Berühmte Mario Lanza Arien (some fictitious performers, Alfred Scholz related)

~ Release by Verdi • Mozart • Bizet; Ricardo Cassinelli, Orchester der Württembergischen Staatsoper, Alexander von Pitamic (see all versions of this release, 1 available)

Annotation

some fictitious performers, Alfred Scholz related

Annotation last modified on 2026-07-22 13:58 UTC.

Tracklist

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1▼CD
#TitleArtistRatingLength
1Lucia‐Luci
tenor vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Lucia, Lucí'
composer:
Ernesto De Curtis (composer)
Ernesto De Curtis2:30
2O sordato
tenor vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
’O surdato ’nnammurato
lyricist:
Aniello Califano (in 1915)
composer:
Enrico Cannio (in 1915)
Enrico Cannio2:16
3Funiculi
tenor vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Funiculì, funiculà
composed in:
Castellammare di Stabia, Napoli, Campania, Italy (in 1880)
lyricist:
Peppino Turco
composer:
Luigi Denza (composer) (in 1880)
publisher:
PolyGram Music Publishing Ltd. and Robbins Music Corp.
Luigi Denza2:40
4Na sera’e maggio
tenor vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
'Na sera 'e maggio
lyricist:
Gigi Pisano (aka Egidio Pisano - paroliere)
composer:
Giuseppe Cioffi (Italian composer)
Giuseppe Cioffi3:27
5Canta per me
tenor vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Canta pe' me
lyricist:
Libero Bovio
composer:
Ernesto De Curtis (composer)
Ernesto De Curtis2:41
6Granada
tenor vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Granada (original Spanish version)
lyricist and composer:
Agustín Lara (in 1932)
publisher:
Latin-American Music, Southern Music Co. and Peer International Corporation (BMI) (from 1932 to present)
Agustín Lara3:18
7Rigoletto: “La donna è mobile”
tenor vocals:
Juan Perez (Peruvian tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto III. “La donna è mobile” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (until 1851-03-11)
librettist:
Francesco Maria Piave (until 1851-03-11)
part of:
Rigoletto: Atto III
Giuseppe Verdi3:51
8Rigoletto: “Questo o quella per me pari sono”
tenor vocals:
Juan Perez (Peruvian tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hans Zanotelli (German conductor, 1927–1993; also used as an Alfred Scholz pseudonym)
recording of:
Rigoletto: Atto I, scena 1. N°2 Ballata “Questa o quella” (Duca)
composer:
Giuseppe Verdi (Italian opera composer) (from 1850 until 1851-03-11)
librettist:
Francesco Maria Piave (from 1850 until 1851-03-11)
part of:
Rigoletto: Atto I
Giuseppe Verdi6:48
9La traviata: “De miei bollenti spiriti“”
tenor vocals:
Willem Verkerk (tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
La traviata: Atto II, scena 1. “De’ miei bollenti spiriti” (Alfredo)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto II (La traviata: Act II)
Giuseppe Verdi16:57
10La traviata: “Parigi, o cara, noi lasceremo”
tenor vocals:
Willem Verkerk (tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
La traviata: Atto III. Duetto “Parigi, o cara, noi lasceremo” (Alfredo, Violetta)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Francesco Maria Piave
part of:
La traviata: Atto III (La traviata: Act III)
Giuseppe Verdi4:21
11Il trovatore: “Deserto sulla terra”
tenor vocals:
Juan Perez (Peruvian tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto I, scena 2. “Il Trovator! lo fremo!” ... “Deserto sulla terra” (Manrico, Conte Luna)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto I. Il duello
Giuseppe Verdi?:??
12Il trovatore: “Condotta ell’era in ceppi”
tenor vocals:
Juan Perez (Peruvian tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto II, scena 1. “Condotta ell'era in ceppi” (Azucena, Manrico)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto II. La gitana
Giuseppe Verdi?:??
13Il trovatore: Aria e miserere “D’amor sull’ali rosee” … “Miserere d’un alma già vicina”
tenor vocals:
Juan Perez (Peruvian tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Il trovatore: Atto IV, scena 1. “D’amor sull’ali rosee” (Leonora)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
recording of:
Il trovatore: Atto IV, scena 1. “Miserere d’un’alma già vicina” ... “Quel suon, quelle preci” (Leonora, Manrico, coro)
composer:
Giuseppe Verdi (Italian opera composer)
librettist:
Salvadore Cammarano (Italian librettist)
part of:
Il trovatore: Atto IV. Il supplicio
Giuseppe Verdi?:??
14Aida: “Se quel guerrier io fossi”
tenor vocals:
Juan Perez (Peruvian tenor)
orchestra:
Philharmonia Slavonica (Alfred Scholz pseudonym)
conductor:
Hanspeter Gmür (fictitious conductor, Alfred Scholz pseudonym)
recording of:
Aida: Atto I, scena 1. Recitativo “Se quel guerriero io fossi!” … Romanza “Celeste Aida” (Radamès)
composer:
Giuseppe Verdi (Italian opera composer) (in 1871)
librettist:
Antonio Ghislanzoni (in 1870)
part of:
Aida: Atto I
Giuseppe Verdi?:??
2▼CD
#TitleArtistRatingLength
1La fanciulla del West: “Ch’ella mi creda”
vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
La fanciulla del West: Atto III. “Ch’ella mi creda libero e lontano” (Johnson, Rance)
composer:
Giacomo Puccini (Italian composer) (in 1910)
librettist:
Guelfo Civinini (Italian librettist) and Carlo Zangarini
part of:
La fanciulla del West: Atto III
Giacomo Puccini2:21
2Tosca: “E lucevan le stelle”
vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Tosca: Atto III. “E lucevan le stelle” (Cavaradossi)
composer:
Giacomo Puccini (Italian composer) (from 1896 until 1899)
librettist:
Giuseppe Giacosa (from 1896 until 1899) and Luigi Illica (from 1896 until 1899)
part of:
Tosca: Atto III (Tosca: Act III)
Giacomo Puccini2:41
3Die Zauberflöte: Bildnis‐Arie „Dies Bildnis ist bezaubernd schön“
vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Die Zauberflöte: Akt I. No. 3 Arie „Dies Bildnis ist bezaubernd schön“ (Tamino)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
librettist:
Emanuel Schikaneder
part of:
Die Zauberflöte, K. 620: Akt I
Wolfgang Amadeus Mozart3:53
4L’Arlesiana: “É la solita storia”
vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
L’Arlesiana: Atto II. “È la solita storia del pastore” (Lamento di Federico)
composer:
Francesco Cilea (composer) (in 1897)
librettist:
Leopoldo Marenco (librettist)
publisher:
Casa Musicale Sonzogno di Piero Ostali, Milano
part of:
L’Arlesiana: Atto II
Francesco Cilea4:42
5Margarethe: “Salut”
vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Faust : Acte III. « Quel trouble inconnu me pénètre ! » … No. 12 Cavatine « Salut ! demeure chaste et pure » (Faust)
composer:
Charles Gounod (French composer) (in 1859)
librettist:
Jules Barbier and Michel Carré (librettist)
part of:
Faust : Acte III
Charles Gounod4:30
6Eugen Onegin: „Wohin seid ihr entschwunden“ (russisch gesungen)
vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Евгений Онегин, op. 24: Действие II, картина 2, no. 17. Ария Ленского "Куда, куда, куда вы удалились" (Eugene Onegin: Act II, Scene 2, no. 17. Lensky's aria "Where have you gone, O golden days of my spring?", Lensky's Aria "Kuda, kuda, kuda vy udalilis")
composer:
Пётр Ильич Чайковский (Pyotr Ilyich Tchaikovsky, Russian romantic composer)
part of:
Евгений Онегин, op. 24: Действие второе (Eugene Onegin, op. 24: Act II)
Pyotr Ilyich Tschaikowsky6:21
7Agnus Dei
vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Agnus Dei
composer:
Georges Bizet (French composer)
arranger:
Ernest Guiraud (French composer)
is based on:
L’Arlésienne Suite no. 2: II. Intermezzo (for piano, Bizet)
Georges Bizet3:18
8Ave Maria
vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Ave Maria (Bach/Gounod)
lyricist:
[anonymous] (special purpose artist)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) and Charles Gounod (French composer) (in 1853)
is based on:
Méditation sur le Premier Prélude de Piano de S. Bach
is based on:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude
Charles Gounod2:49
9Jocelyn: Berceuse
vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Jocelyn, op. 100: Acte II. Berceuse “Cachés dans cet asile” (Jocelyn, Op. 100: Act II. Lullaby “Angels Guard Thee”)
composer:
Benjamin Godard (French violinist and composer, 1849-1895) (on 1888-02-25)
librettist:
Victor Capoul and Paul-Armand Silvestre
part of:
Jocelyn, op. 100: Acte II
Benjamin Godard5:03
10La danza: Tarantella
vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Soirées musicales: No. 8. La danza “Già la luna è in mezzo al mare”
lyricist:
Carlo Pepoli (Italian librettist, 19th c.)
composer:
Gioachino Rossini (composer)
part of:
Soirées musicales
Gioachino Rossini3:13
11Fenestra che lucive
vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Fenesta ca lucive
lyricist:
Giulio Genoino
composer:
Vincenzo Bellini (Sicilian opera composer) and Guglielmo Cottrau
publisher:
PD (refers to works that are in the public domain)
Trad.2:55
12Tu ca non chagne
vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Tu ca nun chiagne
lyricist:
Libero Bovio
composer:
Ernesto De Curtis (composer)
Trad.3:18
13Lolita
vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Lolita
lyricist and composer:
Arturo Buzzi‐Peccia
Arturo Buzzi‐Peccia3:06
14La mattinata
vocals:
Ricardo Cassinelli (Argentine operatic tenor)
orchestra:
Nürnberger Symphoniker (Alfred Scholz pseudonym) and Orchester der Württembergischen Staatsoper (fictitious orchestra, conductor Alexander von Pitamic (Alfred Scholz pseudonym))
conductor:
Alexander von Pitamic (Alfred Scholz pseudonym)
recording of:
Mattinata
lyricist and composer:
Ruggero Leoncavallo (composer)
Ruggero Leoncavallo2:08

Credits

Release

part of:The new Classical Dimension 2000 (Forum / Selected Sound Carrier AG) (number: 45) (order: 3)
Discogs:https://www.discogs.com/release/31483241 [info]