Tag “classical”

Recordings tagged as “classical”

142,857 recordings found

• 2 - L'Arlésienne, Suite no. 2: II. Intermezzo by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - L'Arlésienne, Suite no. 2: III. Menuet by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - L'Arlésienne, Suite no. 2: IV. Farandole by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - L'Autunno (Autumn): I. Allegro by Sarah Chang (violinist), Orpheus Chamber Orchestra (US orchestra)
• 2 - L'Autunno (Autumn): II. Adagio molto by Sarah Chang (violinist), Orpheus Chamber Orchestra (US orchestra)
• 2 - L'Autunno (Autumn): III. Allegro by Sarah Chang (violinist), Orpheus Chamber Orchestra (US orchestra)
• 2 - L'elisir d'amore: "Prendi, per me sei libero" (Adina) by Cecilia Bartoli (mezzo‐soprano), Orchestra La Scintilla, Ádám Fischer (Hungarian conductor)
• 2 - L’elisir d’amore: Atto II, scena 2. “Una furtiva lagrima” (Nemorino) by Juan Diego Flórez (Peruvian operatic tenor), Orchestra Sinfonica di Milano Giuseppe Verdi (Symphony Orchestra of Milan Giuseppe Verdi), Riccardo Frizza (conductor)
• 2 - L’elisir d’amore: Una furtiva lagrima by Enrico Caruso (tenor)
• 2 - L'Enfance de Ko-quo (recommandations maternelles) : II. Ne souffle pas dans tes oreilles by Jean‐Yves Thibaudet (pianist)
• 2 - L'Enfance de Ko-quo (recommandations maternelles) : III. Ne met pas ta tête sous ton bras by Jean‐Yves Thibaudet (pianist)
• 2 - L'Enfant debout by Pascal Gaigne
• 2 - L’Escargot by Michael Nyman (composer)
• 2 - L'Estate (Summer): I. Allegro by Sarah Chang (violinist), Orpheus Chamber Orchestra (US orchestra)
• 2 - L'Estate (Summer): II. Adagio by Sarah Chang (violinist), Orpheus Chamber Orchestra (US orchestra)
• 2 - L’esule by Cecilia Bartoli (mezzo‐soprano), James Levine (US conductor and pianist)
• 2 - L’honestà negli amori: “Gia il sole dal Gange” by Cecilia Bartoli (mezzo‐soprano), György Fischer (pianist and conductor)
• 2 - L'incontro by Andrea Bocelli (tenor)
• 2 - L’incontro by Andrea Bocelli (tenor) feat. Bono (singer of U2)
• 2 - L’incoronazione di Poppea: Atto III. “Pur ti miro” by Fernando Lima (Argentine/Spanish countertenor vocalist), Natasha Marsh (soprano), London Symphony Orchestra, Craig Leon (musician, arranger, composer and producer)
• 2 - L'Inverno (Winter): I. Allegro non molto by Sarah Chang (violinist), Orpheus Chamber Orchestra (US orchestra)
• 2 - L'Inverno (Winter): II. Largo by Sarah Chang (violinist), Orpheus Chamber Orchestra (US orchestra)
• 2 - L'Inverno (Winter): III. Allegro by Sarah Chang (violinist), Orpheus Chamber Orchestra (US orchestra)
• 2 - L'Isle joyeuse by Vladimir Horowitz (Ukrainian‐American pianist and composer)
• 2 - L’Isle joyeuse by Alexis Weissenberg
• 2 - L'isle joyeuse (1904) by Philippe Cassard (pianist)
• 2 - L’italiana in Algeri: Overture by Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Herbert von Karajan (conductor)
• 2 - L’italiana in Algeri: Sinfonia by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene III. No. 1 Duetto "Così si fa" (Auretta, Chichibio) by Inga Nielsen (soprano), Anton Scharinger (bass-baritone), Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier (German tenor and conductor)
• 2 - L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene VI. No. 2 Aria "Se fosse qui nascoso" (Auretta, Chichibio) by Inga Nielsen (soprano), Anton Scharinger (bass-baritone), Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier (German tenor and conductor)
• 2 - L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I, Scene VIII. No. 4 Aria e Terzetto "Siano pronte alle gran nozze" (Don Pippo, Auretta, Chichibio) by Dietrich Fischer‐Dieskau (baritone), Inga Nielsen (soprano), Anton Scharinger (bass-baritone), Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier (German tenor and conductor)
• 2 - L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act I. Scene VIII. Recitativo "O pazzo, pazzissimo Biondello" (Don Pippo, Auretta) by Dietrich Fischer‐Dieskau (baritone), Inga Nielsen (soprano), Christine Schornsheim (keyboard instrumentalist)
• 2 - L'oca del Cairo, K. 422 (Erik Smith reconstruction): Act. I, Scene VI. No. 3 Aria "Ogni momento dicon le donne" (Chichibio) by Anton Scharinger (bass-baritone), Kammerorchester Carl Philipp Emanuel Bach, Peter Schreier (German tenor and conductor)
• 2 - L'Oiseau de feu : Berceuse by London Symphony Orchestra, Claudio Abbado (conductor)
• 2 - L'Oiseau de feu : Danse infernale du roi Kachtcheï by London Symphony Orchestra, Claudio Abbado (conductor)
• 2 - L'Oiseau de feu : Introduction - L'Oiseau de feu et sa danse by London Symphony Orchestra, Claudio Abbado (conductor)
• 2 - L'Oiseau de feu : Ronde des princesses by London Symphony Orchestra, Claudio Abbado (conductor)
• 2 - L'Oiseau de feu : Variation de l'oiseau de feu by London Symphony Orchestra, Claudio Abbado (conductor)
• 2 - L'ora dell'addio by Josh Groban
• 2 - L'Orfeo: Toccata by His Majestys Sagbutts and Cornetts (British early music group), English Baroque Soloists (The English Baroque Soloists), Sir John Eliot Gardiner (John Eliot Gardiner)
• 2 - L'origine nascosta (live, 2007-09: Kammermusiksaal, Berlin, Germany) by Ludovico Einaudi (Italian composer and pianist)
• 2 - L’ultima notte by Josh Groban
• 2 - L’ultima volta by Jeroen van Veen (Dutch pianist)
• 2 - La battaglia di Algeri: Algeri, 1 novembre 1954 by Ennio Morricone (Italian classical and score composer)
• 2 - La battaglia di Legnano: Overture by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - La Belle Excentrique : I. Marche franco-lunaire by Jean‐Yves Thibaudet (pianist)
• 2 - La Belle Excentrique : II. Valse du "Mystérieux baiser dans l'œil" by Jean‐Yves Thibaudet (pianist)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. No. 1. Aria «D’ogni colpa la colpa maggiore» (Ozia) by Peter Schreier (German tenor and conductor), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. No. 2. Aria «Ma qual virtù non cede» (Cabri) by Gabriele Fuchs (soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. No. 3. Aria «Non hai cor» (Amital) by Ileana Cotrubaş (Romanian soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. No. 4. Aria con Coro «Pietà, se irato sei» (Ozia, Amital, Coro) by Peter Schreier (German tenor and conductor), Salzburger Kammerchor (Austrian chamber choir), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. No. 5. Aria «Del pari infeconda» (Giuditta) by Hanna Schwarz (mezzo soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. No. 7. Aria «Terribile d’aspetto» (Achior) by Walter Berry (bass‐baritone), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. No. 9. Coro «Oh prodigio! Oh stupor!» (Coro) by Salzburger Kammerchor (Austrian chamber choir), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. Overtura by Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. Recitativo «Chi è costei» (Cabri, Amital, Ozia, Giuditta) by Gabriele Fuchs (soprano), Ileana Cotrubaş (Romanian soprano), Peter Schreier (German tenor and conductor), Hanna Schwarz (mezzo soprano), Cornelius Hermann, Jean‐Pierre Faber (harpsichordist), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra) & Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. Recitativo «E in che sperar?» (Cabri, Amital) by Gabriele Fuchs (soprano), Ileana Cotrubaş (Romanian soprano), Cornelius Hermann, Jean‐Pierre Faber (harpsichordist)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. Recitativo «Già le memorie antiche» (Ozia, Cabri, Amital) by Peter Schreier (German tenor and conductor), Gabriele Fuchs (soprano), Ileana Cotrubaş (Romanian soprano), Cornelius Hermann, Jean‐Pierre Faber (harpsichordist)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. Recitativo «Oh saggia, oh santa» (Ozia, Cabri, Giuditta) by Peter Schreier (German tenor and conductor), Gabriele Fuchs (soprano), Hanna Schwarz (mezzo soprano), Cornelius Hermann, Jean‐Pierre Faber (harpsichordist)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. Recitativo «Popoli di Betulia» (Ozia) by Peter Schreier (German tenor and conductor), Cornelius Hermann, Jean‐Pierre Faber (harpsichordist), Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. Recitativo «Signor, Carmi a te viene» (Cabri, Amital, Carmi, Ozia, Achior) by Gabriele Fuchs (soprano), Ileana Cotrubaş (Romanian soprano), Margarita Zimmermann (mezzo-soprano), Peter Schreier (German tenor and conductor), Walter Berry (bass‐baritone), Cornelius Hermann, Jean‐Pierre Faber (harpsichordist)
• 2 - La Betulia liberata, KV 118/74c: Parte prima. Recitativo «Ti consola, Achior» (Ozia, Cabri, Achior, Giuditta) by Peter Schreier (German tenor and conductor), Gabriele Fuchs (soprano), Walter Berry (bass‐baritone), Hanna Schwarz (mezzo soprano), Cornelius Hermann, Hanna Schwarz (mezzo soprano)
• 2 - La Betulia liberata, KV 118/74c: Parte seconda. No. 10. Aria «Se Dio veder tu vuoi» (Ozia) by Peter Schreier (German tenor and conductor), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte seconda. No. 12. Aria «Prigionier che fa ritorno» (Giuditta) by Hanna Schwarz (mezzo soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte seconda. No. 13. Aria «Te solo adoro» (Achior) by Walter Berry (bass‐baritone), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte seconda. No. 14. Aria «Con troppa rea viltà» (Amital) by Ileana Cotrubaş (Romanian soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte seconda. No. 15. Aria «Quei moti che senti» (Carmi) by Margarita Zimmermann (mezzo-soprano), Mozarteum Orchester Salzburg (Salzburg Mozarteum Orchestra), Leopold Hager (conductor)
• 2 - La Betulia liberata, KV 118/74c: Parte seconda. Recitativo «Confuso io son» (Achior, Ozia, Amital) by Walter Berry (bass‐baritone), Peter Schreier (German tenor and conductor), Ileana Cotrubaş (Romanian soprano), Cornelius Hermann, Jean‐Pierre Faber (harpsichordist)
• 2 - La Betulia liberata, KV 118/74c: Parte seconda. Recitativo «Di tua vittoria» (Ozia, Amital) by Peter Schreier (German tenor and conductor), Ileana Cotrubaş (Romanian soprano), Cornelius Hermann, Jean‐Pierre Faber (harpsichordist)
• 2 - La Betulia liberata, KV 118/74c: Parte seconda. Recitativo «Giuditta, Ozia» (Achior) by Walter Berry (bass‐baritone), Cornelius Hermann, Jean‐Pierre Faber (harpsichordist)
• 2 - La Betulia liberata, KV 118/74c: Parte seconda. Recitativo «Quanta cura hai di noi» (Cabri, Carmi, Ozia, Amital) by Gabriele Fuchs (soprano), Margarita Zimmermann (mezzo-soprano), Peter Schreier (German tenor and conductor), Ileana Cotrubaş (Romanian soprano), Cornelius Hermann, Jean‐Pierre Faber (harpsichordist)
• 2 - La Betulia liberata, KV 118/74c: Parte seconda. Recitativo «Seguansi, oh Carmi» (Ozia, Amital, Cabri, Achior, Giuditta) by Peter Schreier (German tenor and conductor), Ileana Cotrubaş (Romanian soprano), Gabriele Fuchs (soprano), Walter Berry (bass‐baritone), Hanna Schwarz (mezzo soprano), Cornelius Hermann, Jean‐Pierre Faber (harpsichordist)
• 2 - La Betulia liberata, KV 118/74c: Parte seconda. Recitativo «Troppo mal corrisponde» (Achior, Ozia) by Walter Berry (bass‐baritone), Peter Schreier (German tenor and conductor), Cornelius Hermann, Jean‐Pierre Faber (harpsichordist)
• 2 - La Bohème: “Che gelida manina” by Bratislawer Kinderchor (Bratislava Children’s Choir), Ľuba Orgonášová (soprano), Slowakischer Philharmoniker Chor (Slovak Philharmonic Choir), Jonathan Welch (tenor), Tschechoslowakischer Sinfonie Orchester (Bratislawa) (Slovak Radio Symphony Orchestra), Will Humburg (conductor)
• 2 - La bohème: “O soave fanciulla” by Coro del Teatro alla Scala di Milano, Anna Moffo (soprano), Manuel Spatafora (baritone), Nicola Zaccaria (operatic bass), Maria Callas (soprano), Giuseppe Di Stefano (tenor), Rolando Panerai (baritone), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Antonino Votto (conductor)
• 2 - La bohème: Atto I. “Che gelida manina!” (Rodolfo) by Giuseppe Di Stefano (tenor), Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan), Antonino Votto (conductor)
• 2 - La bohème: Atto I. "Che gelida manina" (Rodolfo) by Jonas Kaufmann (tenor), Prague Philharmonic Orchestra, Marco Armiliato (conductor)
• 2 - La bohème: Atto I. “O soave fanciulla” (Rodolfo, Mimì) by Roberto Alagna (tenor), Angela Gheorghiu (Romanian soprano), Orchestra of the Royal Opera House, Covent Garden, Richard Armstrong (conductor)
• 2 - La bohème: Atto I. “Sì. Mi chiamano Mimì” by Mirella Freni (soprano), Orchestra del Teatro dell’Opera di Roma, Thomas Schippers (conductor and composer)
• 2 - La bohème: Atto I. Duettino "O soave fanciulla" (Mimi, Rodolfo) by Anna Netrebko (soprano), Rolando Villazón (tenor), Staatskapelle Dresden (Dresden Symphonic Orchestra), Nicola Luisotti (conductor)
• 2 - La bohème: Atto III. “Donde lieta uscì” (Mimì) by Walter Hagen-Groll (chorus master), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Mirella Freni (soprano), Schöneberger Sängerknaben, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - La bohème: Atto III. “Ohè là, le guardie! Aprite!” (Spazzini) by Walter Hagen-Groll (chorus master), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Elizabeth Harwood (soprano), Hans-Dietrich Pohl, Schöneberger Sängerknaben, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - La bohème: Atto III. “Sa dirmi, scusi, qual è l’osteria” (Mimì) by Walter Hagen-Groll (chorus master), Hans-Dieter Appelt, Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Mirella Freni (soprano), Hans-Dietrich Pohl, Schöneberger Sängerknaben, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - La bohème: Atto IV. “In un coupe?… O mimi, tu piu non torni” (Marcello, Rodolfo) by Rolando Panerai (baritone), Luciano Pavarotti (tenor), Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - La bohème: Atto IV. “In un coupé?” (Marcello) by Walter Hagen-Groll (chorus master), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Rolando Panerai (baritone), Luciano Pavarotti (tenor), Schöneberger Sängerknaben, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - La bohème: Atto IV. “Sono andati? Fingevo di dormire” (Mimì) by Walter Hagen-Groll (chorus master), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Mirella Freni (soprano), Luciano Pavarotti (tenor), Schöneberger Sängerknaben, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - La bohème: Atto IV. “Vecchia zimarra, senti” (Colline, Schaunard) by Walter Hagen-Groll (chorus master), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Nicolaï Ghiaurov (operatic bass), Gianni Maffeo (baritone), Schöneberger Sängerknaben, Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
• 2 - La Boîte à joujoux: I. Le Magasin de jouets by Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
• 2 - La Boîte a joujoux: II. Le Champ de bataille by Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
• 2 - La Boîte à joujoux: III. La Bergerie à vendre by Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
• 2 - La Boîte a joujoux: IV. Après fortune faite by Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
• 2 - La Boîte à joujoux: Prélude. Le Sommeil de la boîte by Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
• 2 - La Boîte à joujoux: V. Épilogue by Orchestre symphonique de Montréal (Montreal Symphony Orchestra), Charles Dutoit (conductor)
• 2 - La califfa by Hayley Westenra & Ennio Morricone (Italian classical and score composer)
• 2 - La Califfa by Sarah Brightman
• 2 - La Califfa by Katherine Jenkins (mezzo-soprano) with Chris Botti
• 2 - La campanella by Vanessa‐Mae, New Belgian Chamber Orchestra (Belgian chamber orchestra), Nicholas Cleobury (conductor)
• 2 - La campanella by Chloë Hanslip (British classical violinist), London Symphony Orchestra, Paul Mann (British conductor)
• 2 - La Campanella: Étude in G-sharp minor S. 141/3 (Grandes Études de Paganini) by John Ogdon (pianist and composer)
• 2 - La capricieuse, op. 17 by Jascha Heifetz (violinist), André Benoist (pianist)