The Billy May Sessions

~ Pubblicazione di Nat King Cole (visualizza tutte le versioni di questa pubblicazione: 3 disponibili)

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1▼CD
#TitoloValutazioneDurata
1Walkin’ My Baby Back Home
basso :
Phil Stephens (bass and tuba player) (il 1951-09-04)
batteria :
Alvin Stoller (il 1951-09-04)
bonghi e congas :
Jack Costanzo (il 1951-09-04)
chitarra :
Barney Kessel (il 1951-09-04)
pianoforte :
Jimmy Rowles (il 1951-09-04)
sassofono baritono :
Chuck Gentry (il 1951-09-04)
sassofono contralto :
Skeets Herfurt (il 1951-09-04) e Wilbur Schwartz (il 1951-09-04)
sassofono tenore :
Fred Fallensby (il 1951-09-04) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1951-09-04)
tromba :
Johnny Best (jazz trumpeter) (il 1951-09-04), Conrad Gozzo (il 1951-09-04), Manny Klein (il 1951-09-04) e Ray Linn (il 1951-09-04)
trombone :
Ed Kusby (il 1951-09-04), Murray McEachern (il 1951-09-04), Pullman “Tommy” Pederson (il 1951-09-04) e Jimmy Priddy (il 1951-09-04)
voce:
Nat King Cole (il 1951-09-04)
direttore d'orchestra:
Billy May (il 1951-09-04)
arrangiatore:
Billy May
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1951-09-04)
registrazione cover di:
Walkin’ My Baby Back Home (il 1951-09-04)
paroliere:
Roy Turk (nel 1930)
compositore:
Fred Ahlert (nel 1930)
editore:
Chappell & Co., Inc. (USA), Redwood Music Ltd. (Carlin) e Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
2:39
2What Does It Take
basso :
Phil Stephens (bass and tuba player) (il 1951-09-04)
batteria :
Alvin Stoller (il 1951-09-04)
bonghi e congas :
Jack Costanzo (il 1951-09-04)
chitarra :
Barney Kessel (il 1951-09-04)
pianoforte :
Jimmy Rowles (il 1951-09-04)
sassofono baritono :
Chuck Gentry (il 1951-09-04)
sassofono contralto :
Skeets Herfurt (il 1951-09-04) e Wilbur Schwartz (il 1951-09-04)
sassofono tenore :
Fred Fallensby (il 1951-09-04) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1951-09-04)
tromba :
Johnny Best (jazz trumpeter) (il 1951-09-04), Conrad Gozzo (il 1951-09-04), Manny Klein (il 1951-09-04) e Ray Linn (il 1951-09-04)
trombone :
Ed Kusby (il 1951-09-04), Murray McEachern (il 1951-09-04), Pullman “Tommy” Pederson (il 1951-09-04) e Jimmy Priddy (il 1951-09-04)
voce:
Nat King Cole (il 1951-09-04)
orchestra:
Billy May & His Orchestra (il 1951-09-04)
direttore d'orchestra:
Billy May (il 1951-09-04)
arrangiatore:
Billy May
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1951-09-04)
registrazione di:
What Does It Take (il 1951-09-04)
paroliere:
Jimmy Van Heusen
autore:
Johnny Burke (American lyricist, 1908–1964)
compositore:
Sonny Burke (Joseph Francis Burke, producer, songwriter and Big Band leader)
2:47
3Walkin’
basso :
Phil Stephens (bass and tuba player) (il 1951-09-04)
batteria :
Alvin Stoller (il 1951-09-04)
bonghi e congas :
Jack Costanzo (il 1951-09-04)
chitarra :
Barney Kessel (il 1951-09-04)
pianoforte :
Jimmy Rowles (il 1951-09-04)
sassofono baritono :
Chuck Gentry (il 1951-09-04)
sassofono contralto :
Skeets Herfurt (il 1951-09-04) e Wilbur Schwartz (il 1951-09-04)
sassofono tenore :
Fred Fallensby (il 1951-09-04) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1951-09-04)
tromba :
Johnny Best (jazz trumpeter) (il 1951-09-04), Conrad Gozzo (il 1951-09-04), Manny Klein (il 1951-09-04) e Ray Linn (il 1951-09-04)
trombone :
Ed Kusby (il 1951-09-04), Murray McEachern (il 1951-09-04), Pullman “Tommy” Pederson (il 1951-09-04) e Jimmy Priddy (il 1951-09-04)
voce:
Nat King Cole (il 1951-09-04)
direttore d'orchestra:
Billy May (il 1951-09-04)
arrangiatore:
Billy May
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1951-09-04)
registrazione di:
Walkin'
paroliere e compositore:
Mary Lou Williams (American jazz pianist and composer) (nel 1951)
2:49
4I’m Hurtin’
basso :
Phil Stephens (bass and tuba player) (il 1951-09-04)
batteria :
Alvin Stoller (il 1951-09-04)
bonghi e congas :
Jack Costanzo (il 1951-09-04)
chitarra :
Barney Kessel (il 1951-09-04)
pianoforte :
Jimmy Rowles (il 1951-09-04)
sassofono baritono :
Chuck Gentry (il 1951-09-04)
sassofono contralto :
Skeets Herfurt (il 1951-09-04) e Wilbur Schwartz (il 1951-09-04)
sassofono tenore :
Fred Fallensby (il 1951-09-04) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1951-09-04)
tromba :
Johnny Best (jazz trumpeter) (il 1951-09-04), Conrad Gozzo (il 1951-09-04), Manny Klein (il 1951-09-04) e Ray Linn (il 1951-09-04)
trombone :
Ed Kusby (il 1951-09-04), Murray McEachern (il 1951-09-04), Pullman “Tommy” Pederson (il 1951-09-04) e Jimmy Priddy (il 1951-09-04)
voce:
Nat King Cole (il 1951-09-04)
direttore d'orchestra:
Billy May (il 1951-09-04)
arrangiatore:
Billy May
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1951-09-04)
registrazione di:
I’m Hurtin’
autore:
Skeets McDonald
2:49
5Angel Eyes
basso :
Jack Agee (il 1953-01-14) e Ralph Peña (il 1953-01-14)
batteria :
John Markham (il 1953-01-14)
bonghi e congas :
Jack Costanzo (il 1953-01-14)
chitarra :
John Collins (US jazz guitarist) (il 1953-01-14)
clarinetto e sassofono :
Bob Dawes (il 1953-01-14) e Charles Deremo (il 1953-01-14)
pianoforte :
Cliff Fishback (il 1953-01-14)
sassofono contralto :
Willie Smith (US jazz alto saxophonist, 1910-1967) (il 1953-01-14)
sassofono tenore :
Richard Clay (il 1953-01-14) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1953-01-14)
tromba :
Tony Facciuto (il 1953-01-14), Conrad Gozzo (il 1953-01-14), Jack H. Laubach (trumpeter) (il 1953-01-14), Robert McKinzie (il 1953-01-14) e Andy Peele (40s jazz trumpeter) (il 1953-01-14)
trombone :
Karl DeKarske (il 1953-01-14), Dick Nash (il 1953-01-14), Robert Reisiger (il 1953-01-14) e Si Zentner (il 1953-01-14)
voce:
Nat King Cole (il 1953-01-14)
orchestra:
Billy May & His Orchestra (il 1953-01-14)
direttore d'orchestra:
Billy May (il 1953-01-14)
arrangiatore:
Billy May
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-01-14)
registrazione cover di:
Angel Eyes (1946 jazz standard) (il 1953-01-14)
paroliere:
Earl Brent (nel 1946)
compositore:
Matt Dennis (American singer, pianist, band leader) (nel 1946)
editore:
Bradshaw Music, Inc., Dorsey Bros Music Ltd. (Angel Eyes - Dennis/Brent), Music Sales Corporation (American copyright holder in both popular and classical music) e Onyx Music Corporation
sub-editore:
ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
3:15
6Lover, Come Back to Me
basso :
Jack Agee (il 1953-01-14) e Ralph Peña (il 1953-01-14)
batteria :
John Markham (il 1953-01-14)
bonghi e congas :
Jack Costanzo (il 1953-01-14)
chitarra :
John Collins (US jazz guitarist) (il 1953-01-14)
clarinetto e sassofono :
Bob Dawes (il 1953-01-14) e Charles Deremo (il 1953-01-14)
pianoforte :
Cliff Fishback (il 1953-01-14)
sassofono contralto :
Willie Smith (US jazz alto saxophonist, 1910-1967) (il 1953-01-14)
sassofono tenore :
Richard Clay (il 1953-01-14) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1953-01-14)
tromba :
Tony Facciuto (il 1953-01-14), Conrad Gozzo (il 1953-01-14), Jack H. Laubach (trumpeter) (il 1953-01-14), Robert McKinzie (il 1953-01-14) e Andy Peele (40s jazz trumpeter) (il 1953-01-14)
trombone :
Karl DeKarske (il 1953-01-14), Dick Nash (il 1953-01-14), Robert Reisiger (il 1953-01-14) e Si Zentner (il 1953-01-14)
cori:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1953-01-14)
voce:
Nat King Cole (il 1953-01-14)
orchestra:
Billy May & His Orchestra (il 1953-01-14)
direttore d'orchestra:
Billy May (il 1953-01-14)
arrangiatore:
Billy May
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-01-14)
registrazione cover di:
Lover, Come Back to Me (from "The New Moon") (il 1953-01-14)
paroliere:
Oscar Hammerstein II (of Rodgers & Hammerstein) (nel 1928)
autore:
Sigmund Romberg
compositore:
Sigmund Romberg (nel 1928)
editore:
Bambalina Music Publishing Company, Redwood Music, Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1928)
sub-editore:
ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The New Moon: Act II
2:30
7Can’t I
basso :
Jack Agee (il 1953-01-14) e Ralph Peña (il 1953-01-14)
batteria :
John Markham (il 1953-01-14)
bonghi e congas :
Jack Costanzo (il 1953-01-14)
chitarra :
John Collins (US jazz guitarist) (il 1953-01-14)
clarinetto e sassofono :
Bob Dawes (il 1953-01-14) e Charles Deremo (il 1953-01-14)
pianoforte :
Cliff Fishback (il 1953-01-14)
sassofono contralto :
Willie Smith (US jazz alto saxophonist, 1910-1967) (il 1953-01-14)
sassofono tenore :
Richard Clay (il 1953-01-14) e Ted Nash (40s-80s US swing reedman, uncle of the other) (il 1953-01-14)
tromba :
Tony Facciuto (il 1953-01-14), Conrad Gozzo (il 1953-01-14), Jack H. Laubach (trumpeter) (il 1953-01-14), Robert McKinzie (il 1953-01-14) e Andy Peele (40s jazz trumpeter) (il 1953-01-14)
trombone :
Karl DeKarske (il 1953-01-14), Dick Nash (il 1953-01-14), Robert Reisiger (il 1953-01-14) e Si Zentner (il 1953-01-14)
voce:
Nat King Cole (il 1953-01-14)
orchestra:
Billy May & His Orchestra (il 1953-01-14)
direttore d'orchestra:
Billy May (il 1953-01-14)
arrangiatore:
Billy May
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1953-01-14)
registrazione cover di:
Can’t I? (il 1953-01-14)
paroliere e compositore:
Leroy Lovett Jr
3:15
8Papa Loves Mambo
ance :
Fred Fallensby (il 1954-10-18), Chuck Gentry (il 1954-10-18), Skeets Herfurt (il 1954-10-18), Ted Nash (75- US saxophonist, the nephew) (il 1954-10-18) e Wilbur Schwartz (il 1954-10-18)
arpa :
Ann Mason Stockton (American harpist) (il 1954-10-18)
basso :
Joe Mondragon (il 1954-10-18)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1954-10-18)
chitarra :
Al Hendrickson (il 1954-10-18)
percussione :
Stevan Dweek (il 1954-10-18), Alvin Stoller (il 1954-10-18) e Carlos Vidal (Cuban percussionist) (il 1954-10-18)
pianoforte :
Bill Miller (pianist) (il 1954-10-18)
tromba :
Johnny Best (jazz trumpeter) (il 1954-10-18), Conrad Gozzo (il 1954-10-18), Manny Klein (il 1954-10-18) e Uan Rasey (il 1954-10-18)
trombone :
Ed Kusby (il 1954-10-18), Murray McEachern (il 1954-10-18), Pullman “Tommy” Pederson (il 1954-10-18) e Si Zentner (il 1954-10-18)
viola :
Alvin Dinkin (il 1954-10-18) e Stanley Harris (US big band viola player) (il 1954-10-18)
violino :
Victor Bay (il 1954-10-18), Alex Beller (il 1954-10-18), Mischa Russell (violinist) (il 1954-10-18), Eudice Shapiro (Violinist) (il 1954-10-18), Paul Shure (il 1954-10-18) e Felix Slatkin (il 1954-10-18)
violoncello :
Cy Bernard (il 1954-10-18) e Eleanor Slatkin (US cellist, b. Aller) (il 1954-10-18)
cori:
[unknown] ([sconosciuto], Special Purpose Artist – Do not add releases here, if possible.) (il 1954-10-18)
voce:
Nat King Cole (il 1954-10-18)
orchestra:
Billy May & His Orchestra (il 1954-10-18)
direttore d'orchestra:
Billy May (il 1954-10-18) e Nelson Riddle (il 1954-10-18)
arrangiatore:
Billy May e Nelson Riddle
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-10-18)
registrazione cover di:
Papa Loves Mambo (il 1954-10-18)
autore:
Al Hoffman, Dick Manning (American songwriter) e Bickley Reichner
2:39
9Teach Me Tonight
ance :
Fred Fallensby (il 1954-10-18), Chuck Gentry (il 1954-10-18), Skeets Herfurt (il 1954-10-18), Ted Nash (75- US saxophonist, the nephew) (il 1954-10-18) e Wilbur Schwartz (il 1954-10-18)
arpa :
Ann Mason Stockton (American harpist) (il 1954-10-18)
basso :
Joe Mondragon (il 1954-10-18)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1954-10-18)
chitarra :
Al Hendrickson (il 1954-10-18)
percussione :
Stevan Dweek (il 1954-10-18), Alvin Stoller (il 1954-10-18) e Carlos Vidal (Cuban percussionist) (il 1954-10-18)
pianoforte :
Bill Miller (pianist) (il 1954-10-18)
tromba :
Johnny Best (jazz trumpeter) (il 1954-10-18), Conrad Gozzo (il 1954-10-18), Manny Klein (il 1954-10-18) e Uan Rasey (il 1954-10-18)
trombone :
Ed Kusby (il 1954-10-18), Murray McEachern (il 1954-10-18), Pullman “Tommy” Pederson (il 1954-10-18) e Si Zentner (il 1954-10-18)
viola :
Alvin Dinkin (il 1954-10-18) e Stanley Harris (US big band viola player) (il 1954-10-18)
violino :
Victor Bay (il 1954-10-18), Alex Beller (il 1954-10-18), Mischa Russell (violinist) (il 1954-10-18), Eudice Shapiro (Violinist) (il 1954-10-18), Paul Shure (il 1954-10-18) e Felix Slatkin (il 1954-10-18)
violoncello :
Cy Bernard (il 1954-10-18) e Eleanor Slatkin (US cellist, b. Aller) (il 1954-10-18)
voce:
Nat King Cole (il 1954-10-18)
orchestra:
Billy May & His Orchestra (il 1954-10-18)
direttore d'orchestra:
Billy May (il 1954-10-18) e Nelson Riddle (il 1954-10-18)
arrangiatore:
Billy May e Nelson Riddle
registrata presso:
Capitol Studios (1949–1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1954-10-18)
registrazione cover di:
Teach Me Tonight (il 1954-10-18)
paroliere:
Sammy Cahn
compositore:
Gene de Paul
editore:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (conclusa), Cahn Music Co., Hub Music Co., WB Music Corp. (1929–2019) (fino al 2019-05-28) e WC Music Corp. (dal 2019-05-28 a oggi)
sub-editore:
ティー・アール・オー・エセックス・ジャパン A事業部 (TRO Essex Japan, A-Division) e 日音 Synch事業部 (NICHION, INC. Synch Division)
3:11
10Blue Moon
2:13
11With You on My Mind
2:37
12Don’t Try
2:22
13Send for Me
produttore:
Lee Gillette
basso :
Charlie Harris (jazz bassist) (il 1957-05-14)
batteria :
Lee Young (40s-60s US jazz drummer, then producer/A&R) (il 1957-05-14)
chitarra :
John Collins (US jazz guitarist) (il 1957-05-14) e Al Hendrickson (il 1957-05-14)
pianoforte :
Paul Smith (Paul Thatcher Smith, jazz pianist, composer, arranger and bandleader) (il 1957-05-14)
sassofono tenore :
Plas Johnson (il 1957-05-14)
voce:
Nat King Cole (il 1957-05-14)
voce di accompagnamento:
The Herman McCoy Choir (il 1957-05-14)
direttore d'orchestra:
Billy May (il 1957-05-14)
arrangiatore:
Billy May
registrata presso:
Capitol Studios (Hollywood, CA, founded 1956) in Hollywood, Los Angeles, California, Stati Uniti (il 1957-05-14)
registrazione di:
Send for Me (il 1957-05-14)
paroliere e compositore:
Ollie Jones
2:39
14Let’s Make More Love
2:55
15Don’t Get Around Much Any More
registrazione cover di:
Don’t Get Around Much Anymore
paroliere:
Bob Russell (US songwriter/lyricist Sidney Keith “Bob” Russell) (nel 1942)
compositore:
Duke Ellington (US composer, pianist & jazz bandleader) (nel 1940)
editore:
EMI Music (do not use as release label! this is a music publisher), EMI Robbins Catalog Inc. (ASCAP), Harrison Music Corp. e Sony/ATV Harmony
sub-editore:
フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
versione di:
Never No Lament
53:11
16The Song Is Ended
registrazione di:
The Song Is Ended (but the Melody Lingers On)
paroliere:
Irving Berlin
compositore:
Irving Berlin (nel 1927)
editore:
Irving Berlin Music Corp. e Williamson Music Company
2:46
17You’ll Never Know
registrazione di:
You’ll Never Know
paroliere:
Mack Gordon
compositore:
Harry Warren (US composer and lyricist)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships) (conclusa), EMI Blackwood Music Inc. e WB Music Corp. (1929–2019) (fino al 2019-05-28)
sub-editore:
ワーナー・チャペル音楽出版 (Warner/Chappell Music Japan), ヤマハミュージックパブリッシング (Yamaha Music Publishing) (fino al 2017-03-31) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) (dal 2017-04-01 a oggi)
parte di:
The 16th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1943 winner)
2:43
18Just for the Fun of It (alternate take)
registrazione di:
Just for the Fun of It
autore:
Lillian Bret Harte e Arlene Jackson
2:35
19Who’s Sorry Now
registrazione cover di:
Who’s Sorry Now? (1923 song)
paroliere:
Bert Kalmar (nel 1923) e Harry Ruby (nel 1923)
compositore:
Ted Snyder (nel 1923)
editore:
B. Feldman & Co. Ltd. (publisher est. 1946), Waterson, Berlin & Snyder (il 1923-03-07) e Mills Music Corporation (nel 1929)
2:57
20These Foolish Things
3:47
21Once in a While
registrazione cover di:
Once in a While
paroliere:
Bud Green (nel 1937)
compositore:
Michael Edwards (nel 1937)
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Miller Catalog, Inc. e Miller Music Corp.
parte di:
New York, New York (1977 musical film soundtrack)
2:47
2▼CD
#TitoloValutazioneDurata
1Just One of Those Things
registrazione cover di:
Just One of Those Things (il 1957-07-31)
paroliere e compositore:
Cole Porter (composer) (nel 1935)
editore:
Chappell Music Ltd., Warner/Chappell (Warner/Chappell Music, Inc.) e Warner Bros., Inc. (not for release label use!) (nel 1929)
parte di:
Can‐Can (1960 musical film)
parte di:
High Society (stage musical)
parte di:
Jubilee
parte di:
Panama Hattie (1942 film)
2:14
2I Should Care
registrazione di:
I Should Care
autore:
Sammy Cahn, Axel Stordahl e Paul Weston
editore:
Cahn Music Company, Dorsey Brothers Music, Hanover Music Corp., Music Sales Corporation (American copyright holder in both popular and classical music), Peermusic (UK) Limited e Stordahl Music Publishing
sub-editore:
ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2:47
3The Party’s Over
registrazione di:
The Party’s Over (Bells Are Ringing)
paroliere:
Betty Comden e Adolph Green
compositore:
Jule Styne
editore:
Chappell & Co., Stratford Music Corporation e Warner Chappell Music Ltd. (no slash; used 1988–1996)
parte di:
Bells Are Ringing (stage musical)
2:43
4Just for the Fun of It
registrazione di:
Just for the Fun of It
autore:
Lillian Bret Harte e Arlene Jackson
2:36
5A Cottage for Sale
registrazione di:
A Cottage for Sale
paroliere:
Larry Conley (jazz bandleader/songwriter/trombonist)
compositore:
Willard Robison
editore:
Chappell & Co.
2:57
6I Understand
registrazione di:
I Understand
paroliere:
Kim Gannon
compositore:
Mabel Wayne
2:24
7When Your Lover Has Gone
registrazione di:
When Your Lover Has Gone
paroliere e compositore:
Einar Aaron Swan
editore:
Remick Music Corp. e Warner Bros., Inc. (Warner Bros. Music Division)
2:30
8Ebony Rhapsody
3:04
9Day In, Day Out
registrazione di:
Day In, Day Out
paroliere:
Johnny Mercer (nel 1939)
compositore:
Rube Bloom (American songwriter, pianist and vocalist) (nel 1939)
editore:
Bregman, Vocco & Conn, Inc.
2:25
10Too Little, Too Late
2:59
11When My Sugar Walks Down the Street
2:08
12Cold, Cold Heart
3:45
13Let’s Face the Music and Dance
registrazione di:
Let’s Face the Music and Dance (from “Follow the Fleet”)
paroliere e compositore:
Irving Berlin (nel 1936)
editore:
Irving Berlin Music Company, Irving Berlin Music Corp. e Williamson Music Company
parte di:
Follow the Fleet (1936 film)
2:25
14Something Makes Me Want to Dance
registrazione di:
Something Makes Me Want to Dance With You
autore:
Danny Meehan (Broadway actor turned songwriter) e Colin Romoff
2:08
15I’m Gonna Sit Right Down and Write Myself a Letter
registrazione cover di:
I’m Gonna Sit Right Down and Write Myself a Letter
paroliere:
Joe Young (US lyricist)
compositore:
Fred Ahlert e Joe Young (US lyricist)
editore:
Anglo-Pic Music Co. Ltd., Azure Pearl Music, Beeping Good Music Publishing, Bluewater Music UK, David Ahlert Music, DeSylva, Brown and Henderson, Inc., Downtown Music Publishing LLC (PRS-affiliated), Fred Ahlert Mus. Corp., MCA Music Ltd., Memory Lane Music Ltd., MPL UK Publishing, Pencil Mark Music (ASCAP) e Rytvoc, Inc. (ASCAP)
2:35
16Rules of the Road
2:44
17Warm and Willing
registrazione di:
Warm and Willing
autore:
Ray Evans (American songwriter), Jay Livingston e Jimmy McHugh (songwriter)
3:01
18Bidin’ My Time
registrazione di:
Bidin’ My Time (from Girl Crazy)
paroliere:
Ira Gershwin (nel 1930)
compositore:
George Gershwin (composer) (nel 1930)
editore:
New World Music Co. (nel 1930)
parte di:
Crazy for You (1992 musical)
parte di:
Girl Crazy (1930 Musical)
parte di:
When the Boys Meet the Girls (1965 film)
2:27
19Moon Love
2:09

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