The Eminent Jay Jay Johnson, Volume 1 (reissue, remastered, mono)

~ Veröffentlichung von Jay Jay Johnson (alle Versionen dieser Veröffentlichung ansehen, 7 vorhanden)

Anmerkung

1-5 Recorded June 20, 1953.
6-10 Recorded September 24, 1954.

HSE2088 (20bit 88.2kHz Mastering)

In jewel case with white tray and obi. Twelve page booklet includes original and new liner notes in Japanese. A fold out insert replicates the original LP jacket back cover, backed by an illustrated list of other titles in the series.

Rights Society: JASRAC
Matrix / Runout: TOCJ-1505 1 A1
Mastering SID Code: IFPI L151
Mould SID Code: IFPI 2812

Record Company – Toshiba EMI Ltd
Manufactured By – Toshiba EMI Ltd

Anmerkung zuletzt geändert am 2023-06-02 13:00 UTC.

Titelliste

1▼CD
Nr.TitelBewertungLänge
1Turnpike
baritone saxophone und Tenorsaxophon:
Jimmy Heath (am 1953-06-22)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1953-06-22)
Kontrabass:
Percy Heath (am 1953-06-22)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1953-06-22)
Schlagzeug:
Kenny Clarke (am 1953-06-22)
Trompete:
Clifford Brown (trumpet) (am 1953-06-22)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1953-06-22)
recording of:
Turnpike (am 1953-06-22)
Komponist(in):
J.J. Johnson (jazz/bop trombonist/session leader)
4:22
2Lover Man
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1953-06-22)
Kontrabass:
Percy Heath (am 1953-06-22)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1953-06-22)
Schlagzeug:
Kenny Clarke (am 1953-06-22)
Tenorsaxophon:
Jimmy Heath (am 1953-06-22)
Trompete:
Clifford Brown (trumpet) (am 1953-06-22)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1953-06-22)
instrumental recording of:
Lover Man (am 1953-06-22)
Texter:
Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942), Roger “Ram” Ramirez (Puerto Rican jazz pianist) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
Komponist(in):
Roger “Ram” Ramirez (Puerto Rican jazz pianist), Jimmy Davis (US songwriter, wrote “Lover Man”) (in 1942) und Jimmy Sherman (pianist, arranger and songwriter) (in 1942)
publisher:
MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) (beendet), MCA Music Publishing (renamed since c. 1996 as Universal Music Publishing Group) (beendet) und Universal Music Corp. (USA, affiliated with ASCAP)
3:57
3Get Happy
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1953-06-22)
Kontrabass:
Percy Heath (am 1953-06-22)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1953-06-22)
Schlagzeug:
Kenny Clarke (am 1953-06-22)
Tenorsaxophon:
Jimmy Heath (am 1953-06-22)
Trompete:
Clifford Brown (trumpet) (am 1953-06-22)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1953-06-22)
instrumental recording of:
Get Happy (am 1953-06-22)
Texter:
Ted Koehler (in 1929)
Komponist(in):
Harold Arlen (in 1929)
publisher:
Chappell & Co., Inc. (USA), Francis, Day & Hunter Ltd., Redwood Music Ltd. (Carlin), Remick Music Corp., S.A. Music Co. und Warner Bros. Music (publisher; do NOT use as release label)
Teil von:
Summer Stock
Teil von:
The Nine‐Fifteen Revue (1930)
4:55
4Sketch 1
baritone saxophone:
Jimmy Heath (am 1953-06-22)
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1953-06-22)
Kontrabass:
Percy Heath (am 1953-06-22)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1953-06-22)
Schlagzeug:
Kenny Clarke (am 1953-06-22)
Trompete:
Clifford Brown (trumpet) (am 1953-06-22)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1953-06-22)
4:29
5Capri
Klavier:
John Lewis (pianist, member of Modern Jazz Quartet) (am 1953-06-22)
Kontrabass:
Percy Heath (am 1953-06-22)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1953-06-22)
Schlagzeug:
Kenny Clarke (am 1953-06-22)
Tenorsaxophon:
Jimmy Heath (am 1953-06-22)
Trompete:
Clifford Brown (trumpet) (am 1953-06-22)
aufgenommen bei:
WOR Studios in New York, New York, Vereinigte Staaten (am 1953-06-22)
3:43
6Jay
recording engineer:
Rudy van Gelder
Produzent(in):
Alfred Lion
Conga:
"Sabu" Martinez (am 1954-09-24)
Klavier:
Wynton Kelly (am 1954-09-24)
Kontrabass:
Charles Mingus (am 1954-09-24)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1954-09-24)
Schlagzeug:
Kenny Clarke (am 1954-09-24)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1954-09-24)
3:48
7Old Devil Moon
recording engineer:
Rudy van Gelder
Produzent(in):
Alfred Lion
Conga:
"Sabu" Martinez (am 1954-09-24)
Klavier:
Wynton Kelly (am 1954-09-24)
Kontrabass:
Charles Mingus (am 1954-09-24)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1954-09-24)
Schlagzeug:
Kenny Clarke (am 1954-09-24)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1954-09-24)
instrumental recording of:
Old Devil Moon (from “Finian’s Rainbow”) (am 1954-09-24)
Texter:
Yip Harburg
Komponist(in):
Burton Lane
publisher:
Chappell & Co., Inc. (USA), Chappell Music (UK) und Victoria Music Ltd.
adaptations:
Old Devil Moon / Stari vražji mesec
Teil von:
Finian’s Rainbow (1947 Broadway musical)
3:58
8It's You or No One
recording engineer:
Rudy van Gelder
Produzent(in):
Alfred Lion
Klavier:
Wynton Kelly (am 1954-09-24)
Kontrabass:
Charles Mingus (am 1954-09-24)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1954-09-24)
Schlagzeug:
Kenny Clarke (am 1954-09-24)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1954-09-24)
instrumental recording of:
It’s You or No One (am 1954-09-24)
Texter:
Sammy Cahn
Komponist(in):
Sammy Cahn und Jule Styne
Teil von:
Romance on the High Seas
4:12
9Too Marvelous for Words
recording engineer:
Rudy van Gelder
Produzent(in):
Alfred Lion
Conga:
"Sabu" Martinez (am 1954-09-24)
Klavier:
Wynton Kelly (am 1954-09-24)
Kontrabass:
Charles Mingus (am 1954-09-24)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1954-09-24)
Schlagzeug:
Kenny Clarke (am 1954-09-24)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1954-09-24)
instrumental recording of:
Too Marvelous for Words (am 1954-09-24)
Texter:
Johnny Mercer (in 1937)
Komponist(in):
Richard A. Whiting (composer) (in 1937)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody), Victoria Music Ltd., Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division) und Harms, Inc. (am 1937-01-25)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
3:40
10Coffee Pot
recording engineer:
Rudy van Gelder
Produzent(in):
Alfred Lion
Conga:
"Sabu" Martinez (am 1954-09-24)
Klavier:
Wynton Kelly (am 1954-09-24)
Kontrabass:
Charles Mingus (am 1954-09-24)
Posaune:
J.J. Johnson (jazz/bop trombonist/session leader) (am 1954-09-24)
Schlagzeug:
Kenny Clarke (am 1954-09-24)
aufgenommen bei:
Van Gelder Studio (Hackensack – July 1, 1959) in Hackensack, New Jersey, Vereinigte Staaten (am 1954-09-24)
recording of:
Coffee Pot (am 1954-09-24)
Komponist(in):
J.J. Johnson (jazz/bop trombonist/session leader)
4:12