)
classical guitar:
Pepe Romero (classical and flamenco guitarist) (in 1976-09)
orchestra:
Academy of St Martin in the Fields (in 1976-09)
conductor:
Sir Neville Marriner (conductor) (in 1976-09)
recording of:
Guitar Concerto no. 3, in F, op. 70: III. Polonaise (Allegretto)
composer:
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
part of:
Guitar Concerto no. 3, in F, op. 70
Mauro Giuliani7:57
6▼CD
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1“Concierto Ibérico” For Four Guitars And Orchestra: 1. Allegretto
Federico Moreno Torroba7:01
2“Concierto Ibérico” For Four Guitars And Orchestra: 2. Andante - Allegro moderato -
Federico Moreno Torroba5:56
3“Concierto Ibérico” For Four Guitars And Orchestra: 3. Allegro moderato - Lento -
Federico Moreno Torroba8:12
4“Diálogos” For Guitar And Orchestra: A. En Allegretto, Mosso
recording of:
Diálogos entre guitarra y orquesta: I. Allegretto mosso
composer:
Federico Moreno Torroba (composer) (in 1977)
part of:
Diálogos entre guitarra y orquesta
Federico Moreno Torroba7:32
5“Diálogos” For Guitar And Orchestra: B. En Andantino Mosso
recording of:
Diálogos entre guitarra y orquesta: II. Andantino mosso
composer:
Federico Moreno Torroba (composer) (in 1977)
part of:
Diálogos entre guitarra y orquesta
Federico Moreno Torroba5:16
6“Diálogos” For Guitar And Orchestra: C. En Andante
recording of:
Diálogos entre guitarra y orquesta: III. Andante
composer:
Federico Moreno Torroba (composer) (in 1977)
part of:
Diálogos entre guitarra y orquesta
Federico Moreno Torroba4:51
7“Diálogos” For Guitar And Orchestra: D. En Allegro
recording of:
Diálogos entre guitarra y orquesta: IV. Allegro
composer:
Federico Moreno Torroba (composer) (in 1977)
part of:
Diálogos entre guitarra y orquesta
Federico Moreno Torroba8:18
8Suite castellana for guitar: Fandanguillo
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite castellana: I. Fandanguillo
composer:
Federico Moreno Torroba (composer) (in 1921)
part of:
Suite castellana
Federico Moreno Torroba1:42
9Suite castellana for guitar: Arada
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite castellana: II. Arada
composer:
Federico Moreno Torroba (composer) (in 1921)
part of:
Suite castellana
Federico Moreno Torroba3:40
10Suite castellana for guitar: Danza
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Suite castellana: III. Danza
composer:
Federico Moreno Torroba (composer) (in 1921)
part of:
Suite castellana
Federico Moreno Torroba2:32
11Concerto de Málaga: Allegro vivace
classical guitar:
Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Concierto de Málaga: I. Allegro vivace
orchestrator:
Federico Moreno Torroba (composer)
composer:
Celedonio Romero (in 1981)
part of:
Concierto de Málaga
Celedonio Romero8:28
12Concerto de Málaga: Andante: Allegretto
classical guitar:
Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Concierto de Málaga: II. Andante - Allegretto
orchestrator:
Federico Moreno Torroba (composer)
composer:
Celedonio Romero (in 1981)
part of:
Concierto de Málaga
Celedonio Romero7:18
13Concerto de Málaga: Tangos y tientos
classical guitar:
Pepe Romero (classical and flamenco guitarist)
orchestra:
Academy of St Martin in the Fields
conductor:
Sir Neville Marriner (conductor)
recording of:
Concierto de Málaga: III. Tangos y tientos
orchestrator:
Federico Moreno Torroba (composer)
composer:
Celedonio Romero (in 1981)
part of:
Concierto de Málaga
Celedonio Romero6:34
7▼CD
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1Concerto for Guitar and small Orchestra: 1. Allegro preciso
classical guitar:
Pepe Romero (classical and flamenco guitarist) (from 1985-07-05 until 1985-07-08)
orchestra:
Academy of St Martin in the Fields (from 1985-07-05 until 1985-07-08)
conductor:
Neville Marriner (conductor) (from 1985-07-05 until 1985-07-08)
recording of:
Concerto para violão e pequena orquestra, W501: I. Allegro preciso (Concerto for Guitar and Small Orchestra: I. Allegro preciso) (from 1985-07-05 until 1985-07-08)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1951)
part of:
Concerto para violão e pequena orquestra, W501 (Concerto for Guitar and Small Orchestra)
Heitor Villa‐Lobos5:15
2Concerto for Guitar and small Orchestra: 2. Andantino e andante
classical guitar:
Pepe Romero (classical and flamenco guitarist) (from 1985-07-05 until 1985-07-08)
orchestra:
Academy of St Martin in the Fields (from 1985-07-05 until 1985-07-08)
conductor:
Neville Marriner (conductor) (from 1985-07-05 until 1985-07-08)
recording of:
Concerto para violão e pequena orquestra, W501: II. Andantino e andante (Concerto for Guitar and Small Orchestra: II. Andantino e andante) (from 1985-07-05 until 1985-07-08)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1951)
part of:
Concerto para violão e pequena orquestra, W501 (Concerto for Guitar and Small Orchestra)
Heitor Villa‐Lobos8:26
3Concerto for Guitar and small Orchestra: 3. Allegretto non troppo
classical guitar:
Pepe Romero (classical and flamenco guitarist) (from 1985-07-05 until 1985-07-08)
orchestra:
Academy of St Martin in the Fields (from 1985-07-05 until 1985-07-08)
conductor:
Neville Marriner (conductor) (from 1985-07-05 until 1985-07-08)
recording of:
Concerto para violão e pequena orquestra, W501: III. Allegretto non troppo (Concerto for Guitar and Small Orchestra: III. Allegretto non troppo) (from 1985-07-05 until 1985-07-08)
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1951)
part of:
Concerto para violão e pequena orquestra, W501 (Concerto for Guitar and Small Orchestra)
Heitor Villa‐Lobos5:03
4Choro No.1
guitar:
Pepe Romero (classical and flamenco guitarist)
recording of:
Choros nº 1, W161
composer:
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1920)
part of:
Appleby Catalogue (W) (number: W161)
Heitor Villa‐Lobos4:54
5Etude No.1 in E minor
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1987-04)
Heitor Villa‐Lobos1:47
6Preludes: No. 1 in E minor
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1987-04)
Heitor Villa‐Lobos5:01
7Preludes: No. 2 in E
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1987-04)
Heitor Villa‐Lobos3:07
8Preludes: No. 3 in A minor
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1987-04)
Heitor Villa‐Lobos6:01
9Preludes: No. 4 in E minor
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1987-04)
Heitor Villa‐Lobos3:02
10Preludes: No. 5 in D
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1987-04)
Heitor Villa‐Lobos3:23
11Suite populaire bresilienne, W020: 1. Mazurka-Choro
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1987-04)
Pepe Romero3:05
12Suite populaire bresilienne, W020: 2. Schottish-Choro
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1987-04)
Heitor Villa‐Lobos4:17
13Suite populaire bresilienne, W020: 3. Valsa-Choro
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1987-04)
Heitor Villa‐Lobos4:03
14Suite populaire bresilienne, W020: 4. Gavota-Choro
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1987-04)
Heitor Villa‐Lobos5:21
15Suite populaire bresilienne, W020: 5. Chorinho
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1987-04)
Heitor Villa‐Lobos4:36
16Misionera
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1987-04)
Fernando Bustamante3:06
17Una limosna por el amor de Dios
guitar:
Pepe Romero (classical and flamenco guitarist) (in 1987-04)
recording of:
Una limosna por el amor de Dios (a.k.a. "La última canción")
composer:
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios)
Agustín Barrios Mangoré2:59
18Temas Populares Cubanos: Cancion de cuna (Berceuse)
Leo Brouwer3:28
19Aires Populares Cubanos: 1. Guajira criolla
Leo Brouwer1:33
20Aires Populares Cubanos: 2. Zapateado
Leo Brouwer2:03
8▶CD
9▶CD
10▶CD
11▶CD