The First Four Albums

~ Release by Barney Kessel (see all versions of this release, 1 available)

Tracklist

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1▼CD
#TitleRatingLength
1Easy Like
4:06
2Tenderly
engineer:
Val Valentin
producer:
Lester Koenig
double bass [bass]:
Harry Babasin (on 1953-11-14)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-11-14)
guitar:
Barney Kessel (on 1953-11-14)
piano:
Arnold Ross (on 1953-11-14)
woodwind:
Bud Shank (on 1953-11-14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-11-14)
instrumental cover recording of:
Tenderly (on 1953-11-14)
lyricist:
Jack Lawrence (US songwriter) (in 1946)
composer:
Walter Gross (American composer) (in 1946)
publisher:
Chappell & Co., Chappell Morris Music, Chappell/Morris Ltd., Edwin Morris Music and Range Road Music
3:15
3Lullaby of Birdland
engineer and audio engineer:
Val Valentin
producer:
Lester Koenig
alto saxophone, flute and woodwind:
Bud Shank (on 1953-12-19)
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
double bass [bass]:
Harry Babasin (on 1953-12-19)
drums (drum set):
Mel Lewis (American jazz drummer) and Shelly Manne (US jazz drummer) (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Jimmy Rowles and Arnold Ross (on 1953-12-19)
tenor saxophone:
Harold Land (US jazz tenor saxophonist)
trumpet:
Pete Candoli
vibraphone:
Larry Bunker
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1953-12-19) and Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-19)
instrumental recording of:
Lullaby of Birdland (George Shearing/George David Weiss (as B. Y. Forster) jazz standard) (on 1953-12-19)
lyricist:
B. Y. Forster (pseudonym of George David Weiss)
writer:
George David Weiss
composer:
George Shearing (British jazz pianist)
publisher:
EMI Longitude Music, Good Music Limited and Planetary Nom (London) Ltd.
sub-publisher:
ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
3:10
4What Is There to Say
engineer:
Val Valentin
producer:
Lester Koenig
double bass [bass]:
Harry Babasin (on 1953-12-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Arnold Ross (on 1953-12-19)
woodwind:
Bud Shank (on 1953-12-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-19)
instrumental cover recording of:
What Is There to Say? (on 1953-12-19)
lyricist:
Yip Harburg
composer:
Vernon Duke
publisher:
BMG Songs, Next Decade Entertainment and T.B. Harms Co.
3:35
5Bernardo
engineer:
Val Valentin
producer:
Lester Koenig
double bass [bass]:
Harry Babasin (on 1953-11-14)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-11-14)
guitar:
Barney Kessel (on 1953-11-14)
piano:
Arnold Ross (on 1953-11-14)
woodwind:
Bud Shank (on 1953-11-14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-11-14)
recording of:
Bernardo (on 1953-11-14)
composer:
Barney Kessel
2:36
6Vicky's Dream
engineer:
Val Valentin
producer:
Lester Koenig
double bass [bass]:
Harry Babasin (on 1953-11-14)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-11-14)
guitar:
Barney Kessel (on 1953-11-14)
piano:
Arnold Ross (on 1953-11-14)
woodwind:
Bud Shank (on 1953-11-14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-11-14)
recording of:
Vicky's Dream (on 1953-11-14)
composer:
Barney Kessel
2:53
7Salute to Charlie Christian
engineer:
Val Valentin
producer:
Lester Koenig
double bass [bass]:
Harry Babasin (on 1953-12-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Arnold Ross (on 1953-12-19)
woodwind:
Bud Shank (on 1953-12-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-19)
recording of:
Salute to Charlie Christian (on 1953-12-19)
composer:
Barney Kessel
3:18
8That's All
4:11
9I Let a Song Go Out of My Heart
engineer:
Val Valentin
producer:
Lester Koenig
double bass [bass]:
Harry Babasin (on 1953-12-19)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-12-19)
guitar:
Barney Kessel (on 1953-12-19)
piano:
Arnold Ross (on 1953-12-19)
woodwind:
Bud Shank (on 1953-12-19)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-12-19)
instrumental cover recording of:
I Let a Song Go Out of My Heart (on 1953-12-19)
lyricist:
Irving Mills (in 1938), Henry Nemo (in 1938) and John Redmond (House vocalist) (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
part of:
The Real Book (compilation of jazz standards, volume I)
3:40
10Just Squeeze Me
engineer:
Val Valentin
producer:
Lester Koenig
double bass [bass]:
Harry Babasin (on 1953-11-14)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1953-11-14)
guitar:
Barney Kessel (on 1953-11-14)
piano:
Arnold Ross (on 1953-11-14)
woodwind:
Bud Shank (on 1953-11-14)
recorded at:
Radio Recorders Studios (Santa Monica Blvd. location since 1949) in West Hollywood, California, United States (on 1953-11-14)
instrumental cover recording of:
Just Squeeze Me (but Don’t Tease Me) (on 1953-11-14)
lyricist:
Lee Gaines (in 1941)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941)
3:00
11April in Paris
2:47
12North of the Border
2:46
13Speak Low
recorded in:
Los Angeles, California, United States (on 1954-06-04)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-06-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-06-04)
guitar:
Barney Kessel (on 1954-06-04)
piano:
Claude Williamson (on 1954-06-04)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-06-04)
instrumental cover recording of:
Speak Low (from "One Touch of Venus") (Fox Trot Arrangement (Beguine Tempo)) (on 1954-06-04)
lyricist:
Ogden Nash
composer:
Kurt Weill (composer)
arranger:
Jack Mason (classical arranger)
arrangement of:
Speak Low (One Touch of Venus)
2:45
14Love Is Here to Stay
recorded in:
Los Angeles, California, United States (on 1954-07-01)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-07-01)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-07-01)
guitar:
Barney Kessel (on 1954-07-01)
piano:
Claude Williamson (on 1954-07-01)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-07-01)
instrumental cover recording of:
Love Is Here to Stay (on 1954-07-01)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer)
publisher:
Chappell & Co Ltd., Chappell & Co., Inc. (USA), Chappell Music Ltd., Frankie G. Songs, George Gershwin Music, Ira Gershwin Music, Nokawi Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Chappell Music Ltd. (no slash; used 1988–1996), WB Music Corp. (1929–2019) (until 2019-05-28), Gershwin Publishing Corp (in 1938) and WC Music Corp. (from 2019-05-28 to present)
sub-publisher:
Chappell Music (UK), ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) and ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
part of:
The Goldwyn Follies
3:27
15On a Slow Boat to China
recorded in:
Los Angeles, California, United States (on 1954-06-04)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-06-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-06-04)
guitar:
Barney Kessel (on 1954-06-04)
piano:
Claude Williamson (on 1954-06-04)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-06-04)
instrumental cover recording of:
On a Slow Boat to China (on 1954-06-04)
lyricist and composer:
Frank Loesser
publisher:
Frank Music Corp., MPL UK Publishing, Sony Music Publishing (Japan) Inc. (song publisher, never a release label) and ヤマハミュージックEH(CM) (Yamaha Music EH(CM))
3:18
16How Long Has This Been Going On
recorded in:
Los Angeles, California, United States (on 1954-07-01)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-07-01)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-07-01)
guitar:
Barney Kessel (on 1954-07-01)
piano:
Claude Williamson (on 1954-07-01)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-07-01)
instrumental cover recording of:
How Long Has This Been Going On? (Funny Face, 1957 film) (on 1954-07-01)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
New World Music Co. (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Rosalie
3:20
17My Old Flame
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
drums (drum set):
Chuck Thompson (1940s–50s US jazz drummer) (on 1955-09-12)
guitar:
Barney Kessel (on 1955-09-12)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1955-09-12)
instrumental recording of:
My Old Flame (on 1955-09-12)
lyricist:
Sam Coslow
composer:
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
43:39
18Jeepers Creepers
3:51
19Barney's Blues
recorded in:
Los Angeles, California, United States (on 1954-07-01)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-07-01)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-07-01)
guitar:
Barney Kessel (on 1954-07-01)
piano:
Claude Williamson (on 1954-07-01)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-07-01)
recording of:
Barney's Blues (on 1954-07-01)
composer:
Barney Kessel
3:01
20Prelude to a Kiss
recorded in:
Los Angeles, California, United States (on 1954-06-04)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-06-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-06-04)
guitar:
Barney Kessel (on 1954-06-04)
piano:
Claude Williamson (on 1954-06-04)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-06-04)
instrumental cover recording of:
Prelude to a Kiss (on 1954-06-04)
lyricist:
Irving Gordon (US songwriter) (in 1938) and Irving Mills (in 1938)
composer:
Duke Ellington (US composer, pianist & jazz bandleader) (in 1938)
publisher:
J. R. Lafleur & Son Ltd. and Lafleur Music Ltd.
3:13
21A Foggy Day
recorded in:
Los Angeles, California, United States (on 1954-06-04)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-06-04)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-06-04)
guitar:
Barney Kessel (on 1954-06-04)
piano:
Claude Williamson (on 1954-06-04)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-06-04)
instrumental cover recording of:
A Foggy Day (in London Town) (on 1954-06-04)
lyricist:
Ira Gershwin (in 1937)
composer:
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Gershwin Publishing Corp, Warner Chappell North America Ltd. and WB Music Corp. (1929–2019) (until 2019-05-28)
part of:
A Damsel in Distress (1937 film score)
3:11
22You Stepped Out of a Dream
double bass:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-09-12)
drums (drum set):
Chuck Thompson (1940s–50s US jazz drummer) (on 1955-09-12)
guitar:
Barney Kessel (on 1955-09-12)
piano:
Hampton Hawes (on 1955-09-12)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1955-09-12)
instrumental cover recording of:
You Stepped Out of a Dream (Ziegfeld Girl, 1941 film) (on 1955-09-12)
lyricist:
Gus Kahn
composer:
Nacio Herb Brown (US songwriter)
publisher:
EMI Feist Catalog Inc.
part of:
Ziegfeld Girl (1941)
2:52
23I Didn't Know What Time It Was
3:56
2464 Bars on Wilshire
recorded in:
Los Angeles, California, United States (on 1954-07-01)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Monty Budwig (on 1954-07-01)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1954-07-01)
guitar:
Barney Kessel (on 1954-07-01)
piano:
Claude Williamson (on 1954-07-01)
tenor saxophone:
Bob Cooper (US jazz saxophonist) (on 1954-07-01)
recording of:
64 Bars on Wilshire (on 1954-07-01)
composer:
Barney Kessel
3:18
2▼CD
#TitleRatingLength
1Begin the Blues
recorded in:
Los Angeles, California, United States (on 1955-07-26)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-07-26)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-07-26)
guitar:
Al Hendrickson (on 1955-07-26) and Barney Kessel (on 1955-07-26)
piano:
Jimmy Rowles (on 1955-07-26)
recording of:
Begin the Blues (on 1955-07-26)
composer:
Barney Kessel
4:31
2Louisiana
recorded in:
Los Angeles, California, United States (on 1955-07-26)
engineer:
John Palladino
producer:
Lester Koenig
bass:
Red Mitchell (jazz double-bassist, composer and lyricist)
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-07-26)
drums (drum set):
Irv Cottler (on 1955-07-26)
guitar:
Al Hendrickson (on 1955-07-26) and Barney Kessel (on 1955-07-26)
piano:
Jimmy Rowles (on 1955-07-26)
tenor saxophone:
Georgie Auld (on 1955-07-26)
trumpet:
Harry Edison (on 1955-07-26)
recorded at:
Contemporary Records in Los Angeles, California, United States (on 1955-07-26)
cover recording of:
Louisiana (on 1955-07-26)
lyricist:
Andy Razaf and Bob Schafer
composer:
J.C. Johnson
instrumental recording of:
Louisiana (on 1955-07-26)
lyricist:
Andy Razaf and Bob Schafer
composer:
J.C. Johnson
3:58
3Happy Feeling
recorded in:
Los Angeles, California, United States (on 1955-03-28)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-03-28)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-03-28)
guitar:
Al Hendrickson (on 1955-03-28) and Barney Kessel (on 1955-03-28)
piano:
Jimmy Rowles (on 1955-03-28)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-03-28)
trumpet:
Harry “Sweets” Edison (on 1955-03-28)
recording of:
Happy Feeling (on 1955-03-28)
composer:
Barney Kessel
4:00
4Embraceable You
recorded in:
Los Angeles, California, United States (on 1955-07-26)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-07-26)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-07-26)
guitar:
Al Hendrickson (on 1955-07-26) and Barney Kessel (on 1955-07-26)
piano:
Jimmy Rowles (on 1955-07-26)
instrumental cover recording of:
Embraceable You (on 1955-07-26)
lyricist:
Ira Gershwin (in 1928)
composer:
George Gershwin (composer) (in 1928)
publisher:
Ira Gershwin Music, New World Music (new age music), New World Music Corp., Warner Bros. Music Corp., Warner/Chappell Music Ltd. (1996–2019), WB Music Corp. (1929–2019) (until 2019-05-28) and WC Music Corp. (from 2019-05-28 until 2024-01-01)
part of:
Crazy for You (1992 musical)
part of:
Girl Crazy (1930 Musical)
part of:
When the Boys Meet the Girls (1965 film)
3:25
5Wail Street
recorded in:
Los Angeles, California, United States (on 1955-03-28)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-03-28)
drums (drum set):
Irv Cottler (on 1955-03-28)
guitar:
Al Hendrickson (on 1955-03-28) and Barney Kessel (on 1955-03-28)
piano:
Jimmy Rowles (on 1955-03-28)
tenor saxophone:
Georgie Auld (on 1955-03-28)
trumpet:
Harry “Sweets” Edison (on 1955-03-28)
recording of:
Wail Street (on 1955-03-28)
composer:
Barney Kessel
4.054:28
6Indiana
recorded in:
Los Angeles, California, United States (on 1955-07-26)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-07-26)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-07-26)
guitar:
Al Hendrickson (on 1955-07-26) and Barney Kessel (on 1955-07-26)
piano:
Jimmy Rowles (on 1955-07-26)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-07-26)
trumpet:
Harry “Sweets” Edison (on 1955-07-26)
instrumental recording of:
Indiana (Back Home Again in Indiana) (on 1955-07-26)
lyricist:
Ballard MacDonald (in 1917)
composer:
James F. Hanley (in 1917)
publisher:
B. Feldman & Co. Ltd. (publisher est. 1946)
3:13
7Moten Swing
recorded in:
Los Angeles, California, United States (on 1955-07-26)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-07-26)
drums (drum set):
Irv Cottler (on 1955-07-26)
guitar:
Al Hendrickson (on 1955-07-26) and Barney Kessel (on 1955-07-26)
piano:
Jimmy Rowles (on 1955-07-26)
tenor saxophone:
Georgie Auld (on 1955-07-26)
trumpet:
Harry “Sweets” Edison (on 1955-07-26)
cover recording of:
Moten Swing (on 1955-07-26)
writer:
Bennie Moten (jazz pianist)
composer:
Bennie Moten (jazz pianist), Ira E. "Buster" Moten, Count Basie (pianist) (in 1930) and Eddie Durham (American guitarist, trombonist, composer and arranger.) (in 1930)
3:59
8Midnight Sun
recorded in:
Los Angeles, California, United States (on 1955-07-26)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-07-26)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-07-26)
guitar:
Al Hendrickson (on 1955-07-26) and Barney Kessel (on 1955-07-26)
piano:
Jimmy Rowles (on 1955-07-26)
instrumental recording of:
Midnight Sun (on 1955-07-26)
lyricist:
Johnny Mercer (in 1954)
composer:
Johnny Mercer, Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader) (in 1947) and Lionel Hampton (in 1947)
3:10
9Contemporary Blues
recorded in:
Los Angeles, California, United States (on 1955-03-28)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-03-28)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-03-28)
guitar:
Al Hendrickson (on 1955-03-28) and Barney Kessel (on 1955-03-28)
piano:
Jimmy Rowles (on 1955-03-28)
tenor saxophone:
Bill Perkins (jazz saxophonist) (on 1955-03-28)
trumpet:
Harry “Sweets” Edison (on 1955-03-28)
recording of:
Contemporary Blues (on 1955-03-28)
composer:
Barney Kessel
4:10
10Don't Blame Me
recorded in:
Los Angeles, California, United States (on 1955-07-26)
engineer:
John Palladino
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1955-07-26)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1955-07-26)
guitar:
Al Hendrickson (on 1955-07-26) and Barney Kessel (on 1955-07-26)
piano:
Jimmy Rowles (on 1955-07-26)
instrumental recording of:
Don’t Blame Me (on 1955-07-26)
lyricist:
Dorothy Fields (American librettist and lyricist)
composer:
Jimmy McHugh (songwriter)
publisher:
EMI Robbins Catalog Inc. (ASCAP) and Ireneadele Publishing
2:58
11Cheerful Little Earful
engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-10-15)
guitar:
Barney Kessel (on 1956-10-15)
piano:
Jimmy Rowles (on 1956-10-15)
woodwind:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-10-15)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-10-15)
instrumental recording of:
Cheerful Little Earful (on 1956-10-15)
lyricist:
Ira Gershwin (in 1930) and Billy Rose (lyricist and Broadway producer) (in 1930)
composer:
Harry Warren (US composer and lyricist) (in 1930)
3:28
12Makin' Whoopee
engineer:
Roy DuNann
producer:
Lester Koenig
clarinet:
Justin Gordon (on 1956-08-06) and George W. Smith (on 1956-08-06)
double bass [bass]:
Buddy Clark (US jazz bassist) (on 1956-08-06)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1956-08-06)
guitar:
Barney Kessel (on 1956-08-06)
piano:
André Previn (pianist, conductor, composer, arranger) (on 1956-08-06)
wind instruments:
Jules Jacob (US jazz woodwind player) (on 1956-08-06) and Howard Terry (on 1956-08-06)
woodwind:
Buddy Collette (on 1956-08-06)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-08-06)
instrumental recording of:
Makin’ Whoopee! (on 1956-08-06)
lyricist:
Gus Kahn
composer:
Walter Donaldson
translator:
Harrie Geelen
publisher:
Beth Dryer Music, Donaldson Publishing Co., EMI Music Publishing Ltd. (PRS‐affiliated), Gilbert Keyes Music Company, Keith Prowse Music Publishing Co. Ltd., Tobago Music Co. and WB Music Corp. (1929–2019)
3:21
13My Reverie
engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-10-15)
guitar:
Barney Kessel (on 1956-10-15)
piano:
Jimmy Rowles (on 1956-10-15)
woodwind:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-10-15)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-10-15)
recording of:
My Reverie (Debussy’s “Reverie”) (Adap. de Larry Clinton) (on 1956-10-15)
lyricist:
Larry Clinton (in 1938)
writer:
André Baruch
composer:
Claude Debussy (French composer) (in 1890)
arranger:
Larry Clinton
arrangement of:
Rêverie, L. 68, CD 76 (for piano)
is based on:
Rêverie, L. 68, CD 76 (for piano)
2:33
14Blues for a Playboy
engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-10-15)
guitar:
Barney Kessel (on 1956-10-15)
piano:
Jimmy Rowles (on 1956-10-15)
woodwind:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-10-15)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-10-15)
4:02
15Love Is for the Very Young
engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-12-04)
guitar:
Barney Kessel (on 1956-12-04)
piano:
Jimmy Rowles (on 1956-12-04)
woodwind:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-12-04)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-12-04)
recording of:
Love Is for the Very Young
writer:
David Raksin
2:30
16Carioca
engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-10-15)
guitar:
Barney Kessel (on 1956-10-15)
piano:
Jimmy Rowles (on 1956-10-15)
woodwind:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-10-15)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-10-15)
instrumental recording of:
Carioca (from "Flying Down to Rio") (on 1956-10-15)
lyricist:
Edward Eliscu and Gus Kahn
composer:
Vincent Youmans
part of:
Academy Award for Best Original Song (number: 1934 nominee)
4:34
17Mountain Greenery
engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-12-04)
guitar:
Barney Kessel (on 1956-12-04)
piano:
Claude Williamson (on 1956-12-04)
woodwind:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-12-04)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-12-04)
instrumental recording of:
Mountain Greenery (on 1956-12-04)
lyricist:
Lorenz Hart (in 1926)
composer:
Richard Rodgers (composer) (in 1926)
3:51
18Indian Summer
engineer:
Roy DuNann
producer:
Lester Koenig
double bass [bass]:
Red Mitchell (jazz double-bassist, composer and lyricist) (on 1956-12-04)
guitar:
Barney Kessel (on 1956-12-04)
piano:
Jimmy Rowles (on 1956-12-04)
woodwind:
Ted Nash (40s-80s US swing reedman, uncle of the other) (on 1956-12-04)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-12-04)
instrumental recording of:
Indian Summer (on 1956-12-04)
lyricist:
Al Dubin (in 1939)
composer:
Victor Herbert (American composer) (in 1919)
publisher:
Harms, Inc.
5:02
19Gone With the Wind
engineer:
Roy DuNann
producer:
Lester Koenig
clarinet:
Justin Gordon (on 1956-08-06) and George W. Smith (on 1956-08-06)
double bass [bass]:
Buddy Clark (US jazz bassist) (on 1956-08-06)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1956-08-06)
guitar:
Barney Kessel (on 1956-08-06)
piano:
André Previn (pianist, conductor, composer, arranger) (on 1956-08-06)
wind instruments:
Jules Jacob (US jazz woodwind player) (on 1956-08-06) and Howard Terry (on 1956-08-06)
woodwind:
Buddy Collette (on 1956-08-06)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-08-06)
instrumental recording of:
Gone With the Wind (on 1956-08-06)
lyricist:
Herb Magidson
composer:
Herb Magidson and Allie Wrubel (US composer and songwriter)
publisher:
Bourne Co. (not for release label use, this is a music publisher)
2:47
20Laura
engineer:
Roy DuNann
producer:
Lester Koenig
guitar:
Barney Kessel (on 1956-12-04)
piano:
Jimmy Rowles (on 1956-12-04)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-12-04)
instrumental recording of:
Laura (1945 song) (on 1956-12-04)
lyricist:
Johnny Mercer (in 1945)
composer:
David Raksin (in 1944)
publisher:
EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., Robbins Music Corp., Twentieth Century Music Corp. and United Partnership Ltd.
version of:
Laura (original 1944 film theme)
3:27
21I Love You
engineer:
Roy DuNann
producer:
Lester Koenig
clarinet:
Justin Gordon (on 1956-08-06) and George W. Smith (on 1956-08-06)
double bass [bass]:
Buddy Clark (US jazz bassist) (on 1956-08-06)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1956-08-06)
guitar:
Barney Kessel (on 1956-08-06)
piano:
André Previn (pianist, conductor, composer, arranger) (on 1956-08-06)
wind instruments:
Jules Jacob (US jazz woodwind player) (on 1956-08-06) and Howard Terry (on 1956-08-06)
woodwind:
Buddy Collette (on 1956-08-06)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-08-06)
instrumental recording of:
I Love You (Mexican Hayride musical) (on 1956-08-06)
lyricist and composer:
Cole Porter (composer) (in 1944)
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK), EMI Feist Catalog Inc. and Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
3:32
22Fascinating Rhythm
engineer:
Roy DuNann
producer:
Lester Koenig
clarinet:
Justin Gordon (on 1956-08-06) and George W. Smith (on 1956-08-06)
double bass [bass]:
Buddy Clark (US jazz bassist) (on 1956-08-06)
drums (drum set):
Shelly Manne (US jazz drummer) (on 1956-08-06)
guitar:
Barney Kessel (on 1956-08-06)
piano:
André Previn (pianist, conductor, composer, arranger) (on 1956-08-06)
wind instruments:
Jules Jacob (US jazz woodwind player) (on 1956-08-06) and Howard Terry (on 1956-08-06)
woodwind:
Buddy Collette (on 1956-08-06)
arranger:
Barney Kessel
recorded at:
Contemporary’s Studio in Los Angeles, California, United States (on 1956-08-06)
instrumental recording of:
Fascinatin’ Rhythm (on 1956-08-06)
lyricist:
Ira Gershwin
composer:
George Gershwin (composer) (in 1924)
publisher:
WB Music Corp. (renewed) (1929–2019) and Harms, Inc. (in 1924)
part of:
Girl Crazy (1930 Musical)
part of:
Lady, Be Good (full musical)
2:31

Credits

Release

ASIN:UK: B0012SWVKG [info]