Tag “classical”

Recordings tagged as “classical”

142,857 recordings found

• 1 - Cantata BWV 211 "Schweigt stille, plaudert nicht": I. Rezitativ: "Schweigt stille, plaudert nicht", Arie: "Hat man nicht mit seinen Kindern" by Rogers Covey‐Crump (tenor), David Thomas (British operatic bass), Emma Kirkby (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 211 "Schweigt stille, plaudert nicht": II. Arie: "Ei! wie schmeckt der Coffee süße" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 211 "Schweigt stille, plaudert nicht": III. Arie: "Mädchen, die von harten Sinnen" by David Thomas (British operatic bass), Emma Kirkby (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 211 "Schweigt stille, plaudert nicht": IV. Arie: "Heute noch" by Rogers Covey‐Crump (tenor), Emma Kirkby (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": II. Arie: "Mer hahn en neue Oberkeet" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": III. Duett: "Ach, es schmeckt doch gar zu gut" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": IV. Arie: "Ach, Herr Schösser, geht nicht gar zu schlimm" by David Thomas (British operatic bass), Emma Kirkby (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": IX. Arie: "Klein-Zschocher müsse" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": V. Arie: "Unser trefflicher lieber Kammerherr" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": VI. Arie: "Das ist galant" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": VII. Arie: "Fünfzig Taler bares Geld" by David Thomas (British operatic bass), Emma Kirkby (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": X. Arie: "Es nehme zehntausend Dukaten" by David Thomas (British operatic bass), Emma Kirkby (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": XI. Arie: "Gib, Schöne" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": XII. Arie: "Dein Wachstum sei feste" by David Thomas (British operatic bass), Emma Kirkby (soprano), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": XIII. Arie: "Und daß ihr's alle wißt" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV 212 "Mer hahn en neue Oberkeet": XIV. Duett: "Wir gehn' nun, wo der Tudelsack" by Emma Kirkby (soprano), David Thomas (British operatic bass), Academy of Ancient Music, Christopher Hogwood (conductor, harpsichordist)
• 1 - Cantata BWV147 'Herz Und Mund Und Tat Und Leben': Jesu, Bleibet Meine Freude by Philippe Entremont (French pianist/conductor)
• 1 - Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": I. Choir "Europa stet!" by Norbert Balatsch (baritone, chorus master and conductor), Paolo Lucci (chorus master), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Coro di voci bianche dell’Arcum, Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": II. Recitative "O seht sie nah und näher treten!" (Führer des Volkes) - Choir "Vienna, Vienna, Vienna!" by Norbert Balatsch (baritone, chorus master and conductor), Paolo Lucci (chorus master), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Coro di voci bianche dell’Arcum, Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": III. Recitative "O Himmel, wlch' Entzüchekn!" (Vienna) - Aria with Choir "Alle die Herrscher darf ich grüssen" (Vienna) by Norbert Balatsch (baritone, chorus master and conductor), Paolo Lucci (chorus master), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Coro di voci bianche dell’Arcum, Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": IV. Recitative "Das Auge schaut" (Seherin) - Kavatine with Choir "Dem die erste Zähre" (Seherin) by Norbert Balatsch (baritone, chorus master and conductor), Paolo Lucci (chorus master), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Coro di voci bianche dell’Arcum, Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Cantata for 4 Solo Voices, Chorus, and Orchestra, Op. 136 "The Moment of Glory": V. Recitative "Der den Bund im Sturme festgehalten" - Quartet "In meinen Mauern bauen sich neue Zeiten auf" (Vienna, Genius, Führer des Volkes, Seherin) by Norbert Balatsch (baritone, chorus master and conductor), Paolo Lucci (chorus master), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Coro di voci bianche dell’Arcum, Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Cantata for 4 Solo Voices, Chorus, and Orchestra, op. 136 “The Moment of Glory”: VI. Choir “Es treten vor die Scharen der Frauen” by Norbert Balatsch (baritone, chorus master and conductor), Paolo Lucci (chorus master), Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia), Coro di voci bianche dell’Arcum, Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia), 정명훈 (Myung-Whun Chung, pianist and conductor)
• 1 - Cantata for solo alto, RV 671 "Care selve amici prati": I. Aria "Care selve amici" by Antonio Vivaldi (Italian baroque composer and violinist)
• 1 - Cantata for solo alto, RV 674 "Perfidisimo cor!": IV. Aria "Piu amar' by Antonio Vivaldi (Italian baroque composer and violinist)
• 1 - Cantata for solo soprano, RV 642 "Ostro picta": III. Aria "Linguis favete" by Antonio Vivaldi (Italian baroque composer and violinist)
• 1 - Cantata for solo soprano, RV 662 "Par che tardo": I. Aria "Par che tardo" by Antonio Vivaldi (Italian baroque composer and violinist)
• 1 - Cantata for solo soprano, RV 662 "Par che tardo": III. Aria "Allor che in cielo" by Antonio Vivaldi (Italian baroque composer and violinist)
• 1 - Cantata for solo soprano, RV 679 "Che giova il sospirar": I. Recitativo "Che giova il" by Antonio Vivaldi (Italian baroque composer and violinist)
• 1 - Cantata for solo soprano, RV 679 "Che giova il sospirar": IV. Aria "Cupido, tu vedi" by Antonio Vivaldi (Italian baroque composer and violinist)
• 1 - Cantata for solo soprano, RV 681 "Perché son Molli": III. Aria "Le fresche" by Antonio Vivaldi (Italian baroque composer and violinist)
• 1 - Cantata for soprano and basso continuo, RV 651, "Amor, hai vinto": I. Recitativo "Amor, hai vinto" by Rossana Bertini (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata for soprano and basso continuo, RV 651, "Amor, hai vinto": II. Aria "Passo di pena in pena" by Rossana Bertini (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata for soprano and basso continuo, RV 651, "Amor, hai vinto": III. Recitativo "In qual strano e confuso" by Rossana Bertini (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata for soprano and basso continuo, RV 651, "Amor, hai vinto": IV. Aria "Se a me rivolge il ciglio" by Rossana Bertini (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata for soprano and basso continuo, RV 653, "Del suo natio rigore": I. Recitativo "Del suo natio rigore" by Nicki Kennedy (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata for soprano and basso continuo, RV 654, "Elvira, anima mia": I. Recitativo "Elvira, anima mea" by Rossana Bertini (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata for soprano and basso continuo, RV 654, "Elvira, anima mia": II. Aria "Partiro, ma vedrai quanto" by Rossana Bertini (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata for soprano and basso continuo, RV 654, "Elvira, anima mia": III. Recitativo "Passo al rogo fatal" by Rossana Bertini (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata for soprano and basso continuo, RV 654, "Elvira, anima mia": IV. Aria "Pupille vaghe" by Rossana Bertini (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata for soprano and basso continuo, RV 664, "Se ben vivono sen'alma": II. Recitativo "Odi che contro te simili accenti" by Rossana Bertini (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata for soprano and basso continuo, RV 664, "Se ben vivono sen'alma": III. Aria "Nella tua guancia amorosa" by Rossana Bertini (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata for soprano and basso continuo, RV 665, "Si levi dal pensier": I. Aria "Si levi dal pensier" by Nicki Kennedy (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata for soprano and basso continuo, RV 665, "Si levi dal pensier": II. Recitativo "Pastori vaghi e infidi" by Nicki Kennedy (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata for soprano and basso continuo, RV 669, "Tra l'erbe i zeffiri": I. Aria "Tra l'erbe i zeffiri" by Elena Cecchi‐Fedi (soprano), Modo Antiquo, Federico Maria Sardelli
• 1 - Cantata for the Coronation of Nicholas II, JS 104 by Eesti Filharmoonia Kammerkoor (Estonian Philharmonic Chamber Choir), Heikki Seppänen
• 1 - Cantata for the Coronation of Nicholas II, JS 104: Coronation March by Lahti Symphony Orchestra, Osmo Vänskä (Finnish conductor)
• 1 - Cantata For The Third Sunday After Trinity, Prima Parte: Aria “Seufzer, Thanen, Krummer, N” by Guido Mancusi (conductor), Vienna Boys' Choir (The Vienna Boys Choir), Stuttgart Philharmonic Orchestra, Peter Marschik (chorus master)
• 1 - Cantata For The Third Sunday After Trinity, Seconds Parte: Aria “Erfreue Dich, Seele” by Michael Knapp (tenor), Stuttgarter Philharmoniker, Peter Marschik (chorus master)
• 1 - Cantata in F major, K. 469 "Davide penitente": III. "Lungi le cure" by Cecilia Bartoli (mezzo‐soprano), Wiener Kammerorchester (Vienna Chamber Orchestra), György Fischer (pianist and conductor)
• 1 - Cantata misericordium, op. 69 by Peter Pears (tenor), Dietrich Fischer‐Dieskau (baritone), London Symphony Chorus, London Symphony Orchestra, Benjamin Britten (English composer, conductor, and pianist)
• 1 - Cantata No 65 Sie werden aus Saba alle kommen BWV65 : I Chorus - "Sie werden aus Saba alle kommen" by Tölzer Knabenchor (Tölz Boys’ Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 65 Sie werden aus Saba alle kommen BWV65 : II Chorale - "Die Kön'ge aus Saba kamen dar" by Tölzer Knabenchor (Tölz Boys’ Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 65 Sie werden aus Saba alle kommen BWV65 : III Recitative - "Was dort Jesaias vorhergesehn" by Ruud van der Meer (operatic bass), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 65 Sie werden aus Saba alle kommen BWV65 : IV Aria - "Gold aus Ophir ist zu schlecht" by Ruud van der Meer (operatic bass), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 65 Sie werden aus Saba alle kommen BWV65 : V Recitative - "Verschmähe nicht, du, meiner Seelen Licht" by Kurt Equiluz (tenor), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 65 Sie werden aus Saba alle kommen BWV65 : VI Aria - "Nimm mich dir zu eigen hin" by Kurt Equiluz (tenor), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 65 Sie werden aus Saba alle kommen BWV65 : VII Chorale - "Ei nun, mein Gott, so fall ich dir" by Tölzer Knabenchor (Tölz Boys’ Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 66 Erfreut euch, ihr Herzen BWV66 : I Chorus - "Erfreut euch, ihr Herzen" by Collegium Vocale Gent, Knabenchor Hannover (Hanover Boys' Choir, German boys choir), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 66 Erfreut euch, ihr Herzen BWV66 : II Recitative - "Es bricht das Grab und damit unsre Not" by Max van Egmond (bass-baritone), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 66 Erfreut euch, ihr Herzen BWV66 : III Aria - "Lasset dem Höchsten ein Danklied erschallen" by Max van Egmond (bass-baritone), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 66 Erfreut euch, ihr Herzen BWV66 : IV Recitative - "Bei Jesu Leben freudig sein" by Kurt Equiluz (tenor), Paul Esswood (countertenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 66 Erfreut euch, ihr Herzen BWV66 : V Duet - "Ich furchte zwar des Grabes Finsternissen" by Kurt Equiluz (tenor), Paul Esswood (countertenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 66 Erfreut euch, ihr Herzen BWV66 : VI Chorale - "Alleluja! Alleluja! Alleluja!" by Collegium Vocale Gent, Knabenchor Hannover (Hanover Boys' Choir, German boys choir), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: I. Coro "Halt im Gedächtnis Jesum Christ" by Collegium Vocale Gent, Knabenchor Hannover (Hanover Boys' Choir, German boys choir), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: II. Aria "Mein Jesus ist erstanden" by Kurt Equiluz (tenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: III. Recitative "Mein Jesu, heissest du des Todes Gift" by Paul Esswood (countertenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: IV. Choral "Erschienen ist der herrlich Tag" by Collegium Vocale Gent, Knabenchor Hannover (Hanover Boys' Choir, German boys choir), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 67 "Halt im Gedächtnis Jesum Christ" BWV67: V. Recitative "Doch scheinet fast, dass mich der Feinde Rest" by Paul Esswood (countertenor), Leonhardt‐Consort (Netherlands-based baroque ensemble), Gustav Leonhardt (conductor, harpsichordist)
• 1 - Cantata No 68 "Also hat Gott die Welt geliebt" BWV 68: I. Choral "Also hat Gott die Welt geliebt" by Tölzer Knabenchor (Tölz Boys’ Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 68 "Also hat Gott die Welt geliebt" BWV 68: III. Recitativo "Ich bin mit Petro nicht vermessen" by Ruud van der Meer (operatic bass), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 68 "Also hat Gott die Welt geliebt" BWV 68: IV. Aria "Du bist geboren mir zugute" by Ruud van der Meer (operatic bass), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 68 "Also hat Gott die Welt geliebt" BWV68 : II. Aria "Mein gläubiges Herze" by Peter Jelosits (tenor), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 68 "Also hat Gott die Welt geliebt" BWV68: V. Coro "Wer an ihn gläubet" by Tölzer Knabenchor (Tölz Boys’ Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata No 70 Wachet! betet! betet! wachet! BWV70 : I Chorus - "Wachet! betet! betet! wachtet!" by Tölzer Knabenchor (Tölz Boys’ Choir), Concentus Musicus Wien, Nikolaus Harnoncourt (conductor)
• 1 - Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": I. Sinfonia by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": II. Coro: "Weinen, Klagen, Sorgen, Zagen" by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": III. Recitativo: "Wir müssen durch viel Trubsal in das Reich" by Yoshikazu Mera (Japanese countertenor), Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": IV. Aria: "Kreuz und Krone sind verbunden" by Yoshikazu Mera (Japanese countertenor), Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": V. Aria: "Ich folge Christo nach" by Peter Kooij (Peter Kooy, baritone), Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VI. Aria: "Sei getreu" by Makoto Sakurada, Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 12, BWV 12 "Weinen, Klagen, Sorgen, Zagen": VII. Choral: "Was Gott tut, das ist wohlgetan" by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 21, BWV 21 "Ich hatte viel Bekümmernis": Sinfonia by Orchestra of the Antipodes, Neal Peres Da Costa (Australian harpsichordist, fortepianist and organist)
• 1 - Cantata no. 29, 'Wir danken dir, Gott, wir danken dir' BWV29: Sinfonia by Taverner Players, Andrew Parrott (conductor)
• 1 - Cantata no. 33 "Allein zu dir, Herr Jesu Christ", BWV 33: I. Chorus: "Allein zu dir, Herr Jesu Christ" by Il Gardellino (Belgian baroque ensemble), Marcel Ponseele (oboist)
• 1 - Cantata no. 33 "Allein zu dir, Herr Jesu Christ", BWV 33: II. Recitativo: "Mein Gott und Richter" by Lieven Termont (Belgian baritone vocalist), Il Gardellino (Belgian baroque ensemble), Marcel Ponseele (oboist)
• 1 - Cantata no. 33 "Allein zu dir, Herr Jesu Christ", BWV 33: III. Aria: "Wie furchtsam wankten meine Schritte" by Damien Guillon (countertenor), Il Gardellino (Belgian baroque ensemble), Marcel Ponseele (oboist)
• 1 - Cantata no. 33 "Allein zu dir, Herr Jesu Christ", BWV 33: IV. Recitativo: "Mein Gott, verwirf mich nicht" by Marcus Ullmann, Il Gardellino (Belgian baroque ensemble), Marcel Ponseele (oboist)
• 1 - Cantata no. 33 "Allein zu dir, Herr Jesu Christ", BWV 33: V. Aria (Duet): "Gott, der du die Liebe heißt" by Lieven Termont (Belgian baritone vocalist), Marcus Ullmann, Il Gardellino (Belgian baroque ensemble), Marcel Ponseele (oboist)
• 1 - Cantata no. 33 "Allein zu dir, Herr Jesu Christ", BWV 33: VI. Chorale: "Ehr sei Gott in dem höchsten Thron" by Il Gardellino (Belgian baroque ensemble), Marcel Ponseele (oboist)
• 1 - Cantata No. 58, "Ach Gott, wie manches Herzeleid," BWV 58 Ach Gott, wie manches Herzeleid by Johannette Zomer (soprano), Klaus Mertens (classical singer, bass‐baritone), Amsterdam Baroque Choir, Amsterdam Baroque Orchestra, Ton Koopman (conductor, organist and harpsichordist)
• 1 - Cantata no. 71, BWV 71 "Gott ist mein König": I. Coro by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 71, BWV 71 "Gott ist mein König": II. Aria - Choral by 鈴木美登里 (Midori Suzuki, vocalist), Gerd Türk (German tenor), Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 71, BWV 71 "Gott ist mein König": III. Coro by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 71, BWV 71 "Gott ist mein König": IV. Arioso by Peter Kooij (Peter Kooy, baritone), Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 71, BWV 71 "Gott ist mein König": V. Aria by Yoshikazu Mera (Japanese countertenor), Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 71, BWV 71 "Gott ist mein König": VI. Coro by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 71, BWV 71 "Gott ist mein König": VII. Coro by Masaaki Suzuki (keyboardist, conductor), Bach Collegium Japan
• 1 - Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Aria by Antonia Fahberg (soprano), Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn), Helmuth Rilling (conductor)
• 1 - Cantata no. 80 “‘Ein’ feste Burg ist unser Gott”: Choral Duet by Ulrich Schaible (Bass), Antonia Fahberg (soprano), Württemberg Chamber Orchestra (Württemberg Chamber Orchestra Heilbronn), Helmuth Rilling (conductor)