The Best of Domingo, Kiri Te Kanawa & Pavarotti

~ Veröffentlichung von Domingo, Kiri Te Kanawa, Pavarotti (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

| |
1▼CD: Favourite Melodies That Will Live Forever / Reflective Favourites (Part 1)
Nr.TitelKünstlerBewertungLänge
1Nessun dorma (None Shall Sleep)
Chorgesang:
The John Alldis Choir (von 1972-08-10 bis 1972-08-25) und Wandsworth School Boys’ Choir (von 1972-08-10 bis 1972-08-25)
Tenor-Gesang [Calaf]:
Luciano Pavarotti (tenor) (von 1972-08-10 bis 1972-08-25)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1972-08-10 bis 1972-08-25)
conductor:
Zubin Mehta (conductor) (von 1972-08-10 bis 1972-08-25)
chorus master:
John Alldis (chorusmaster and conductor)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (von 1972-08-10 bis 1972-08-25)
recording of:
Turandot: Atto III, scena 1. Aria “Nessun dorma” (Calaf) (von 1972-08-10 bis 1972-08-25)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1921-03 bis 1924-03)
Librettist:
Giuseppe Adami und Renato Simoni
publisher:
Casa Ricordi BMG S.p.A. und Ed. G. Ricordi & Cia. SpA (Italian publisher)
Teil von:
Turandot: Atto III (Turandot: Act III)
Luciano Pavarotti with The John Alldis Choir and London Philharmonic Orchestra53:00
2Your Tiny Hand Is Frozen
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Berlin Philharmonic Orchestra (Berliner Philharmoniker)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recording of:
La bohème: Atto I, no. 6. “Che gelida manina!” (Rodolfo)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1896)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto I. In soffitta (La bohème: Act I, Puccini)
Luciano Pavarotti with the Berlin Philharmonic Orchestra4:39
3On With the Motley
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1978)
recording of:
Pagliacci: Atto I. “Recitar!” … “Vesti la giubba” (Canio)
Komponist(in) und Librettist:
Ruggero Leoncavallo (composer) (in 1892)
Teil von:
For the First Time (1959 film)
Teil von:
Pagliacci: Atto I (Pagliacci: Act I)
Luciano Pavarotti with the National Philharmonic Orchestra4:08
4Musetta’s Waltz Song
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
recording of:
La bohème: Atto II. no. 13. “Quando me’n vo soletta” (Musetta, Marcello, Alcindoro, Mimi, Schaunard, Colline) (Musetta’s Waltz)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto II. Al Quartiere Latino (La bohème: Act II, Puccini)
Kiri Te Kanawa with London Philharmonic Orchestra2:34
5One Fine Day
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label)
recording of:
Madama Butterfly: Atto II. “Un bel dì, vedremo” (Butterfly)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Madama Butterfly: Atto II (Madame Butterfly: Act II, also: Atto II, parte 1)
Kiri Te Kanawa with London Philharmonic Orchestra4:32
6Celeste Aïda
Tenor-Gesang [Radamès]:
Luciano Pavarotti (tenor)
Orchester:
Vienna Volksoper Orchestra
conductor:
Leone Magiera (conductor, pianist)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1974)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1871)
Librettist:
Antonio Ghislanzoni (in 1870)
Teil von:
Aida: Atto I
Luciano Pavarotti with the Vienna Volksoper Orchestra4:29
7Vissi d’arte
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1986)
recording of:
Tosca: Atto II. “Vissi d’arte” (Tosca)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
Tosca: Atto II (Tosca: Act II)
Kiri Te Kanawa with the National Philharmonic Orchestra3:19
8Largo from ‘Xerxes’
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Wiener Symphoniker (Vienna Symphony Orchestra)
conductor:
Helmuth Froschauer (conductor and chorus master)
phonographisches Urheberrecht (℗) von:
BMG Music (in 1979)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (von 1737-12-26 bis 1738-01-09)
Librettist:
[anonymous] (special purpose artist)
Teil von:
Serse, HWV 40: Atto I
Plácido Domingo with the Vienna Symphony Orchestra2:52
9The Stars Were Brightly Shining
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto III (Tosca: Act III)
Luciano Pavarotti with the National Philharmonic Orchestra3:03
10La donna è mobile
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
London Symphony Orchestra
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Luciano Pavarotti with London Symphony Orchestra2:23
11The Flower Song
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
recording of:
Carmen : Acte II. No. 17 Duo : « La Fleur que tu m’avais jetée » (Carmen, Don José) (Flower Song)
Komponist(in):
Georges Bizet (French composer) (in 1875)
Librettist:
Ludovic Halévy (French librettist) (in 1875) und Henri Meilhac (in 1875)
Teil von:
Carmen : Acte II
Plácido Domingo with London Philharmonic Orchestra3:55
12Questa o quella
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
London Symphony Orchestra
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1973)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (von 1850 bis 1851-03-11)
Librettist:
Francesco Maria Piave (von 1850 bis 1851-03-11)
Teil von:
Rigoletto: Atto I
Luciano Pavarotti with London Symphony Orchestra1:49
13Una furtiva lagrima
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
London Symphony Orchestra
phonographisches Urheberrecht (℗) von:
BMG Music
recording of:
L’elisir d’amore: Atto II. Romanza “Una furtiva lagrima” (Nemorino)
Komponist(in):
Gaetano Donizetti (Italian opera composer) (in 1832)
Librettist:
Felice Romani (Librettiste, écrivain, poète, traducteur)
Teil von:
L’elisir d’amore: Atto II
Plácido Domingo with London Symphony Orchestra5:02
14Ave Maria
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer) (in 1976-01)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
Komponist(in):
Franz Schubert (composer)
Arrangement von:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Franz Schubert (composer)
Version von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
Komponist(in):
Franz Schubert (composer) (in 1825)
Arrangement von:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Ave Maria "Ellens Gesang III", op. 52 Nr. 6 D. 839, Schubert's song, not the Bach/Gounod work; original for voice and piano)
Texter:
Jairo (Argentinean singer) und Sir Walter Scott (19th-century Scottish author)
Komponist(in):
Franz Schubert (composer) (in 1825)
Übersetzer:
Adam Storck
Teil von:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (Nummer: D. 839)
Luciano Pavarotti with the National Philharmonic Orchestra4:51
15Auf Flügeln des Gesanges (On Wings of Song)
Chorgesang:
Choir of St. Paul’s Cathedral (London)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
English Chamber Orchestra
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recording of:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (catch-all for arrangements)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer)
Arrangement von:
Auf Flügeln des Gesanges, op. 34 Nr. 2 (original for voice and piano)
Kiri Te Kanawa with the Choir Of St Paul's Cathedral and the English Chamber Orchestra2:45
16I Know That My Redeemer Liveth
Produzent(in):
Ray Minshull (record producer)
Soprangesang:
Kiri Te Kanawa (soprano) (in 1984-10)
Orchester:
Chicago Symphony Orchestra (in 1984-10)
conductor:
Sir Georg Solti (conductor) (in 1984-10)
Tonmeister(in):
Simon Eadon (classical music engineer) (in 1984-10) und James Lock (James Locke, engineer) (in 1984-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1985)
aufgenommen bei:
Symphony Center: Orchestra Hall in Chicago, Illinois, Vereinigte Staaten (in 1984-10)
recording of:
Messiah, HWV 56: Part III, no. 45. Air “I know that my Redeemer liveth” (Soprano) (in 1984-10)
Komponist(in):
George Frideric Handel (German‐British baroque composer) (in 1741)
Teil von:
Messiah, HWV 56: Part III
Kiri Te Kanawa with Chicago Symphony Orchestra5:51
17O Divine Redeemer
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
English Chamber Orchestra
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recording of:
Repentir (“O Divine Redeemer”)
Komponist(in):
Charles Gounod (French composer)
Kiri Te Kanawa with the English Chamber Orchestra6:04
18Panis angelicus
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Chorgesang:
Wandsworth School Boys’ Choir (in 1976-01)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
chorus master:
Russell Burgess (in 1976-01)
arranger und Orchestrator(in):
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
Panis Angelicus (catch-all for arrangements)
Komponist(in):
César Franck (Belgian‐born French composer)
Arrangement von:
Messe solennelle en la majeur, op. 12 : V. Panis Angelicus
Luciano Pavarotti with the Wandsworth Boys Choir and the National Philharmonic Orchestra4:02
2▼CD: Reflective Favourites (Concluded) / The Placido Domingo Showcase
Nr.TitelKünstlerBewertungLänge
1Hear My Prayer - O for the Wings of a Dove
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
The Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) (von 1989-02-24 bis 1989-02-25)
Soprangesang:
Kiri Te Kanawa (soprano) (von 1989-02-24 bis 1989-02-25)
Orchester:
Utah Symphony Orchestra (von 1989-02-24 bis 1989-02-25)
conductor:
Julius Rudel (conductor) (von 1989-02-24 bis 1989-02-25)
chorus master:
Jerold Ottley (conductor) (von 1989-02-24 bis 1989-02-25)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
aufgenommen bei:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, Vereinigte Staaten (von 1989-02-24 bis 1989-02-25)
live recording of:
Hear My Prayer (von 1989-02-24 bis 1989-02-25)
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (bis 1844)
Librettist:
William Bartholomew
Premiere bei:
Crosby Hall (Bishopsgate, London) in London (Greater London), England, Vereinigtes Königreich (am 1845-01-08)
übersetzte Version von:
Hör mein Bitten (Hymne für Sopranstimme, Chor und Orgel)
recording of:
Hear My Prayer: II. “O For the Wings of a Dove!” Con un poco più di moto
Komponist(in):
Felix Mendelssohn (Felix Mendelssohn Bartholdy, composer) (in 1844)
übersetzte Version von:
O könnt’ ich fliegen (from “Hör mein Bitten” aka “O for the Wings of a Dove”)
Teil von:
Hear My Prayer
Kiri Te Kanawa with the Mormon Tabernacle Choir and the Utah Symphony10:44
2Laudate Dominum
Chorgesang:
Choir of St. Paul’s Cathedral (London)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
phonographisches Urheberrecht (℗) von:
Phonogram International B.V. (responsible for worldwide A&R/rights management/manufacturing/distribution of Philips and affiliated companies) (in 1984)
recording of:
Vesperae solennes de confessore, K. 339: V. Laudate dominum
Komponist(in):
Wolfgang Amadeus Mozart (classical composer) (in 1780)
Teil von:
Vesperae solennes de confessore, K. 339
Kiri Te Kanawa with the Choir Of St Paul's Cathedral and the English Chamber Orchestra4:02
3Pie Jesu
Produzent(in):
Paul Myers (classical record producer)
Soprangesang:
Kiri Te Kanawa (soprano) (in 1987-10)
Orchester:
Montréal Symphony Orchestra (Montreal Symphony Orchestra) (in 1987-10)
conductor:
Charles Dutoit (conductor) (in 1987-10)
Tonmeister(in):
John Dunkerley (engineer) (in 1987-10)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1988)
aufgenommen bei:
Église de Saint-Eustache in Saint-Eustache, Québec (Quebec), Kanada (in 1987-10)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version) (in 1987-10)
Komponist(in):
Gabriel Fauré (French composer) (von 1886 bis 1900)
enthalten in:
CHAPTER IV PIE JESU (REST)
Teil von:
Requiem, op. 48 (1890, second version)
Kiri Te Kanawa with the Montral Symphony Orchestra3:44
4Agnus Dei
recording engineer:
John Dunkerley (engineer) und James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1976-01)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger:
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (in 1976-01)
recording of:
Agnus Dei (in 1976-01)
Komponist(in):
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
basiert auf:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Luciano Pavarotti with the National Philharmonic Orchestra3:48
5Duet from ‘The Pearl Fishers’ (Au fond du temple saint)
recording of:
Les Pêcheurs de perles : Acte I. No. 2 Duo « Au fond du temple saint » (Zurga, Nadir)
Komponist(in):
Georges Bizet (French composer) (von 1863-04 bis 1863-08)
Librettist:
Michel Carré (librettist) und Eugène Cormon
Teil von:
ABC Classic 100 (2001) (Nummer: 7)
Teil von:
Les Pêcheurs de perles : Acte I
Plácido Domingo and Sherrill Milnes with London Symphony Orchestra5:36
6Il mio tesoro
Tenor-Gesang:
Plácido Domingo (tenor)
Orchester:
Royal Philharmonic Orchestra
conductor:
Sir Edward Downes (conductor)
recording of:
Don Giovanni: Atto II. No. 21 Aria “Il mio tesoro intanto” (Don Ottavio)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Don Giovanni: Atto II
Plácido Domingo with Royal Philharmonic Orchestra4:24
7Ella mi fu rapita! …Parmi veder le lagrime
recording of:
Rigoletto: Atto II: “Ella mi fu rapita!” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto II
recording of:
Rigoletto: Atto II. “Parmi veder le lagrime” (Duca)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
Rigoletto: Atto II
Plácido Domingo with the New Philharmonia Orchestra London5:14
8Ah! Fuyez, douce image
teilweise recording of:
Manon: Acte III, Scène II. “Je suis seul !… Ah, fuyez, douce image” (des Grieux)
Komponist(in):
Jules Massenet (French Romantic composer) (in 1884)
Librettist:
Philippe Gille und Henri Meilhac
Teil von:
Manon: Acte III
Plácido Domingo with London Symphony Orchestra4:59
9Oh, tu che in seno agli angeli
recording of:
La forza del destino: Atto III, scena 1. “O tu che in seno agli angeli” (Alvaro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La forza del destino: Atto III
Plácido Domingo with London Symphony Orchestra3:39
10In fernem Land
recording of:
Excerpt from Lohengrin, WWV 75: Akt III, Scene III. “In fernem Land, unnahbar euren Schritten” (Gralserzählung)
Komponist(in):
Richard Wagner (composer) (von 1846 bis 1848)
Librettist:
Richard Wagner (composer)
Teil von:
Lohengrin, WWV 75: Akt III, Scene III. “Heil, König Heinrich!”
Plácido Domingo with Royal Philharmonic Orchestra5:46
11Ah, sì, ben mio
recording of:
Il trovatore: Atto III, scena 2. “Ah si, ben mio, coll'essere io tuo” (Manrico)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1853)
Librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Plácido Domingo with the New Philharmonia Orchestra London3:41
12Je crois entendre encore
recording of:
Les Pêcheurs de perles : Acte I. No. 4 Romance « Je crois entendre encore » (Nadir)
Komponist(in):
Georges Bizet (French composer) (von 1863-04 bis 1863-08)
Librettist:
Michel Carré (librettist) und Eugène Cormon
Teil von:
Les Pêcheurs de perles : Acte I
Plácido Domingo with the New Philharmonia Orchestra London3:46
13L’Amour! L’Amour! Ah! Lève-toi, soleil
recording of:
Roméo et Juliette : Acte II. No. 7 Cavatine « L’amour ! l’amour ! » … « Ah ! lève‐toi, soleil ! » (Roméo)
Komponist(in):
Charles Gounod (French composer) (in 1867)
Librettist:
Jules Barbier und Michel Carré (librettist)
publisher:
Choudens
Teil von:
Roméo et Juliette: Acte II
Plácido Domingo with the New Philharmonia Orchestra London4:19
14Lunge da lei…De miei bollenti spiriti
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto II (La traviata: Act II)
recording of:
La traviata: Atto II, scena 1. “Lunge da lei” (Alfredo)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto II (La traviata: Act II)
Plácido Domingo with the New Philharmonia Orchestra London3:51
15Brindisi from ‘Cavalleria rusticana’
Plácido Domingo with Georgette Psaros, The John Alldis Choir and New Philharmonia Orchestra London3:02
3▼CD: Unforgettable Moments / Pavarotti Sings Magical Melodies (Part 1)
Nr.TitelKünstlerBewertungLänge
1Love Duet from ‘Madame Butterfly’
Plácido Domingo and Leontyne Price with the New Philharmonia Orchestra London10:57
2Quartet from ‘Rigoletto’
Baritongesang [Rigoletto]:
Sherrill Milnes (baritone)
Mezzosoprangesang [Maddalena]:
Huguette Tourangeau (mezzo-soprano)
Soprangesang [Gilda]:
Joan Sutherland (soprano)
Tenor-Gesang [Duca]:
Luciano Pavarotti (tenor)
Orchester:
London Symphony Orchestra
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Rigoletto: Atto III. N°12 Quartetto "Bella figlia dell'amore" (Duca, Maddalena, Gilda, Rigoletto)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (bis 1851-03-11)
Librettist:
Francesco Maria Piave (bis 1851-03-11)
Teil von:
Rigoletto: Atto III
Luciano Pavarotti, Joan Sutherland, Sherrill Milnes and Huguette Tourangeau with London Symphony Orchestra4:02
3Je dis que rien ne m’épouvante (Micaela’s Aria)
Soprangesang [Micaëla]:
Kiri Te Kanawa (soprano) (von 1975-07 bis 1975-12)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (von 1975-07 bis 1975-12)
conductor:
Sir Georg Solti (conductor) (von 1975-07 bis 1975-12)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
aufgenommen bei:
Henry Wood Hall (London) in London (Greater London), England, Vereinigtes Königreich (von 1975-07 bis 1975-12)
recording of:
Carmen : Acte III. No. 22. Air « Je dis que rien ne m’épouvante » (Micaëla) (von 1975-07 bis 1975-12)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte III
Kiri Te Kanawa with London Philharmonic Orchestra5:45
4Rachel! Quand du Seigneur
recording of:
La Juive : Acte IV. « Rachel, quand du Seigneur » (Éléazar)
Komponist(in):
Fromental Halévy (French composer)
Librettist:
Eugène Scribe
Teil von:
La Juive: Acte IV
Plácido Domingo with Royal Philharmonic Orchestra6:07
5Brindisi from ‘La Traviata’
recording of:
La traviata: Atto I. Brindisi “Libiamo, ne’ lieti calici” (Alfredo, Coro, Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Luciano Pavarotti and Joan Sutherland, with the London Opera Chorus3:00
6Miserere
Chorgesang:
London Opera Chorus
Soprangesang:
Joan Sutherland (soprano)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Salvadore Cammarano (Italian librettist)
Teil von:
Il trovatore: Atto IV. Il supplicio
Luciano Pavarotti and Joan Sutherland, with the London Opera Chorus4:59
7Porgi, amor
Produzent(in):
Christopher Raeburn (producer)
Soprangesang [La Contessa]:
Kiri Te Kanawa (soprano) (in 1981-06)
vocals:
Kiri Te Kanawa (soprano)
Orchester:
London Philharmonic Orchestra (LPO; The Philharmonic Promenade Orchestra) (in 1981-06)
conductor:
Sir Georg Solti (conductor) (in 1981-06)
Tonmeister(in):
John Dunkerley (engineer) (in 1981-06) und Colin Moorfoot (engineer) (in 1981-06)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1981-06)
recording of:
Le nozze di Figaro, K. 492: Atto II, Scena I. (no. 11) Cavatina “Porgi, amor qualche ristoro” (La Contessa) (in 1981-06)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto II (The Marriage of Figaro, K. 492: Act II)
Kiri Te Kanawa with London Philharmonic Orchestra4:31
8O terra, addio (Final Duet) from 'Aïda’
recording of:
Aida: Atto IV, scena 2: Finale Ultimo: “O terra addio” (Aida, Radamès, coro, Amneris)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Antonio Ghislanzoni
Teil von:
Aida: Atto IV
Luciano Pavarotti and Joan Sutherland, with Elizabeth Connell, the London Opera Chorus and the National Philharmonic Orchestra4:36
9Final Scene (Death of Carmen)
recording of:
Carmen : Acte IV. « Où vas‐tu ? – Laisse‐moi ! » (Don José, Carmen, Chœur)
Komponist(in):
Georges Bizet (French composer)
Librettist:
Ludovic Halévy (French librettist) und Henri Meilhac
Teil von:
Carmen : Acte IV
Plácido Domingo and Tatiana Troyanos, with the The John Alldis Choir and London Philharmonic Orchestra3:50
10Mattinata
recording of:
Mattinata
Texter und Komponist(in):
Ruggero Leoncavallo (composer)
Luciano Pavarotti with the Philharmonia Orchestra1:59
11Chanson de l’adieu
Luciano Pavarotti with the National Philharmonic Orchestra4:24
12Funiculì, Funiculà
recording of:
Funiculì, funiculà
komponiert in:
Castellammare di Stabia, Napoli, Campania (Kampanien), Italien (in 1880)
Texter:
Peppino Turco
Komponist(in):
Luigi Denza (composer) (in 1880)
publisher:
PolyGram Music Publishing Ltd. und Robbins Music Corp.
Luciano Pavarotti with the Chorus And Orchestra Of The Teatro Comunale, Bologna & Coro del Teatro Comunale di Bologna2:41
4▼CD: Pavarotti Sings Magical Melodies (Concluded) / The Luciano Pavarotti Showcase (Part 1)
Nr.TitelKünstlerBewertungLänge
1Serenata
recording of:
Serenata
Texter:
Lorenzo Stecchetti ((aka Lorenzo Stecchetti, Argìa Sbolenfi, Marco Balossardi, Giovanni Dareni, Pulinera, Bepi, Mercutio)
Komponist(in):
Pietro Mascagni (composer & conductor)
Luciano Pavarotti with the Orchestra Of The Teatro Comunale, Bologna2:56
2Piscatore ’e Pusilleco
recording of:
Piscatore 'e Pusilleco
Texter:
Ernesto Murolo
Komponist(in):
Ernesto Tagliaferri (composer)
Luciano Pavarotti with the Orchestra Of The Teatro Comunale, Bologna3:08
3Core ’ngrato
recording engineer:
James Lock (James Locke, engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1985-07)
Orchester:
Orchestra del Teatro Comunale di Bologna (in 1985-07)
conductor:
Giancarlo Chiaramello (in 1985-07)
arranger:
Giancarlo Chiaramello
phonographisches Urheberrecht (℗) von:
Dala Luma
aufgenommen bei:
Chiesa di San Giorgio (Palazzo in Bologna) (in 1985-07)
recording of:
Core ’ngrato (Catarì, Catarì) (Original for voice & orchestra) (in 1985-07)
Texter:
Riccardo Cordiferro (in 1911)
Komponist(in):
Salvatore Cardillo (Italian-American composer) (in 1911)
publisher:
Ed. G. Ricordi & Cia. SpA (Italian publisher)
Luciano Pavarotti with the Orchestra Of The Teatro Comunale, Bolgona4:55
4Torna a Surriento
recording of:
Torna a Surriento
Texter:
Giambattista De Curtis
Komponist(in):
Ernesto De Curtis (composer) (in 1902)
publisher:
PolyGram Music Publishing Ltd.
Luciano Pavarotti with the National Philharmonic Orchestra4:24
5Aprile
recording of:
Aprile
Texter und Komponist(in):
Francesco Paolo Tosti (Paolo Tosti, composer)
Luciano Pavarotti with the National Philharmonic Orchestra3:25
6Musica proibita
recording of:
Musica proibita
Texter:
Flick‐Flock (in 1881)
Komponist(in):
Stanislao Gastaldon (in 1881)
Luciano Pavarotti3:08
7La danza
recording engineer:
Colin Moorfoot (engineer)
Produzent(in):
Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1973-07)
Orchester:
Orchestra del Teatro Comunale di Bologna (in 1973-07)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-07)
arranger:
Douglas Gamley (film composer)
aufgenommen bei:
Teatro Comunale di Bologna in Bologna, Bologna (Provinz Bologna), Emilia-Romagna, Italien (in 1973-07)
live recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare” (in 1973-07)
Texter:
Carlo Pepoli (Italian librettist, 19th c.)
Komponist(in):
Gioachino Rossini (composer)
Teil von:
Soirées musicales
recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare”
Texter:
Carlo Pepoli (Italian librettist, 19th c.)
Komponist(in):
Gioachino Rossini (composer)
Teil von:
Soirées musicales
Luciano Pavarotti, Orchestra Of The Teatro Comunale, Bolgona3:09
8Parlami d’amore Mariù (Love’s Last Word Is Spoken)
recording of:
Parlami d’amore Mariù
Texter:
Ennio Neri
Komponist(in):
Cesare Andrea Bixio
Luciano Pavarotti3:39
9M’appari
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1973-06)
Tenor-Gesang [Lionel]:
Luciano Pavarotti (tenor) (in 1973-05)
Orchester:
New Philharmonia Orchestra (Philharmonia Orchestra, London orchestra, known as New Philharmonia Orchestra from 1964–1976) (in 1973-05, in 1973-06)
conductor:
Richard Bonynge (conductor and pianist) (in 1973-05, in 1973-06)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1973-05)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1973-05)
Komponist(in):
Friedrich von Flotow (composer) (in 1849)
Librettist:
Friedrich Wilhelm Riese
übersetzte Version von:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
recording of:
Martha: Atto III. “M’apparì tutt’amor” (Lionel) (in 1973-06)
Komponist(in):
Friedrich von Flotow (composer) (in 1849)
Librettist:
Friedrich Wilhelm Riese
übersetzte Version von:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
recording of:
Martha: Akt III. „Ach! so fromm, ach! so traut“ (Lyonel)
Komponist(in):
Friedrich von Flotow (composer)
Librettist:
Friedrich Wilhelm Riese
Teil von:
Martha: Akt III
Luciano Pavarotti with the New Philharmonia Orchestra London3:31
10O sole mio
Produzent(in):
James Mallinson (producer) und Ray Minshull (record producer)
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1979-03)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1979-03)
conductor:
Giancarlo Chiaramello (in 1979-03)
arranger:
Giancarlo Chiaramello
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1979)
aufgenommen bei:
Kingsway Hall in London (Greater London), England, Vereinigtes Königreich (in 1979-03)
recording of:
’O sole mio (arr. Chiaramello for tenor and orchestra) (in 1979-03)
Texter:
Giovanni Capurro
Komponist(in):
Eduardo Di Capua und Alfredo Mazzucchi (Italian composer, known for “’O sole mio”)
arranger:
Giancarlo Chiaramello
Arrangement von:
’O sole mio
Luciano Pavarotti with the National Philharmonic Orchestra3:25
11Recondita armonia
recording of:
Tosca: Atto I. “Recondita armonia” (Cavaradossi, Sagrestano) (“Dammi i colori”)
Komponist(in):
Giacomo Puccini (Italian composer) (von 1896 bis 1899)
Librettist:
Giuseppe Giacosa (von 1896 bis 1899) und Luigi Illica (von 1896 bis 1899)
Teil von:
Tosca: Atto I (Tosca: Act 1)
Luciano Pavarotti with Italo Tajo and the National Philharmonic Orchestra2:59
12Salut! Demeure chaste et pure
Tenor-Gesang:
Luciano Pavarotti (tenor) (in 1973-12)
Orchester:
Wiener Volksopernorchester (in 1973-12)
conductor:
Leone Magiera (conductor, pianist) (in 1973-12)
recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust) (in 1973-12)
Komponist(in):
Charles Gounod (French composer) (in 1859)
Librettist:
Jules Barbier und Michel Carré (librettist)
Teil von:
Faust : Acte III
teilweise recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust)
Komponist(in):
Charles Gounod (French composer) (in 1859)
Librettist:
Jules Barbier und Michel Carré (librettist)
Teil von:
Faust : Acte III
Luciano Pavarotti with the Vienna Volksoper Orchestra5:28
13Di quella pira
recording of:
Il trovatore: Atto III, scena 2. “Di quella pira l’orrendo foco” (Manrico, Leonora, Ruiz, armed men)
Komponist(in):
Giuseppe Verdi (Italian opera composer) (in 1853)
Librettist:
Salvadore Cammarano (Italian librettist) (in 1853)
Teil von:
Il trovatore: Atto III. Il figlio della zingara
Luciano Pavarotti with Gildis Flossmann and the Vienna Opera Orchestra and Chorus3:39
14In un coupé?
Baritongesang [Marcello]:
Rolando Panerai (baritone) (in 1972-10)
Tenor-Gesang [Rodolfo]:
Luciano Pavarotti (tenor) (in 1972-10)
Orchester:
Berliner Philharmoniker (in 1972-10)
conductor:
Herbert von Karajan (conductor) (in 1972-10)
aufgenommen bei:
Jesus‐Christus‐Kirche (Dahlem) in Berlin, Deutschland (in 1972-10)
recording of:
La bohème: Atto IV. no. 20. “In un coupé?” (Marcello, Rodolfo) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
recording of:
La bohème: Atto IV. no. 21. “O Mimì, tu più non torni” (Rodolfo, Marcello) (in 1972-10)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Giacosa und Luigi Illica
Teil von:
La bohème: Atto IV. In soffitta (La bohème: Act IV, Puccini)
Luciano Pavarotti and Rolando Panerai with the Berlin Philarmonic Orchestra4:43
15Spirto gentil
recording engineer:
Colin Moorfoot (engineer) und Kenneth Wilkinson (engineer)
assistierende(r) Produzent(in):
Michael Woolcock (producer)
Produzent(in):
Christopher Raeburn (producer)
Tenor-Gesang:
Luciano Pavarotti (tenor)
Orchester:
Orchestra del Teatro Comunale di Bologna
conductor:
Richard Bonynge (conductor and pianist)
aufgenommen bei:
Teatro Comunale di Bologna in Bologna, Bologna (Provinz Bologna), Emilia-Romagna, Italien (in 1974-08)
recording of:
La favorita: Atto IV, Scena 3. “Spirto gentil” (Fernando)
Komponist(in):
Gaetano Donizetti (Italian opera composer)
übersetzte Version von:
La Favorite: Acte IV, Scène 3. « La maîtresse du roi ? « ... « Ange si pur “ (Balthazar, Fernand)
Teil von:
La favorita: Atto IV
Luciano Pavarotti with the Orchestra Of The Teatro Comunale, Bolgona4:46
16Ch’ella mi creda libero
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
Komponist(in):
Giacomo Puccini (Italian composer) (in 1910)
Librettist:
Guelfo Civinini (Italian librettist) und Carlo Zangarini
Teil von:
La fanciulla del West: Atto III
Luciano Pavarotti with the National Philharmonic Orchestra2:07
17O paradiso
teilweise recording of:
L’africana: Atto IV. “Mi batte il cor” … “O Paradiso”
Komponist(in):
Giacomo Meyerbeer (composer)
Librettist:
Eugène Scribe
übersetzte Version von:
L'Africaine: Acte IV. "Pays merveilleux" ... "Ô Paradis"
Luciano Pavarotti with the National Philharmonic Orchestra3:29
5▼CD: The Luciano Pavarotti Showcase (Concluded) / The Kiri Te Kanawa Showcase (Part 1)
Nr.TitelKünstlerBewertungLänge
1Parigi, o cara
Soprangesang [Violetta]:
Joan Sutherland (soprano)
Tenor-Gesang [Alfredo]:
Luciano Pavarotti (tenor)
Orchester:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera)
conductor:
Richard Bonynge (conductor and pianist)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto III (La traviata: Act III)
Luciano Pavarotti and Joan Sutherland with the National Philharmonic Orchestra5:06
2Non piangere, Liù!
recording of:
Turandot: Atto I. “Non piangere, Liù” (Calaf, Liù, Timur)
Komponist(in):
Giacomo Puccini (Italian composer)
Librettist:
Giuseppe Adami und Renato Simoni
Teil von:
Turandot: Atto I (Turandot: Act I)
Luciano Pavarotti with Montserrat Caballé, Nicolaï Ghiaurov and London Philharmonic Orchestra2:22
3Cielo e mar
recording of:
La Gioconda: Atto II. “Cielo e mar!” (Enzo)
Komponist(in):
Amilcare Ponchielli (composer)
Librettist:
Arrigo Boito (librettist, composer)
Teil von:
La Gioconda: Atto II. Il rosario
Luciano Pavarotti with the New Philharmonia Orchestra London5:08
4Mamma, quel vino è generoso
recording of:
Cavalleria rusticana: “Mamma, quel vino è generoso, è certo” (Turiddu, Lucia, Donne) (Addio alla madre)
Komponist(in):
Pietro Mascagni (composer & conductor) (in 1890)
Librettist:
Guido Menasci (Italian librettist, 19th-20th c.) und Giovanni Targioni-Tozzetti (Italian librettist, 19th-20th c.)
Teil von:
Cavalleria rusticana
Luciano Pavarotti with Ida Bormida, Julia Varady, the London Opera Chorus and the National Philharmonic Orchestra5:13
5Let the Bright Seraphim
Trompete:
Crispian Steele‐Perkins (classical trumpeter and composer)
Soprangesang:
Kiri Te Kanawa (soprano)
Orchester:
English Chamber Orchestra
conductor:
Barry Rose (organist / choirmaster)
recording of:
Samson, HWV 57: Act III. Air: Let the bright seraphim (Israelite woman)
Komponist(in):
George Frideric Handel (German‐British baroque composer)
Librettist:
Newburgh Hamilton
Teil von:
Samson, HWV 57: Act III
Kiri Te Kanawa with Crispian Steele‐Perkins and the English Chamber Orchestra5:55
6Dove sono
recording of:
Le nozze di Figaro, K. 492: Atto III, Scena VI. (no. 20) Aria “Dove sono i bei momenti” (La Contessa)
Komponist(in):
Wolfgang Amadeus Mozart (classical composer)
Librettist:
Lorenzo Da Ponte
Teil von:
Le nozze di Figaro, K. 492: Atto III (The Marriage of Figaro, K. 492: Act III)
Kiri Te Kanawa with London Philharmonic Orchestra4:56
7The Little Sandman
Kiri Te Kanawa with the Gürzenich Orchestra2:42
8Baïlèro from ‘Songs of the Auvergne’
recording of:
Chants d'Auvergne: Première Série: No. 2. Baïlèro
Texter und Komponist(in):
[traditional] (special purpose artist)
arranger:
Joseph Canteloube
Teil von:
Chants d'Auvergne: Première Série
Kiri Te Kanawa with the English Chamber Orchestra6:43
9The Dream of Doretta
Kiri Te Kanawa with London Philharmonic Orchestra3:22
10È strano…Ah, fors’ è lui
recording of:
La traviata: Atto I. “Ah, fors’è lui” (Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
recording of:
La traviata: Atto I. Recitativo “È strano! è strano!” (Violetta)
Komponist(in):
Giuseppe Verdi (Italian opera composer)
Librettist:
Francesco Maria Piave
Teil von:
La traviata: Atto I (La traviata: Act I)
Kiri Te Kanawa with Laurence Dale and London Philharmonic Orchestra9:28
11Après un rêve
Klavier:
Richard Amner (pianist)
Soprangesang:
Kiri Te Kanawa (soprano)
recording of:
Après un rêve, op. 7 no. 1 (original; for voice and piano)
Texter:
[anonymous] (special purpose artist)
Komponist(in):
Gabriel Fauré (French composer) (in 1877)
Übersetzer:
Romain Bussine
publisher:
Choudens (in 1878)
Premiere bei:
Société nationale de musique in Paris, Île-de-France, Frankreich (am 1879-01-11)
Teil von:
Trois mélodies, op. 7
Kiri Te Kanawa with Richard Amner3:04
6▼CD: The Kiri Te Kanawa Showcase (Concluded) / Kiri Sings Golden Favourites
Nr.TitelKünstlerBewertungLänge
1Aria from Bachianas Brasileiras no. 5
recording of:
Bachianas Brasileiras nº 5, W389 (for voice and cellos)
Komponist(in):
Heitor Villa‐Lobos (Brazilian composer, conductor, cellist and classical guitarist) (in 1938)
Teil von:
Appleby Catalogue (W) (Nummer: W389)
Teil von:
Bachianas Brasileiras
Kiri Te Kanawa with Lynn Harrell and Cello Ensemble6:44
2Nuns’ Chorus
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
The Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) (von 1989-02-24 bis 1989-02-25)
Soprangesang:
Kiri Te Kanawa (soprano) (von 1989-02-24 bis 1989-02-25)
Orchester:
Utah Symphony Orchestra (von 1989-02-24 bis 1989-02-25)
conductor:
Julius Rudel (conductor) (von 1989-02-24 bis 1989-02-25)
chorus master:
Jerold Ottley (conductor) (von 1989-02-24 bis 1989-02-25)
arranger:
Douglas Gamley (film composer)
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
aufgenommen bei:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, Vereinigte Staaten (von 1989-02-24 bis 1989-02-25)
live recording of:
Casanova: Nuns’ Chorus & Laura’s Song (von 1989-02-24 bis 1989-02-25)
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
zusätzliche(r) Komponist(in):
Ralph Benatzky
Librettist:
Rudolf Schanzer (Austrian librettist) und Ernst Welisch
Teil von:
Casanova
teilweise recording of:
Casanova: Nuns’ Chorus & Laura’s Song
Komponist(in):
Johann Strauss (Johann Strauss II, Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
zusätzliche(r) Komponist(in):
Ralph Benatzky
Librettist:
Rudolf Schanzer (Austrian librettist) und Ernst Welisch
Teil von:
Casanova
Kiri Te Kanawa wIth the Mormon Tabernacle Choir and the Utah Symphony Orchestra3:38
3Blue Skies
recording of:
Blue Skies
Texter und Komponist(in):
Irving Berlin (in 1926)
publisher:
Francis, Day & Hunter Ltd., Irving Berlin Music Company und Williamson Music Company
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Kiri Te Kanawa with Nelson Riddle and His Orchestra3:21
4True Love
recording of:
True Love (High Society)
Texter und Komponist(in):
Cole Porter (composer) (in 1956)
publisher:
Buxton Hill Music Corp., Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music (UK), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
sub-publisher:
Warner Chappel Music Belgium NV
Teil von:
The 29th Academy Award for Best Original Song (Nummer: 2)
Teil von:
High Society (stage musical)
Teil von:
High Society (1956 film)
Kiri Te Kanawa with Nelson Riddle and His Orchestra3:01
5I Could Have Danced All Night
recording of:
I Could Have Danced All Night (My Fair Lady)
Texter:
Alan Jay Lerner
Komponist(in):
Frederick Loewe
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner Chappell North America
Teil von:
My Fair Lady (full musical)
Kiri Te Kanawa with Judith Rees, Susan Bickley and Meriel Dickinson and London Symphony Orchestra3:56
6So in Love
recording of:
So in Love (from Kiss Me, Kate)
Texter und Komponist(in):
Cole Porter (composer) (in 1948)
publisher:
Chappell & Co., Inc. (USA)
Teil von:
Kiss Me, Kate (musical)
Kiri Te Kanawa wIth Nelson Riddle and His Orchestra6:13
7It Might as Well Be Spring
recording of:
It Might as Well Be Spring (State Fair)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
Kiri Te Kanawa with Nelson Riddle and His Orchestra4:37
8I’m Gonna Wash That Man Right Out-a My Hair
recording of:
I’m Gonna Wash That Man Right Outa My Hair (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Rodgers & Hammerstein Theatrical Europe Ltd.
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Kiri Te Kanawa with The Ambrosian Singers and theLondon Symphony Orchestra3:35
9I’m in Love With a Wonderful Guy
recording of:
I’m in Love With a Wonderful Guy (South Pacific)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Williamson Music Company
Teil von:
South Pacific (Rodgers & Hammerstein musical)
Kiri Te Kanawa with The Ambrosian Singers and theLondon Symphony Orchestra3:46
10Yesterdays
recording of:
Yesterdays
Texter:
Otto Harbach
Komponist(in):
Jerome Kern
publisher:
PolyGram Music Publishing Ltd., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Teil von:
Roberta
Kiri Te Kanawa with Nelson Riddle and His Orchestra4:37
11When I Grow Too Old to Dream
recording of:
When I Grow Too Old to Dream
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1934)
Komponist(in):
Sigmund Romberg (in 1934)
publisher:
EMI United Partnership Ltd. und Robbins Music
übersetzte Version von:
Altijd zal het zomer zijn
Kiri Te Kanawa with Nelson Riddle and His Orchestra3:03
12O My Beloved Father
Kiri Te Kanawa with London Philharmonic Orchestra2:28
13Climb Ev’ry Mountain
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
The Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) (von 1989-02-24 bis 1989-02-25)
Soprangesang:
Kiri Te Kanawa (soprano) (von 1989-02-24 bis 1989-02-25)
Orchester:
Utah Symphony Orchestra (von 1989-02-24 bis 1989-02-25)
conductor:
Julius Rudel (conductor) (von 1989-02-24 bis 1989-02-25)
chorus master:
Jerold Ottley (conductor) (von 1989-02-24 bis 1989-02-25)
arranger:
Chris Hazell
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
aufgenommen bei:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, Vereinigte Staaten (von 1989-02-24 bis 1989-02-25)
live recording of:
Climb Ev’ry Mountain (The Sound of Music) (von 1989-02-24 bis 1989-02-25)
Orchestrator(in):
Robert Russell Bennett (American composer and arranger)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
EMI Music Publishing (do not use as a release label!), EMI United Partnership Ltd., The Rodgers & Hammerstein Organization und Williamson Music Company
Teil von:
MJ: The Musical
Teil von:
The Sound of Music (Rodgers & Hammerstein musical)
Kiri Te Kanawa with the Mormon Tabernacle Choir and the Utah Symphony3:13
14You’ll Never Walk Alone
Produzent(in):
Paul Myers (classical record producer)
Chorgesang:
The Mormon Tabernacle Choir (fka Mormon Tabernacle Choir) (von 1989-02-24 bis 1989-02-25)
Soprangesang:
Kiri Te Kanawa (soprano) (von 1989-02-24 bis 1989-02-25)
Orchester:
Utah Symphony Orchestra (von 1989-02-24 bis 1989-02-25)
conductor:
Julius Rudel (conductor) (von 1989-02-24 bis 1989-02-25)
chorus master:
Jerold Ottley (conductor) (von 1989-02-24 bis 1989-02-25)
arranger:
Chris Hazell
phonographisches Urheberrecht (℗) von:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
aufgenommen bei:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, Vereinigte Staaten (von 1989-02-24 bis 1989-02-25)
live recording of:
You’ll Never Walk Alone (Carousel) (am 1989-02-24)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
recording of:
You’ll Never Walk Alone (Carousel)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein)
Komponist(in):
Richard Rodgers (composer)
publisher:
Chappell Music Ltd., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), T.B. Harms Company, The Welk Music Group, Williamson Music Company und Williamson Music, Inc.
Teil von:
Carousel (Rodgers & Hammerstein musical)
Kiri Te Kanawa with the Mormon Tabernacle Choir and the Utah Symphony3:38