The Power of Love: Heartbeat

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1CD
#TitoloArtistaValutazioneDurata
1I Want to Know What Love Is
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1984)
registrazione di:
I Want to Know What Love Is
paroliere e compositore:
Mick Jones (Foreigner/Spooky Tooth, worked in France)
editore:
Evansongs Ltd. (publisher), Somerset Songs Publishing Inc., Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Fujipacific Music inc. (fino al 2014-12-31) e Fujipacific Music, Inc. (dal 2015-01-01 a oggi)
Foreigner34:03
2Can’t Fight This Feeling
produttore:
Kevin Cronin (guitarist, singer and songwriter), Alan Gratzer (drummer) e Gary Richards
arrangiatore:
Kevin Cronin (guitarist, singer and songwriter) e REO Speedwagon
diritti fonografici (℗) detenuti da:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1984) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1984)
registrazione di:
Can’t Fight This Feeling (nel 1984-08)
paroliere e compositore:
Kevin Cronin (guitarist, singer and songwriter)
editore:
Bucks Music Group Ltd. (Bucks Music Group), Fate Music, The International Music Network Ltd e Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
sub-editore:
大洋音楽 (Taiyō Music)
REO Speedwagon3.94:53
3Broken Wings
registrazione di:
Broken Wings
autore:
Steve George (US keyboardist for Mr. Mister & Pages), John Lang (US songwriter for Mr. Mister & Pages) e Richard Page (singer-songwriter; former lead singer & bassist of Mr. Mister)
editore:
Ali‐Aja Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Entente Music (publisher; do NOT use as release label), Indolent Sloth Music, Panola Park Music, Poppy‐Due Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), Warner/Chappell Music Ltd. (1996–2019), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Mr. Mister35:39
4Right Here Waiting
diritti fonografici (℗) detenuti da:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (nel 1989) e EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1989)
registrazione di:
Right Here Waiting
paroliere:
Richard Marx
compositore:
Bruce Gaitsch (American guitarist, producer, engineer and arranger) e Richard Marx
editore:
BMG Monarch, Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint), Chi‐Boy Music, EMI Music Ltd. e EMI Songs Ltd.
sub-editore:
フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division)
Richard Marx4:07
5Eternal Flame
tecnico di registrazione:
John Beverly Jones
tecnico aggiunto:
Ken Felton
produttore:
Davitt Sigerson
tecnico di missaggio:
Frank Filipetti
basso elettrico [bass] :
Michael Steele (American bassist, guitarist, songwriter, and singer)
batteria :
Debbi Peterson (drummer for The Bangles)
chitarra [lead guitar] :
Vicki Peterson
chitarra [rhythm guitar] :
Susanna Hoffs
diritti fonografici (℗) detenuti da:
The Bangles (nel 1988)
diritti fonografici (℗) detenuti da:
CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (nel 1988), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1988), Sony BMG Music Entertainment (UK) Ltd. (not for release label use! UK subsidiary of Sony BMG Music Entertainment) (nel 1988), Sony BMG Music Entertainment Inc. (nel 1988) e Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (nel 1988)
mixata presso:
Studio 55 in Los Angeles, California, Stati Uniti
video musicali:
Eternal Flame di Bangles
registrazione di:
Eternal Flame
autore:
Susanna Hoffs, Tom Kelly (songwriter) e Billy Steinberg
editore:
Bangophile Music, Billy Steinberg Music, Blackwood Music Inc. (1953-02-07–1987-12-30), Denise Barry Music, EMI Songs, Mushroom Music (Mushroom label’s publishing company), SBK Blackwood Music Inc. (1987-12-30–1989-07-14), Songs of Universal, Inc. (BMI), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Tunes LLC (ASCAP) e Universal/MCA Music Ltd. (not for release label use!)
sub-editore:
EMI Songs Ltd., Shinko Music Entertainment Co., Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Sony/ATV Music Publishing Ltd., Universal Music Publishing Group Japan (work publisher – do NOT use as a release label) e Warner Chappell Music Ltd. (no slash; used 1988–1996)
Bangles3.753:51
6Stairway to Heaven
diritti fonografici (℗) detenuti da:
IMP Productions (Frank Farian’s production company) (nel 1985)
registrazione cover di:
Stairway to Heaven
autore:
Jimmy Page e Robert Plant (of Led Zeppelin)
editore:
Superhype Music, Inc. (conclusa), Flames of Albion Music, Inc., Superhype Publishing, Warner Bros. (holding: file NO releases), Warner Brothers (publisher, not an imprint), Warner Chappell (Warner/Chappell Music, Inc.), Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell North America Limited (UK-registered publishing company, affiliated with PRS)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) (conclusa), Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label) (conclusa) e Neue Welt Musikverlag GmbH München
Far Corporation16:00
7Sailing
assistente tecnico:
Stuart Gitlin
tecnico e tecnico di missaggio:
Chet Himes
produttore:
Michael Omartian
batteria :
Tommy Taylor (US drummer)
chitarra acustica , chitarra elettrica , voce di accompagnamento e voce principale:
Christopher Cross (US singer‐songwriter)
chitarra basso :
Andy Salmon
percussione :
Victor Feldman (jazz musician)
pianoforte :
Michael Omartian
pianoforte elettrico e sintetizzatore :
Rob Meurer
arrangiatore:
Christopher Cross (US singer‐songwriter), Rob Meurer e Michael Omartian
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1979, nel 1981, nel 2001)
è stato produttore per:
Free Flow Productions
registrata presso:
Pecan Street Studios in Austin, Texas, Stati Uniti e Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Sailing
paroliere e compositore:
Christopher Cross (US singer‐songwriter)
editore:
BMG Songs, Inc., Pop ’n’ Roll Music (US work publisher), Universal Music Corp. (USA, affiliated with ASCAP) e Universal Music–MGB Songs
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Christopher Cross4.14:18
8Missing You
produttore:
Gary Gersh, David Thoener e John Waite
diritti fonografici (℗) detenuti da:
EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1984) e EMI USA (renamed EMI Records USA in the beginning of the 1990s) (nel 1984)
edit di:
Missing You di John Waite
registrazione di:
Missing You
paroliere:
John Waite
compositore:
Mark Leonard, Chas Sandford e John Waite
editore:
Alley Music Corp., Carlin Music Corporation, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Everpop Songs, Markmeem Music (publisher), Paperwaite Music (publisher) (, nel 1984), Quartet Music Inc., Sony Music Publishing (worldwide except Japan, ended 1995), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (fino al 2019-05-28), Fallwater Music (nel 1984), Markeem Music (publisher) (nel 1984), The Hudson Bay Music Co. (publisher) (nel 1984) e WC Music Corp. (dal 2019-05-28 a oggi)
John Waite3.653:33
9Babe
diritti fonografici (℗) detenuti da:
A&M Records, Inc. (nel 1979) e UMG Recordings, Inc. (operational headquarters of Universal Music Group, based in Santa Monica, USA; read annotations) (nel 1979)
registrazione di:
Babe
paroliere e compositore:
Dennis DeYoung
editore:
Almo Music Corp. (USA, affiliated with ASCAP), MDW (publisher) e Stygian Songs (publishing company for the rock band Styx) (nel 1979)
Styx34:05
10All Out of Love
produttore:
Robie Porter
produttore esecutivo:
Clive Davis (record producer, A&R executive and music industry chief executive)
assistente tecnico di missaggio:
Linda Corbin
tecnico di missaggio:
Jim Hilton
batteria :
Ralph Cooper (drummer)
chitarra [lead guitar] :
David Moyse
chitarra [rhythm guitar] :
Graham Russell (Air Supply)
chitarra basso :
Criston Barker
tastiera :
Frank Esler‐Smith e Sam McNally
voce:
Graham Russell (Air Supply)
voce di accompagnamento:
Criston Barker, Tommy Dassalo (percussionist and backing vocalist for Air Supply), Russell Hitchcock, Marcy Levy, David Moyse e Graham Russell (Air Supply)
voce principale:
Russell Hitchcock
arrangiatore:
Air Supply e Robie Porter
orchestratore:
Frank Esler‐Smith e Robie Porter
diritti fonografici (℗) detenuti da:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (nel 1980), Arista Records, LLC (holding company - file NO releases here!) (nel 1980), Big Time Phonograph Recording Co. (nel 1980), Big Time Phonograph Recording Co. Pty Ltd. (nel 1980) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 1980)
registrata presso:
Paradise Studios (Sydney) in Sydney, New South Wales, Australia e Studios 301 (Byron Bay) in Byron Bay (Byron Bay, New South Wales), New South Wales, Australia
mixata presso:
Larrabee Sound Studios (original location of Larrabee Sound Studios from 1969–1991) in West Hollywood, California, Stati Uniti
parte di:
The Downloader’s Music Source Book (numero: 290)
registrazione di:
All Out of Love
autore:
Clive Davis (record producer, A&R executive and music industry chief executive) e Graham Russell (Air Supply)
editore:
Arista Music, Inc., BMG Music Publishing Ltd., BRM Publishing, Careers–BMG Music Publishing, Inc., DJDMP, Inc., Nottsongs, Riva Music Ltd., Universal Music Careers, Universal Music Publishing MGB Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) e Warner/Chappell Music Ltd. (1996–2019)
sub-editore:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply4.454:03
11Glory of Love
tecnico e tecnico di missaggio:
Terry Christian (US recording and mixing engineer) e John Guess
produttore:
Michael Omartian
voce di accompagnamento ospite:
Kenny Cetera
voce principale:
Peter Cetera
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1986) e Warner Music International (trademark of Warner Music International the company) (nel 1986)
registrata presso e mixata presso:
Lion Share Studios in Los Angeles, California, Stati Uniti
registrazione di:
Glory of Love
autore:
Peter Cetera, David Foster (Canadian music producer, arranger and composer) e Diane Nini
editore:
EMI Gold Horizon Music Corp., EMI Golden Torch Music Corp., Rondor Music Publishing, Universal Music–MGB Songs, Warner Chappell Music Ltd. (no slash; used 1988–1996), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (fino al 2021-06-30), Air Bear Music (nel 1986), Fall Line Orange Music (nel 1986), Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) (nel 1986), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi) e ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (dal 2021-07-01 a oggi)
parte di:
The 59th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1986 nominee)
Peter Cetera4.24:21
12Total Eclipse of the Heart
voce:
Bonnie Tyler (nel 1983)
esecutore:
Rory Dodd (nel 1983)
diritti fonografici (℗) detenuti da:
CBS Records (manufacturer/distributor, not for release label use!) (nel 1983), CBS Records Ltd. (UK record company, subsidiary of CBS United Kingdom Ltd.) (nel 1983) e Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (nel 1983)
registrazione di:
Total Eclipse of the Heart (nel 1983)
paroliere e compositore:
Jim Steinman
editore:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), BMG VM Music Ltd., EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), Lost Boys (BMI affiliated) e Virgin Music (Publishers) Ltd.
Bonnie Tyler4.154:30
2CD
#TitoloArtistaValutazioneDurata
1You’re the Voice
tecnico di registrazione e tecnico di missaggio:
Doug Brady (engineer)
programmazione degli strumenti:
Dave (Australian score composer), Jack e Ross
assistente tecnico:
Michael Wickow (engineer)
produttore:
Ross Fraser
basso senza tasti :
Roger McLachlan
chitarra :
Brett Garsed
sintetizzatore [Fairlight] e tastiera :
David Hirschfelder (Australian score composer)
voce di accompagnamento:
Rozzi Bazzani, Helen Cornish, Penny Dyer, David Hirschfelder (Australian score composer), Colin Setches, Mal Stainton e Sandy Weekes
voce principale:
Whispering Jack
arrangiatore:
John Farnham, Ross Fraser e David Hirschfelder (Australian score composer)
diritti fonografici (℗) detenuti da:
BMG Arista/Ariola Limited (not for release label use! manufacturers/distributors operating in Australasia) (nel 1986), BMG Australia Limited (not for release label use!) (nel 1986), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (nel 1986), Wheatley Records Pty. Ltd. (nel 1986) e RCA/Ariola (nel 1987)
registrata presso e mixata presso:
AAV Studios (fka Armstrong Studios until 1974) in Melbourne, Victoria, Australia
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 15)
registrazione di:
You’re the Voice
autore:
Andy Qunta, Keith Reid, Maggie Ryder e Chris Thompson (vocalist with Manfred Mann’s Earth Band)
editore:
A&G Songs Ltd., Almo Music Corp. (USA, affiliated with ASCAP), Bluebeard Music Ltd., BMG Music, Bucks Music Group Ltd. (Bucks Music Group), Concord Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), CT Music (publisher), CT Music Ltd., David Platz Music Scandinavia AB, Fable Music Pty. Ltd., Imagem Songs Ltd., Polygram Music, PolyGram Music Publishing Ltd., Rondor, Rondor Music, Rondor Music (Australia) P/L, Rondor Music (Australia) Pty Ltd, Rondor Music (London) Ltd., Rondor Music Ltd. (publisher), Universal Music (plain logo: “Universal Music”), Universal Music Publishing (use ONLY if no country‐specific information is available) e Universal Music Publishing AB (Sweden)
John Farnham4.14:53
2Power of Love
tecnico di registrazione:
Jim Gaines e Robert Missbach
assistente tecnico:
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) e Jim “Watts” Vereecke
tecnico aggiunto:
Michael Christopher (engineer), Phil Kaffel e Malcolm Pollack
produttore:
Bob Clearmountain, Jellybean (US producer John Benitez) e Huey Lewis and the News (American pop rock band)
tecnico di missaggio:
Robert Missbach
armonica (a bocca) :
Huey Lewis
batteria e percussione :
Bill Gibson (US drummer for Huey Lews & the News)
chitarra :
Johnny Colla (US sax & guitarist for Huey Lewis & the News) e Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
chitarra basso :
Mario Cipollina
sassofono :
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
tastiera :
Sean Hopper (US Keyboardist for Huey Lewis & the News)
voce:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) e Huey Lewis
diritti fonografici (℗) detenuti da:
Chrysalis Records, Inc. (not for release label use!) (nel 1984, nel 1985, nel 1986) e Chrysalis (nel 1985)
registrata presso:
Fantasy Studios (Berkeley) in Berkeley, California, Stati Uniti, Studio D Recording in Sausalito, California, Stati Uniti e The Plant Studios (1981–2008) in Sausalito, California, Stati Uniti
mixata presso:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Stati Uniti
video musicali:
The Power of Love (full length) di Huey Lewis and the News (American pop rock band)
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 108)
registrazione di:
The Power of Love (Back to the Future)
autore:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) e Huey Lewis
editore:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) e WB Music Corp. (1929–2019)
sub-editore:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
parte di:
The 58th Academy Award for Best Original Song (numero: 2) e Academy Award for Best Original Song (numero: 1985 nominee)
parte di:
Back to the Future: the Musical
Huey Lewis43:56
3Rooms on Fire
registrazione di:
Rooms on Fire
autore:
Stevie Nicks e Rick Nowels
editore:
EMI Music Ltd., EMI Virgin Music Ltd. (do not use this as a release label!), Screen Gems–EMI Music Ltd., Sony Music Publishing (worldwide except Japan, ended 1995), Sony Music Publishing Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Welsh Witch Music (BMI affiliated)
Stevie Nicks14:18
4Loving You Again
registrazione di:
Loving You Again
paroliere e compositore:
Chris Rea
editore:
Magnet Music Ltd. (publisher)
Chris Rea5:39
5Every Day Hurts
registrazione di:
Every Day Hurts
autore:
Vic Emerson (English keyboardist, synthesizer, arranger and songwriter), John Stimpson e Paul Young (Sad Café, Mike + The Mechanics)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated) e St. Anne’s Music Ltd.
Sad Café24:00
6Reason to Believe
produttore:
Rod Stewart
basso :
Andy Pyle (nel 1971-01)
batteria :
Micky Waller (nel 1971-01)
chitarra acustica :
Martell Brandy (nel 1971-01), Martin Quittenton (guitarist for Steamhammer) (nel 1971-01) e Rod Stewart (nel 1971-01)
chitarra basso, chitarra e chitarra pedal steel :
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood) (nel 1971-01)
chitarra slide :
Sam Mitchell (nel 1971-01)
contrabbasso :
Danny Thompson (English double bass player) (nel 1971-01)
organo :
Ian McLagan (nel 1971-01)
pianoforte :
Pete Sears (nel 1971-01)
violino :
Dick Powell (Violinist and double-bass player) (nel 1971-01)
voce:
Madeline Bell (nel 1971-01)
voce principale:
Rod Stewart (nel 1971-01)
diritti fonografici (℗) detenuti da:
PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1971)
registrazione cover di:
Reason to Believe (nel 1971-01)
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. e Trio Music Co., Inc.
registrazione di:
Reason to Believe
paroliere e compositore:
Tim Hardin
editore:
Allen Stanton Productions, Alley Music Corp., EMI Music (do not use as release label! this is a music publisher), Faithful Virtue Music Co. Inc., Hudson Bay Music Inc., Robbins Music Co. Ltd., Robbins Music Corp. e Trio Music Co., Inc.
Rod Stewart3.154:09
7I’m Not in Love
tecnico di registrazione:
10cc (nel 1974)
tecnico e tecnico di missaggio:
Eric Stewart
produttore:
10cc
basso e chitarra :
Graham Gouldman (nel 1974)
effetti [musical effects] , pianoforte elettrico e voce principale:
Eric Stewart (nel 1974)
moog :
Kevin (nel 1974)
pianoforte :
Lol (nel 1974)
synclavier [control desk] :
Graham Gouldman (nel 1974), Kevin (nel 1974), Lol (nel 1974) e Eric Stewart (nel 1974)
altra voce [whisper vocals]:
Kathy Redfern (nel 1974)
voce di accompagnamento:
Graham Gouldman (nel 1974), Kevin (nel 1974) e Lol (nel 1974)
diritti fonografici (℗) detenuti da:
Mercury Records Limited (not for release label use!) (nel 1975), Mercury Records Ltd. (London) (for copyrights use only) (nel 1975), Phonogram, Inc. (nel 1975), Phonogram Ltd. (not for release label use!) (nel 1979) e Mercury Records Ltd. (not for release label use!) (nel 1996)
registrata da:
Phonogram Ltd. (London) (company name, NOT a label!)
registrata presso:
Strawberry Studios in Stockport, Stockport, Greater Manchester, England, Regno Unito (nel 1974)
video musicali:
I’m Not in Love di 10cc
parte di:
Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 319)
registrazione di:
I’m Not in Love (nel 1974)
autore:
Graham Gouldman e Eric Stewart
editore:
EMI Blackwood Music Inc., EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Man-Ken Music Ltd. (, nel 1975), Schubert Music Publishing, St. Anne's Music e St. Anne’s Music Ltd.
sub-editore:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
10cc3.855:58
8Wuthering Heights
tecnico:
Jon Kelly (engineer at Air London Studios)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
batteria :
Stuart Elliott (session drummer, member of Cockney Rebel) (dal 1977-07 al 1977-08)
pianoforte , voce di accompagnamento e voce principale:
Kate Bush (dal 1977-07 al 1977-08)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977, nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977, nel 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (nel 1977, nel 1978), EMI America Records, Inc. (holding – file NO releases here!) (nel 1982) e EMI France (nel 1995)
registrata presso:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-08)
parte di:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 18)
registrazione di:
Wuthering Heights (dal 1977-07 al 1977-08)
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush (il 1977-03-05)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, Glenwood Music Corporation, Kate Bush Music Ltd. e EMI Music Publishing Ltd. (PRS‐affiliated) (dal 1978 a oggi)
Kate Bush3.854:30
9Can We Still Be Friends
produttore:
Robert Palmer (English singer‐songwriter)
registrazione cover di:
Can We Still Be Friends
paroliere e compositore:
Todd Rundgren
editore:
Earmark Music Inc., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Robert Palmer13:43
10She’s Gone
registrata a:
New York, New York, Stati Uniti (nel 1973)
produttore:
Arif Mardin
basso :
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (nel 1973)
batteria :
Bernard “Pretty” Purdie (nel 1973)
chitarra :
John Oates (nel 1973)
chitarra elettrica, mellotron e sintetizzatore :
Chris Bond (producer, active circa 1970s) (nel 1973)
percussione :
Ralph MacDonald (nel 1973)
pianoforte elettrico :
Daryl Hall (nel 1973)
sassofono tenore :
Joe Farrell (nel 1973)
voce principale:
Daryl Hall (nel 1973) e John Oates (nel 1973)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1973)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 336)
registrazione di:
She’s Gone (nel 1973)
paroliere e compositore:
Daryl Hall e John Oates
editore:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Hall & Oates3.655:14
11Valerie
registrazione di:
Valerie
autore:
Will Jennings e Steve Winwood
editore:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) e Warner Chappell North America
Steve Winwood24:08
12Time After Time
produttore:
Rick Chertoff
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1983) e Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (nel 1983)
registrazione di:
Time After Time
autore:
Rob Hyman e Cyndi Lauper
editore:
Sony Songs Inc. (conclusa, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, nel 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, nel 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cyndi Lauper43:49

Accreditamenti

Gruppo di pubblicazioni

parte di:The Power of Love (Time-Life Music) (numero: 1) (ordine: 1)
Discogs:https://www.discogs.com/master/409862 [info]