The Heart of the Matter: Frank Sinatra Sings About Love

~ Release by Frank Sinatra (see all versions of this release, 1 available)

Tracklist

1CD
#TitleRatingLength
1Blue Moon
producer:
Dave Cavanaugh
cello:
Ossip Giskin (cellist) (on 1960-09-01), Armand Kaproff (on 1960-09-01) and Eleanor Slatkin (US cellist, b. Aller) (on 1960-09-01)
drums (drum set):
Irving Cottler (on 1960-09-01)
guitar:
Al Viola (on 1960-09-01)
harp:
Kathryn Julye (on 1960-09-01)
percussion:
Emil Richards (on 1960-09-01)
piano:
Bill Miller (pianist) (on 1960-09-01)
reeds:
Buddy Collette (on 1960-09-01), Chuck Gentry (on 1960-09-01), William Green (woodwind) (on 1960-09-01), Plas Johnson (on 1960-09-01) and Wilbur Schwartz (on 1960-09-01)
trombone:
George Arus (on 1960-09-01), Gail Martin (on 1960-09-01), Tom Shepard (trombonist) (on 1960-09-01) and Tommy Pederson (on 1960-09-01)
trumpet:
Clarence "Shorty" Sherock (on 1960-09-01), Carroll Lewis (trumpeter) (on 1960-09-01), George Seaberg (on 1960-09-01) and Vito "Mickey" Mangano (on 1960-09-01)
viola:
Alvin Dinkin (on 1960-09-01) and Stan Harris (US big band viola player) (on 1960-09-01)
violin:
Victor Bay (on 1960-09-01), Alex Beller (on 1960-09-01), Kurt Dieterle (on 1960-09-01), Jacques Gasselin (on 1960-09-01), Joseph Livoti (violinist) (on 1960-09-01), Louis Kaufman (violinist) (on 1960-09-01), Murray Kellner (on 1960-09-01), Mischa Russell (violinist) (on 1960-09-01), Gerald Vinci (American violinist and strings conductor) (on 1960-09-01) and William Weiss (violinist) (on 1960-09-01)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-09-01)
orchestra:
The Nelson Riddle Orchestra (on 1960-09-01)
conductor:
Nelson Riddle (on 1960-09-01)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1960-09-01)
cover recording of:
Blue Moon (on 1960-09-01)
lyricist:
Lorenz Hart (in 1934)
composer:
Richard Rodgers (composer) (in 1934)
publisher:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-publisher:
EMI Music Publishing Belgium NV and Francis Day Editions (SABAM)
part of:
New York, New York (1977 musical film soundtrack)
2:52
2Dancing in the Dark
producer:
Dave Cavanaugh
double bass:
Keith Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Irv Cottler
guitar:
Al Hendrickson
piano:
Bill Miller (pianist)
saxophone and woodwind:
Bill Ulyate, Buddy Collette, Fred Falensby, Skeets Herfurt and Irving “Babe” Russin
trombone:
Ed Kusby, Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-12-22)
orchestra:
The Billy May Orchestra (on 1958-12-22)
conductor:
Billy May (on 1958-12-22)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-12-22)
cover recording of:
Dancing in the Dark (on 1958-12-22)
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
recording of:
Dancing in the Dark
lyricist:
Howard Dietz (librettist)
composer:
Arthur Schwartz
publisher:
Arthur Schwartz Music Ltd., Chappell Music Ltd., Harms, Inc., Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Band Wagon (1953 film)
2.52:27
3Blues in the Night
producer:
Voyle Gilmore
bassoon:
Don Christlieb (on 1958-06-24) and Norman Herzberg (bassoon) (on 1958-06-24)
cello:
James Arkatov (American cellist and photographer) (on 1958-06-24), Armand Kaproff (on 1958-06-24), Joseph Saxon (on 1958-06-24) and Eleanor Slatkin (US cellist, b. Aller) (on 1958-06-24)
clarinet:
Sal Franzella (on 1958-06-24), Chuck Gentry (on 1958-06-24) and Morris Bercov (on 1958-06-24)
double bass:
Joe Comfort (on 1958-06-24) and Eddie Gilbert (on 1958-06-24)
drums (drum set) and percussion:
Frank Flynn (on 1958-06-24) and Bill Richmond (on 1958-06-24)
flute:
Arthur Gleghorn (on 1958-06-24) and Harry Klee (on 1958-06-24)
French horn:
James Decker (French hornist) (on 1958-06-24), Sinclair Lott (french horn) (on 1958-06-24) and George Price (on 1958-06-24)
guitar:
Al Viola (on 1958-06-24)
harp:
Kathryn Julye (on 1958-06-24)
oboe:
Arnold Koblentz (Oboe player) (on 1958-06-24) and Champ Webb (on 1958-06-24)
piano:
Bill Miller (pianist) (on 1958-06-24)
trombone:
Russell Brown (Swing trombonist) (on 1958-06-24), Ray Sims (on 1958-06-24) and Tommy Pederson (on 1958-06-24)
trumpet:
Cappy Lewis (on 1958-06-24)
valve trombone:
Juan Tizol (on 1958-06-24)
viola:
David Sterkin (on 1958-06-24), Alvin Dinkin (on 1958-06-24), Stanley Harris (US big band viola player) (on 1958-06-24) and Paul Robyn (on 1958-06-24)
violin:
Israel Baker (American violinist) (on 1958-06-24), Victor Bay (on 1958-06-24), Alex Beller (on 1958-06-24), Arnold Belnick (on 1958-06-24), Daniel Karpilowsky (on 1958-06-24), Emo Neufeld (on 1958-06-24), Ben Gill (on 1958-06-24), Paul Shure (on 1958-06-24), Felix Slatkin (on 1958-06-24), Marshall Sosson (on 1958-06-24), Victor Amo (on 1958-06-24) and Gerald Vinci (American violinist and strings conductor) (on 1958-06-24)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-06-24)
orchestra:
The Nelson Riddle Orchestra (on 1958-06-24)
conductor:
Nelson Riddle (on 1958-06-24)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-06-24)
cover recording of:
Blues in the Night (My Mama Done Tol’ Me) (on 1958-06-24)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
recording of:
Blues in the Night (My Mama Done Tol’ Me)
lyricist:
Johnny Mercer (in 1941)
composer:
Harold Arlen (in 1941)
publisher:
Warner Bros., Inc. (not for release label use!) and WB Music Corp. (1929–2019)
part of:
The 14th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1941 nominee)
4:45
4I've Got You Under My Skin
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-12) and Wilbur Schwartz (on 1956-01-12)
baritone saxophone:
Morton Friedman (on 1956-01-12)
bass:
Joe Comfort (on 1956-01-12)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-12)
cello:
Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-12), Edgar Lustgarten (on 1956-01-12) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-12)
drums (drum set):
Irving Cottler (on 1956-01-12)
guitar:
George van Eps (on 1956-01-12)
harp:
Kathryn Julye (on 1956-01-12)
piano:
Bill Miller (pianist) (on 1956-01-12)
tenor saxophone:
Justin Gordon (on 1956-01-12) and James Williamson (Saxophone player) (on 1956-01-12)
trombone:
Milt Bernhart (on 1956-01-12), Jimmy Priddy (on 1956-01-12) and Juan Tizol (on 1956-01-12)
trumpet:
Harry “Sweets” Edison (on 1956-01-12), Conrad Gozzo (on 1956-01-12), Manny Klein (on 1956-01-12) and Vito "Mickey" Mangano (on 1956-01-12)
viola:
Alvin Dinkin (on 1956-01-12), Maxine Johnson (on 1956-01-12) and Milton Thomas (violist) (on 1956-01-12)
violin:
Victor Bay (on 1956-01-12), Alex Beller (on 1956-01-12), Walter Edelstein (on 1956-01-12), Henry Hill (Violin player) (on 1956-01-12), Alex Murray (violinist) (on 1956-01-12), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-12), Nathan Ross (on 1956-01-12), Mischa Russell (violinist) (on 1956-01-12), Paul Shure (on 1956-01-12) and Felix Slatkin (on 1956-01-12)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-12)
orchestra:
The Nelson Riddle Orchestra (on 1956-01-12)
conductor:
Nelson Riddle (on 1956-01-12)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-12)
cover recording of:
I’ve Got You Under My Skin (on 1956-01-12)
lyricist and composer:
Cole Porter (composer) (in 1936)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Chappell Music (UK), Victoria Music Ltd. and Warner Chappell Music Ltd. (no slash; used 1988–1996)
part of:
The 9th Academy Award for Best Original Song (number: 2) and Academy Award for Best Original Song (number: 1936 nominee)
part of:
Born to Dance
43:43
5Old Devil Moon
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-16) and Wilbur Schwartz (on 1956-01-16)
baritone saxophone:
Morton Friedman (on 1956-01-16)
bass:
Joe Comfort (on 1956-01-16)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-16)
cello:
Cy Bernard (on 1956-01-16), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-16) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-16)
drums (drum set):
Irv Cottler (on 1956-01-16)
guitar:
George van Eps (on 1956-01-16)
harp:
Kathryn Julye (on 1956-01-16)
percussion:
Frank Flynn (on 1956-01-16)
piano:
William (Bill) Miller (pianist) (on 1956-01-16)
tenor saxophone:
Justin Gordon (on 1956-01-16) and James Williamson (Saxophone player) (on 1956-01-16)
trombone:
Milt Bernhart (on 1956-01-16), Jim Priddy (on 1956-01-16) and Juan Tizol (on 1956-01-16)
trumpet:
Harry “Sweets” Edison (on 1956-01-16), Conrad Gozzo (on 1956-01-16), Manny Klein (on 1956-01-16) and Mickey Mangano (on 1956-01-16)
viola:
Alvin Dinkin (on 1956-01-16), Maxine Johnson (on 1956-01-16) and Milton Thomas (violist) (on 1956-01-16)
violin:
Victor Bay (on 1956-01-16), Alex Beller (on 1956-01-16), Harold Dicterow (on 1956-01-16), David Frisina (on 1956-01-16), Henry Hill (Violin player) (on 1956-01-16), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-16), Mischa Russell (violinist) (on 1956-01-16), Paul Shure (on 1956-01-16), Felix Slatkin (on 1956-01-16) and Marshall Sosson (on 1956-01-16)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-16)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-16)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1956-01-16)
cover recording of:
Old Devil Moon (from “Finian’s Rainbow”) (on 1956-01-16)
lyricist:
Yip Harburg
composer:
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) and Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
part of:
Finian’s Rainbow (1947 Broadway musical)
13:56
6I Love Paris
producer:
Dave Cavanaugh, Voyle Gilmore and Bill Miller (US producer at Capitol Records)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1960-04-13)
orchestra:
The Nelson Riddle Orchestra (on 1960-04-13)
conductor:
Nelson Riddle (on 1960-04-13)
arranger:
Nelson Riddle
cover recording of:
I Love Paris (Can-Can [Pistache, Company]) (on 1960-04-13)
lyricist and composer:
Cole Porter (composer) (in 1953)
publisher:
Chappell (library/production music), Chappell & Co., Inc. (USA) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
Can‐Can
part of:
Can‐Can (1960 musical film)
part of:
High Society (stage musical)
21:52
7In the Wee Small Hours of the Morning
recording engineer:
John Palladino
producer:
Voyle Gilmore
cello:
Ray Kramer, Edgar Lustgarten, Kurt Reher (cellist) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Morty Corb (bass, USA) and Meyer "Mike" Rubin (US bassist 1930s - 1960s)
drums (drum set):
Louis Singer (percussionist)
guitar:
George van Eps
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
viola:
Alvin Dinkin, Stanley Harris (US big band viola player), Paul Robyn and Dave Sterkin
violin:
Victor Bay, Alex Beller, Harry Bluestone, Walter Edelstein, David Frisina, Henry Hill (Violin player), Erno Neufeld, Nathan Ross, Mischa Russell (violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1955-02-17)
orchestra:
The Nelson Riddle Orchestra (on 1955-02-17)
conductor:
Nelson Riddle (on 1955-02-17)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-02-17)
recording of:
In the Wee Small Hours of the Morning (on 1955-02-17)
lyricist:
Bob Hilliard
composer:
David Mann (American songwriter)
publisher:
Better Half Music Company, Bourne Co. (not for release label use, this is a music publisher), Bourne Music Ltd., Redd Evans Music Company and Rytvoc, Inc. (ASCAP)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) and 日音 Synch事業部 (NICHION, INC. Synch Division)
part of:
The Real Book (compilation of jazz standards, volume I)
33:01
8That Old Black Magic Thing
4:04
9I Thought About You
producer:
Voyle Gilmore
alto saxophone:
Harry Klee (on 1956-01-09) and Wilbur Schwartz (on 1956-01-09)
baritone saxophone:
Mort Friedman (on 1956-01-09)
bass:
Joe Comfort (on 1956-01-09)
bass trombone:
George Roberts (american bass trombone) (on 1956-01-09)
cello:
Cy Bernard (on 1956-01-09), Ennio Bolognini (Argentine-American cellist and composer) (on 1956-01-09) and Eleanor Slatkin (US cellist, b. Aller) (on 1956-01-09)
drums (drum set):
Frank Flynn (on 1956-01-09) and Alvin Stoller (on 1956-01-09)
guitar:
George van Eps (on 1956-01-09)
harp:
Kathryn Julye (on 1956-01-09)
piano:
Bill Miller (pianist) (on 1956-01-09)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-01-09) and Irving “Babe” Russin (on 1956-01-09)
trombone:
Milt Bernhart (on 1956-01-09), Francis Howard (trombone) (on 1956-01-09) and Juan Tizol (on 1956-01-09)
trumpet:
Harry “Sweets” Edison, Conrad Gozzo (on 1956-01-09), Manny Klein (on 1956-01-09) and Mickey Mangano (on 1956-01-09)
viola:
Alvin Dinkin (on 1956-01-09), Maxine Johnson (on 1956-01-09) and Milton Thomas (violist) (on 1956-01-09)
violin:
Victor Bay (on 1956-01-09), Alex Beller (on 1956-01-09), Harry Bluestone (on 1956-01-09), Harold Dicterow (on 1956-01-09), David Frisina (on 1956-01-09), Paul Nero (composer & jazz violinist; Born: Kurt Polnariov/Polnarioff) (on 1956-01-09), Mischa Russell (violinist) (on 1956-01-09), Paul Shure (on 1956-01-09), Felix Slatkin (on 1956-01-09) and Marshall Sosson (on 1956-01-09)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1956-01-09)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle (on 1956-01-09)
arranger:
Nelson Riddle
recorded at:
KHJ Studios in Hollywood, Los Angeles, California, United States (on 1955-01-09)
cover recording of:
I Thought About You (on 1956-01-09)
lyricist:
Johnny Mercer
composer:
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke & Van Heusen, Jerry Leiber Music, Lewis Music Publishing Co., Inc., Range Road Music Inc., Silver Seahorse Music LLC, Twentieth Century Music Corp., WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 to present)
12:30
10Too Marvelous for Words
recording of:
Too Marvelous for Words
lyricist:
Johnny Mercer (in 1937)
composer:
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) and Harms, Inc. (on 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
2:29
11Let's Get Away From It All
producer:
Voyle Gilmore
double bass:
Joe Mondragon
drums (drum set):
Alvin Stoller
guitar:
Al Hendrickson
harp:
Verlye Mills
percussion:
Frank Flynn
piano:
Bill Miller (pianist)
trombone:
Joe Howard (american trombone player), Murray McEachern, Pullman “Tommy” Pederson and Si Zentner
trumpet:
Pete Candoli, Conrad Gozzo, Manny Klein and Shorty Sherock
tuba:
J.H. Washburne
woodwind:
Buddy Collette, Fred Falensby, Skeets Herfurt, Jules Jacob (US jazz woodwind player) and Ted Nash (40s-80s US swing reedman, uncle of the other)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1957-10-01)
orchestra:
The Billy May Orchestra (on 1957-10-01)
conductor:
Billy May (on 1957-10-01)
arranger:
Billy May
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1957-10-01)
cover recording of:
Let’s Get Away From It All (on 1957-10-01)
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
recording of:
Let’s Get Away From It All
lyricist:
Tom Adair
composer:
Matt Dennis (American singer, pianist, band leader)
publisher:
Dorsey Brothers Music
2.52:11
12You'd Be So Nice to Come Home To
producer:
Voyle Gilmore
alto saxophone:
Skeets Herfurt and Harry Klee
baritone saxophone:
Joe Koch
bass trombone:
George Roberts (american bass trombone)
cello:
Cy Bernard, Ennio Bolognini (Argentine-American cellist and composer) and Eleanor Slatkin (US cellist, b. Aller)
double bass:
Joe Comfort
drums (drum set):
Alvin Stoller
guitar:
Nick Bonney (guitarist)
harp:
Kathryn Julye
piano:
Bill Miller (pianist)
tenor saxophone:
Ted Nash (40s-80s US swing reedman, uncle of the other) and James Williamson (Saxophone player)
trombone:
Dick Nash and Pullman “Tommy” Pederson
trumpet:
Pete Candoli, Harry “Sweets” Edison, Ray Linn and Shorty Sherock
valve trombone:
Juan Tizol
viola:
Alvin Dinkin, Maxine Johnson and Dave Sterkin
violin:
Victor Arno, Victor Bay, Alex Beller, David Frisina, Jacques Gasselin, Erno Neufeld, Eudice Shapiro (Violinist), Paul Shure, Felix Slatkin and Marshall Sosson
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”)
orchestra:
The Nelson Riddle Orchestra
conductor:
Nelson Riddle
orchestrator:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (in 1956-04, on 1956-11-26)
cover recording of:
You’d Be So Nice to Come Home To (on 1956-11-28)
lyricist and composer:
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
part of:
The 16th Academy Award for Best Original Song (number: 2)
12:05
13Ebb Tide
producer:
Voyle Gilmore
accordion:
Dominic Frontiere (on 1958-05-29)
bass clarinet:
Charles Butler (on 1958-05-29) and Chuck Gentry (on 1958-05-29)
bass trombone:
Ken Shroyer (trombonist) (on 1958-05-29)
bassoon:
Don Christlieb (on 1958-05-29) and Jack Marsh (on 1958-05-29)
cello:
James Arkatov (American cellist and photographer) (on 1958-05-29), Armand Kaproff (on 1958-05-29), Kurt Reher (cellist) (on 1958-05-29) and Eleanor Slatkin (US cellist, b. Aller) (on 1958-05-29)
clarinet:
Mahlon Clark (on 1958-05-29) and Mitchell Lurie (clarinetist) (on 1958-05-29)
double bass:
Joe Comfort (on 1958-05-29) and Mike Rubin (US bassist 1930s - 1960s) (on 1958-05-29)
flute:
Arthur Gleghorn (on 1958-05-29) and Harry Klee (on 1958-05-29)
French horn:
John Cave (french horn) (on 1958-05-29), James Decker (French hornist) (on 1958-05-29) and Vincent DeRosa (on 1958-05-29)
guitar:
George van Eps (on 1958-05-29) and Al Viola (on 1958-05-29)
harp:
Kathryn Julye (on 1958-05-29)
instruments:
Victor Bay (on 1958-05-29)
oboe:
Arnold Koblentz (Oboe player) (on 1958-05-29) and Champ Webb (on 1958-05-29)
percussion:
Frank Flynn (on 1958-05-29) and Bill Richmond (on 1958-05-29)
piano:
Bill Miller (pianist) (on 1958-05-29) and Harry Sukman (on 1958-05-29)
trombone:
Milt Bernhart (on 1958-05-29) and Tommy Pederson (on 1958-05-29)
viola:
Alvin Dinkin (on 1958-05-29), Stanley Harris (US big band viola player) (on 1958-05-29), Paul Robyn (on 1958-05-29) and Dave Sterkin (on 1958-05-29)
violin:
Israel Baker (American violinist) (on 1958-05-29), Alex Beller (on 1958-05-29), Arnold Belnick (on 1958-05-29), Daniel Karpilowsky (on 1958-05-29), Emo Neufeld (on 1958-05-29), David Frisina (on 1958-05-29), James Getzoff (American concertmaster and violinist) (on 1958-05-29), Henry Hill (Violin player) (on 1958-05-29), Paul Shure (on 1958-05-29), Marshall Sosson (on 1958-05-29) and Victor Amo (on 1958-05-29)
vocals:
Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (on 1958-05-29)
orchestra:
The Nelson Riddle Orchestra (on 1958-05-29)
conductor:
Nelson Riddle (on 1958-05-29)
arranger:
Nelson Riddle
recorded at:
Capitol Tower in Hollywood, Los Angeles, California, United States (on 1958-05-29)
cover recording of:
Ebb Tide (on 1958-05-29)
lyricist:
Carl Sigman
composer:
Robert Maxwell (US harpist, songwriter and teacher)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., France Mélodie, Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp., SBK Robbins Catalog, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
arrangement of:
Ebb Tide (original instrumental version)
recording of:
Ebb Tide
lyricist:
Carl Sigman
composer:
Robert Maxwell (US harpist, songwriter and teacher)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., France Mélodie, Robbins Music (publishing company owned by EMI Music Publishing Ltd.), Robbins Music Corp., SBK Robbins Catalog, Inc., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (until 2017-03-31) and ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (from 2017-04-01 to present)
arrangement of:
Ebb Tide (original instrumental version)
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