BD Music Presents Buddy Holly

~ Pubblicazione di Buddy Holly (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloValutazioneDurata
1Love Me
registrazione di:
Love Me (Buddy Holly Song)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Sue Parrish
editore:
BMG Platinum Songs US, Cedarwood Pub. Co., Inc., Southern Music (publisher) e Universal Cedarwood Publishing
2:11
2Blue Days, Black Night
registrata a:
Nashville, Tennessee, Stati Uniti (il 1956-01-26)
produttore:
Owen Bradley
basso :
Don Guess (best known for his association with Buddy Holly) (il 1956-01-26)
chitarra :
Sonny Curtis (il 1956-01-26) e Grady Martin (country/rockabilly guitarist) (il 1956-01-26)
percussione :
Doug Kirkham (il 1956-01-26)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1956-01-26)
registrazione cover di:
Blue Days, Black Nights (il 1956-01-26)
paroliere e compositore:
Ben Hall (Texas based singer, songwriter, label owner, active 1950s/60s; studio owner through 1990s)
editore:
Palace Music, Unichappell Music, Inc. e Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:08
3Don’t Come Back Knocking
registrazione di:
Don’t Come Back Knockin’
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Sue Parrish
editore:
BMG Platinum Songs US, Palace Music, Unichappell Music, Inc. e Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:18
4Midnight Shift
registrata a:
Nashville, Tennessee, Stati Uniti (il 1956-01-26)
produttore:
Owen Bradley
basso :
Don Guess (best known for his association with Buddy Holly) (il 1956-01-26)
chitarra :
Sonny Curtis (il 1956-01-26), Buddy Holly (1950s rock & roll singer‐songwriter) (il 1956-01-26) e Grady Martin (country/rockabilly guitarist) (il 1956-01-26)
percussione :
Doug Kirkham (il 1956-01-26)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1956-01-26)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrazione cover di:
Midnight Shift (il 1956-01-26)
autore:
Jimmie Ainsworth e Earl Lee (Luke McDaniel, track "Midnight Shift")
editore:
Good Music (UK Publisher (1950s - 1970s)) e Sony Tree Publishing Co., Inc.
42:14
5I’m Changing All Those Changes
registrazione di:
I’m Changing All These Changes
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
Cedarwood Music e Cedarwood Pub. Co., Inc.
2:16
6That’ll Be the Day (version 1)
registrazione di:
That’ll Be the Day
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
2:33
7Ting‐A‐Ling
registrata a:
Nashville, Tennessee, Stati Uniti (il 1956-07-22)
produttore:
Owen Bradley
basso :
Don Guess (best known for his association with Buddy Holly) (il 1956-07-22)
batteria :
Jerry Allison (il 1956-07-22)
chitarra :
Sonny Curtis (il 1956-07-22) e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1956-07-22)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1956-07-22)
registrazione cover di:
Ting-a-Ling (il 1956-07-22)
paroliere e compositore:
Ahmet Ertegun (US songwriter/producer)
autore:
Nugetre (US songwriter/producer)
editore:
Carlin Music Corp., Cedarwood Music e Unichappell Music, Inc.
52:45
8Modern Don Juan
registrazione di:
Modern Don Juan
autore:
Don Guess (best known for his association with Buddy Holly) e Jack Neal
editore:
Cedarwood Music e Universal Cedarwood Publishing
2:42
9Rock Around With Ollie Vee
registrazione di:
Rock Around With Ollie Vee
autore:
Sonny Curtis
editore:
Palace Music, Skol Music (BMI-affiliated) e Valley Publishers, Inc. (not to be confused with Valley Pub. Inc)
2:21
10I’m Looking for Someone to Love
registrazione di:
I’m Lookin’ for Someone to Love
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e Wren Music Co.
2:01
11Peggy Sue
registrazione di:
Peggy Sue (il 1957-07-01)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), McCartney Music, Melody Lane Publications Inc., MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Musik Verlags GmbH (do not use as a release label! this is a music publisher), Peermusic (UK) Limited, Southern Music (publisher) e Wren Music Co.
2:34
12Listen to Me
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01) e Niki Sullivan (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1969)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
registrazione di:
Listen to Me (dal 1957-06-29 al 1957-07-01)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
autore:
Charles Hardin (Charles Hardin Holley) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) e Wren Music Co.
3.52:24
13Everyday
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-05-29)
batteria :
Jerry Allison
celesta :
Vi Petty (il 1957-05-29)
chitarra :
Niki Sullivan e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
percussione [cardboard box percussion] :
Jerry Allison (il 1957-05-29)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
voce di accompagnamento:
Jerry Allison (il 1957-05-29), Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29) e Niki Sullivan (il 1957-05-29)
voce principale:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-05-29)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1957) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1957)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-05-29)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 236)
registrazione di:
Everyday (il 1957-05-27)
autore:
Charles Hardin (Charles Hardin Holley), Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Peer International Corporation (BMI) e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
4.852:12
14I’m Gonna Love You Too
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-07-01)
batteria :
Jerry Allison (il 1957-07-01)
chitarra :
Niki Sullivan e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-07-01)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-07-01)
registrazione di:
I’m Gonna Love You Too (dal 1957-06-29 al 1957-07-01)
autore:
Joe B. Mauldin (double bassist, songwriter, and recording engineer), Norman Petty e Niki Sullivan
editore:
MPL (Paul McCartney-related) (conclusa), Peermusic (UK) Ltd., Southern Music Publishing Company Limited, Wren Music Co. e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1957, nel 1958)
4.52:18
15Not Fade Away
registrazione di:
Not Fade Away
autore:
Charles Hardin Holley (1950s rock & roll singer‐songwriter), Charles Hardin (Charles Hardin Holley) e Norman Petty
editore:
McCartney Music, Inc., Melody Lane Publications Inc., MPL Communications (not for release label use! Paul McCartney-related, London-based company), MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Peermusic (Germany) GmbH, Peermusic (UK) Limited e Wren Music
2:22
16Oh Boy
registrazione di:
Oh, Boy!
autore:
Norman Petty, Bill Tilghman (songwriter) e Sonny West (American songwriter and musician Joseph “Sonny” West)
editore:
Melody Lane Publications Inc., Southern Music (publisher), Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic) e Wren Music Co.
2:11
17Mailman Bring Me No More Blues
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-04-08)
batteria :
Jerry Allison (il 1957-04-08)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-04-08)
pianoforte :
Vi Petty (il 1957-04-08)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-04-08)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-04-08)
registrazione cover di:
Mailman, Bring Me No More Blues (il 1957-04-08)
autore:
Bill Katz, Ruth Roberts e Bob Thiele (producer & songwriter)
editore:
Peermusic (UK) Limited e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
42:16
18Words of Love
registrazione di:
Words of Love (Buddy Holly song)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor Va Jack Music Inc., Peermusic (UK) Ltd. e Southern Music Publishing Company Limited
1:59
19That’ll Be the Day (version 2)
registrazione di:
That’ll Be the Day
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Nor-Va-Jak Music, Inc, Peermusic (UK) Limited, Southern Music (publisher), Wren Music Co. e MPL Communications (not for release label use! Paul McCartney-related, London-based company) (nel 1976)
2:20
20Maybe Baby
registrazione di:
Maybe Baby
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Melody Lane Pub e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
2:06
21Take Your Time
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrazione di:
Take Your Time
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
1:59
22It’s Too Late
registrazione di:
It’s Too Late
paroliere e compositore:
Chuck Willis (American blues, rhythm and blues, and rock and roll singer and songwriter)
editore:
Chuck Willis Music Corp., Sony/ATV Songs LLC, Tideland Music Publishing Corp. e Unichappell Music, Inc.
2:27
23Heartbeat
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) e George Atwood (dal 1958-05-25 al 1958-05-26)
batteria :
Jerry Allison (dal 1958-05-25 al 1958-05-26)
chitarra :
Niki Sullivan, Tommy Allsup (dal 1958-05-25 al 1958-05-26) e Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-05-25 al 1958-05-26)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-05-25 al 1958-05-26)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1958-05-25 al 1958-05-26)
registrazione di:
Heartbeat (dal 1958-05-25 al 1958-05-26)
autore:
Bob Montgomery (USA) e Norman Petty
editore:
Melody Lane Publications Inc. e Peermusic (UK) Limited
4.652:13
24Look at Me
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1957-12-19)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-12-19)
percussione [cardboard box] :
Jerry Allison (il 1957-12-19)
pianoforte :
Vi Petty (il 1957-12-19)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1957-12-19)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1957-12-19)
registrazione di:
Look at Me (dal 1957-05 al 1957-07)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), Southern Music (publisher) e Wren Music Co.
52:07
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#TitoloArtistaValutazioneDurata
1Baby I Don’t Care
registrazione cover di:
(You’re So Square) Baby I Don’t Care
paroliere:
Jerry Leiber (nel 1957)
compositore:
Mike Stoller (nel 1957)
editore:
Belinda (London) Ltd. (publisher), Carlin Music Corporation, Elvis Presley Music Inc., Gladys Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Sony/ATV Songs LLC e WB Music Corp. (1929–2019)
Buddy Holly1:39
2It’s So Easy
registrazione di:
It’s So Easy
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Melody Lane Publications Inc., Wren Music Co. e MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) (nel 1958)
Buddy Holly2:13
3Think It Over
registrazione di:
Think It Over
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
Cedarwood Pub. Co., Inc.
Buddy Holly1:48
4Now We’re One
registrata a:
New York, New York, Stati Uniti (il 1958-06-19)
produttore:
Dick Jacobs (arranger, musician and bandleader)
basso :
Sanford Bloch (Bass player) (il 1958-06-19)
batteria :
Philip Kraus (il 1958-06-19)
chitarra :
George Barnes (il 1958-06-19)
pianoforte :
Ernest Hayes (American pianist, organist and arranger) (il 1958-06-19)
sassofono tenore :
Sam “The Man” Taylor (US jazz/blues saxophonist 1916-1990) (il 1958-06-19)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-06-19)
voce di accompagnamento:
The Helen Way Singers (il 1958-06-19)
esecutore:
Al Chernet (il 1958-06-19) e Panama Francis (US swing jazz drummer) (il 1958-06-19)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrazione cover di:
Now We’re One (il 1958-06-19)
paroliere e compositore:
Bobby Darin
editore:
Portrait
Buddy Holly52:08
5Fool’s Paradise
registrazione di:
Fool’s Paradise
autore:
Sonny LeGlaire, Horace Linsley (songwriter) e Norman Petty
editore:
McCartney Music, Inc. e Southern Music Publ. Co. Ltd.
Buddy Holly2:32
6Wishin’
registrazione di:
Wishing
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Bob Montgomery (USA)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company)
Buddy Holly2:06
7Love Made a Fool of You
produttore:
Norman Petty
basso :
George Atwood (dal 1958-07 al 1958-08)
batteria :
Bo Clarke (dal 1958-07 al 1958-08)
chitarra :
Tommy Allsup (dal 1958-07 al 1958-08) e Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-07 al 1958-08)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (dal 1958-07 al 1958-08)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1965)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (dal 1958-07 al 1958-08)
registrazione di:
Love’s Made a Fool of You (dal 1958-07 al 1958-08)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Bob Montgomery (USA)
editore:
Southern Music Ltd. (publisher) (nel 1981)
Buddy Holly32:02
8Well… All Right
produttore:
Norman Petty
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer) (il 1958-02-12)
batteria :
Jerry Allison
chitarra :
Niki Sullivan e Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-02-12)
piatti :
Jerry Allison (il 1958-02-12)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-02-12)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1958) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1958)
registrata presso:
Norman Petty Studios in Clovis, New Mexico, Stati Uniti (il 1958-02-12)
registrazione di:
Well… All Right (il 1958-02-12)
autore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter), Joe B. Mauldin (double bassist, songwriter, and recording engineer) e Norman Petty
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company) e MPL Music Publishing Inc.
Buddy Holly42:18
9Reminiscing
produttore:
Norman Petty
batteria :
Jerry Allison
chitarra basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
sassofono :
King Curtis (saxophonist)
diritti fonografici (℗) detenuti da:
UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1962)
registrazione di:
Reminiscing
paroliere e compositore:
King Curtis (saxophonist)
editore:
MPL Communications Inc. (Paul McCartney‐related, NYC‐based company), MPL Communications Ltd. (not for release label use! Paul McCartney-related, London-based company) e Nor-Va-Jak Music, Inc
Buddy Holly2:01
10True Love Ways
produttore:
Dick Jacobs (arranger, musician and bandleader)
arpa :
Doris Johnson (harpist) (il 1958-10-21)
batteria :
Cliff Leeman (il 1958-10-21)
chitarra :
Al Caiola (il 1958-10-21)
chitarra basso :
Sanford Bloch (Bass player) (il 1958-10-21)
pianoforte :
Ernest Hayes (American pianist, organist and arranger) (il 1958-10-21)
sassofono tenore :
Abraham “Boomie” Richman (il 1958-10-21)
violino :
Herbert Bourne (il 1958-10-21), Ray Free (il 1958-10-21), Julius Held (il 1958-10-21), Leo Kruczek (il 1958-10-21), Leonard Posner (il 1958-10-21), Sylvia Shulman (il 1958-10-21), Irving Spice (violinist, concertmaster and strings) (il 1958-10-21) e Paul Winter (violin) (il 1958-10-21)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (il 1958-10-21)
direttore d'orchestra:
Dick Jacobs (arranger, musician and bandleader) (il 1958-10-21)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1960) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1960)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1958-10-21)
registrazione di:
True Love Ways (il 1958-10-21)
autore:
Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
editore:
McCartney Music, Melody Lane Publications Inc., Peermusic (UK) Ltd. e Southern Music Publishing Co., Inc. ((ASCAP) tradename Peermusic)
Buddy Holly4.52:51
11Moondreams
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1960)
registrazione cover di:
Moondreams
autore:
Norman Petty
editore:
Wren Music Co.
Buddy Holly2:45
12It Doesn’t Matter Anymore
produttore:
Dick Jacobs (arranger, musician and bandleader) e Norman Petty
arpa :
Doris Johnson (harpist) (il 1958-10-21)
basso :
Joe B. Mauldin (double bassist, songwriter, and recording engineer)
batteria :
Jerry Allison e Cliff Leeman (il 1958-10-21)
chitarra :
Buddy Holly (1950s rock & roll singer‐songwriter), Niki Sullivan e Al Caiola (il 1958-10-21)
chitarra basso :
Sanford Bloch (Bass player) (il 1958-10-21)
pianoforte :
Ernest Hayes (American pianist, organist and arranger) (il 1958-10-21)
sassofono tenore :
Abraham “Boomie” Richman (il 1958-10-21)
viola :
Howard Kay (Violin player) (il 1958-10-21) e David Schwartz (violist) (il 1958-10-21)
violino :
Herbert Bourne (il 1958-10-21), Ray Free (il 1958-10-21), Julius Held (il 1958-10-21), Leo Kruczek (il 1958-10-21), Leonard Posner (il 1958-10-21), Sylvia Shulman (il 1958-10-21), Irving Spice (violinist, concertmaster and strings) (il 1958-10-21) e Paul Winter (violin) (il 1958-10-21)
violoncello :
Maurice Bialkin (il 1958-10-21) e Maurice Brown (jazz cellist) (il 1958-10-21)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-10-21)
orchestra:
Dick Jacobs & His Orchestra (il 1958-10-21)
direttore d'orchestra:
Dick Jacobs (arranger, musician and bandleader) (il 1958-10-21)
diritti fonografici (℗) detenuti da:
Geffen Records (nel 1959) e MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1959)
registrata presso:
Pythian Temple in Lincoln Square, New York, New York, Stati Uniti (il 1958-10-21)
registrazione di:
It Doesn’t Matter Anymore (il 1958-10-21)
paroliere e compositore:
Paul Anka (Canadian singer, songwriter and actor)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music Publishing Ltd. (PRS‐affiliated) e Robert Mellin Ltd.
Buddy Holly2.752:07
13Peggy Sue Got Married
registrazione di:
Peggy Sue Got Married
compositore:
Jerry Allison, Buddy Holly (1950s rock & roll singer‐songwriter) e Norman Petty
Buddy Holly1:53
14Crying, Waiting, Hoping
registrata a:
New York, Stati Uniti (nel 1959-01)
produttore:
Norman Petty
chitarra acustica :
Buddy Holly (1950s rock & roll singer‐songwriter) (nel 1959-01)
strumenti:
The Fireballs (USA 1960s surf rock band)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (nel 1959-01)
voce di accompagnamento:
The Fireballs (USA 1960s surf rock band)
registrazione di:
Crying, Waiting, Hoping (nel 1959-01)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
Peermusic (UK) Limited e Southern Music Pub. Co. Ltd.
Buddy Holly32:07
15Learning the Game
registrata a:
New York, New York, Stati Uniti (il 1958-12-17) e Clovis, New Mexico, Stati Uniti (dal 1962-06 al 1963-12)
produttore:
Norman Petty
basso :
Stan Lark (dal 1962-06 al 1963-12)
chitarra :
George Tomsco (dal 1962-06 al 1963-12)
chitarra acustica :
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-12-17)
voce:
Buddy Holly (1950s rock & roll singer‐songwriter) (il 1958-12-17)
diritti fonografici (℗) detenuti da:
MCA Records, Inc. (do not use as a release label! a division of UMG Recordings, Inc.) (nel 1960)
registrazione di:
Learning the Game (dal 1958-12-17 al 1963-12)
paroliere e compositore:
Buddy Holly (1950s rock & roll singer‐songwriter)
editore:
APRS (American Performing Rights Society, Inc.(BMI)) e Southern Music Pub. Co. Ltd.
Buddy Holly2:03
16La Bamba
Ritchie Valens2:10
17Boney Maronie
registrazione di:
Boney Maroney
paroliere e compositore:
Lawrence E. Williams (1950s rocker)
editore:
ATV Music Ltd., EMI Music (do not use as release label! this is a music publisher), Sony/ATV Music Publishing (UK) Ltd. e Venice Music
Ritchie Valens2:49
18Come On Let’s Go
tecnico di registrazione:
Larry Levine e Stan Ross (recording engineer, mixer & producer)
produttore:
Bob Keane
registrazione di:
Come On, Let’s Go
paroliere e compositore:
Ritchie Valens
editore:
Tro-Essex Music Ltd.
Ritchie Valens4.252:05
19Donna
registrazione di:
Donna
paroliere e compositore:
Ritchie Valens
editore:
Aberbach Musikverlag (German publisher) e Carlin Music Corporation
Ritchie Valens2:32
20Cry, Cry, Cry
Ritchie Valens2:17
21Little Girl
Ritchie Valens2:23
22Chantilly Lace
registrazione di:
Chantilly Lace
paroliere e compositore:
J.P. Richardson (known as The Big Bopper)
editore:
Glad Music Co.
The Big Bopper2:23
23White Lightnin’
registrazione di:
White Lightning (nel 1958)
paroliere e compositore:
J.P. Richardson (known as The Big Bopper)
editore:
Glad Music Co.
The Big Bopper42:15