Just Acoustic: 80 Classic Acoustic Songs

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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1▼CD
#TitoloArtistaValutazioneDurata
1The Scientist
tecnico di registrazione e tecnico:
Ken Nelson (UK record producer)
tecnico di registrazione aggiunto e produttore aggiunto:
Mark Phythian
tecnico aggiunto:
Rik Simpson
produttore:
Coldplay e Ken Nelson (UK record producer)
tecnico di missaggio:
Coldplay, Ken Nelson (UK record producer) e Mark Phythian
basso elettrico :
Guy Berryman
batteria , percussione e voce di accompagnamento:
Will Champion
chitarra acustica :
Jonny Buckland e Chris Martin (lead singer of Coldplay)
chitarra elettrica :
Jonny Buckland
pianoforte e voce principale:
Chris Martin (lead singer of Coldplay)
diritti fonografici (℗) detenuti da:
Parlophone Records Ltd (not for release label use! a Warner Music Group company) (nel 2002)
video musicali:
The Scientist di Coldplay
parte di:
Indie 88: Top 500 Indie Rock Songs (numero: 172)
registrazione di:
The Scientist
autore:
Guy Berryman, Jonny Buckland, Will Champion e Chris Martin (lead singer of Coldplay)
editore:
BMG Music Publishing Ltd.
Coldplay4.255:10
2Hand in My Pocket (acoustic)
tecnico di registrazione e tecnico di missaggio:
Bill Malina
assistente tecnico:
Jason Rankins
produttore:
Glen Ballard
registrazione di:
Hand in My Pocket
paroliere:
Alanis Morissette
compositore:
Glen Ballard e Alanis Morissette
editore:
Songs of Universal, Inc. (BMI) e Vanhurst Place Music
parte di:
Jagged Little Pill (the musical)
Alanis Morissette3.54:30
3New Rules (acoustic)
registrazione di:
New Rules
autore:
Caroline Ailin, Ian Kirkpatrick (producer/songwriter) e Emily Warren
editore:
BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Buckley Tenenbaum Publishing, KMR Music Royalties II SCSp, Prescription Songs, Under Warrenty Publishing, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Waterfall Music
sub-editore:
BMG Rights Management GmbH (not for release label use! file releases under its imprint “BMG” (2008–present)), BMG Rights Management Scandinavia AB (not for release label use! use it’s imprint “BMG (2008–present)”), Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., Neue Welt Musikverlag GmbH (2017 – present), Prescription Songs, LLC, Warner Bros., Inc. (not for release label use!) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Dua Lipa3:31
4Tears (acoustic piano version)
strumenti e esecutore:
Clean Bandit
voce:
Louisa (British singer, X Factor UK winner)
registrazione di:
Tears
autore:
Jack Patterson (British multi-instrumentalist , singer-songwriter) e RØMANS (Sam Roman, singer / songwriter / producer)
editore:
EMI Music Publishing Ltd. (PRS‐affiliated), Sam Roman Music, LLP, Songs of Roc Nation Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Clean Bandit (feat. Louisa Johnson)2.53:41
5Smile
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 2006)
registrazione di:
Smile
paroliere:
Lily Allen, Darren Lewis e Iyiola Babalola (drum n bass producer Iyiola Babalola)
autore aggiunto:
Clement “Coxsone” Dodd
compositore:
Jackie Mittoo
editore:
Sparta Florida Music Group e Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group)
sub-editore:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
si basa su:
Free Soul
Lily Allen3:21
6I Hate You, I Love You
registrazione di:
I Hate U, I Love U
Gnash (feat. Olivia O’Brien)3.053:46
7Last Request (live & acoustic version)
registrazione dal vivo di:
Last Request
autore:
Matt Benbrook, Jim Duguid e Paolo Nutini
Paolo Nutini3:14
8Sun Comes Up (acoustic)
registrazione di:
Sun Comes Up
autore:
Piers Aggett, Amir Amor, Kesi Dryden, Cass Lowe e Leon Rolle
Rudimental feat. James Arthur4:15
9Grenade (acoustic)
diritti fonografici (℗) detenuti da:
Elektra Entertainment Group Inc. (not for release label use! a division of Warner Music Group) (nel 2011) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 2011)
registrazione di:
Grenade
autore:
Brody Brown, Claude Kelly, Philip Lawrence (urban songwriter/producer, of The Smeezingtons), Ari Levine, Bruno Mars (US singer) e Andrew Wyatt (US musician, singer/songwriter, and producer)
editore:
Art for Art's Sake Music, Bughouse, Concord Road (BMI), Downtown DMP Songs, Late 80’s Music, Mars Force Music, Roc Nation Music, Studio Beast Music (publishing company linked to Claude Kelly), Toy Plane Music, Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Westside Independent Music Publishing
Bruno Mars34:10
10Wings (acoustic)
registrazione di:
Wings
autore:
Jasmine van den Bogaerde (UK singer Jasmine van den Bogaerde) e Ryan Tedder (American singer, songwriter, and producer)
editore:
Good Soldier Songs e Write 2 Live
Birdy2.353:41
11I Won’t Give Up
programmazione degli strumenti:
Joe Chiccarelli
produttore:
Joe Chiccarelli
tecnico di missaggio:
Tony Maserati (engineer / mixer)
basso :
Paul Bushnell (session bassist, producer and music director)
batteria :
Matt Chamberlin (misspelling, chamberlain)
chitarra :
Tim Pierce (US session guitarist)
chitarra acustica :
Jason Mraz
tastiera [keyboards] :
Jeff Babko
voce:
Jason Mraz
voce di accompagnamento:
Amy Keys, Arnold McCuller e Valerie Pinkston
voce di accompagnamento [backing vocals]:
Toca Rivera
arrangiatore archi [string] :
David Davidson (violinist)
mixata per:
Two Chord Music, Inc.
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti
mixata presso:
RMC Studios in North Hollywood, Los Angeles, California, Stati Uniti
parte di:
Billboard Year-End Hot 100 singles of 2012 (numero: 25)
registrazione di:
I Won’t Give Up
autore:
Jason Mraz e Michael Natter (American singer and guitarist)
editore:
Goo Eyed Music e Great Hooks Music
sub-editore:
Fintage Publishing B.V.
Jason Mraz33:59
12Wasn’t Expecting That
chitarra basso e percussione aggiunto:
Will Hicks
pianoforte :
Fred Abbott
registrazione di:
Wasn’t Expecting That
paroliere e compositore:
Jamie Lawson (English singer-songwriter)
Jamie Lawson33:21
13Your Song (acoustic)
registrazione di:
Your Song
autore:
Steve Mac (UK techno producer Steve McGuiness) e Ed Sheeran (UK singer‐songwriter)
Rita Ora3:03
14Riptide
produttore:
John Castle, James Keogh (Australian singer-songwriter) e Edwin White (Australian musician and producer)
voce:
Vance Joy (Australian singer-songwriter)
parte di:
triple j’s Hottest 100 of Australian Songs (numero: 48), triple j’s Hottest 100 (Australian annual music listener poll) (numero: 2013), Billboard Year-End Hot 100 singles of 2015 (numero: 71), Indie 88: Top 500 Indie Rock Songs (numero: 72) e BILLIONS CLUB
registrazione di:
Riptide
paroliere e compositore:
James Keogh (Australian singer-songwriter)
editore:
Mushroom Music Pty. Ltd. e WB Music Corp. (1929–2019)
Vance Joy3.63:21
15My Love (acoustic)
tecnico:
Dann Pursey (UK engineer)
produttore:
Steve Mac (British pop producer/songwriter Steve McCutcheon)
tecnico di missaggio:
Chris Laws (engineer, keyboardist & songwriter)
pianoforte :
Steve Mac (British pop producer/songwriter Steve McCutcheon)
voce:
Jess Glynne
diritti fonografici (℗) detenuti da:
Atlantic Records UK Ltd (nel 2015)
registrata presso e mixata presso:
Rokstone Studios in Parsons Green, Hammersmith and Fulham, London (Greater London), England, Regno Unito
registrazione di:
My Love
paroliere:
Jess Glynne
compositore:
Rowan Tyler Jones
Jess Glynne43:02
16Acoustic #3
assistente tecnico:
Greg Collins (engineer) e Darrell Thorp (record producer, mixer and engineer)
tecnico:
Ken Allardyce
produttore:
Rob Cavallo e Goo Goo Dolls
tecnico di missaggio:
Jack Joseph‐Puig
registrazione di:
Acoustic #3
paroliere e compositore:
John Rzeznik
The Goo Goo Dolls3.651:57
17Lies (acoustic)
video musicali:
Lies (acoustic) di Marina and the Diamonds (MARINA, formerly Marina and the Diamonds)
registrazione di:
Lies
autore:
Henry Walter, Lukasz Gottwald, Marina Diamandis (MARINA, formerly Marina and the Diamonds) e Thomas Pentz (aka Diplo)
editore:
Downtown Music Publishing, I Like Turtles Music, Kasz Money Publishing (ASCAP affiliated), Oneirology Publishing, Prescription Songs, Songs of Kobalt Music Publishing e Warner/Chappell Music Ltd. (1996–2019)
Marina and the Diamonds4:04
18A Thousand Years
tecnico di registrazione:
Chad Copelin
produttore:
David Hodges (American record producer & songwriter)
tecnico di missaggio:
Mark Endert
archi :
Deborah Lurie
basso e batteria :
Justin Glasgow
esecutore:
Christina Perri
registrata presso:
NRG Recording Studios in North Hollywood, Los Angeles, California, Stati Uniti e Sleepwalker Studios
parte di:
BILLIONS CLUB e Billboard Year-End Hot 100 singles of 2012 (numero: 87)
registrazione di:
A Thousand Years
autore:
David Hodges (American record producer & songwriter) e Christina Perri
editore:
12:06 Publishing, EMI Blackwood Music, KMR Music Royalties II SCSp, Miss Perri Lane Publishing, Songs of Kobalt Music Publishing, Summit Base Camp Film Music (BMI-affiliated, associated with Summit Entertainment LLC) e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Christina Perri3.54:45
19Everybody Hurts (MTV Unplugged live version)
assistente tecnico:
David Boucher e Richard McCullough (Irish engineer)
tecnico:
Tim Martin (engineer) e Tim Summerhayes
produttore:
The Corrs e Mitchell Froom
produttore esecutivo:
Andy Murray
produttore esecutivo aggiunto:
Richard Godfrey
tecnico di missaggio:
Bob Clearmountain
registrata presso:
Ardmore Studios in Bray, County Wicklow, Leinster, Irlanda (il 1999-10-05)
mixata presso:
Mix This! in Pacific Palisades, Los Angeles, California, Stati Uniti
registrazione dal vivo cover di:
Everybody Hurts (il 1999-10-05)
autore:
Bill Berry (R.E.M. drummer), Peter Buck (R.E.M. guitarist), Mike Mills (R.E.M. bass player) e Michael Stipe
editore:
Night Garden Music e Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
The Corrs45:51
207 Years (Spotify session)
Lukas Graham4:31
2▼CD
#TitoloArtistaValutazioneDurata
1If You Leave Me Now
tecnico di registrazione:
Armin Steiner (dal 1976-03 al 1976-04: archi)
assistente tecnico:
Tom Likes
tecnico:
Wayne Tarnowski
produttore:
James William Guercio
basso e chitarra acustica :
James William Guercio (dal 1976-03 al 1976-04)
voce principale:
Peter Cetera (dal 1976-03 al 1976-04)
arrangiatore archi e arrangiatore corno francese :
Jimmie Haskell
diritti fonografici (℗) detenuti da:
CBS, Inc. (US broadcasting company; file no releases here!) (nel 1976), Rhino Entertainment Company (not for release label use!) (nel 1976, nel 2002), Warner Strategic Marketing Inc. (nel 1976) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1976)
registrata presso:
Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti, Sound Labs, Inc. in Hollywood, Los Angeles, California, Stati Uniti (archi) e Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
mixata presso:
Caribou Ranch Recording Studio in Nederland, Colorado, Stati Uniti (dal 1976-03 al 1976-04)
registrazione di:
If You Leave Me Now (dal 1976-03 al 1976-04)
paroliere:
Peter Cetera
compositore:
Peter Cetera (nel 1976)
editore:
Big Elk Music, BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Fairwood Music Ltd., Island Music Ltd., Polish Prince Music e Spirit Music Publishing Ltd.
Chicago4.23:53
2Fire and Rain
tecnico:
Bill Lazerus (nel 1969-12)
produttore:
Peter Asher (nel 1969-12)
batteria :
Russ Kunkel (session drummer) (nel 1969-12)
chitarra acustica e voce principale:
James Taylor (singer-songwriter and guitarist) (nel 1969-12)
contrabbasso :
Bobby ‘Wild, Wild’ West (nel 1969-12)
pianoforte :
Carole King (nel 1969-12)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1969)
registrata presso:
Sunset Sound in Hollywood, Los Angeles, California, Stati Uniti (nel 1969-12)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 146) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 227)
registrazione di:
Fire and Rain (nel 1969-12)
paroliere e compositore:
James Taylor (singer-songwriter and guitarist)
editore:
Country Road Music, Inc. (ASCAP-affiliated) (conclusa), EMI Blackwood Music Inc. e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department)
James Taylor4.33:18
3Ooh La La
assistente tecnico:
Phil Chapman (engineer)
tecnico e produttore:
Glyn Johns
armonium e pianoforte :
Ian McLagan
batteria e percussione :
Kenney Jones (drummer for Small Faces, Faces, and The Who)
chitarra acustica :
Ronnie Lane e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
voce principale:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
registrata presso:
Olympic Studios (1966–2009) in Barnes, Richmond upon Thames, London (Greater London), England, Regno Unito
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 246)
registrazione di:
Ooh La La
paroliere:
Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
compositore:
Ronnie Lane e Ronnie Wood (UK guitarist, member of The Rolling Stones, also goes by Ron Wood)
editore:
WB Music Corp. (1929–2019)
Faces3.753:26
4Crazy Love
produttore:
Van Morrison
produttore esecutivo:
Lewis Merenstein
tecnico di missaggio:
Elliot Scheiner (nel 1969-12)
voce di accompagnamento:
Judy Clay (American soul and gospel singer) (nel 1969), Emily Houston (nel 1969) e Jackie Verdell (nel 1969)
voce principale:
Van Morrison (nel 1969)
diritti fonografici (℗) detenuti da:
Warner Bros. Records (1958–2019; “WB” logo, with or without “records” beneath or on banner across) (nel 1970)
è stato produttore per:
Inherit Productions
registrata presso:
A&R Recording Studio (third studio, 322 West 48th Street, closed in 1989) in New York, New York, Stati Uniti (nel 1969)
mixata presso:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Stati Uniti (nel 1969-12)
registrazione di:
Crazy Love (nel 1969)
paroliere e compositore:
Van Morrison
editore:
Caledonia Soul Music (, nel 1970), Van-Jan Music, Warner Bros. Music (publisher; do NOT use as release label), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music Ltd. (no slash; used 1988–1996), Warner/Chappell North America e WB Music Corp. (1929–2019) (nel 1970)
Van Morrison3.72:35
5Ordinary World (acoustic)
registrazione di:
Ordinary World
paroliere:
Warren Cuccurullo, John Nigel Taylor (UK bassist for Duran Duran), Simon Le Bon (singer for Duran Duran) e Nick Rhodes
compositore:
Warren Cuccurullo, Simon Le Bon (singer for Duran Duran), Nick Rhodes e John Taylor (UK bassist for Duran Duran)
editore:
KMR Music Royalties II SCSp, Kobalt Music Publishing Ltd. (UK), Kobalt Music Services America Inc., American Skintrade Music Inc (dal 1993 a oggi), EMI April Music Inc. (dal 1993 a oggi) e Private Parts Musicall (dal 1993 a oggi)
Duran Duran5:08
6Seagull
registrazione di:
Seagull
autore:
Mick Ralphs e Paul Rodgers
editore:
Badco Music, Inc.
Bad Company54:03
7Everything I Own
voce principale:
David Gates (singer/songwriter, lead singer of Bread)
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead) (nel 1972) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1972)
registrazione di:
Everything I Own
paroliere e compositore:
David Gates (singer/songwriter, lead singer of Bread)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated), Laetrec Music, Screen Gems, Screen Gems–Columbia Music, Screen Gems–EMI Music Ltd. e Sony/ATV Music Publishing (UK) Ltd.
Bread4.353:06
8For Your Babies (edition français)
registrazione di:
For Your Babies
paroliere e compositore:
Mick Hucknall (lead singer of Simply Red)
Simply Red4:06
9I Don’t Want to Talk About It
supporto a vario titolo:
Elliot Roberts e Roland Stone
tecnico:
Bruce Botnick
co-produttore:
Bruce Botnick e Jack Nitzsche (American musician and score composer)
tecnico di missaggio:
Henry Lewy
basso :
Billy Talbot
batteria [drums] :
Ralph Molina
chitarra :
Nils Lofgren e Danny Whitten
chitarra slide :
Ry Cooder
pianoforte e tastiera :
Jack Nitzsche (American musician and score composer)
voce di accompagnamento:
Nils Lofgren, Ralph Molina, Jack Nitzsche (American musician and score composer), Billy Talbot e Danny Whitten
voce principale:
Whitten
arrangiatore:
Crazy Horse (American rock band often working with Neil Young)
registrata presso:
Wally Heider Studios (@ 245 Hyde Street, San Francisco) in San Francisco, California, Stati Uniti
mixata presso:
A&M Studio “E” in Los Angeles, California, Stati Uniti
lavorazione tecnica effettuata presso:
Sunset Sound, Studio 1 in Hollywood, Los Angeles, California, Stati Uniti e Wally Heider Studio "D" in San Francisco, California, Stati Uniti
registrazione di:
I Don’t Want to Talk About It
paroliere e compositore:
Danny Whitten
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS), Crazy Horse Music e Rondor Music
Crazy Horse5:18
10If You Could Read My Mind
tecnico di registrazione:
Gary Brandt e Lee Herschberg
produttore:
Lenny Waronker e Joe Wissert
tecnico di missaggio:
Lee Herschberg
voce:
Gordon Lightfoot
arrangiatore archi :
Nick de Caro
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1970)
parte di:
Huffington Post: 100 Best Canadian Songs Ever (numero: 8)
registrazione di:
If You Could Read My Mind
paroliere e compositore:
Gordon Lightfoot
editore:
ATV Kirshner (publisher) (conclusa), Early Morning Music (conclusa), Laetrec Music (conclusa), Chelsea Music Publishing Co., Ltd., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
Gordon Lightfoot4.63:47
11Cat’s in the Cradle
produttore:
Paul Leka
arrangiatore:
Paul Leka
diritti fonografici (℗) detenuti da:
Elektra Records (not for release label use! please use its imprint “Elektra” instead), Elektra/Asylum/Nonesuch Records (not for release label use! a division of Warner Communications Inc.) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1974)
registrata presso:
Connecticut Recording Studios in Connecticut, Stati Uniti
registrazione di:
Cat’s in the Cradle
autore:
Sandra Campbell Chapin e Harry F Chapin
editore:
Neue Welt Musikverlag GmbH & Co. KG (– 2017), Story Songs, Ltd, Warner Bros., Inc. (not for release label use!), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner Chappell Music, Inc., Warner/Chappell Music Australia Pty. Ltd. e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Harry Chapin3.83:43
12Where Do You Go To (My Lovely)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1969) e United Artists (nel 1969)
registrazione di:
Where Do You Go To (My Lovely)?
paroliere e compositore:
Peter Sarstedt
editore:
EMI Catalogue Partnership
Peter Sarstedt54:45
13The Man With the Child in His Eyes
tecnico:
Jon Kelly (engineer at Air London Studios)
produttore:
Andrew Powell (known for contributions to Alan Parsons Project)
produttore esecutivo:
David Gilmour (Pink Floyd)
pianoforte , voce di accompagnamento e voce principale:
Kate Bush (nel 1975-06)
arrangiatore:
Andrew Powell (known for contributions to Alan Parsons Project)
diritti fonografici (℗) detenuti da:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (nel 1977, nel 1978), EMI Records USA (formerly EMI USA, renamed since early 1990s) (nel 1977, nel 1978), EMI‐USA Records (a division of Capitol Records, Inc.) (nel 1977, nel 1978) e EMI France (nel 1995)
registrata presso:
AIR London Studios (Oxford Street, London. 1970–1991 recordings only) in London (Greater London), England, Regno Unito (dal 1977-07 al 1977-08)
registrazione di:
The Man With the Child in His Eyes (nel 1975-06)
editore:
Kate Bush (dal 1978 a oggi)
paroliere e compositore:
Kate Bush
arrangiatore:
Stefan Lievestro (Dutch jazz bassist)
eseguita per la prima volta presso:
Saturday Night Live: Season 4, Episode 8 (1978-12-09 – 1978-12-10)
editore:
Beechwood Music Corp., Castle (publisher), Ed. Itaipu, EMI Music Publishing (do not use as a release label!), EMI Music Publishing Ltd. (PRS‐affiliated) (, dal 1978 a oggi) e Kate Bush Music Ltd.
Kate Bush3.652:38
14Sleeping Satellite (acoustic)
tecnico e tecnico di missaggio:
Steve Fitzmaurice (Irish mixer, songwriter and producer)
produttore:
John Hughes (Writer, Producer, Musician)
registrazione di:
Sleeping Satellite
autore:
Tasmin Archer (British singer-songwriter), John Beck (Writer, producer & musician) e John Hughes (Writer, Producer, Musician)
editore:
EMI Virgin Music Ltd. (do not use this as a release label!)
Tasmin Archer3:20
15Slow
produttore:
Steve Brown (engineer/music producer)
assistente tecnico di missaggio:
Dan Parry (British mix/recording engineer)
tecnico di missaggio:
Tom Elmhirst (mixing engineer)
voce:
Rumer
mixata presso:
Metropolis (London) in London (Greater London), England, Regno Unito
video musicali:
Slow di Rumer
registrazione di:
Slow
paroliere e compositore:
Sarah Joyce
editore:
Chrysalis Music Ltd. (music publisher, affiliated with PRS)
Rumer3.653:35
16Midnight at the Oasis
tecnico:
Lee Herschberg e Donn Landee
produttore:
Joe Boyd (US producer, founder of Hannibal Records) e Lenny Waronker
tecnico di missaggio:
Lee Herschberg
batteria :
Jim Gordon (US drummer with Derek and the Dominos)
chitarra acustica :
David Nichtern
chitarra basso :
Freebo
chitarra elettrica :
Amos Garrett
pianoforte :
Mark T. Jordan
voce:
Maria Muldaur
voce parlata:
Greg Prestopino
arrangiatore archi :
Nick de Caro
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint)
mixata presso:
Warner Bros. Recording Studios (North Hollywood, a/k/a Amigo Studios) in North Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
Midnight at the Oasis
paroliere e compositore:
David Nichtern
editore:
Space Potato Music (nel 1974)
Maria Muldaur43:47
17The Last Thing on My Mind
produttore:
Paul Rothchild
armonica (a bocca) , banjo e chitarra [2nd guitar] :
Barry Kornfeld (nel 1964)
chitarra :
Tom Paxton (US folk singer-songwriter) (nel 1964)
guitarrón messicano [guitarron] :
Felix Pappalardi (nel 1964)
voce:
Tom Paxton (US folk singer-songwriter) (nel 1964)
registrazione di:
The Last Thing on My Mind (nel 1964)
paroliere e compositore:
Tom Paxton (US folk singer-songwriter)
editore:
Deep Fork Music, Inc., EMI U Catalog Inc. (publisher; do NOT use as release label), Essex Music, Inc., Harmony Music Ltd., United Artists Music Co., Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (fino al 2014-12-31) e フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (dal 2015-01-01 a oggi)
Tom Paxton3:05
18Song to the Siren (take 7)
registrazione di:
Song to the Siren
paroliere:
Larry Beckett e Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
compositore:
Tim Buckley (1960s–1970s US vocalist, songwriter, guitarist & producer)
arrangiatore:
Cul de Sac (Boston-based instrumental rock group)
editore:
Carlin Music Corporation, Third Story Music, Inc. e Tim Buckley Music
Tim Buckley3:26
19Walkin’ Man
registrazione di:
Walkin’ Man
paroliere e compositore:
Steven Wold
Seasick Steve3.42:42
20Crazy (acoustic)
registrazione di:
Crazy (Seal song)
autore:
Seal (English‐born singer and songwriter) e Guy Sigsworth
editore:
Beethoven Street Music Ltd e Perfect Songs Ltd. (UK publisher, affiliated with PRS)
Seal44:04
3▼CD
#TitoloArtistaValutazioneDurata
1Mercy (acoustic)
Duffy3:34
2Please Don’t Say You Love Me
tecnico di registrazione:
James David (engineer, mixer) e Mike Spencer (UK producer)
produttore e tecnico di missaggio:
Mike Spencer (UK producer)
registrazione di:
Please Don’t Say You Love Me
autore:
Gabrielle Aplin e Nick Atkinson (member of Rooster)
compositore:
Mike Spencer (UK producer)
Gabrielle Aplin4.52:59
3Cool Kids (acoustic)
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (dal 2014 a oggi)
registrazione di:
Cool Kids
autore:
Jeffery David, Jesiah Dzonek, Sydney Quiseng (from Echosmith), Graham Sierota, Jamie Sierota e Noah Sierota
editore:
Echosmith Songs, Jeffery David Songs, Round Hill Songs Jeffery David, Upcast Music Recordings e WB Music Corp. (1929–2019)
Echosmith33:53
4Show Me Love (acoustic)
Robin Schulz & J.U.D.G.E.24:12
5Pumpin’ Blood (acoustic)
registrazione di:
Pumpin Blood
compositore:
Michel Flygare (producer, "Rocwell"), Tobias Jimson (producer, "Astma") e Stina Wäppling
NONONO3:35
6You Might Need Somebody (acoustic)
registrazione cover di:
You Might Need Somebody
compositore:
Nan O’Byrne (American songwriter and composer) e Tom Snow (US keyboardist/songwriter)
Shola Ama3:24
7Ain’t Nobody (Loves Me Better) (acoustic)
registrazione cover di:
Ain’t Nobody
paroliere e compositore:
David Wolinski
editore:
Overdue Music
Jasmine Thompson42:58
8Laura
produttore:
Natasha Khan
voce:
Natasha Khan
video musicali:
Laura (music video) di Bat for Lashes
parte di:
The Gummy Awards: Your Top 20 Tracks of 2012 (numero: 7) e Pitchfork: The 200 Best Songs of the 2010s (numero: 55)
registrazione di:
Laura
autore:
Natasha Khan (Bat for Lashes) e Justin Parker
Bat for Lashes3.94:25
9Mountains (acoustic)
registrazione di:
Mountains
paroliere e compositore:
Simon Neil
editore:
Good Soldier Songs
sub-editore:
Universal Music Publishing (UK subsidiary of Universal Music Publishing Group)
Biffy Clyro13:47
10Monday
registrazione di:
Monday (nel 2015)
autore:
Matt Corby e Dann Hume
editore:
Rocky Lane Music LLP e Sony/ATV Music Publishing Australia Pty Ltd.
Matt Corby4:08
11Ridin’ Solo (acoustic version)
registrazione di:
Ridin' Solo
Jason Derulo33:45
12Told Me (acoustic piano version)
Dusky Grey3:22
13Midnight (solo)
registrazione di:
Midnight
autore:
Sam Dew, Lianne La Havas, Stephen McGregor e Shea Taylor
Lianne La Havas3:28
14Only You (acoustic)
diritti fonografici (℗) detenuti da:
The Kodiak Club (nel 2017)
registrazione di:
Only You
autore:
Sarah Close e Max Mostley
Sarah Close3:51
15Wide Eyed
diritti fonografici (℗) detenuti da:
Billy Lockett (nel 2016)
Billy Lockett2:37
16Don’t Go
Rae Morris3:58
17The Voyager
tecnico di registrazione:
David Labrel, Mike Mogis e Charlie Stavish (American producer and engineer)
produttore:
Ryan Adams (US singer-songwriter, multi-instrumentalist, producer & poet) e Mike Viola (American producer, musician, songwriter and singer)
arrangiatore strumenti:
Nate Walcott
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 2014)
registrata presso:
Pax-Am Studios in Los Angeles, California, Stati Uniti
mixata presso:
El Dorado Studios in Hollywood, Los Angeles, California, Stati Uniti
registrazione di:
The Voyager
autore:
Jenny Lewis (US actress and musician)
Jenny Lewis3.53:28
18Heavy Head (acoustic)
Betsy3:13
19Hell Would Have to Freeze Over
Catherine McGrath3:28
20Into the Wild
Lewis Watson3:47
4▼CD
#TitoloArtistaValutazioneDurata
1Me & Magdalena
registrazione di:
Me & Magdalena
paroliere e compositore:
Benjamin Gibbard
editore:
Where I’m Calling From Music
The Monkees3:32
2Summer Breeze
produttore:
Louie Shelton
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972) e Warner Records Inc. (not for release label use; fka Warner Bros. Records Inc. until 2019) (nel 1972)
parte di:
Paste: The 25 Greatest Yacht Rock Songs of All Time (numero: 10)
registrazione di:
Summer Breeze
paroliere:
James Seals
compositore:
Dash Crofts e James Seals
editore:
Dawnbreaker Mus. Co. Ltd USA, Faizilu Publishing, MCA Music Ltd., Songs of Universal, Inc. (BMI), Sutjujo Music, Universal Duchess Music Corp., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) e ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Seals & Crofts4.253:22
3Dance With Me
diritti fonografici (℗) detenuti da:
ABC Records, Inc (nel 1973)
registrazione di:
Dance With Me
paroliere:
Johanna Hall
compositore:
John Hall (US guitarist/vocalist for Orleans, later US congressman)
editore:
EMI Blackwood Music Inc., Siren Songs, イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (dal 2021-07-01 a oggi)
Orleans3:19
4Black Water
tecnico di registrazione:
Donn Landee
tecnico di registrazione aggiunto:
Lee Herschberg
supporto a vario titolo:
Benita Brazier (incarico: production coordinator)
produttore:
Ted Templeman
autoharp :
Arlo Guthrie (American folk singer-songwriter)
chitarra pedal steel :
Jeff “Skunk” Baxter
congas e timbales :
Eddie Guzman
marimba , tabla e tamburo a cornice [pandeiro] :
Milt Holland
tastiera :
Bill Payne
viola :
Novi
arrangiatore:
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns), Andrew Love e The Memphis Horns
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (, nel 1974)
registrazione di:
Black Water
paroliere, autore e compositore:
Patrick Simmons
editore:
Lansdowne Music Publishers, WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
The Doobie Brothers4.24:14
5For What It’s Worth
produttore:
Charles Greene (producer) e Brian Stone (producer)
voce:
Stephen Stills
voce di accompagnamento:
Richie Furay e Dewey Martin
diritti fonografici (℗) detenuti da:
Warner Music International (trademark of Warner Music International the company) (nel 1967) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1969)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 63)
registrazione di:
For What It’s Worth (il 1966-12-05)
paroliere e compositore:
Stephen Stills
editore:
Cotillion, Cotillion Music Inc. (BMI), Richie Furay Music (BMI), Springalo Toones (BMI), Ten East e Ten‐East Music (BMI)
Buffalo Springfield4.252:35
6(Sittin’ on) The Dock of the Bay
produttore:
Jerry Bruckheimer, Steve Cropper e Don Simpson (American film producer, screenwriter, and actor)
batteria :
Al Jackson, Jr. (Booker T & The MGs drummer) (dal 1967-11-22 al 1967-12-07)
chitarra :
Steve Cropper (dal 1967-11-22 al 1967-12-07)
chitarra basso :
Donald “Duck” Dunn (US bass guitarist, session musician, record producer & songwriter) (dal 1967-11-22 al 1967-12-07)
tastiera :
Isaac Hayes (dal 1967-11-22 al 1967-12-07) e Booker T. Jones (dal 1967-11-22 al 1967-12-07)
tromba :
Wayne Jackson (trumpet/horn, member of The Mar-Keys and The Memphis Horns) (dal 1967-11-22 al 1967-12-07)
fischio:
Otis Redding (dal 1967-11-22 al 1967-12-07)
voce:
Otis Redding (dal 1967-11-22 al 1967-12-07)
diritti fonografici (℗) detenuti da:
WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) e Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968)
parte di:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 26), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 38), Billboard: The 500 Best Pop Songs (as of October 2023) (numero: 44) e Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (numero: 45)
registrazione di:
(Sittin’ on) the Dock of the Bay (dal 1967-11-22 al 1967-12-07)
autore:
Steve Cropper e Otis Redding
editore:
East Publishing Inc., East/Memphis Music Corp., Irving Music (BMI), Irving Music, Inc., Rondor Music (Australia), Universal Music Publishing, Synch Division, Warner Bros. (holding: file NO releases), Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–), Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division), Yamaha Music EH(CM) e Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
registrazione di:
(Sittin’ on) The Dock of the Bay (Oliver Lake/World Saxophone Quartet arrangement)
compositore:
Steve Cropper e Otis Redding
arrangiatore:
Oliver Lake
arrangiamento di:
(Sittin’ on) the Dock of the Bay
Otis Redding4.32:42
7She’s Gone
registrata a:
New York, New York, Stati Uniti (nel 1973)
produttore:
Arif Mardin
basso :
Steve Gelfand (bassist a/k/a Steve “Fontz” Gelfand) (nel 1973)
batteria :
Bernard “Pretty” Purdie (nel 1973)
chitarra :
John Oates (nel 1973)
chitarra elettrica, mellotron e sintetizzatore :
Chris Bond (producer, active circa 1970s) (nel 1973)
percussione :
Ralph MacDonald (nel 1973)
pianoforte elettrico :
Daryl Hall (nel 1973)
sassofono tenore :
Joe Farrell (nel 1973)
voce principale:
Daryl Hall (nel 1973) e John Oates (nel 1973)
diritti fonografici (℗) detenuti da:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1973)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 336)
registrazione di:
She’s Gone (nel 1973)
paroliere e compositore:
Daryl Hall e John Oates
editore:
Unichappell Music, Inc., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) e ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Daryl Hall & John Oates3.655:14
8I Say a Little Prayer
tecnico di registrazione:
Tom Dowd (il 1968-04-17)
produttore:
Jerry Wexler
basso :
Jerry Jemmott (il 1968-04-17)
batteria :
Roger Hawkins (drummer and producer) (il 1968-04-17)
chitarra :
Tommy Cogbill (il 1968-04-17)
pianoforte e voce principale:
Aretha Franklin (il 1968-04-17)
voce di accompagnamento:
The Sweet Inspirations (il 1968-04-17)
arrangiatore:
Tom Dowd e Arif Mardin
diritti fonografici (℗) detenuti da:
Warner Music UK Ltd. (not for release label use!), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (nel 1968) e WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (nel 1968)
registrata presso:
Atlantic Studios (1841 Broadway, New York, 1957–1991) in Midtown Manhattan, New York, New York, Stati Uniti (il 1968-04-17)
parte di:
Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (numero: 117)
registrazione cover di:
I Say a Little Prayer (il 1968-04-17)
paroliere:
Hal David
compositore:
Burt Bacharach
editore:
Blue Seas Music, Inc., Casa David Music, Jac Music, MCA Music Ltd., Rondor Music (Australia), Universal/MCA Music Ltd. (not for release label use!) e Windswept Pacific Music Ltd.
parte di:
Baby It’s You! (jukebox musical, book by Floyd Mutrux and Colin Escott)
Aretha Franklin4.33:32
9Only Love Can Break Your Heart
produttore:
Tom Dowd, Arif Mardin e Jerry Wexler
basso :
Mike Leach (Nashville session musician and arranger)
chitarra [lead guitar] :
Reggie Young (guitarist and songwriter)
chitarra [rhythm guitar] :
John Christopher (guitarist, lyricist, composer, singer, session musician)
congas :
Larry McDonald (JM drummer/conga, memb. “The Crystalites”)
fisarmonica :
Arif Mardin
organo :
Bobby Emmons
percussione [drums, percussion] :
Bishop Heywood
pianoforte [piano, electric piano] :
Bobby Wood (American pianist, keyboard player and songwriter)
xilofono :
John Stewart (xylophone)
voce di accompagnamento:
Charlie Chalmers (American saxophonist, singer-songwriter, arranger, and producer), Donna Rhodes e Sandra Rhodes
remixer:
Tom Dowd
esecutore:
Denzil Laing
arrangiatore legni e arrangiatore quartetto d'archi :
Arif Mardin
registrazione cover di:
Only Love Can Break Your Heart
paroliere e compositore:
Neil Young (Canadian singer, songwriter & musician)
editore:
Broken Arrow Music, Broken Arrow Music Pub, Co., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Warner Chappell Music, Inc.
Jackie DeShannon22:40
10That’s the Way I’ve Always Heard It Should Be
produttore:
Eddie Kramer (engineer)
tecnico di missaggio:
Eddie Kramer (engineer) e Dave Palmer (Recording engineer at Electric Lady Studios, New York; Drummer with The Amboy Dukes)
archi :
Ed Freeman (producer, arranger, musician, and photographer)
basso :
Gerry Jemmott, David Givens, Tony Levin (US rock bassist/Chapman stick player), Doug Rauch e Jim Wilkins
batteria :
John Siomos
chitarra :
David Bromberg (American multi-instrumentalist, singer, and songwriter), Jimmy Johnson (Chicago blues guitarist James Earl Thompson) e Jimmy Ryan (American guitarist and singer/songwriter)
chitarra acustica e pianoforte :
Carly Simon
chitarra pedal steel :
Jeff Baxter
tastiera :
Paul Griffin (American pianist, session musician), Mark “Moogy” Klingman (American musician and songwriter) e Billy Mernit (American singer-songwriter, composer, lyricist, author and actor)
violoncello :
Harvey Shapiro (cellist)
voce:
Carly Simon
arrangiatore archi e arrangiatore archi [string arrangement] :
Ed Freeman (producer, arranger, musician, and photographer)
diritti fonografici (℗) detenuti da:
Rhino Entertainment Company (not for release label use!) (nel 2015)
registrata presso:
Electric Lady Studios in Greenwich Village, New York, New York, Stati Uniti
registrazione di:
That’s the Way I’ve Always Heard It Should Be
paroliere:
Jacob Brackman
compositore:
Carly Simon
editore:
C’est Music, Kensho Music, Maya Productions Ltd., Quackenbush Music e Universal Music Corp. (USA, affiliated with ASCAP)
Carly Simon3.654:15
11Show Me
mandolino :
Steve Howe
diritti fonografici (℗) detenuti da:
Warner Strategic Marketing (nel 2004)
registrazione di:
Show Me
autore:
Jon Anderson (Yes/Jon & Vangelis)
Yes3:34
12It’s a Beautiful Day
Liverpool Express2:14
13Love Hurts
tecnico e tecnico di missaggio:
Hugh Davies (US recording engineer)
produttore:
Gram Parsons
basso :
Emory Gordy (dal 1973-05 al 1973-09)
batteria :
Ron Tutt (drummer) (dal 1973-05 al 1973-09)
chitarra [rhythm guitar] :
Herb Pedersen (nel 1973)
chitarra acustica e voce principale:
Gram Parsons (dal 1973-05 al 1973-09)
chitarra elettrica :
James Burton (guitarist) (dal 1973-05 al 1973-09)
chitarra pedal steel :
Al Perkins (Texas born guitarist esp. steel guitar) (dal 1973-05 al 1973-09)
pianoforte :
Glen D. Hardin (dal 1973-05 al 1973-09)
voce:
Emmylou Harris (dal 1973-05 al 1973-09)
registrazione cover di:
Love Hurts (nel 1973)
paroliere e compositore:
Boudleaux Bryant
editore:
House of Bryant Publications (publisher; do NOT use as release label), Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC), Sony/ATV Music Publishing (UK) Ltd. e Acuff-Rose Publications, Inc. (BMI) (il 1960-08-30)
sub-editore:
Acuff-Rose Music Limited (UK), Neue Welt Musikverlag GmbH & Co. KG (– 2017) e ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Gram Parsons53:39
14Desperado
tecnico:
John Haeny
produttore:
J.D. Souther
tecnico di missaggio:
Al Schmitt
basso :
Chris Ethridge
batteria :
Dennis St. John
chitarra elettrica :
J.D. Souther
pianoforte :
Spooner Oldham
tromba :
Darrell Leonard e Mac Johnson
trombone :
Gail Martin
voce di accompagnamento:
Clydie King, Sherlie Matthews (US vocalist) e Marti McCall (session vocalist)
arrangiatore corno e archi :
Jim Ed Norman
registrazione cover di:
Desperado
autore:
Glenn Frey (US musician/singer/songwriter, member of the Eagles) e Don Henley
editore:
Benchmark Music, Cass County Music, Kicking Bear, Neue Welt Musikverlag GmbH (2017 – present), Red Cloud Music, シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division) e Warner Bros. Music GmbH (publisher) (nel 1981)
Linda Ronstadt3:33
15It’s Sad to Belong
registrazione di:
It’s Sad to Belong
paroliere e compositore:
Randy Goodrum
England Dan & John Ford Coley2:52
16Willin’
tecnico di registrazione e tecnico di missaggio:
Donn Landee
produttore:
Ted Templeman
batteria e percussione :
Richie Hayward
chitarra e voce principale:
Lowell George
chitarra basso :
Roy Estrada
chitarra steel ospite :
Sneaky Pete Kleinow
tastiera :
Bill Payne
voce di accompagnamento:
Roy Estrada e Richie Hayward
diritti fonografici (℗) detenuti da:
Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (nel 1972)
registrazione di:
Willin’
paroliere e compositore:
Lowell George
editore:
Abraham Music e Naked Snake Music
Little Feat2:54
17Middle Names
tecnico di registrazione, produttore e tecnico di missaggio:
Devendra Banhart (singer-songwriter)
basso e sintetizzatore :
Noah Georgeson
chitarra :
Devendra Banhart (singer-songwriter)
membranofono :
Greg Rogove (drums)
diritti fonografici (℗) detenuti da:
Nonesuch Records Inc. (not for release label use, consider using its imprint “Nonesuch” instead)
registrata presso:
Devendra Banhart's home
registrazione di:
Middle Names
paroliere e compositore:
Devendra Banhart (singer-songwriter)
Devendra Banhart3:27
18Gone Tomorrow
registrazione di:
Gone Tomorrow
autore:
Tom Billington, Camilla Staveley-Taylor, Emily Staveley-Taylor e Jessica Staveley-Taylor
The Staves3:27
19She Burns
Foy Vance3:48
20New Slang
esecutore:
Luke Sital‐Singh
registrazione cover di:
New Slang
compositore:
James Mercer
editore:
Lettuce Flavored Music
Luke Sital‐Singh43:21

Accreditamenti

Pubblicazione

fabbricata a:EU (Europa)
copyright (©) detenuto da e diritti fonografici (℗) detenuti da:Rhino UK (company credits only; do NOT use as release label) (nel 2018)
Discogs:https://www.discogs.com/release/35001248 [info]
ASIN:UK: B07G2CTHWK [info]
altri database:https://www.muziekweb.nl/Link/JK231487/ [info]