Carmina Burana (Japanese pressing for Europe)

~ Release by Orff; Arleen Augér, Jonathan Summers, John van Kesteren, Philharmonia Chorus, Southend Boys’ Choir, Philharmonia Orchestra, Riccardo Muti (see all versions of this release, 10 available)

Annotation

Early Japanese pressing manufactured by Toshiba-EMI for the European market. First CD edition of the 1980 recording. Matrix: Made in Japan.

Annotation last modified on 2026-05-07 13:01 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Carmina Burana: Fortuna Imperatrix Mundi: I. O Fortuna
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
phonographic copyright (℗) by:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
partial recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:42
2Carmina Burana: Fortuna Imperatrix Mundi: II. Fortune plango vulnera
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: II. Fortuna plango vulnera (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
Fortune plango vulnera (Poem, CB 16)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:33
3Carmina Burana: I. Primo vere: III. Veris leta facies
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: III. Veris leta facies (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff4:07
4Carmina Burana: I. Primo vere: IV. Omnia Sol temperat
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: IV. Omnia Sol temperat (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:12
5Carmina Burana: I. Primo vere: V. Ecce gratum
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: I. Primo vere: V. Ecce gratum (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: I. Primo Vere
Carl Orff2:30
6Carmina Burana: Uf dem anger: VI. Tanz
producer:
John Mordler (producer)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VI. Tanz (Carmina Burana: On the Green: 6. Dance) (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff1:42
7Carmina Burana: Uf dem anger: VII. Floret silva nobilis
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VII. Floret silva nobilis (Carmina Burana: Uf dem Anger: 7. Floret silva) (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:12
8Carmina Burana: Uf dem anger: VIII. Chramer, gip die varwe mir
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: VIII. Chramer, gip die varwe mir (Carmina Burana: Uf dem anger: 8. Chramer, gip die varwe mir) (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff3:14
9Carmina Burana: Uf dem anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min / Swaz hie gat umbe
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: IX. Reie / Swaz hie gat umbe / Chume, chum, geselle min! / Swaz hie gat umbe (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff4:16
10Carmina Burana: Uf dem anger: X. Were diu werlt alle min
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Uf dem Anger: X. Were diu werlt alle min (Carmina Burana: Uf dem Anger: 10. Were diu werlt alle min) (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Uf dem Anger
Carl Orff0:53
11Carmina Burana: II. In Taberna: XI. Estuans interius
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XI. Estuans interius (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff2:12
12Carmina Burana: II. In Taberna: XII. Olim lacus colueram
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
tenor vocals:
John van Kesteren (tenor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XII. Olim lacus colueram (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:21
13Carmina Burana: II. In Taberna: XIII. Ego sum abbas
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XIII. Ego sum abbas (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff1:28
14Carmina Burana: II. In Taberna: XIV. In taberna quando sumus
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: II. In Taberna: XIV. In taberna quando sumus (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: II. In Taberna
Carl Orff3:08
15Carmina Burana: III. Cour d’amours: XV. Amor volat undique
producer:
John Mordler (producer)
choir vocals:
Southend Boys’ Choir (from 1979-03-02 until 1979-03-04, on 1979-03-30)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Michael Crabb (organist, conductor, chorus master) (from 1979-03-02 until 1979-03-04)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XV. Amor volat undique (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff3:22
16Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVI. Dies, nox et omnia (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:25
17Carmina Burana: III. Cour d’amours: XVII. Stetit puella
producer:
John Mordler (producer)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVII. Stetit puella (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:42
18Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XVIII. Circa mea pectora (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:58
19Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XIX. Si puer cum puellula (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff1:02
20Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XX. Veni, veni, venias (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:57
21Carmina Burana: III. Cour d’amours: XXI. In trutina
producer:
John Mordler (producer)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXI. In trutina mentis dubia (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:22
22Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum
producer:
John Mordler (producer)
baritone vocals:
Jonathan Summers (baritone) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30) and Southend Boys’ Choir (from 1979-03-02 until 1979-03-04, on 1979-03-30)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30) and Michael Crabb (organist, conductor, chorus master) (from 1979-03-02 until 1979-03-04)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXII. Tempus est iocundum (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff2:10
23Carmina Burana: III. Cour d’amours: XXIII. Dulcissime
producer:
John Mordler (producer)
soprano vocals:
Arleen Augér (soprano) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: III. Cour d’amours: XXIII. Dulcissime (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: III. Cour d’amours
Carl Orff0:42
24Carmina Burana: Blanziflor et Helena: XXIV. Ave, formosissima
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Blanziflor et Helena: XXIV. Ave formosissima (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
Carl Orff2:04
25Carmina Burana: Fortuna Imperatrix Mundi: XV. O Fortuna
producer:
John Mordler (producer)
choir vocals:
Philharmonia Chorus (London choir aka New Philharmonia Chorus from 1964–1977) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
orchestra:
Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
conductor:
Riccardo Muti (conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor) (from 1979-03-02 until 1979-03-04, on 1979-03-30)
balance engineer:
Peter Bown (sound engineer, last name often misprinted as “Brown”)
recorded at:
Abbey Road Studios: Studio 1 in St John's Wood, Westminster, London (Greater London), England, United Kingdom (from 1979-03-02 until 1979-03-04, on 1979-03-30)
recording of:
Carmina Burana: Fortuna Imperatrix mundi: XXV. O Fortuna (reprise) (in 1979-03)
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
part of:
Carmina Burana: Cantiones profanæ cantoribus et choris cantandæ comitantibus instrumentis atque imaginibus magicis (Carmina Burana)
recording of:
Carmina Burana: Fortuna imperatrix mundi: I. O Fortuna
composer:
Carl Orff (composer) (in 1936)
publisher:
B. Schott’s Söhne (publisher; do not use as label)
version of:
O Fortuna (Poem, CB 17)
part of:
Carmina Burana: Fortuna Imperatrix Mundi
Carl Orff2:46