Tag “classical”

~ Tag

Recordings tagged as “classical”

142,857 recordings found

2 - The Art of Fugue, BWV 1080: Canon alla Ottava by Emerson String Quartet
2 - The Art of Fugue, BWV 1080: Canon alla Ottava by Pierre‐Laurent Aimard (pianist)
2 - The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu by Emerson String Quartet
2 - The Art of Fugue, BWV 1080: Canon per Augmentationem in Contrario Motu by Emerson String Quartet
2 - The Art of Fugue, BWV 1080: Chorale: “Vor deinen Thron tret ich hiermit” (“Wenn wir in höchsten Nöten sein”) BWV 668a by Emerson String Quartet
2 - The Art of Fugue, BWV 1080: Contrapunctus 1 by Pierre‐Laurent Aimard (pianist)
2 - The Art of Fugue, BWV 1080: Contrapunctus 2 by Pierre‐Laurent Aimard (pianist)
2 - The Art of Fugue, BWV 1080: Contrapunctus 3 by Pierre‐Laurent Aimard (pianist)
2 - The Art of Fugue, BWV 1080: Contrapunctus 4 by Pierre‐Laurent Aimard (pianist)
2 - The Art of Fugue, BWV 1080: Contrapunctus 8 a 3 by Pierre‐Laurent Aimard (pianist)
2 - The Art of Fugue, BWV 1080: Contrapunctus I by Emerson String Quartet
2 - The Art of Fugue, BWV 1080: Contrapunctus II by Emerson String Quartet
2 - The Art of Fugue, BWV 1080: Contrapunctus V by Emerson String Quartet
2 - The Art of Fugue, BWV 1080: Contrapunctus VI, a 4, in Stylo Francese by Emerson String Quartet
2 - The Art of Fugue, BWV 1080: Contrapunctus VII, a 4, per Augmentationem et Diminutionem by Emerson String Quartet
2 - The Art of Fugue, BWV 1080: Contrapunctus XII, a 4: Inversus by Emerson String Quartet
2 - The Art of Fugue, BWV 1080: Contrapunctus XII, a 4: Rectus by Emerson String Quartet
2 - The Art of Fugue, BWV 1080: Contrapunctus XIII, a 3: Inversus by Emerson String Quartet
2 - The Art of Fugue, BWV 1080: Contrapunctus XIII, a 3: Rectus by Emerson String Quartet
2 - The Art of Fugue, BWV 1080: XI. Contrapunctus 11 by Helmut Walcha (German organist)
2 - The Art of the Fugue, BWV 1080: Contrapunctus I by Glenn Gould (pianist)
2 - The Ash Grove by Katherine Jenkins (mezzo-soprano)
2 - The Ballad of Mack the Knife, from The Threepenny Opera by Jascha Heifetz (violinist), Emanuel Bay
2 - The Ballad of the Sackslingers by Dagmar Krause
2 - The Bard, op. 64 by City of Birmingham Symphony Orchestra, Sakari Oramo (conductor)
2 - The Bard, op. 64 by Moscow Philharmonic Orchestra, Vassily Sinaisky (conductor)
2 - The Bartered Bride: I. Polka. Moderato Polka. Moderato assai by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - The Bartered Bride: II. Furiant. Allegro energico Meno vivo a tempo I Piu mosso by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - The Bartered Bride: III. Dance of the Comedians. Vivace by Berliner Philharmoniker (Berlin Philharmonic Orchestra), Herbert von Karajan (conductor)
2 - The Bartered Bride: Overture by Festival Symphony Orchestra, London Festival Orchestra (Alfred Scholz pseudonym), Budapest Symphony Orchestra, Orchestre Symphonique de Radio-Tele-Luxembourg (The Luxembourg Philharmonic Orchestra, Luxembourg Philharmonic Orchestra), Cesare Cantieri (an Alfred Scholz pseudonym), János Sándor, Leopold Hager (conductor)
2 - The Battle of the Pelennor Fields by Howard Shore (Canadian score composer)
2 - The Beast Below by Murray Gold
2 - The Beatitudes by Elora Festival Singers, Noel Edison (conductor), Jurgen Petrenko
2 - The Beatitudes (1990, rev. 1991) by Vasari Singers (UK chamber choir), Jeremy Backhouse (choral conductor)
2 - The Beginning by Philip Glass (US composer & pianist)
2 - The Bells of San Marie: It’s pleasant in Holy Mary by San Marie lagoon by Bryn Terfel (bass‐baritone opera singer), Malcolm Martineau (pianist)
2 - The Bells, op. 35: I. Allegro ma non tanto (Silver Bells) by Ryszard Karczykowski, Concertgebouw Choir, Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
2 - The Bells, op. 35: II. Lento (Golden Bells) by Natalia Troitskaya (soprano), Concertgebouw Choir, Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
2 - The Bells, op. 35: III. Presto (Alarm Bells) by Concertgebouw Choir, Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
2 - The Bells, op. 35: IV. Lento lugubre (Iron Bell) by Tom Krause (bass-baritone), Concertgebouw Choir, Koninklijk Concertgebouworkest (Royal Concertgebouw Orchestra), Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
2 - The Betrothal by Michael Nyman (composer)
2 - The Big Cheese by Edgar Meyer (contemporary bassist and composer) with Béla Fleck and Mike Marshall (US mandolinist & multi-instrumentalist)
2 - The Birds Will Still Be Singing by Elvis Costello and the Brodsky Quartet
2 - The Bishop and the Pagan by Eesti Filharmoonia Kammerkoor (Estonian Philharmonic Chamber Choir), Tõnu Kaljuste (conductor)
2 - The Black Gate Is Closed by Howard Shore (Canadian score composer)
2 - The Blacksmiths by Mediæval Bæbes
2 - The Blessed Spirits by Vanessa‐Mae
2 - The Blessing by Celtic Woman (all‐female Irish musical ensemble)
2 - The Blue Danube (excerpt) by Johann Strauss II (Austro-German composer, „Walzerkönig“, Johann Strauss II, Sohn, Jr., the Younger, the Son)
2 - The Blue Planet by BBC Concert Orchestra, George Fenton (English score composer)
2 - The Blue World by James Newton Howard (American score composer)
2 - The Brightest Morning by David Nevue
2 - The Call of Ktulu (live, 1999-04: Berkeley Community Theatre, Berkeley, CA, USA) by Metallica
2 - The Cave, Act 1: II. Who Is Abraham? by Steve Reich (American composer)
2 - The Cave, Act 1: IX. Who Is Isaac? by Steve Reich (American composer)
2 - The Cave, Act 1: VII. Who Is Ishmael? by Steve Reich (American composer)
2 - The Cave, Act 1: X. Genesis XXI by Steve Reich (American composer)
2 - The Cave, Act 1: XII. Machpelah Commentary by Steve Reich (American composer)
2 - The Cave, Act 2: I. Surah 3 by Steve Reich (American composer)
2 - The Cave, Act 2: IV. The Near Sacrifice by Steve Reich (American composer)
2 - The Cave, Act 2: V. El Khalil Commentary by Steve Reich (American composer)
2 - The Cellist of Sarajevo by Yo‐Yo Ma (cellist)
2 - The Chairman Dances: Foxtrot for Orchestra by City of Birmingham Symphony Orchestra, Simon Rattle (conductor)
2 - The Chance of Love by Chris Rea
2 - The Charade by Serj Tankian
2 - The Church Battle by Danny Elfman (American singer and score composer)
2 - The Circle of the Lustful by Mediæval Bæbes
2 - The City in the Clouds by London Symphony Orchestra, John Williams (American score composer and conductor)
2 - The Cliffs of Insanity by Mark Knopfler
2 - The Closing by Michael Nyman (composer)
2 - The Corregidor's Dance by John Williams (classical guitarist)
2 - The Court by Peter Erskine (US jazz drummer), John Harle, Chris Laurence (double bassist), London Symphony Orchestra, Michael Tilson Thomas (conductor and pianist)
2 - The Cove by John Powell (English score composer)
2 - The Crack of Doom by Howard Shore (Canadian score composer)
2 - The Crane Dance by Jeroen van Veen (Dutch pianist)
2 - The Creation, Hob. XXI:2: Part I, no. 10. Awake the harp (chorus) by CBSO Chorus, City of Birmingham Symphony Orchestra, Sir Simon Rattle (Simon Rattle, conductor)
2 - The Creation: The heavens are telling by Choir of King’s College, Cambridge, Heather Harper (soprano), John Shirley‐Quirk (bass-baritone), Robert Tear (tenor), Academy of St Martin in the Fields, Sir Neville Marriner (conductor), Sir David Willcocks (UK composer, organist, choral conductor)
2 - The Creatures of Prometheus, op. 43 by London Festival Orchestra (Alfred Scholz pseudonym), Alberto Lizzio (fictitious conductor, Alfred Scholz pseudonym)
2 - The Creatures of Prométheus, op. 43 by Gewandhausorchester Leipzig (Leipzig Gewandhaus Orchestra), Kurt Masur (conductor)
2 - The Creatures of Prometheus, op. 43: XI. Chorus. Andante (Gioja) by Orpheus Chamber Orchestra (US orchestra)
2 - The Creatures of Prometheus, op. 43: XIII. Allegro by Orpheus Chamber Orchestra (US orchestra)
2 - The Creatures of Prometheus, op. 43: XIV. Solo. Andante - Adagio (Signora Cassentini) by Orpheus Chamber Orchestra (US orchestra)
2 - The Dance by Ray Manzarek
2 - The Dark Bank of Clouds by Ludovico Einaudi (Italian composer and pianist)
2 - The Darkening Ground by Jami Sieber
2 - The Day the Earth Stood Still: Outer Space / Radar / Gort / The Robot / Space Control / Terror / Farewell and Finale by National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Bernard Herrmann (composer)
2 - The Death of Elena by Michael Nyman (composer)
2 - The Death of Yoda by London Symphony Orchestra, John Williams (American score composer and conductor)
2 - The Defiler by Howard Shore (Canadian score composer)
2 - The Dementors Converge by John Williams (American score composer and conductor)
2 - The Departure by Michael Nyman (composer)
2 - The Dream of Gerontius: Thy judgment now is near (Angel, Soul) by Dame Janet Baker (mezzo‐soprano and alto), John Mitchinson (tenor), City of Birmingham Symphony Orchestra, Sir Simon Rattle (Simon Rattle, conductor)
2 - The Droids Are Captured by London Symphony Orchestra, John Williams (American score composer and conductor)
2 - The Duel by London Symphony Orchestra, John Williams (American score composer and conductor)
2 - The Duel by John Williams (American score composer and conductor)
2 - The Dueling Club by John Williams (American score composer and conductor)
2 - The Dwarf Lords by Howard Shore (Canadian score composer)
2 - The Eagles by Howard Shore (Canadian score composer) feat. Renée Fleming (soprano)
2 - The Edge of Love by Hayley Westenra & Ennio Morricone (Italian classical and score composer)
2 - The Edge of the Wild by Howard Shore (Canadian score composer)