The Best Smooth Jazz …Ever!

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, 4 vorhanden)

Titelliste

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1▼CD
Nr.TitelKünstlerBewertungLänge
1Canteloop
Interpret(in):
Rahsaan Patterson
recording of:
Cantaloop (Flip Fantasia)
Verfasser(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly (Rahsaan Kelly, appears on “Cantaloop” by Us3), Mel Simpson (Member of Us3) und Geoff Wilkinson
publisher:
Us3 Music
basiert auf:
Cantaloupe Island
recording of:
Cantaloop 2004
Verfasser(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer), Rahsaan Kelly (Rahsaan Kelly, appears on “Cantaloop” by Us3), Mel Simpson (Member of Us3) und Geoff Wilkinson
Us333:44
2The Beat Goes On
vocals:
Cathy Rich
recording of:
The Beat Goes On (arr. Rogers - Buddy Rich version)
Verfasser(in):
Sonny Bono
arranger:
Shorty Rogers (trumpet)
Arrangement von:
The Beat Goes On
live recording of:
The Beat Goes On (arr. Rogers - Buddy Rich version)
Verfasser(in):
Sonny Bono
arranger:
Shorty Rogers (trumpet)
Arrangement von:
The Beat Goes On
Buddy Rich4:57
3California Dreaming
cover recording of:
California Dreamin’
Verfasser(in):
John Phillips (The Mamas & The Papas) und Michelle Phillips
publisher:
American Broadcasting Music, Inc., MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group), Richt & Slezak OHG, Trousdale Music, Trousdale Music Publishers, Inc., Universal Music Corp. (USA, affiliated with ASCAP) und Universal/MCA Music Publishing GmbH
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Bobby Womack3.653:21
4Light My Fire
Gast vocals:
José Feliciano (born 1945, not Cheo Feliciano)
vocals:
Minnie Riperton
cover recording of:
Light My Fire (in 1979)
Verfasser(in):
John Densmore, Robby Krieger (American guitarist, member of The Doors), Ray Manzarek und Jim Morrison (lead vocalist of the Doors)
publisher:
Doors Music Company, Nipper Music, Rondor Music (London) Ltd. und 日音 Synch事業部 (NICHION, INC. Synch Division)
Minnie Riperton & José Feliciano5:09
5Ain't No Sunshine
recording engineer:
Bill Halverson (in 1971) und Bill Lazarus (in 1971)
Produzent(in):
Booker T. Jones
Mix:
John Golden (mastering engineer)
Akustikgitarre:
Stephen Stills (in 1971)
E-Bass:
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (in 1971)
Schlagzeug:
Al Jackson, Jr. (Booker T & The MGs drummer) (in 1971)
Sologesang:
Bill Withers (in 1971)
Saiteninstrumente arranger:
Booker T. Jones
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1971) und Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1972)
Teil von:
BILLIONS CLUB, Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 179), Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 280) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 309)
recording of:
Ain’t No Sunshine (in 1971)
Texter und Komponist(in):
Bill Withers
publisher:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing Ltd. (PRS‐affiliated) und EMI Songs Ltd.
Bill Withers4.552:05
6I Can't Stand the Rain
recording engineer:
Danny Kopelson
assistierende(r) Techniker(in):
Peter Beekerman, Dinji Brown, Bil Emmons, Joe Hogan, Fred Kevorkian und Julio Peralta
Produzent(in):
Craig Street
Mix:
Jimmy Douglass (engineer)
Editing:
Fred Kevorkian
Resonatorgitarre:
Chris Whitley (von 1993-03 bis 1993-07)
Sologesang:
Cassandra Wilson (von 1993-03 bis 1993-07)
arranger:
Chris Whitley und Cassandra Wilson
aufgenommen bei:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten (von 1993-03 bis 1993-07)
mixed at:
Sound on Sound Recording Studios (New York) in New York, New York, Vereinigte Staaten
edited at:
Sear Sound in New York, New York, Vereinigte Staaten
cover recording of:
I Can’t Stand the Rain (von 1993-03 bis 1993-07)
Verfasser(in):
Don Bryant (R&B singer/songwriter), Bernard Miller (US 1970s songwriter) und Ann Peebles
publisher:
Irving Music, Inc. und JEC Publishing (in 1977)
Cassandra Wilson5:26
7We Have All the Time in the World
Produzent(in):
John Barry (English score composer) und Phil Ramone
Sologesang:
Louis Armstrong
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
Metro Goldwyn Mayer (pre‐MGM/UA Entertainment Co. era, 1924–1981)
recording of:
We Have All the Time in the World (from the film “On Her Majesty’s Secret Service”)
Texter:
Hal David
Komponist(in):
John Barry (English score composer)
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated) und EMI United Partnership Ltd.
Teil von:
James Bond themes
Teil von:
On Her Majesty's Secret Service (from the James Bond film)
Louis Armstrong3.53:13
8Fly Me to the Moon
Techniker(in):
David Hassinger
Produzent(in):
Snuff Garrett (aka.Tommy Garrett, singer, songwriter, producer and disc jockey)
vocals:
Julie London
conductor:
Ernie Freeman
arranger:
Ernie Freeman
phonographisches Urheberrecht (℗) von:
Liberty (a division of UMG Recordings, Inc.) (in 1964)
cover recording of:
Fly Me to the Moon
Texter und Komponist(in):
Bart Howard (in 1954)
uraufgeführt von:
Kaye Ballard (in 1954)
publisher:
Almanac Music-Inc., Hampshire House Publishing Corp., Kensington Music Ltd., Palm Valley Music LLC und TRO Essex Music Ltd.
sub-publisher:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division)
Julie London42:33
9I Wish I Knew How It Would Feel to Be Free
Billy Taylor3:40
10Always There
recording of:
Always There (instrumental)
Verfasser(in):
Paul Allen (US songwriter)
Komponist(in):
William Jeffrey und Ronnie Laws
publisher:
Down Yonder Musical Ent Ltd (Great Walrus Ltd Divi) und Fifth Floor Music, Inc.
Ronnie Laws4:52
11More Than This
assistierende(r) Techniker(in):
Reuben Kaller
Techniker(in):
Joe Ferla
Produzent(in):
Joe Ferla und Charlie Hunter
assistierende(r) Mix:
Suzie Barros (engineer)
Gast vocals:
Norah Jones
aufgenommen bei:
Water Music in Hoboken, New Jersey, Vereinigte Staaten
mixed at:
River Sound Studio in New York, New York, Vereinigte Staaten
instrumental cover recording of:
More Than This
Texter und Komponist(in):
Bryan Ferry
publisher:
BMG Platinum Songs US, BMG Rights Management (UK) Ltd. (not for release label use! see annotation), E.G. Music Inc., EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Songs, Inc., Virgin Songs, Inc. und E.G. Music Ltd. (publisher) (in 1982)
Charlie Hunter with Norah Jones34:11
12Sure Thing
Samples:
Harry’s Philosophy von John Lee Hooker (US blues singer, songwriter & guitarist)
Bearbeitung von:
Sure Thing von St Germain (French house/nu jazz project)
recording of:
Sure Thing
Komponist(in):
Ludovic Navarre
publisher:
Primary Society Publishing und Universal Music Publishing France (not for release label use!)
St. Germain3:47
13Inner City Blues
Paul Jackson, Jr.4:40
14I Heard It Through the Grapevine
cover recording of:
I Heard It Through the Grapevine
Verfasser(in):
Barrett Strong und Norman Whitfield
publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), EMI Songs Australia, EMI Songs Scandinavia AB, Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc., Jobette-Carlin Music Ltd., Stone Agate Music, Stone Agate Music Division und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division)
Earl Klugh34:12
15Don't Worry Be Happy
Produzent(in):
Linda Goldstein
phonographisches Urheberrecht (℗) von:
EMI USA (renamed EMI Records USA in the beginning of the 1990s) (in 1988) und EMI–Manhattan Records (company credits only; do NOT use as release label) (in 1988)
Musikvideos:
Don’t Worry, Be Happy von Bobby McFerrin
recording of:
Don’t Worry, Be Happy (in 1988)
Texter und Komponist(in):
Bobby McFerrin
Verfasser(in):
Steve Sidwell (English composer & wind instrumentalist)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships) und Probnoblem Music
Bobby McFerrin3.553:55
16Work Song
recorded in:
New York, New York, Vereinigte Staaten (in 1961)
Produzent(in):
Cal Lampley
Bass:
Chris White (jazz bassist) (in 1961)
Gitarre:
Al Schackman (in 1961)
Klavier und Sologesang:
Nina Simone (in 1961)
Schlagzeug:
Bobby Hamilton (percussionist, keyboards, vocals) (in 1961)
vocals:
Nina Simone
cover recording of:
Work Song (lyrics added by Oscar Brown Jr.) (in 1961)
Texter:
Oscar Brown Jr. (US jazz singer-songwriter from Chicago)
Komponist(in):
Nat Adderley
publisher:
Upam Music Co. und シンコーミュージック・パブリッシャーズ (Shinko Music Publishing Co., Ltd.)
Version von:
Work Song (original instrumental)
Nina Simone4.652:36
17Nature Boy
Geige / Violine:
Harry Bluestone (am 1947-08-22)
Gitarre:
Oscar Moore (am 1947-08-22)
Klavier:
Nat King Cole (am 1947-08-22)
Kontrabass:
Johnny Miller (part of the Nat King Cole Trio) (am 1947-08-22)
Rohrblattinstrumente:
Jules Kinsler (am 1947-08-22)
vocals:
Nat King Cole (am 1947-08-22)
Orchester:
Frank Devol and His Orchestra (am 1947-08-22)
conductor:
Frank De Vol (am 1947-08-22)
Interpret(in):
The Nat King Cole Trio (am 1947-08-22)
arranger:
Frank De Vol
aufgenommen bei:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California (Kalifornien), Vereinigte Staaten (am 1947-08-22)
cover recording of:
Nature Boy (am 1947-08-22)
Texter und Komponist(in):
eden ahbez (in 1947)
publisher:
Burke-Van Heusen, Inc., Crestview Music Corp., David J. Janowiak d/b/a Golden World (music publisher, ASCAP-affiliated), Edwin H. Morris & Company (a division of MPL Communications Inc.) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Nat King Cole42:39
2▼CD
Nr.TitelKünstlerBewertungLänge
1Ain't No Time to Play
recording of:
Ain’t No Time to Play
Verfasser(in):
Keith Elam (Rapper, half of Gang Starr, Gifted Unlimited Rhymes Universal)
Guru feat. Dee C. Lee33:34
2Brown Sugar
recording of:
Brown Sugar
Verfasser(in):
D’Angelo (US soul singer, songwriter & producer) und Ali Shaheed Muhammad
publisher:
1200 Music, Ah Choo Music Publishing, Jazz Merchant Music (Publishing company related to Q-Tip), Universal Music–Z Tunes LLC und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
D’Angelo34:04
3Son of a Preacher Man
phonographisches Urheberrecht (℗) von:
Nashville (country label, used to be under Starday Records in Nashville, TN, today under Capitol Records, Inc.) (in 1969)
cover recording of:
Son of a Preacher Man
Verfasser(in):
John Hurley und Ronnie Wilkins
publisher:
Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020) und Sony/ATV Songs LLC
Bobbie Gentry42:07
43 Is the Magic Number
recording of:
Three Is a Magic Number
Texter und Komponist(in):
Bob Dorough
Bob Dorough43:16
5Rose Rouge
recording of:
Rose rouge (in 2000)
Komponist(in):
Ludovic Navarre
publisher:
Primary Society Publishing
St. Germain4:02
6Strawberry Letter 23
Techniker(in):
Bob "Groovus" Breault, George "General" Beauregard und Willie "The Hand" Greer
Produzent(in):
Johnny Otis
Mix:
Bob "Groovus" Breault
Bass, Gitarre [guitars], Glocken [sleigh and orquestra bells], Klavier, Orgel, Schlagzeug, Slide-Gitarre [bottleneck guitar], tack piano und Hintergrundgesang und Sologesang:
Shuggie Otis
arranger:
Shuggie Otis
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (vom 1971 bis heute)
recording of:
Strawberry Letter 23
Texter und Komponist(in):
Shuggie Otis
publisher:
Shugiterius Music
Shuggie Otis43:59
7Call Me
cover recording of:
Call Me
Texter und Komponist(in):
Tony Hatch
publisher:
ATV Music Ltd., Duchess Music Corporation (BMI-affiliated) und Songs of Universal, Inc. (SOCAN)
Nancy Wilson2:14
8Just My Imagination
Techniker(in):
Val Garay, Steve Maslow und Jim Nipar
Produzent(in):
Fonce Mizell und Larry Mizell
Mix:
David Hassinger
Clavinet und Trompete:
Fonce Mizell (am 1975-08-20)
Conga:
Mayuto Correa (am 1975-08-20) und King Errisson (conguero) (am 1975-08-20)
E-Bass [fender]:
Chuck Rainey (American bassist) (am 1975-08-20)
Flügelhorn und Trompete:
Donald Byrd (American jazz trumpeter) (am 1975-08-20)
Gitarre:
Craig McMullen (am 1975-08-20) und John Rowin (jazz guitarist) (am 1975-08-20)
Hybrid-Piano:
Skip Scarborough (am 1975-08-20)
Klavier:
Larry Mizell (am 1975-08-20)
Perkussion:
Mayuto Correa (am 1975-08-20)
Posaune:
George Bohanon (am 1975-08-20)
Schlagzeug:
Harvey Mason (jazz drummer) (am 1975-08-20)
Tenorsaxophon:
Tyree Glenn, Jr. (am 1975-08-20)
Trompete:
Ray Brown (soul/jazz trumpet player Raymond Lee Brown, 75-) (am 1975-08-20)
Hintergrundgesang:
Kay Haith (vocalist) (am 1975-08-20), Fonce Mizell (am 1975-08-20) und Larry Mizell (am 1975-08-20)
vocals:
Donald Byrd (American jazz trumpeter) (am 1975-08-20)
conductor:
Wade Marcus (am 1975-08-20)
Saiteninstrumente arranger:
Wade Marcus
arranger:
Larry Mizell
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1975-08-20)
cover recording of:
Just My Imagination (Running Away With Me) (am 1975-08-20)
Texter:
Barrett Strong
Komponist(in):
Norman Whitfield
publisher:
Jobete Music (appears also as: Jobete Msc.), Jobete Music (UK) Ltd., Jobete Music Co., Inc. und Stone Agate Music
Donald Byrd4:38
9So Amazing
recording engineer, Techniker(in) und Mix:
Ray Bardani
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marcus Miller (jazz musician) und Luther Vandross
Horn arranger und Saiteninstrumente arranger:
Nat Adderley, Jr. und Paul Riser
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1986) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1986)
mixed at:
Westlake Studios (founded as Westlake Audio in the early 1970s) in West Hollywood, California (Kalifornien), Vereinigte Staaten
recording of:
So Amazing
Texter und Komponist(in):
Luther Vandross
publisher:
EMI April Music Inc., SBK Songs (publisher), Uncle Ronnie’s Music, April Music Inc. (in 1986) und Uncle Ronnie's Music Co. Inc. (in 1986)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Luther Vandross3.53:43
10Time After Time
recording engineer:
Danny Kopelson (von 1998-05 bis 1998-09)
Akustikgitarre:
Marvin Sewell (von 1998-05 bis 1998-09)
Bouzouki und E-Gitarre:
Kevin Breit (von 1998-05 bis 1998-09)
Kontrabass:
Lonnie Plaxico (von 1998-05 bis 1998-09)
Perkussion:
Jeffrey Haynes (US hip hop artist Jeffrey Haynes) (von 1998-05 bis 1998-09)
vocals:
Cassandra Wilson (von 1998-05 bis 1998-09)
aufgenommen bei:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten (von 1998-05 bis 1998-09)
cover recording of:
Time After Time (von 1998-05 bis 1998-09)
Verfasser(in):
Rob Hyman und Cyndi Lauper
publisher:
Sony Songs Inc. (beendet, ), CBS Songs Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Dub Notes Music (publisher) (, in 1984), Gray Matter Music, Human Boy Music, Reilla Music Company, Rella Music Co. (publisher) (, in 1984), Rellla Music Corp., Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing Ltd., Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America, WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division), Warner Brothers Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Cassandra Wilson4:07
11Lovin' You
Mastering:
Kent Duncan
Techniker(in):
Malcolm Cecil und Robert Margouleff
zusätzliche(r) Techniker(in):
Gary Olazabal
Bassgitarre:
Reggie McBride
Conga:
Rocki Dzidzornu
Gitarre:
Michael Sembello
große Trommel, Becken, Mundharmonika, membranophone und Klavier:
El Toro Negro
membranophone:
Ollie E. Brown (US drummer, session musician & record producer)
Hintergrundgesang:
Shirley Brewer, Lani Groves, Deniece Williams (US soul/funk vocalist/songwriter) und Yvonne Wright
Sologesang:
Minnie Riperton
arranger:
Wonderlove (Stevie Wonder alias used to do work outside of Motown)
recording of:
Lovin’ You
Verfasser(in):
Minnie Riperton und Richard Rudolph (American composer, lyricist, multi-instrumentalist, and producer)
publisher:
Campbell Connelly CI Ltd, Campbell Connelly Ltd., Dickiebird Music and Publishing Co., Embassy Music Corporation und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
sub-publisher:
Peermusic (S.E. Asia) Ltd.
Minnie Riperton23:46
12Sister Moon
Bob Belden4:55
13Maybe I'm Amazed
cover recording of:
Maybe I’m Amazed
geschrieben in:
London (Greater London), England, Vereinigtes Königreich (in 1969)
Texter und Komponist(in):
Paul McCartney (The Beatles) (in 1969)
publisher:
Northern Songs Ltd. und Sony/ATV Tunes LLC (ASCAP)
Carleen Anderson5:09
14I'm a Woman
vocals:
Peggy Lee (jazz vocalist) (am 1962-11-14)
conductor:
Benny Carter (am 1962-11-14)
cover recording of:
I’m a Woman (am 1962-11-14)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
Peggy Lee2:11
15Unforgetable
Produzent(in):
Lee Gillette
Klavier:
Nat King Cole (in 1961)
vocals:
Nat King Cole (in 1961)
conductor:
Ralph Carmichael (in 1961)
recording of:
Unforgettable (in 1961)
Texter und Komponist(in):
Irving Gordon (US songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher) und Bourne Music Ltd.
Nat King Cole3.853:28
16Girl From Ipanema
cover recording of:
The Girl From Ipanema
Texter:
Vinicius de Moraes (O poetinha)
Komponist(in):
Antônio Carlos Jobim
Übersetzer:
Norman Gimbel
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Corcovado Music Corp., Duchess Music Corporation (BMI-affiliated), MCA Music Ltd., New Thunder Music Co., Songs of Universal, Inc. (BMI), Universal Duchess Music Corp., Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Windswept Music (London) Ltd. und Words West LLC
sub-publisher:
Universal Music Publishing Ltd. (Hong Kong)
übersetzte Version von:
Garota de Ipanema
Teil von:
The Real Book (compilation of jazz standards, volume I)
Lou Rawls3:49
17Sambop
recorded in:
New York, New York, Vereinigte Staaten (am 1962-12-10)
alto saxophone:
Cannonball Adderley (am 1962-12-10) und Paulo Moura (am 1962-12-10)
Gitarre:
Durval Ferreira (am 1962-12-10)
Klavier:
Sérgio Mendes (am 1962-12-10)
Kontrabass:
Octavio Bailly Jr. (am 1962-12-10)
membranophone:
Dom Um Romão (am 1962-12-10)
Trompete:
Pedro Paulo (am 1962-12-10)
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1999) und Essential Media Group LLC (in 2009)
Cannonball Adderley3:34
18Mas que nada ('Say No More')
cover recording of:
Mas, que nada!
Texter und Komponist(in):
Jorge Ben Jor
Elza Soares2:27
3▼CD
Nr.TitelKünstlerBewertungLänge
1For What It's Worth (Stop Hey What's That Sound)
cover recording of:
For What It’s Worth
Texter und Komponist(in):
Stephen Stills
publisher:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East und Ten‐East Music (BMI)
Lou Rawls2:57
2Joy and Pain
recording of:
Joy and Pain
Texter und Komponist(in):
Frankie Beverly
Maze4:33
3Why Can't We Live Together
recording of:
Why Can’t We Live Together
Texter und Komponist(in):
Timmy Thomas
publisher:
EMI Longitude Music, Sherlyn Music, Southern Music Publishing Company Limited und ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
Timmy Thomas4:01
4That Lady
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1973)
Teil von:
NME: 50 Greatest Guitar Riffs of All Time (2012-10-25) (Nummer: 17), Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 30), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 346) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 349)
recording of:
That Lady
Verfasser(in):
Ernie Isley, Marvin Isley, O’Kelly Isley, Ronald Isley (a.k.a. Mr. Biggs), Rudolph Isley und Chris Jasper
publisher:
Bovina Music Inc., EMI April Music Inc. und EMI Songs Ltd.
Version von:
Who’s That Lady
The Isley Brothers45:37
5You Are the Sunshine of My Life
recording engineer:
Dave Hassinger und Val Christian Garay
assistierende(r) Techniker(in):
James Nipar, John Mills (recording/mix engineer) und Val Christian Garay
Produzent(in):
Chuck Davis (production/engineer) und Larry Mizell
flute:
Bobbi Humphrey (am 1974-06-20)
Moog:
Phil Davis (American jazz & R&B producer, songwriter, keyboardist) (am 1974-06-20)
Schlagzeug:
Harvey Mason (jazz drummer) (am 1974-06-20)
Synthesizer:
Don Preston (piano/keyboards, member of Mothers of Invention) (am 1974-06-20)
conductor:
Larry Mizell (am 1974-06-20)
remixer:
David Hassinger
arranger:
Larry Mizell
phonographisches Urheberrecht (℗) von:
United Artists Music and Records Group, Inc. (UAMARG, Inc.)
aufgenommen bei:
Sound Factory (1969–1980) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1974-06-20)
instrumental cover recording of:
You Are the Sunshine of My Life (am 1974-06-20)
Texter und Komponist(in):
Stevie Wonder
publisher:
Black Bull Music, Inc., Jobete Music Co., Inc. (in 1972) und Stein & Van Stock, Inc. (in 1972)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Bobbi Humphrey2:46
6Save the Children
recording engineer:
Don Hahn (engineer)
Produzent(in):
George Butler
vocals:
Marlena Shaw
arranger:
Wade Marcus
cover recording of:
Save the Children
Verfasser(in):
Renaldo Benson, Al Cleveland (songwriter 1930-1996) und Marvin Gaye
publisher:
EMI Music Publishing France, FCG Music, Jobete Music Co., Inc., MG III Music, NMG Music, Stone Agate Music Corp., イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (vom 2021-07-01 bis heute)
Marlena Shaw4:11
7Stay
cover recording of:
If You Want Me to Stay
Texter und Komponist(in):
Sylvester Stewart
publisher:
Mijac Music
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Mica Paris3:58
8Down That Road
recording of:
Down That Road
Verfasser(in):
Shara Nelson und Prince Be
publisher:
Universal/MCA Music Ltd. (not for release label use!) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Shara Nelson3:46
9Every Day People
Produzent(in):
Speech (US rapper & musician)
recording of:
People Everyday
Texter:
Speech (US rapper & musician)
Komponist(in):
Arrested Development
Arrested Development3.44:09
10Never Come Closer
Doris4:18
11This Will Be
phonographisches Urheberrecht (℗) von:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1987)
Teil von:
RuPaul’s Drag Race Lip Sync Performances (season 4) (Nummer: 3) und Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 316)
recording of:
This Will Be (an Everlasting Love)
Verfasser(in):
Chuck Jackson (songwriter/producer) und Marvin Yancy (R&B/soul singer and pastor)
publisher:
Chappell & Co., Inc. (USA) und Jay’s Enterprises Inc.
Natalie Cole3.52:51
12Every Generation
Ronnie Laws5:53
13Mystic Voyage
Interpret(in):
Roy Ayers
recording of:
Mystic Voyage (Mystic Vibrations)
Komponist(in):
Roy Ayers
publisher:
Arlovol Music und BMG Monarch
Ronny Jordan with Roy Ayers4:16
14Theme From M.A.S.H.
Interpret(in):
Bobby Hutcherson
instrumental cover recording of:
Suicide Is Painless
Texter:
Mike Altman
Komponist(in):
Johnny Mandel (American composer and arranger)
publisher:
Chappell Music Ltd., Twentieth Century Music Corp., WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
Bobby Hutcherson4:29
15Canteloupe Island
recording of:
Cantaloupe Island
Komponist(in):
Herbie Hancock (US jazz pianist, keyboardist, bandleader and composer)
publisher:
Hancock Music Company
Herbie Hancock5:28
16Mercy Mercy
phonographisches Urheberrecht (℗) von:
Dance Plant Records (Cussy Music Publishing) (in 2012) und FHT (in 2012)
recording of:
Mercy, Mercy, Mercy (in 1966-07)
Komponist(in):
Josef Zawinul (jazz and fusion keyboard player)
publisher:
Zawinul Music
Cannonball Adderley3:07
17'round Midnight
Gitarre:
John Collins (US jazz guitarist) (am 1963-05-29)
Kontrabass:
Al McKibbon (double bassist) (am 1963-05-29)
Orgel:
Ernie Freeman (am 1963-05-29)
Schlagzeug:
Milt Turner (am 1963-05-29)
Tenorsaxophon:
Teddy Edwards (jazz saxophonist) (am 1963-05-29)
Trompete:
Carmell Jones (am 1963-05-29)
vocals:
Sarah Vaughan (am 1963-05-29)
arranger:
Gerald Wilson (US jazz trumpeter/bandleader/composer/arranger)
aufgenommen bei:
United Recorders (@ 6050 Sunset Blvd., part of United Western Recorders studio complex 1957–1985) in Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1963-05-29)
cover recording of:
’Round Midnight (am 1963-05-29)
Texter:
Bernie Hanighen
Komponist(in):
Thelonious Monk und Cootie Williams
publisher:
Advanced Music, Advanced Music corp., Productions et Éditions Cinématographiques Françaises, Thelonious Music, Thelonious Music Corporation (publisher, affiliated to BMI), Ultra Empire Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell Music Ltd. (1996–2019) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
basiert auf:
I Need You So
Sarah Vaughan3:35
4▼CD
Nr.TitelKünstlerBewertungLänge
1My Funny Valentine
baritone saxophone:
Gerry Mulligan (am 1952-09-02)
Bass:
Carson Smith (am 1952-09-02)
Schlagzeug:
Chico Hamilton (am 1952-09-02)
Trompete:
Chet Baker (American jazz trumpeter and vocalist) (am 1952-09-02)
phonographisches Urheberrecht (℗) von:
Concord Music Group, Inc. (part of Concord Bicycle Music since 2015/04/01, not for release label use!) (vom 2006 bis heute)
aufgenommen bei:
Black Hawk in San Francisco, California (Kalifornien), Vereinigte Staaten (am 1952-09-02)
instrumental cover recording of:
My Funny Valentine (from “Babes in Arms”) (am 1952-09-02)
Texter:
Lorenz Hart (in 1937)
Komponist(in):
Richard Rodgers (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Touch Music Publishing Pte Ltd., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell (Warner/Chappell Music, Inc.) und Williamson Music Company
sub-publisher:
Warner/Chappell Music, Hong Kong Limited (華納音樂版權香港有限公司, 1995–2019), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Teil von:
Babes in Arms (full musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Teil von:
Waiting to Exhale (1995 film)
Chet Baker12:57
2Something
recording engineer:
John Kurlander (engineer) (von 1984-07 bis 1984-08)
assistierende(r) Techniker(in):
Toby Alington (in 1984)
Produzent(in):
Tony Colton (singer, producer and songwriter), Johnny Harris (Scottish composer, conductor) und Norman Newell (in 1984)
vocals:
Shirley Bassey (Welsh singer) (von 1984-07 bis 1984-08)
Orchester:
London Symphony Orchestra (von 1984-07 bis 1984-08)
conductor:
Johnny Harris (Scottish composer, conductor) und Carl Davis (conductor and composer) (von 1984-07 bis 1984-08)
arranger:
Johnny Harris (Scottish composer, conductor)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC. (not for release label use! fka Capitol Records, Inc. until 2007) (in 1970) und Towerbell Records (in 1984)
aufgenommen bei:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Vereinigtes Königreich (von 1984-07 bis 1984-08)
cover recording of:
Something (von 1984-07 bis 1984-08)
Texter und Komponist(in):
George Harrison (The Beatles)
publisher:
EMI Music Publishing (do not use as a release label!), Harrisongs Ltd. und Nichion Synch Division (NICHION, INC. Synch Division)
Shirley Bassey33:34
3Cry Me a River
Techniker(in):
John Kraus (1950s US engineer) (in 1955-08)
Produzent(in):
Bobby Troup
Gitarre:
Barney Kessel
Kontrabass [bass]:
Ray Leatherwood
vocals:
Julie London (in 1955-08)
phonographisches Urheberrecht (℗) von:
Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1957)
aufgenommen bei und mixed at:
AIR Studios (Lyndhurst Hall 1991–present) in Hampstead, Camden (London Borough of Camden), London (Greater London), England, Vereinigtes Königreich
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1955 (Nummer: 15)
recording of:
Cry Me a River (in 1955-08)
Texter und Komponist(in):
Arthur Hamilton
publisher:
Chappell & Co., Inc. (USA), Chappell Music Co. Inc., Harmony Grace Publishing, Saunders Publications Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09), Daksel Music Corp. (in 1982) und Song and Dance Music Co. (in 1982)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Julie London4.652:49
4Here's That Rainy Day
cover recording of:
Here’s That Rainy Day
Texter:
Johnny Burke (American lyricist, 1908–1964)
Komponist(in):
Jimmy Van Heusen
publisher:
Bourne Co. (not for release label use, this is a music publisher), Burke-Van Heusen, Inc., Campbell Connelly & Co. Ltd., Chappell Morris Ltd., Dorsey Bros. Music Inc., Edwin H. Morris & Co., Inc. (a division of MPL Communications Inc.), Music Sales Corporation (American copyright holder in both popular and classical music) und Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Peggy Lee2:47
5I’m Just a Lucky So and So
recording engineer:
Ray Hall (engineer)
Produzent(in):
Bob Thiele (producer & songwriter) (am 1961-04-04)
Klarinette:
Barney Bigard (am 1961-04-04)
Klavier:
Duke Ellington (US composer, pianist & jazz bandleader) (am 1961-04-04)
Kontrabass:
Mort Herbert (am 1961-04-04)
Posaune:
Trummy Young (am 1961-04-04)
Schlagzeug:
Danny Barcelona (am 1961-04-04)
Trompete:
Louis Armstrong (am 1961-04-04)
vocals:
Louis Armstrong (am 1961-04-04)
aufgenommen bei:
RCA Studios (New York, later noted as RCA Recording Studios) in New York, New York, Vereinigte Staaten (am 1961-04-04)
recording of:
I’m Just a Lucky So and So (am 1961-04-04)
Texter:
Mack David (American lyricist and songwriter) (in 1945)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1945)
publisher:
Paramount Music Corporation und PolyGram International (renamed Universal PolyGram International Publishing, Inc. circa 1998)
Duke Ellington and Louis Armstrong43:07
6Stormy Weather
cover recording of:
Stormy Weather
Texter:
Ted Koehler (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Arko Music Corp., EMI Music Publishing (do not use as a release label!), Fred Ahlert Mus. Corp., Mills Music, Inc., S.A. Music Co., Ted Koehler Music Co. und The Songwriters Guild
Sarah Vaughan3:28
7Autumn Leaves
recording of:
Autumn Leaves (jazz standard, English lyrics)
Texter:
Jacques Prévert (in 1945)
Komponist(in):
Joseph Kosma (composer) (in 1945)
Übersetzer:
Johnny Mercer (in 1947)
publisher:
Ardmore Music Corp., Enoch & Cie., Morley Music Corp. und MPL Communications Inc. (Paul McCartney‐related, NYC‐based company)
übersetzte Version von:
Les Feuilles mortes (Autumn Leaves)
Miles Davis & Cannonball Adderley5:14
8Thinking About Your Body
Bobby McFerrin3:12
9While I’m Alone
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Frankie Beverly
recording of:
While I'm Alone
Komponist(in):
Frankie Beverly
Maze feat. Frankie Beverly14:37
10Living for the City
Noel Pointer5:19
11Living Inside Your Love
Earl Klugh5:38
12Me and Mrs Jones
cover recording of:
Me and Mrs. Jones
Verfasser(in):
Kenneth Gamble (songwriter for Philadelphia International), Cary Gilbert und Leon Huff (Philly soul producer, of Gamble & Huff)
publisher:
Warner Chappell Music Ltd. (no slash; used 1988–1996)
sub-publisher:
Yamaha Music Entertainment (Japanese label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Ronnie Foster4:24
13Misty Blue
cover recording of:
Misty Blue
Texter und Komponist(in):
Bob Montgomery (USA)
publisher:
Reservoir One America und Talmont Music (publisher) (vom 1966 bis heute)
Ella Fitzgerald3:33
14I’ve Been Loving You Too Long (To Stop Now)
Tina Turner3:56
15You Made Me So Very Happy
Lou Rawls4:27
16Woman of the Ghetto
recording of:
Woman of the Ghetto
Verfasser(in):
Richard Evans (US jazz/soul bassist, composer, arranger and producer), Bobby Miller (US songwriter & record producer) und Marlena Shaw
Marlena Shaw58:23

Nennungen

Veröffentlichungsgruppe

Teil von:The Best …Ever! (Reihenfolge: 1)
Discogs:https://www.discogs.com/master/419805 [Info]
Wikidata:Q954750 [Info]