The Britpack: 80s UK Innovators of Pop

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 2 vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1You Take Me Up
recording engineer, Techniker(in) und Mix:
Phil Thornalley
Schlagzeug-Programmierung:
Tom Bailey (Thompson Twins)
Produzent(in):
Tom Bailey (Thompson Twins) und Alex Sadkin
Conga und Synthesizer [Prophet V]:
Joe Leeway
Gitarre, Klavier, Kontrabass [contrabass], Mundharmonika und Synthesizer:
Tom Bailey (Thompson Twins)
Marimba, Perkussion, Schlagzeug und xylophone:
Alannah Currie
Hintergrundgesang:
Alannah Currie und Joe Leeway
vocals:
Tom Bailey (Thompson Twins)
phonographisches Urheberrecht (℗) von:
BMG Eurodisc Ltd. und Arista Records Ltd. (not for release label use!) (in 1984)
recording of:
You Take Me Up
Verfasser(in) und vocals arranger:
Tom Bailey (Thompson Twins), Alannah Currie und Joe Leeway
publisher:
Point Music Ltd.
Thompson Twins3.54:25
2It’s a Miracle
Techniker(in):
Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
It’s a Miracle von Culture Club (English pop group)
recording of:
It’s a Miracle (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
Pendulum Music Ltd., Virgin Music (Publishers) Ltd. und Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23)
Culture Club3.63:22
3Gold
Produzent(in):
Steve Jolley, Spandau Ballet und Tony Swain (songwriter, producer)
Bass:
Martin Kemp (UK actor, musician, bassist for Spandau Ballet) (in 1982)
Gitarre:
Gary Kemp (in 1982)
Keyboard:
Jess Bailey (in 1982)
Perkussion und Saxophon:
Steve Norman (UK saxophonist/percussionist for Spandau Ballet) (in 1982)
Schlagzeug:
John Keeble (in 1982)
Sologesang:
Tony Hadley (in 1982)
Interpret(in):
Spandau Ballet (in 1982)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1983)
recording of:
Gold (in 1982)
Texter und Komponist(in):
Gary Kemp
publisher:
Reformation Publishing Co. Ltd.
Spandau Ballet3.53:52
4Mirror Man
Produzent(in):
The Human League und Martin Rushent
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
Musikvideos:
Mirror Man von The Human League
recording of:
Mirror Man
Verfasser(in):
Ian Burden, Jo Callis und Philip Oakey
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Publishing Australia P/L und PolyGram Music Publishing
The Human League23:49
5Enola Gay
Techniker(in):
Laurence Diana und Max Norman
Produzent(in):
Mike Howlett und Orchestral Manoeuvres in the Dark
Bass und Synthesizer:
Andy McCluskey
Keyboard und Synthesizer:
Paul Humphreys (Orchestral Manoeuvres in the Dark)
Schlagzeug und Perkussion:
Malcolm Holmes (drummer)
vocals:
Paul Humphreys (Orchestral Manoeuvres in the Dark) und Andy McCluskey
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1980)
aufgenommen bei:
Ridge Farm Studios in Dorking, Surrey, England, Vereinigtes Königreich
mixed at:
Advision Studios in Fitzrovia, Camden (London Borough of Camden), Westminster, London (Greater London), England, Vereinigtes Königreich
recording of:
Enola Gay
Texter und Komponist(in):
Andy McCluskey
publisher:
Dinsong Music und Virgin Music Publishers Ltd.
Orchestral Manoeuvres in the Dark3.753:28
6Hungry Like the Wolf
Techniker(in) und Produzent(in):
Colin Thurston
Interpret(in):
Duran Duran (English rock band) (in 1982)
phonographisches Urheberrecht (℗) von:
Tritec Music Ltd. (publisher and copyrights holder) (in 1982) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 398)
recording of:
Hungry Like the Wolf
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
publisher:
EMI Songs, EMI Songs Australia Pty. Ltd. und Tritec Music Ltd. (publisher and copyrights holder)
adaptations:
Hungry Like a Pig
Duran Duran3.353:24
7Black Man Ray
Produzent(in):
Walter Becker
recording of:
Black Man Ray
Verfasser(in):
Gary Daly, Gazza Johnson und Eddie Lundon (China Crisis)
China Crisis33:29
8Come Live With Me
Techniker(in):
Greg Walsh (producer and engineer)
Produzent(in):
B.E.F. und Greg Walsh (producer and engineer)
recording of:
Come Live With Me
Verfasser(in):
Glenn Gregory, Ian Craig Marsh und Martyn Ware
Heaven 173:37
9It Doesn’t Have to Be This Way
Produzent(in):
Michael Baker (producer)
phonographisches Urheberrecht (℗) von:
RCA/Ariola Ltd. (in 1987)
produced for:
Simple Simon Inc.
recording of:
It Doesn’t Have to Be This Way
Texter und Komponist(in):
Robert Howard (pop songwriter)
publisher:
RCA Music Ltd. (publisher)
The Blow Monkeys3.354:03
10Dancing With Tears in My Eyes
Techniker(in):
Rik Walton
Produzent(in):
Ultravox
Mix:
John Hudson (producer, recording and mixing engineer) (am 1984-03-19)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1984, in 2025)
aufgenommen bei:
Musicfest Studio (recording studio, located in Chiswick, London, UK) in Chiswick, Hounslow, London (Greater London), England, Vereinigtes Königreich (am 1983-08-08)
mixed at:
Mayfair Studios (England) in London (Greater London), England, Vereinigtes Königreich (am 1984-03-19)
Musikvideos:
Dancing With Tears in My Eyes von Ultravox
recording of:
Dancing With Tears in My Eyes (am 1983-08-08)
Verfasser(in):
Warren Cann, Chris Cross (UK bassist for Ultravox), Billy Currie und Midge Ure
publisher:
Hot Food Publishing Ltd., Jump Jet Music Ltd., Mood Music Ltd. (publisher), Sing Sing Songs Ltd. und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Ultravox44:04
11It’s My Life
Programmierung und Produzent(in):
Tim Friese‐Greene
Akustikgitarre:
Mark Hollis
drum machine und Synthesizer:
Tim Friese‐Greene
Fretless Bass:
Paul Webb (UK bassist for Talk Talk/O.rang, aka Rustin Man)
Gitarre:
Robbie McIntosh (English guitarist for The Pretenders)
Keyboard:
Ian Curnow
Klavier:
Tim Friese‐Greene und Phil Ramocon (soul/R&B/reggae songwriter)
Perkussion:
Morris Pert
Schlagzeug:
Tim Friese‐Greene und Lee Harris (singer-songwriter & musician)
Hintergrundgesang:
Mark Hollis und Paul Webb (Video game music composer)
vocals:
Mark Hollis
phonographisches Urheberrecht (℗) von:
EMI Records (UK) Ltd. (company credits only; do NOT use as release label) (in 1984) und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1984)
recording of:
It’s My Life
Verfasser(in):
Tim Friese‐Greene und Mark Hollis
publisher:
F‐Sharp Productions Ltd., Hollis Songs Ltd., Universal Music (plain logo: “Universal Music”), Universal–Songs of PolyGram International, Inc., Universal/Island Music Ltd. (for music publishing use only, formerly Island Music Ltd.), Zomba Enterprises, Inc., Zomba Music Publishers Ltd. (UK subsidiary of Zomba Music Publishing) und Zomba Music Publishing (music publisher – add no releases here!)
Talk Talk3.853:53
12Mary’s Prayer
Produzent(in):
Dave Bascombe
Interpret(in):
Danny Wilson (Scottish pop group) (in 1987)
produced at:
Marcus Studios in Bayswater, Westminster, London (Greater London), England, Vereinigtes Königreich und Townhouse in Shepherd's Bush, Hammersmith and Fulham, London (Greater London), England, Vereinigtes Königreich
recording of:
Mary’s Prayer (in 1987)
Texter und Komponist(in):
Gary Clark (Scottish singer/producer; ex‐Danny Wilson, ex‐Transister, ex‐King L)
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (, in 1988)
Danny Wilson33:56
13She Blinded Me With Science
drum machine und andere Instrumente [wave computer]-Programmierung:
Thomas Dolby
Produzent(in):
Thomas Dolby und Tim Friese‐Greene
Gast-Moog [Moog bass]:
Matthew Seligman (in 1982-08)
Geige / Violine:
Simon House (in 1982-08)
Hintergrundgesang:
Robert John “Mutt” Lange (Robert John Lange) (in 1982-08) und Miriam Stockley (in 1982-08)
Sprecher:
Magnus Pyke (in 1982-08)
vocals:
Thomas Dolby (in 1982-08)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983)
aufgenommen bei:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich (in 1982-08)
mixed at:
Odyssey Studio (London) in London (Greater London), England, Vereinigtes Königreich
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 76)
recording of:
She Blinded Me With Science (in 1982-08)
Texter:
Thomas Dolby und Tim Kerr (songwriter working with Thomas Dolby)
Komponist(in):
Thomas Dolby
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Participation Music Inc.
Thomas Dolby43:42
14Strange Little Girl
recording of:
Strange Little Girl
Texter und Komponist(in):
Brian Duffy (UK drummer Brian Duffy, member of The Stranglers), Jean‐Jacques Burnel, Hugh Cornwell (English rock musician), Dave Greenfield und Hans Wärmling
publisher:
Complete Music Ltd., EMI Music Publishing Limited (PRS‐affiliated) und Incomplete Music Inc.
The Stranglers2:43
15Living in a Box
Koproduzent(in):
Tom Lord Alge
Produzent(in):
Richard James Burgess
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1987)
produced for:
The Burgess Worldco
recording of:
Living in a Box
Texter und Komponist(in):
Steve Piggott und Marcus Vere
publisher:
Brampton Music International, Brampton Music Ltd. (publisher) und Empire Music Ltd.
Living in a Box3.353:05
16We Close Our Eyes
Produzent(in):
Gary Stevenson
remixer:
Tom Lord‐Alge
phonographisches Urheberrecht (℗) von:
EMI Records (UK label renamed from Virgin EMI Records in 2020) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1985)
Musikvideos:
We Close Our Eyes von Go West
recording of:
We Close Our Eyes
Verfasser(in):
Peter Cox (Artist and songwriter) und Richard Drummie
publisher:
ATV Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und EMI Music Publishing (do not use as a release label!)
Go West3.23:40
17No Regrets
cover recording of:
No Regrets
Texter und Komponist(in):
Tom Rush
publisher:
BMG Bumblebee (BMI) (a BMI‐affiliated publishing entity of BMG Rights Management), Essex International, Tubbs Hill Music und Westminster Music Ltd.
Midge Ure34:03
18Love Like Blood
Produzent(in):
Chris Kimsey
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1985)
recording of:
Love Like Blood
Verfasser(in):
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) und Geordie Walker
publisher:
BMG Africa Music Publishing, BMG Songs Ltd. und E.G. Music Ltd. (publisher)
Killing Joke3.654:22
19Ghosts
Keyboard-Programmierung:
Richard Barbieri und David Sylvian
Produzent(in):
Japan (UK new wave band) und Steve Nye (producer, engineer and pianist)
Bass, flute [African flute], Fretless Bass und Suona [dida]:
Mick Karn
Geige / Violine:
Simon House
Gitarre:
David Sylvian
Keyboard und Band:
Richard Barbieri und David Sylvian
Schlagzeug und Perkussion:
Steve Jansen (member of Japan)
vocals:
Yuka Fujii und David Sylvian
recording of:
Ghosts
Texter und Komponist(in):
David Sylvian
publisher:
Chadwick-Nomis Ltd und Virgin Music (Publishers) Ltd.
Japan4.54:30
2▼CD
Nr.TitelKünstlerBewertungLänge
1Ghost Town
Techniker(in):
John A. Rivers
Posaune:
Rico Rodriguez (Jamaican trombonist)
phonographisches Urheberrecht (℗) von:
Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1981)
Teil von:
Indie 88: Top 500 Indie Rock Songs (Nummer: 217)
recording of:
Ghost Town
Texter und Komponist(in):
Jerry Dammers
publisher:
BMG Rights Management (UK) Limited (not for release label use! see annotation)
The Specials3.953:40
2Geno
Techniker(in):
Barry Hammond
Produzent(in):
Pete Wingfield (keyboardist, singer, producer, songwriter)
recording of:
Geno
Verfasser(in):
Al Archer und Kevin Rowland (UK singer and songwriter, in Dexy’s Midnight Runners)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated)
Dexys Midnight Runners33:26
3On My Radio
Produzent(in):
Roger Lomas
recording of:
On My Radio
Texter und Komponist(in):
Neol Davies (British musician and founder of The Selecter)
publisher:
Fairwood Music Ltd.
The Selecter3:13
4Dancing With Myself
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Gitarre:
Steve Jones (Sex Pistols member), Danny Kustow, John McGeoch und Steve New
Schlagzeug:
Terry Chimes
recording of:
Dancing With Myself
Verfasser(in):
Billy Idol (English rock singer‐songwriter) und Tony James (UK bassist/guitarist)
publisher:
Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music Inc und Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
Generation X4.253:48
5Turning Japanese
Produzent(in):
Vic Coppersmith‐Heaven
E-Bass [bass guitar]:
Steve Smith (UK bassist for the Vapors)
Gitarre und Sologesang:
David Fenton
Gitarre [lead guitar]:
Edward Bazalgette
Schlagzeug:
Howard Smith (UK drummer for the Vapors)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (, in 1980)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 30)
recording of:
Turning Japanese
Texter und Komponist(in):
David Fenton
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!) und Glenwood Music Corp.
The Vapors3.63:45
6C30, C60, C90, Go
assistierende(r) Produzent(in):
Martin Levan
Produzent(in):
Malcolm McLaren
recording of:
C·30 C·60 C·90 Go
Verfasser(in):
Matthew Ashman, Dave Barbarossa, Leigh Gorman (English rock musician, record producer & composer) und Malcolm McLaren
Bow Wow Wow53:03
7Animation
recording of:
Animation
Texter:
Richard Jobson
Komponist(in):
Stuart Adamson
The Skids4:04
8Really Saying Something
vocals und Interpret(in):
Bananarama
phonographisches Urheberrecht (℗) von:
London Records Ltd. (not release label) (in 1982)
cover recording of:
He Was Really Sayin’ Somethin’
Verfasser(in):
Eddie Holland (Motown songwriter, lyricist of Holland–Dozier–Holland songwriting team), William Stevenson (Motown songwriter) und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und Jobete Music (appears also as: Jobete Msc.)
Fun Boy Three & Bananarama32:42
9Promised You a Miracle
Produzent(in):
Keith Forsey (drummer, producer and songwriter) und Peter Walsh (UK producer)
recording of:
Promised You a Miracle
Verfasser(in):
Charlie Burchill, Derek Forbes, Jim Kerr (of Simple Minds) und Michael MacNeil
Simple Minds3:58
10Senses Working Overtime
assistierende(r) Techniker(in):
Howard Gray (UK producer, engineer, and electronic musician)
Techniker(in):
Hugh Padgham
Produzent(in):
Hugh Padgham und XTC (English rock band)
Akustikgitarre und Hintergrundgesang und Sologesang:
Andy Partridge
Bass, Fretless Bass und Hintergrundgesang:
Colin Moulding
drum machine und Schlagzeug und Schlagzeug:
Terry Chambers
Gitarre:
Dave Gregory (XTC) und Andy Partridge
zwölfsaitige Gitarre und Perkussion:
Dave Gregory (XTC)
vocals:
Colin Moulding und Andy Partridge
aufgenommen bei:
The Manor in Oxfordshire, England, Vereinigtes Königreich
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 35) und Indie 88: Top 500 Indie Rock Songs (Nummer: 339)
recording of:
Senses Working Overtime
Texter und Komponist(in):
Andy Partridge
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships)
XTC54:48
11Fantastic Day
Produzent(in):
Bob Sargeant
recording of:
Fantastic Day
Texter und Komponist(in):
Nick Heyward
Haircut One Hundred2.53:14
12Some Like It Hot
Techniker(in) und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
zusätzliche(r) Techniker(in):
Rob Eaton, Steve Rinkoff und Tony Taverner
Produzent(in):
Bernard Edwards (American bassist and record producer)
Bassgitarre:
John Taylor (UK bassist for Duran Duran)
Gitarre:
Andy Taylor (of Duran Duran)
Schlagzeug:
Tony Thompson (drummer, best known for his work in CHIC)
Sologesang:
Robert Palmer (English singer‐songwriter)
Interpret(in):
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Tony Thompson (drummer, best known for his work in CHIC)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012)
mixed at und engineered at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Some Like It Hot
Verfasser(in):
Robert Palmer (English singer‐songwriter), Andy Taylor (of Duran Duran) und John Taylor (UK bassist for Duran Duran)
publisher:
Bungalow Music, EMI Songs, Polygram Music und Tritec Music Ltd. (publisher and copyrights holder)
The Power Station45:07
13Love Missile F1‐11
Produzent(in):
Giorgio Moroder
recording of:
Love Missile F1‐11
Texter und Komponist(in):
Martin Degville, Tony James (UK bassist/guitarist) und Neal Whitmore
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Sigue Sigue Sputnik53:48
14Calling All the Heroes
recording of:
Calling All the Heroes
Verfasser(in):
Francis Dunnery
It Bites55:30
15Election Day
vocals:
Grace Jones
recording of:
Election Day
Verfasser(in):
Simon Le Bon (singer for Duran Duran), Nick Rhodes und Roger Taylor (Duran Duran drummer)
Arcadia4:27
16747 (Strangers in the Night)
recording of:
747 (Strangers in the Night)
Verfasser(in):
Biff Byford, Steve Dawson (UK bassist for Saxon), Pete Gill, Graham Oliver (blues rock, hard rock, UK) und Paul Quinn (Saxon guitarist)
publisher:
Axis Music Ltd. und Carlin Music Corporation
Saxon43:44
17China in Your Hand
Techniker(in):
Norman Goodman
Produzent(in):
Tim Burgess (T'Pau drummer) und Ron Rogers (Ronald Phillip Rogers, T'Pau)
phonographisches Urheberrecht (℗) von:
Siren Records Ltd. (company and copyrights holder. File NO releases) (in 1987), Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) und Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
Bearbeitung von:
China in Your Hand von T’Pau
recording of:
China in Your Hand
Verfasser(in):
Carol Decker und Ron Rogers (Ronald Phillip Rogers, T'Pau)
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), M15 Publishing Ltd, Virgin Music (Publishing) Ltd. und Virgin Music (Publ.) Ltd. (publisher) (in 1987)
T’Pau44:04
18Never Take Me Alive
Techniker(in):
Neill King (sound engineer)
Produzent(in):
Zeus B. Held (Bernd Held)
recording of:
Never Take Me Alive
Texter und Komponist(in):
Kirk Brandon
Spear of Destiny4.54:15
19Lavender
recording engineer:
Thomas Stiehler
Produzent(in):
Chris Kimsey
Mix:
Mark Freegard und Chris Kimsey
Bassgitarre:
Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic) (von 1985-03 bis 1985-05)
Flügel:
Mark Kelly (Marillion keyboardist) (von 1985-03 bis 1985-05)
Gitarre:
Steve Rothery (von 1985-03 bis 1985-05)
Keyboard:
Mark Kelly (Marillion keyboardist)
Perkussion und Schlagzeug:
Ian Mosley (von 1985-03 bis 1985-05)
Sologesang:
Fish (Derek William Dick, ex‐Marillion frontman) (von 1985-03 bis 1985-05)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985)
aufgenommen bei:
Hansa Studios in Berlin, Deutschland (von 1985-03 bis 1985-05)
recording of:
Lavender (von 1985-03 bis 1985-05)
Texter:
Derek William Dick
Komponist(in):
Derek William Dick, Mark Kelly (Marillion keyboardist), Ian Mosley, Steve Rothery und Pete Trewavas (bassist for Marillion / Edison’s Children / Transatlantic)
publisher:
Marillion Music und EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985)
basiert auf:
Lavender’s Blue (late 17th c. English folk song)
Marillion42:27
3▼CD
Nr.TitelKünstlerBewertungLänge
1It Started With a Kiss
Produzent(in):
Mickie Most (English record producer)
Sologesang:
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate) (in 1982)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982) und Parlophone Records Ltd. (not for release label use! a Warner Music Group company) (in 2011)
Musikvideos:
It Started With a Kiss von Hot Chocolate (70s and 80s British soul band)
recording of:
It Started With a Kiss (in 1982)
Texter und Komponist(in):
Errol Brown (British‐Jamaican singer and songwriter, in Hot Chocolate)
publisher:
BMG Music Publishing Ltd., Chocolate Music, RAK Publishing Ltd. und Universal Music Publishing MGB Australia
Hot Chocolate34:02
2Never Gonna Give You Up
Keyboard [Fairlight]-Programmierung:
Ian Curnow (in 1986-10)
assistierende(r) Techniker(in):
Boky, Peter Day, Gordon Dennis (engineer at PWL Studios), Jonathan King und Yoyo (UK producer/engineer/mixer Yoyo Olugbo)
Techniker(in):
Mark McGuire (UK producer/engineer)
zusätzliche(r) Techniker(in):
Jamie Bromfield (member of SNJ Works, The Extra Beat Boys, Recall), Mike Duffy (mixing for Nitzer Ebb), Phil Harding (engineer, producer and remixer) und Karen Hewitt
Produzent(in):
Aitken, Stock (of Stock Aitken Waterman), Stock Aitken Waterman und Waterman
Mix:
Mixmasters Pete Hammond (UK producer aka “Mixmaster”) (am 1987-01-01)
Gitarre [guitars]:
Matt Aitken (in 1986-10)
Keyboard [keyboards]:
Matt Aitken (in 1986-10) und Mike Stock (of Stock Aitken Waterman) (in 1986-10)
Schlagzeug [drums]:
A Linn (Linn 9000) (in 1986-10)
Hintergrundgesang [backing vocals]:
Dee Lewis (in 1986-10), Shirley Lewis (in 1986-10), Mae McKenna (vocalist) (in 1986-10) und Suzanne Rhatigan (in 1986-10)
Sologesang:
Rick (English singer, songwriter and radio personality) (in 1986-10)
arranger:
Gordon Jenkins
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Ltd. (1987–1996) (vom 1987 bis heute), BMG Rights Management (UK) Ltd. (not for release label use! see annotation) (in 1987), Pete Waterman Ltd. (copyrights holder) (in 1987) und PWL (in 1987)
sonstige Unterstützung:
PWL (Aufgabe: original sound recordings made by)
aufgenommen bei:
PWL Studio 1 (in 1986-10), PWL Studio 2 (in 1986-10) und PWL Studios (London) in London (Greater London), England, Vereinigtes Königreich (in 1986-10)
mixed at:
PWL Studio 1 (am 1987-01-01) und PWL Studio 2 (am 1987-01-01)
Musikvideos:
Never Gonna Give You Up von Rick Astley (English singer, songwriter and radio personality)
Teil von:
Cachitos Nochevieja 2022 (Nummer: 48) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 244)
recording of:
Never Gonna Give You Up (in 1986-10)
Verfasser(in):
Matt Aitken, Mike Stock (of Stock Aitken Waterman) und Pete Waterman
publisher:
All Boys Music Ltd., BMG Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Hammer Music (German publisher), Mike Stock Publishing Limited, Sid’s Songs Limited, Songs of Kobalt Music Publishing, Universal Music Careers, Universal–Songs of PolyGram International, Inc. und Terrace Music (in 1987)
sub-publisher:
Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Universal Music Publishers MGB Australia Pty Ltd, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Rick Astley4.43:30
3Kids in America
recording engineer:
Jeo (von 1980 bis 1981)
Programmierung:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Techniker(in):
Steve Stewart (engineer, guitarist of The Enid)
Produzent(in):
Ricky Wilde
Bassgitarre:
Martin Russell (recording engineer, producer, composer & musician) (von 1980 bis 1981) und Derek von Krogh (von 1980 bis 1981)
Gitarre:
Thomas Hahn (von 1980 bis 1981), Charlotte Hatherley (von 1980 bis 1981), Francis Lickerish (von 1980 bis 1981), Steve Stewart (engineer, guitarist of The Enid) (von 1980 bis 1981), James Stevenson (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Keyboard:
Jörn‐Uwe Fahrenkrog‐Petersen (von 1980 bis 1981), Robert John Godfrey (member of The Enid) (von 1980 bis 1981), Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) (von 1980 bis 1981), Derek von Krogh (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Schlagzeug:
Bernhard Hahn (von 1980 bis 1981), Chris North (UK drummer of The Enid) (von 1980 bis 1981) und Tobias Wörner (von 1980 bis 1981)
zusätzlich Keyboard:
Nick Priessnitz (von 1980 bis 1981)
Hintergrundgesang:
D. Janz (von 1980 bis 1981), M. Janz (von 1980 bis 1981), N. Janz (von 1980 bis 1981) und Ricky Wilde (von 1980 bis 1981)
Sologesang:
Charlotte Hatherley (von 1980 bis 1981) und Kim Wilde (von 1980 bis 1981)
vocals:
Kim Wilde (von 1980 bis 1981)
phonographisches Urheberrecht (℗) von:
Cherry Red Records Ltd. (do not use as label, for copyrights and distribution credits only), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1981, in 1996, in 2001), EMI France (in 1993) und EMI Records Limited (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 2006)
aufgenommen bei:
Amira Studio (von 1980 bis 1981), RAK Studios in London (Greater London), England, Vereinigtes Königreich (von 1980 bis 1981), Soundmastaz Studios (von 1980 bis 1981), Studio 77 in Stuttgart, Baden-Württemberg, Deutschland (von 1980 bis 1981) und The Lodge Recording Studio in Northampton, Northamptonshire, England, Vereinigtes Königreich (von 1980 bis 1981)
mixed at:
Jeopark in Buchholz, Niedersachsen, Deutschland, RAK Studios in London (Greater London), England, Vereinigtes Königreich und Studio 77 in Stuttgart, Baden-Württemberg, Deutschland
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 55)
recording of:
Kids in America (von 1980 bis 1981)
Verfasser(in):
Marty Wilde und Ricky Wilde
publisher:
All Nations Music, EMI Music Publishing (do not use as a release label!), Finchley Music Corp., RAK Publishing Ltd. und Rickim Music Ltd.
Kim Wilde4.13:28
4Runaway Boys
Produzent(in):
Dave Edmunds
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1980) und EMI America Records, Inc. (holding – file NO releases here!) (in 1982)
recording of:
Runaway Boys
Verfasser(in):
Slim Jim Phantom und Brian Setzer
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
Stray Cats3.73:01
5The Land of Make Believe
phonographisches Urheberrecht (℗) von:
BMG Records (UK) Limited (1987–1996) (in 1981)
recording of:
The Land of Make Believe
sonstige Unterstützung:
Andy Hill (English producer & songwriter)
Verfasser(in):
Andy Hill (English producer & songwriter) und Peter Sinfield
publisher:
BMG Music Publishing Ltd., Concord Copyrights London Limited, EMI Virgin Music Ltd. (do not use this as a release label!), Paper Music Ltd., Universal Music Publishing MGB Limited, Universal Music–MGB Songs und Universal Music–Z Tunes LLC
Bucks Fizz3.353:47
6Pure
Techniker(in):
Cenzo Townshend (engineer)
Produzent(in):
Ian Broudie
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1990)
recording of:
Pure
Texter und Komponist(in):
Ian Broudie
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
The Lightning Seeds4.43:48
7Eyes Without a Face
Produzent(in):
Keith Forsey (drummer, producer and songwriter)
Bass:
Sal Cuevas (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Gitarre:
Billy Idol (English rock singer‐songwriter) (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Keyboard:
Judi Dozier (in 1983) und Steve Stevens (US guitarist and songwriter) (in 1983)
Schlagzeug:
Thommy Price (in 1983)
Hintergrundgesang:
Perri Lister (in 1983)
Sologesang:
Billy Idol (English rock singer‐songwriter) (in 1983)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1983) und Chrysalis Records, Inc. (not for release label use!) (in 1984)
Bearbeitung von:
Eyes Without a Face von Billy Idol (English rock singer‐songwriter)
recording of:
Eyes Without a Face (in 1983)
Texter und Komponist(in):
Billy Idol (English rock singer‐songwriter) und Steve Stevens (US guitarist and songwriter)
publisher:
Boneidol Music, Chrysalis Music Group Inc., Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Music Publishing Ltd., Rare Blue Music, Rock Steady Music, Sitting Pretty Music und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billy Idol34:11
8Take That Situation
recording of:
Take That Situation
Texter und Komponist(in):
Nick Heyward
Nick Heyward3:53
9More Than This
Produzent(in):
Rhett Davies, Bryan Ferry und Roxy Music
Mix:
Bob Clearmountain
phonographisches Urheberrecht (℗) von:
E.G. Records Ltd. (company credits only; do NOT use as release label) (in 1982), Virgin EG Records Ltd. (in 1982) und Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
recording of:
More Than This
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Roxy Music44:03
10Too Late for Goodbyes
recording of:
Too Late for Goodbyes
Texter und Komponist(in):
Julian Lennon
publisher:
Charisma Music Publishing Ltd und Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–)
Julian Lennon2.353:31
11Orchard Road
Produzent(in):
Alan Tarney
recording of:
Orchard Road
Texter:
Leo Sayer
Komponist(in):
Alan Tarney
Leo Sayer24:26
12Love Changes (Everything)
Techniker(in):
Mike Ging und Bob Kraushaar
Produzent(in):
Stephen Hague
Gitarre:
Neil Taylor (guitarist)
Keyboard:
Rob Fisher (UK keyboardist, in Naked Eyes)
zusätzlich Perkussion:
Bruce Smith (UK drummer & producer for Pop Group, Slits, P.I.L., etc.)
Hintergrundgesang:
Coral Gordon und Soultanas
vocals:
Simon Climie
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1987)
recording of:
Love Changes (Everything)
Verfasser(in):
Simon Climie, Rob Fisher (UK keyboardist, in Naked Eyes) und Dennis Morgan (US songwriter)
publisher:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Music (do not use as release label! this is a music publisher), Rondor Music (London) Ltd. und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Climie Fisher3.94:29
13Everything I Own
Produzent(in):
Stewart Levine (record producer and saxophonist)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
cover recording of:
Everything I Own
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. und Sony/ATV Music Publishing (UK) Ltd.
recording of:
Everything I Own
Texter und Komponist(in):
David Gates (singer/songwriter, lead singer of Bread)
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. und Sony/ATV Music Publishing (UK) Ltd.
Boy George2.83:56
14When You Walk in the Room
Produzent(in):
Christopher Neil
phonographisches Urheberrecht (℗) von:
BMG Ariola München GmbH (in 1987) und Chrysalis Records Ltd. (not for release label use! company behind the Chrysalis imprint) (in 1987)
cover recording of:
When You Walk in the Room
Texter und Komponist(in):
Jackie DeShannon
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Unart Catalog Inc., EMI United Partnership Ltd., Metric Music Company (publisher), フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department), SBK Songs (publisher) (in 1987) und United Partnership Ltd. (in 1987)
Paul Carrack2.653:28
15Thinking of You
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 50)
recording of:
Thinking of You
Verfasser(in):
Terry Hall und Toby Lyons
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation)
sub-publisher:
BMG Rights Management (France) (not for release label use! file releases under its imprint BMG (2008–present))
The Colourfield33:29
16Info‐Freako
Techniker(in):
Leigh Fenlon
Produzent(in):
Mike Edwards (UK guitar/keyboards for Jesus Jones) und Jesus Jones
recording of:
Info Freako
Komponist(in):
Jesus Jones
Jesus Jones52:50
17It Ain’t What You Do
Produzent(in):
Fun Boy Three und Dave Jordan (UK producer/remixer)
cover recording of:
It Ain’t What You Do (It’s the Way That You Do It)
Verfasser(in):
Sy Oliver und Trummy Young
Fun Boy Three with Bananarama3.652:47
18Shattered Dreams
Produzent(in):
Calvin Hayes (Actor, keyboard player and drummer with 80s pop band, Johnny Hates Jazz) und Mike Nocito
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1987)
recording of:
Shattered Dreams
Texter und Komponist(in):
Clark Datchler
publisher:
BMG Music Publishing (NYC‐based headquarters, with national subsidiaries under it), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Sweet Oily Music
Johnny Hates Jazz4.53:26
19Free Nelson Mandela
Produzent(in):
Elvis Costello
recording of:
Free Nelson Mandela
Texter und Komponist(in):
Jerry Dammers
publisher:
Plangent Visions Music Ltd. (in 1984)
The Special A.K.A.34:34

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