Master Of The Guitar

~ Parution par Pepe Romero (afficher toutes les versions de cette parution, 1 proposée)

Liste de pistes

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1▼CD
noTitreArtisteÉvaluationDurée
1Partita for Violin Solo No.2 in d, BWV 1004, 1. Allemande
enregistré en :
London (Londres, Greater London), England, Royaume-Uni (le 1981-08)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1981-08)
recording of :
Violin Partita no. 2 in D minor, BWV 1004: I. Allemande (catch-all for arrangements) (le 1981-08)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Violin Partita no. 2 in D minor, BWV 1004: I. Allemande
partie de :
Violin Partita no. 2 in D minor, BWV 1004 (catch-all for arrangements)
Johann Sebastian Bach3:49
2Partita for Violin Solo No.2 in d, BWV 1004, 2. Courante
enregistré en :
London (Londres, Greater London), England, Royaume-Uni (le 1981-08)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1981-08)
recording of :
Violin Partita no. 2 in D minor, BWV 1004: II. Corrente (catch-all for arrangements) (le 1981-08)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Violin Partita no. 2 in D minor, BWV 1004: II. Courante
partie de :
Violin Partita no. 2 in D minor, BWV 1004 (catch-all for arrangements)
Johann Sebastian Bach2:44
3Partita for Violin Solo No.2 in d, BWV 1004, 3. Sarabande
enregistré en :
London (Londres, Greater London), England, Royaume-Uni (le 1981-08)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1981-08)
recording of :
Violin Partita no. 2 in D minor, BWV 1004: III. Sarabanda (catch-all for arrangements) (le 1981-08)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Violin Partita no. 2 in D minor, BWV 1004: III. Sarabande
partie de :
Violin Partita no. 2 in D minor, BWV 1004 (catch-all for arrangements)
Johann Sebastian Bach4:13
4Partita for Violin Solo No.2 in d, BWV 1004, 4. Gigue
enregistré en :
London (Londres, Greater London), England, Royaume-Uni (le 1981-08)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1981-08)
recording of :
Violin Partita no. 2 in D minor, BWV 1004: IV. Giga (catch-all for arrangements) (le 1981-08)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Violin Partita no. 2 in D minor, BWV 1004: IV. Gigue
partie de :
Violin Partita no. 2 in D minor, BWV 1004 (catch-all for arrangements)
Johann Sebastian Bach4:35
5Partita for Violin Solo No.2 in d, BWV 1004, 5. Chaconne
enregistré en :
London (Londres, Greater London), England, Royaume-Uni (le 1981-08)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1981-08)
recording of :
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne (catch‐all for arrangements) (le 1981-08)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician) (le 1720)
arrangement de :
Violin Partita no. 2 in D minor, BWV 1004: V. Chaconne
partie de :
Violin Partita no. 2 in D minor, BWV 1004 (catch-all for arrangements)
Johann Sebastian Bach12:55
6Suite For Cello Solo No.3 in C, BWV 1009, 1. Prelude
enregistré en :
London (Londres, Greater London), England, Royaume-Uni (le 1981-08)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1981-08)
recording of :
Suite no. 3 C-Dur, BWV 1009: I. Prélude (catch-all for arrangements) (le 1981-08)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: I. Prélude (Cello Suite No. 3 in C major, BWV 1009: I. Prélude)
partie de :
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
Johann Sebastian Bach3:41
7Suite For Cello Solo No.3 in C, BWV 1009, 2. Allemande
enregistré en :
London (Londres, Greater London), England, Royaume-Uni (le 1981-08)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1981-08)
recording of :
Suite no. 3 C-Dur, BWV 1009: II. Allemande (catch-all for arrangements) (le 1981-08)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: II. Allemande (Cello Suite No. 3 in C major, BWV 1009: II. Allemande)
partie de :
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
Johann Sebastian Bach3:41
8Suite For Cello Solo No.3 in C, BWV 1009, 3. Courante
enregistré en :
London (Londres, Greater London), England, Royaume-Uni (le 1981-08)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1981-08)
recording of :
Suite no. 3 C-Dur, BWV 1009: III. Courante (catch-all for arrangements) (le 1981-08)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Suite für Violoncello solo no. 3 C‐Dur, BWV 1009: III. Courante (Cello Suite No. 3 in C major, BWV 1009: III. Courante)
partie de :
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
Johann Sebastian Bach3:13
9Suite For Cello Solo No.3 in C, BWV 1009, 4. Sarabande
enregistré en :
London (Londres, Greater London), England, Royaume-Uni (le 1981-08)
guitare :
Pepe Romero (classical and flamenco guitarist)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1981-08)
recording of :
Suite no. 3 C-Dur, BWV 1009: IV. Sarabande (catch-all for arrangements) (le 1981-08)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: IV. Sarabande (Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande)
partie de :
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
recording of :
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: IV. Sarabande (Cello Suite No. 3 in C major, BWV 1009: IV. Sarabande)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
partie de :
Suite für Violoncello solo no. 3 C-Dur, BWV 1009 (Cello Suite No. 3 in C major, BWV 1009)
Johann Sebastian Bach4:04
10Suite For Cello Solo No.3 in C, BWV 1009, 5. Bourree I/II
enregistré en :
London (Londres, Greater London), England, Royaume-Uni (le 1981-08)
guitare et guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1981-08)
recording of :
Suite no. 3 C-Dur, BWV 1009: V. Bourrée I & II (catch-all for arrangements) (le 1981-08)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: V. Bourrée I & II (Cello Suite No. 3 in C major, BWV 1009: V. Bourrée I & II)
partie de :
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
Johann Sebastian Bach3:42
11Suite For Cello Solo No.3 in C, BWV 1009, 6. Gigue
enregistré en :
London (Londres, Greater London), England, Royaume-Uni (le 1981-08)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1981-08)
recording of :
Suite no. 3 C-Dur, BWV 1009: VI. Gigue (catch-all for arrangements) (le 1981-08)
compositeur :
Johann Sebastian Bach (Jean‐Sébastien Bach, German Baroque period composer & musician)
arrangement de :
Suite für Violoncello solo no. 3 C-Dur, BWV 1009: VI. Gigue (Cello Suite No. 3 in C major, BWV 1009: VI. Gigue)
partie de :
Suite no. 3 in C major, BWV 1009 (catch-all for arrangements)
Johann Sebastian Bach3:11
12Mandolin Concerto in C, RV 425, 1. Allegro
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1984-06)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1984-06)
conductor :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1984-06)
enregistré à :
Henry Wood Hall (London) dans London (Londres, Greater London), England, Royaume-Uni (le 1984-06)
recording of :
Concerto for Mandolin in C major, RV 425: I. Allegro (le 1984-06)
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist)
partie de :
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi2:36
13Mandolin Concerto in C, RV 425, 2. Largo
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1984-06)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1984-06)
conductor :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1984-06)
enregistré à :
Henry Wood Hall (London) dans London (Londres, Greater London), England, Royaume-Uni (le 1984-06)
recording of :
Concerto for Mandolin in C major, RV 425: II. Largo (le 1984-06)
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist)
partie de :
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi2:44
14Mandolin Concerto in C, RV 425, 3. (Allegro)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1984-06)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1984-06)
conductor :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1984-06)
enregistré à :
Henry Wood Hall (London) dans London (Londres, Greater London), England, Royaume-Uni (le 1984-06)
recording of :
Concerto for Mandolin in C major, RV 425: III. Allegro (le 1984-06)
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist)
partie de :
Concerto for Mandolin in C major, RV 425
Antonio Vivaldi2:14
15Concerto in G, RV 532, 1. Allegro
guitare :
Ángel Romero (guitarist/conductor) et Pepe Romero (classical and flamenco guitarist)
guitare classique :
Ángel Romero (guitarist/conductor) (le 1984-06) et Pepe Romero (classical and flamenco guitarist) (le 1984-06)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1984-06)
conductor :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1984-06)
enregistré à :
Henry Wood Hall (London) dans London (Londres, Greater London), England, Royaume-Uni (le 1984-06)
recording of :
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: I. Allegro (le 1984-06)
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist)
partie de :
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi4:00
16Concerto in G, RV 532, 2. Andante
guitare :
Ángel Romero (guitarist/conductor) (le 1984-06) et Pepe Romero (classical and flamenco guitarist) (le 1984-06)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1984-06)
conductor :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1984-06)
arrangeur :
Pepe Romero (classical and flamenco guitarist)
enregistré à :
Henry Wood Hall (London) dans London (Londres, Greater London), England, Royaume-Uni (le 1984-06)
recording of :
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: II. Andante (le 1984-06)
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist)
partie de :
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi3:30
17Concerto in G, RV 532, 3. Allegro
guitare :
Ángel Romero (guitarist/conductor) et Pepe Romero (classical and flamenco guitarist)
guitare classique :
Ángel Romero (guitarist/conductor) (le 1984-06) et Pepe Romero (classical and flamenco guitarist) (le 1984-06)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1984-06)
conductor :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1984-06)
enregistré à :
Henry Wood Hall (London) dans London (Londres, Greater London), England, Royaume-Uni (le 1984-06)
recording of :
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532: III. Allegro (le 1984-06)
compositeur :
Antonio Vivaldi (Italian baroque composer and violinist)
partie de :
Concerto in G major for Two Mandolins, Strings and Continuo, RV 532
Antonio Vivaldi3:32
2▼CD
noTitreArtisteÉvaluationDurée
1Quintet No.1 in d, G.445, 1. Allegro moderato
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 1 for Guitar and Strings in D minor, G. 445: I. Allegro moderato
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
arrangement de :
Quintet for Piano and Strings no. 10 in D minor, op. 57 no. 4, G. 416: I. Allegro giusto ma con vivacità
partie de :
Quintet no. 1 for Guitar and Strings in D minor, G. 445
Luigi Boccherini5:21
2Quintet No.1 in d, G.445, 2. Cantabile
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 1 for Guitar and Strings in D minor, G. 445: II. Cantabile
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
arrangement de :
Quintet for Piano and Strings no. 10 in D minor, op. 57 no. 4, G. 416: II. Largo cantabile
partie de :
Quintet no. 1 for Guitar and Strings in D minor, G. 445
Luigi Boccherini4:15
3Quintet No.1 in d, G.445, 3. Minuetto
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 1 for Guitar and Strings in D minor, G. 445: III: Minuetto
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
partie de :
Quintet no. 1 for Guitar and Strings in D minor, G. 445
Luigi Boccherini4:21
4Quintet No.1 in d, G.445, 4. Finale (Allegro assai)
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 1 for Guitar and Strings in D minor, G. 445: IV: Finale. Allegro assai
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
arrangement de :
Quintet for Piano and Strings no. 10 in D minor, op. 57 no. 4, G. 416. Finale. Allegro assai
partie de :
Quintet no. 1 for Guitar and Strings in D minor, G. 445
Luigi Boccherini3:39
5Quintet No.3 in Bb, G.447, 1. Allegro moderato
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447: I. Allegretto
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
partie de :
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447
Luigi Boccherini7:29
6Quintet No.3 in Bb, G.447, 2. Tempo di minuetto
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447: II. Minuetto - Trio
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
partie de :
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447
Luigi Boccherini5:31
7Quintet No.3 in Bb, G.447, 3. Adagio
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447: III. Adagio
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
partie de :
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447
Luigi Boccherini4:18
8Quintet No.3 in Bb, G.447, 4. Allegro
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447: IV. Allegro
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
partie de :
Quintet no. 3 for Guitar and Strings in B-flat major, G. 447
Luigi Boccherini6:14
9Quintet No.5 in D, G.449, 1. Andantino pausato
alto :
Stephen Shingles (le 1978-12)
castagnettes et sistre :
Tristan Fry (le 1978-12)
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1978-12)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1978-12) et Malcolm Latchem (violinist) (le 1978-12)
violoncelle :
Denis Vigay (cellist) (le 1978-12)
recording of :
Quintet no. 5 for Guitar and Strings in D major, G. 449: I. Andantino pausato
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
version de :
String Quartet in D major, G. 237 (Op. 53/2): I, Andantino pausato
partie de :
Quintet no. 5 for Guitar and Strings in D major, G. 449
Luigi Boccherini5:20
10Quintet No.5 in D, G.449, 2. Minuetto
alto :
Stephen Shingles (le 1978-12)
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1978-12)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1978-12) et Malcolm Latchem (violinist) (le 1978-12)
violoncelle :
Denis Vigay (cellist) (le 1978-12)
recording of :
Quintet no. 5 for Guitar and Strings in D major, G. 449: II. Minuetto (Allegro) - Trio
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
version de :
String Quartet in D major, G. 237 (Op. 53/2): II, Minuetto (Allegro)
partie de :
Quintet no. 5 for Guitar and Strings in D major, G. 449
Luigi Boccherini3:17
11Quintet No.5 in D, G.449, Allegro giusto
alto :
Stephen Shingles (le 1978-12)
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1978-12)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1978-12) et Malcolm Latchem (violinist) (le 1978-12)
violoncelle :
Denis Vigay (cellist) (le 1978-12)
recording of :
Quintet no. 5 for Guitar and Strings in D major, G. 449: III. Allegro giusto
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
version de :
String Quartet in C major, G. 232, op. 52 no. 1: IV, Finale (Allegro giusto)
partie de :
Quintet no. 5 for Guitar and Strings in D major, G. 449
Luigi Boccherini2:10
12Quintet No.5 in D, G.449, 4. Andantino pausato con variazioni
alto :
Stephen Shingles (le 1978-12)
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1978-12)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1978-12) et Malcolm Latchem (violinist) (le 1978-12)
violoncelle :
Denis Vigay (cellist) (le 1978-12)
recording of :
Quintet no. 5 for Guitar and Strings in D major, G. 449: IV. Andantino pausato con variazioni
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
version de :
Quintet no. 5 for Piano and Strings in D major, G. 411, op. 56 no. 5: IV. Thema e variazioni. Andante piuttosto Lento
partie de :
Quintet no. 5 for Guitar and Strings in D major, G. 449
Luigi Boccherini6:54
13Quintet No.7 in e, G.451, 1. Allegro moderato
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 7 for Guitar and Strings in E minor, G. 451: I. Allegro moderato
compositeur :
Luigi Boccherini (Italian composer) (du 1798 au 1799)
partie de :
Quintet no. 7 for Guitar and Strings in E minor, G. 451
Luigi Boccherini4:55
14Quintet No.7 in e, G.451, 2. Adagio
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 7 for Guitar and Strings in E minor, G. 451: II. Adagio
compositeur :
Luigi Boccherini (Italian composer) (du 1798 au 1799)
partie de :
Quintet no. 7 for Guitar and Strings in E minor, G. 451
Luigi Boccherini3:36
15Quintet No.7 in e, G.451, 3. Minuetto
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 7 for Guitar and Strings in E minor, G. 451: III. Menuetto
compositeur :
Luigi Boccherini (Italian composer) (du 1798 au 1799)
partie de :
Quintet no. 7 for Guitar and Strings in E minor, G. 451
Luigi Boccherini4:13
16Quintet No.7 in e, G.451, 4. Allegretto
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 7 for Guitar and Strings in E minor, G. 451: IV. Allegretto
compositeur :
Luigi Boccherini (Italian composer) (du 1798 au 1799)
partie de :
Quintet no. 7 for Guitar and Strings in E minor, G. 451
Luigi Boccherini5:35
3▼CD
noTitreArtisteÉvaluationDurée
1Guitar Quintet no. 2 in E major, G 446: I. Maestoso assai
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 2 for Guitar and Strings in E major, G 446: I. Maestoso assai
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
partie de :
Quintet no. 2 for Guitar and Strings in E major, G 446
Luigi Boccherini5:34
2Guitar Quintet no. 2 in E major, G 446: II. Adagio - Allegretto
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 2 for Guitar and Strings in E major, G 446: II. Adagio
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
partie de :
Quintet no. 2 for Guitar and Strings in E major, G 446
Luigi Boccherini4:02
3Guitar Quintet no. 2 in E major, G 446: III. Polacca (Tempo di minuetto)
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 2 for Guitar and Strings in E major, G 446: IV. Polacca. Tempo di minuetto
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
partie de :
Quintet no. 2 for Guitar and Strings in E major, G 446
Luigi Boccherini5:48
4Guitar Quintet no. 4 in D major, G 448 "Fandango": I. Pastorale
alto :
Stephen Shingles (le 1978-12)
castagnettes et sistre :
Tristan Fry (le 1978-12)
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1978-12)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1978-12) et Malcolm Latchem (violinist) (le 1978-12)
violoncelle :
Denis Vigay (cellist) (le 1978-12)
recording of :
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": I. Pastorale (le 1978-12)
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
version de :
String Quintet for 2 violins, viola & 2 cellos in D major, G. 270 (op. 10/6) : I, Pastorale
partie de :
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini4:35
5Guitar Quintet no. 4 in D major, G 448 "Fandango": II. Allegro maestoso
alto :
Stephen Shingles (le 1978-12)
castagnettes et sistre :
Tristan Fry (le 1978-12)
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1978-12)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1978-12) et Malcolm Latchem (violinist) (le 1978-12)
violoncelle :
Denis Vigay (cellist) (le 1978-12)
recording of :
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": II. Allegro maestoso (le 1978-12)
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
version de :
String Quintet for 2 violins, viola & 2 cellos in D major, G. 270 (op. 10/6) : II, Allegro maestoso
partie de :
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini5:07
6Guitar Quintet no. 4 in D major, G 448 "Fandango": III. Grave assai - Fandango
alto :
Stephen Shingles (le 1978-12)
castagnettes et sistre :
Tristan Fry (le 1978-12)
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1978-12)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1978-12) et Malcolm Latchem (violinist) (le 1978-12)
violoncelle :
Denis Vigay (cellist) (le 1978-12)
compilation de :
Quintet for Guitar and Strings, no. 4 in D, "Fandango", G. 448: III. Grave assai par Academy of St Martin in the Fields Chamber Ensemble (Ensemble de chambre de l'Academy of St Martin-in-the-Fields), Pepe Romero (classical and flamenco guitarist) et Quintet for Guitar and Strings, no. 4 in D, "Fandango", G. 448: IV. Fandango par Academy of St Martin in the Fields Chamber Ensemble (Ensemble de chambre de l'Academy of St Martin-in-the-Fields), Pepe Romero (classical and flamenco guitarist)
recording of :
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": III. Grave assai (le 1978-12)
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
version de :
String Quintet (Quintettino) for 2 violins, viola & 2 cellos in D major ("Fandango"), G. 341 (op. 40/2): I, Grave assai
partie de :
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
recording of :
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango": IV. Fandango (le 1978-12)
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
version de :
String Quintet (Quintettino) for 2 violins, viola & 2 cellos in D major ("Fandango"), G. 341 (op. 40/2): II, Fandango
partie de :
Quintet no. 4 for Guitar and Strings in D major, G. 448 "Fandango"
Luigi Boccherini7:32
7Guitar Quintet no. 6 in G major, G 450: I. Allegro con vivacita
alto :
Stephen Shingles (le 1979-12)
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1979-12)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1979-12) et Malcolm Latchem (violinist) (le 1979-12)
violoncelle :
Denis Vigay (cellist) (le 1979-12)
recording of :
Quintet no. 6 for Guitar and Strings in G major, G. 450: I. Allegro con vivacità (le 1978-12)
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
version de :
Quintet no. 13 for Flute (Or Oboe) & Strings in G major, op. 55 no. 1, G. 431: I. Allegretto con vivacità
partie de :
Quintet no. 6 for Guitar and Strings in G major, G. 450
Luigi Boccherini6:07
8Guitar Quintet no. 6 in G major, G 450: II. Andantino lento
alto :
Stephen Shingles (le 1979-12)
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1979-12)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1979-12) et Malcolm Latchem (violinist) (le 1979-12)
violoncelle :
Denis Vigay (cellist) (le 1979-12)
recording of :
Quintet no. 6 for Guitar and Strings in G major, G. 450: II. Andantino lento (le 1978-12)
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
version de :
String Quartet in C Major, G. 240, op. 53 no. 5: I, Andantino lento
partie de :
Quintet no. 6 for Guitar and Strings in G major, G. 450
Luigi Boccherini3:07
9Guitar Quintet no. 6 in G major, G 450: III. Tempo de minuetto
alto :
Stephen Shingles (le 1979-12)
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1979-12)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1979-12) et Malcolm Latchem (violinist) (le 1979-12)
violoncelle :
Denis Vigay (cellist) (le 1979-12)
recording of :
Quintet no. 6 for Guitar and Strings in G major, G. 450: III. Tempo di minuetto - Trio (le 1978-12)
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
version de :
String Quartet in C Major, G. 240, op. 53 no. 5: II, Tempo di minuetto
partie de :
Quintet no. 6 for Guitar and Strings in G major, G. 450
Luigi Boccherini4:35
10Guitar Quintet no. 6 in G major, G 450: IV. Allegretto
alto :
Stephen Shingles (le 1979-12)
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1979-12)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) (le 1979-12) et Malcolm Latchem (violinist) (le 1979-12)
violoncelle :
Denis Vigay (cellist) (le 1979-12)
recording of :
Quintet no. 6 for Guitar and Strings in G major, G. 450: IV. Allegretto (le 1978-12)
compositeur :
Luigi Boccherini (Italian composer) (le 1798)
version de :
Quintet no. 13 for Flute (Or Oboe) & Strings in G major, op. 55 no. 1, G. 431: II. Allegretto
partie de :
Quintet no. 6 for Guitar and Strings in G major, G. 450
Luigi Boccherini3:48
11Guitar Quintet no. 9 in C major, G 453: I. Allegro maestoso assai
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid": I. Allegro maestoso assai
compositeur :
Luigi Boccherini (Italian composer) (le 1799)
partie de :
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid"
Luigi Boccherini11:03
12Guitar Quintet no. 9 in C major, G 453: II. Andantino
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid": II. Andantino
compositeur :
Luigi Boccherini (Italian composer) (le 1799)
partie de :
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid"
Luigi Boccherini4:08
13Guitar Quintet no. 9 in C major, G 453: III. Allegretto
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid": III. Allegretto
compositeur :
Luigi Boccherini (Italian composer) (le 1799)
partie de :
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid"
Luigi Boccherini5:25
14Guitar Quintet no. 9 in C major, G 453: IV. La ritirata di Madrid
alto :
Stephen Shingles
guitare :
Pepe Romero (classical and flamenco guitarist)
violon :
Iona Brown (violinist and director of the Academy of St Martin in the Fields) et Malcolm Latchem (violinist)
violoncelle :
Denis Vigay (cellist)
recording of :
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid": IV. Maestoso e lento
compositeur :
Luigi Boccherini (Italian composer) (le 1799)
partie de :
Quintet no. 9 for Guitar and Strings in C major, G. 453 "La Ritirada di Madrid"
Luigi Boccherini6:59
4▼CD
noTitreArtisteÉvaluationDurée
1Guitar Concerto in e, op.140: 1. Allegro
guitare :
Pepe Romero (classical and flamenco guitarist)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields)
conductor :
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
recording of :
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140: I. Allegro
compositeur :
Ferdinando Carulli (composer)
partie de :
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140
Ferdinando Carulli7:15
2Guitar Concerto in e, op.140: 2. Largo
guitare :
Pepe Romero (classical and flamenco guitarist)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields)
conductor :
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
recording of :
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140: II. Largo
compositeur :
Ferdinando Carulli (composer)
partie de :
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140
Ferdinando Carulli3:02
3Guitar Concerto in e, op.140: 3. Allegro
guitare :
Pepe Romero (classical and flamenco guitarist)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields)
conductor :
Iona Brown (violinist and director of the Academy of St Martin in the Fields)
recording of :
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140: III. Allegro
compositeur :
Ferdinando Carulli (composer)
partie de :
Concerto for Guitar and Orchestra in E minor "Petit Concerto de Societé", op. 140
Ferdinando Carulli5:12
4Adagio in E, K. 261
recording of :
Adagio for Violin and Orchestra in E major, K. 261 (catch-all for arrangements)
compositeur :
Wolfgang Amadeus Mozart (classical composer) (le 1776)
partie de :
Adagio for Violin and Orchestra in E major, K. 261
Wolfgang Amadeus Mozart7:04
5Guitar Concerto in e, op. 56: 1. Allegro maestoso
Francesco Molino12:08
6Guitar Concerto in e, op. 56: 2. Maestoso molto
Francesco Molino5:13
7Guitar Concerto in e, op. 56: 3. Rondo (Allegro)
Francesco Molino6:44
8Rondo in C, K.373
recording of :
Rondo for Violin and Orchestra in C major, K. 373
compositeur :
Wolfgang Amadeus Mozart (classical composer) (du 1781 au 1781-04)
partie de :
Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (numéro : K. 373), Köchelverzeichnis (Köchel catalogue, original numbering) (numéro : 373) et Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (numéro : K. 373)
Wolfgang Amadeus Mozart6:48
9Guitar Concerto in A, op. 8a: 1. Allegro
Ferdinando Carulli10:42
10Guitar Concerto in A, op. 8a: 2. Polonaise
Ferdinando Carulli5:34
5▼CD
noTitreArtisteÉvaluationDurée
1Guitar Concerto No.1 in A, Op.30: 1. Allegro maestoso
producteur :
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1974-04)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1974-04)
conductor :
Sir Neville Marriner (conductor) (le 1974-04)
enregistré à :
Brent Town Hall (Wembley Town Hall) dans Brent (District londonien de Brent), London (Londres, Greater London), England, Royaume-Uni (le 1974-04)
recording of :
Guitar Concerto in A major, op. 30: I. Allegro maestoso (le 1974-04)
compositeur :
Mauro Giuliani (Italian guitarist, cellist, singer, and composer) (jusqu’au 1808)
partie de :
First Grand Concerto for Guitar, op. 30
Mauro Giuliani9:29
2Guitar Concerto No.1 in A, Op.30: 2. Andantino (Siciliano)
producteur :
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1974-04)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1974-04)
conductor :
Sir Neville Marriner (conductor) (le 1974-04)
enregistré à :
Brent Town Hall (Wembley Town Hall) dans Brent (District londonien de Brent), London (Londres, Greater London), England, Royaume-Uni (le 1974-04)
recording of :
Guitar Concerto in A major, op. 30: II. Andantino siciliano (le 1974-04)
compositeur :
Mauro Giuliani (Italian guitarist, cellist, singer, and composer) (jusqu’au 1808)
partie de :
First Grand Concerto for Guitar, op. 30
Mauro Giuliani6:13
3Guitar Concerto No.1 in A, Op.30: 3. Polonaise (Allegretto)
producteur :
Wilhelm Hellweg (classical pianist, and sound engineer and producer of classical music recordings for Philips)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1974-04)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1974-04)
conductor :
Sir Neville Marriner (conductor) (le 1974-04)
enregistré à :
Brent Town Hall (Wembley Town Hall) dans Brent (District londonien de Brent), London (Londres, Greater London), England, Royaume-Uni (le 1974-04)
recording of :
Guitar Concerto in A major, op. 30: III. Alla polacca (le 1974-04)
compositeur :
Mauro Giuliani (Italian guitarist, cellist, singer, and composer) (jusqu’au 1808)
partie de :
First Grand Concerto for Guitar, op. 30
Mauro Giuliani6:51
4Guitar Concerto No.2 in A, Op.36: 1. Maestoso
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1976-09)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1976-09)
conductor :
Sir Neville Marriner (conductor) (le 1976-09)
enregistré à :
Brent Town Hall (Wembley Town Hall) dans Brent (District londonien de Brent), London (Londres, Greater London), England, Royaume-Uni (le 1976-09)
recording of :
Guitar Concerto no. 2 in A major, op. 36: I. Maestoso (le 1976-09)
compositeur :
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
partie de :
Guitar Concerto no. 2 in A major, op. 36
Mauro Giuliani15:23
5Guitar Concerto No.2 in A, Op.36: 2. Andantino
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1976-09)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1976-09)
conductor :
Sir Neville Marriner (conductor) (le 1976-09)
enregistré à :
Brent Town Hall (Wembley Town Hall) dans Brent (District londonien de Brent), London (Londres, Greater London), England, Royaume-Uni (le 1976-09)
recording of :
Guitar Concerto no. 2 in A major, op. 36: II. Andantino (le 1976-09)
compositeur :
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
partie de :
Guitar Concerto no. 2 in A major, op. 36
Mauro Giuliani7:00
6Guitar Concerto No.2 in A, Op.36: 3. Rondo (Allegretto)
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1976-09)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1976-09)
conductor :
Sir Neville Marriner (conductor) (le 1976-09)
enregistré à :
Brent Town Hall (Wembley Town Hall) dans Brent (District londonien de Brent), London (Londres, Greater London), England, Royaume-Uni (le 1976-09)
recording of :
Guitar Concerto no. 2 in A major, op. 36: III. Rondo (Allegretto) (le 1976-09)
compositeur :
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
partie de :
Guitar Concerto no. 2 in A major, op. 36
Mauro Giuliani9:54
7Guitar Concerto No.3 in F, Op.70: 1. Allegro moderato
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1976-09)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1976-09)
conductor :
Sir Neville Marriner (conductor) (le 1976-09)
recording of :
Guitar Concerto no. 3, in F, op. 70: I. Allegro Maestoso
compositeur :
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
partie de :
Guitar Concerto no. 3, in F, op. 70
Mauro Giuliani13:17
8Guitar Concerto No.3 in F, Op.70: 2 .Andantino alla Siciliana con variazioni
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1976-09)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1976-09)
conductor :
Sir Neville Marriner (conductor) (le 1976-09)
recording of :
Guitar Concerto no. 3, in F, op. 70: II. Andantino alla Siciliana con Variazioni
compositeur :
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
partie de :
Guitar Concerto no. 3, in F, op. 70
Mauro Giuliani6:35
9Guitar Concerto No.3 in F, Op.70: 3. Polonaise (Allegretto)
guitare classique :
Pepe Romero (classical and flamenco guitarist) (le 1976-09)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (le 1976-09)
conductor :
Sir Neville Marriner (conductor) (le 1976-09)
recording of :
Guitar Concerto no. 3, in F, op. 70: III. Polonaise (Allegretto)
compositeur :
Mauro Giuliani (Italian guitarist, cellist, singer, and composer)
partie de :
Guitar Concerto no. 3, in F, op. 70
Mauro Giuliani7:57
6▼CD
noTitreArtisteÉvaluationDurée
1“Concierto Ibérico” For Four Guitars And Orchestra: 1. Allegretto
Federico Moreno Torroba7:01
2“Concierto Ibérico” For Four Guitars And Orchestra: 2. Andante - Allegro moderato -
Federico Moreno Torroba5:56
3“Concierto Ibérico” For Four Guitars And Orchestra: 3. Allegro moderato - Lento -
Federico Moreno Torroba8:12
4“Diálogos” For Guitar And Orchestra: A. En Allegretto, Mosso
recording of :
Diálogos entre guitarra y orquesta: I. Allegretto mosso
compositeur :
Federico Moreno Torroba (composer) (le 1977)
partie de :
Diálogos entre guitarra y orquesta
Federico Moreno Torroba7:32
5“Diálogos” For Guitar And Orchestra: B. En Andantino Mosso
recording of :
Diálogos entre guitarra y orquesta: II. Andantino mosso
compositeur :
Federico Moreno Torroba (composer) (le 1977)
partie de :
Diálogos entre guitarra y orquesta
Federico Moreno Torroba5:16
6“Diálogos” For Guitar And Orchestra: C. En Andante
recording of :
Diálogos entre guitarra y orquesta: III. Andante
compositeur :
Federico Moreno Torroba (composer) (le 1977)
partie de :
Diálogos entre guitarra y orquesta
Federico Moreno Torroba4:51
7“Diálogos” For Guitar And Orchestra: D. En Allegro
recording of :
Diálogos entre guitarra y orquesta: IV. Allegro
compositeur :
Federico Moreno Torroba (composer) (le 1977)
partie de :
Diálogos entre guitarra y orquesta
Federico Moreno Torroba8:18
8Suite castellana for guitar: Fandanguillo
guitare :
Pepe Romero (classical and flamenco guitarist)
recording of :
Suite castellana: I. Fandanguillo
compositeur :
Federico Moreno Torroba (composer) (le 1921)
partie de :
Suite castellana
Federico Moreno Torroba1:42
9Suite castellana for guitar: Arada
guitare :
Pepe Romero (classical and flamenco guitarist)
recording of :
Suite castellana: II. Arada
compositeur :
Federico Moreno Torroba (composer) (le 1921)
partie de :
Suite castellana
Federico Moreno Torroba3:40
10Suite castellana for guitar: Danza
guitare :
Pepe Romero (classical and flamenco guitarist)
recording of :
Suite castellana: III. Danza
compositeur :
Federico Moreno Torroba (composer) (le 1921)
partie de :
Suite castellana
Federico Moreno Torroba2:32
11Concerto de Málaga: Allegro vivace
guitare classique :
Pepe Romero (classical and flamenco guitarist)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields)
conductor :
Sir Neville Marriner (conductor)
recording of :
Concierto de Málaga: I. Allegro vivace
orchestrateur :
Federico Moreno Torroba (composer)
compositeur :
Celedonio Romero (le 1981)
partie de :
Concierto de Málaga
Celedonio Romero8:28
12Concerto de Málaga: Andante: Allegretto
guitare classique :
Pepe Romero (classical and flamenco guitarist)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields)
conductor :
Sir Neville Marriner (conductor)
recording of :
Concierto de Málaga: II. Andante - Allegretto
orchestrateur :
Federico Moreno Torroba (composer)
compositeur :
Celedonio Romero (le 1981)
partie de :
Concierto de Málaga
Celedonio Romero7:18
13Concerto de Málaga: Tangos y tientos
guitare classique :
Pepe Romero (classical and flamenco guitarist)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields)
conductor :
Sir Neville Marriner (conductor)
recording of :
Concierto de Málaga: III. Tangos y tientos
orchestrateur :
Federico Moreno Torroba (composer)
compositeur :
Celedonio Romero (le 1981)
partie de :
Concierto de Málaga
Celedonio Romero6:34
7▼CD
noTitreArtisteÉvaluationDurée
1Concerto for Guitar and small Orchestra: 1. Allegro preciso
guitare classique :
Pepe Romero (classical and flamenco guitarist) (du 1985-07-05 au 1985-07-08)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (du 1985-07-05 au 1985-07-08)
conductor :
Neville Marriner (conductor) (du 1985-07-05 au 1985-07-08)
recording of :
Concerto para violão e pequena orquestra, W501: I. Allegro preciso (Concerto for Guitar and Small Orchestra: I. Allegro preciso) (du 1985-07-05 au 1985-07-08)
compositeur :
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (le 1951)
partie de :
Concerto para violão e pequena orquestra, W501 (Concerto for Guitar and Small Orchestra)
Heitor Villa‐Lobos5:15
2Concerto for Guitar and small Orchestra: 2. Andantino e andante
guitare classique :
Pepe Romero (classical and flamenco guitarist) (du 1985-07-05 au 1985-07-08)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (du 1985-07-05 au 1985-07-08)
conductor :
Neville Marriner (conductor) (du 1985-07-05 au 1985-07-08)
recording of :
Concerto para violão e pequena orquestra, W501: II. Andantino e andante (Concerto for Guitar and Small Orchestra: II. Andantino e andante) (du 1985-07-05 au 1985-07-08)
compositeur :
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (le 1951)
partie de :
Concerto para violão e pequena orquestra, W501 (Concerto for Guitar and Small Orchestra)
Heitor Villa‐Lobos8:26
3Concerto for Guitar and small Orchestra: 3. Allegretto non troppo
guitare classique :
Pepe Romero (classical and flamenco guitarist) (du 1985-07-05 au 1985-07-08)
orchestre :
Academy of St Martin in the Fields (Ensemble de chambre de l'Academy of St Martin-in-the-Fields) (du 1985-07-05 au 1985-07-08)
conductor :
Neville Marriner (conductor) (du 1985-07-05 au 1985-07-08)
recording of :
Concerto para violão e pequena orquestra, W501: III. Allegretto non troppo (Concerto for Guitar and Small Orchestra: III. Allegretto non troppo) (du 1985-07-05 au 1985-07-08)
compositeur :
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (le 1951)
partie de :
Concerto para violão e pequena orquestra, W501 (Concerto for Guitar and Small Orchestra)
Heitor Villa‐Lobos5:03
4Choro No.1
guitare :
Pepe Romero (classical and flamenco guitarist)
recording of :
Choros nº 1, W161
compositeur :
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (le 1920)
partie de :
Appleby Catalogue (W) (numéro : W161)
Heitor Villa‐Lobos4:54
5Etude No.1 in E minor
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1987-04)
Heitor Villa‐Lobos1:47
6Preludes: No. 1 in E minor
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1987-04)
Heitor Villa‐Lobos5:01
7Preludes: No. 2 in E
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1987-04)
Heitor Villa‐Lobos3:07
8Preludes: No. 3 in A minor
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1987-04)
Heitor Villa‐Lobos6:01
9Preludes: No. 4 in E minor
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1987-04)
Heitor Villa‐Lobos3:02
10Preludes: No. 5 in D
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1987-04)
Heitor Villa‐Lobos3:23
11Suite populaire bresilienne, W020: 1. Mazurka-Choro
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1987-04)
Pepe Romero3:05
12Suite populaire bresilienne, W020: 2. Schottish-Choro
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1987-04)
Heitor Villa‐Lobos4:17
13Suite populaire bresilienne, W020: 3. Valsa-Choro
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1987-04)
Heitor Villa‐Lobos4:03
14Suite populaire bresilienne, W020: 4. Gavota-Choro
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1987-04)
Heitor Villa‐Lobos5:21
15Suite populaire bresilienne, W020: 5. Chorinho
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1987-04)
Heitor Villa‐Lobos4:36
16Misionera
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1987-04)
Fernando Bustamante3:06
17Una limosna por el amor de Dios
guitare :
Pepe Romero (classical and flamenco guitarist) (le 1987-04)
recording of :
Una limosna por el amor de Dios (a.k.a. "La última canción")
compositeur :
Agustín Barrios Mangoré (Paraguayan composer aka Agustín Barrios and Agustín Pio Barrios)
Agustín Barrios Mangoré2:59
18Temas Populares Cubanos: Cancion de cuna (Berceuse)
Leo Brouwer3:28
19Aires Populares Cubanos: 1. Guajira criolla
Leo Brouwer1:33
20Aires Populares Cubanos: 2. Zapateado
Leo Brouwer2:03
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