Tag „classical“
~ Tag
Aufnahmen, die als „classical“ getaggt sind
142.857 Aufnahmen gefunden
- 2 - Fantasie in G major, BWV 572 von Ton Koopman (conductor, organist and harpsichordist)
- 2 - Fantasie pour piano et orchestre : Andante ma non troppo - Allegro giusto von Jean-Rodolphe Kars (pianist), London Symphony Orchestra, Sir Alexander Gibson (conductor)
- 2 - Fantasie pour piano et orchestre : Lento e molto espressivo von Jean-Rodolphe Kars (pianist), London Symphony Orchestra, Sir Alexander Gibson (conductor)
- 2 - Fantasie über Kleinrussische Themen von János Starker (Hungarian-American cellist), Shigeo Neriki (pianist)
- 2 - Fantasie und Fuge in C-moll, BWV 537: I. Fantasie von Helmut Walcha (German organist)
- 2 - Fantasie und Fuge in C-moll, BWV 537: II. Fuge von Helmut Walcha (German organist)
- 2 - Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": I. Adagio von Evgeny Kissin (Russian classical pianist), Berliner Philharmoniker, Claudio Abbado (conductor)
- 2 - Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-i. Finale. Allegro - Meno allegro - Allegro molto von Evgeny Kissin (Russian classical pianist), RIAS Kammerchor (German chamber choir), Berliner Philharmoniker, Claudio Abbado (conductor)
- 2 - Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-ii. Adagio ma non troppo von Evgeny Kissin (Russian classical pianist), RIAS Kammerchor (German chamber choir), Berliner Philharmoniker, Claudio Abbado (conductor)
- 2 - Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-iii. Marcia, assai vivace - Allegro von Evgeny Kissin (Russian classical pianist), RIAS Kammerchor (German chamber choir), Berliner Philharmoniker, Claudio Abbado (conductor)
- 2 - Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-iv. Allegretto, ma non troppo quasi andante con moto "Schmeichelnd hold un liblich klingen" von Evgeny Kissin (Russian classical pianist), RIAS Kammerchor (German chamber choir), Berliner Philharmoniker, Claudio Abbado (conductor)
- 2 - Fantasy for Piano, Choir, and Orchestra in C minor, op. 80 "Choral Fantasy": II-v. Presto von Evgeny Kissin (Russian classical pianist), RIAS Kammerchor (German chamber choir), Berliner Philharmoniker, Claudio Abbado (conductor)
- 2 - Fantasy for Violin and Orchestra on Porgy and Bess von Joshua Bell (violinist), London Symphony Orchestra, John Williams (American score composer and conductor)
- 2 - Fantasy Overture: Romeo and Juliet von Royal Philharmonic Orchestra, Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
- 2 - Fantasy: The Sea, op. 28 von Moscow Symphony Orchestra (founded in 1989, assoc. with Naxos and Marco Polo labels), Igor Golovschin (Igor Golovchin)
- 2 - Far Away From Here von Fabrizio Paterlini (Italian composer and pianist)
- 2 - Far Away Lights von David Darling (cellist)
- 2 - Faraway von Apocalyptica
- 2 - Faraway, Vol. 2 von Apocalyptica feat. Linda Sundblad
- 2 - Farewell to Lórien von Howard Shore (Canadian score composer) feat. Hilary Summers (contralto)
- 2 - Farewell to the Past von Ludovico Einaudi (Italian composer and pianist)
- 2 - Farnace: Gelido in ogni vena (da capo section) von Cecilia Bartoli (mezzo‐soprano), Il giardino armonico (Italian baroque ensemble), Giovanni Antonini (conductor and flautist)
- 2 - Fast Movement von Joe Jackson (English musician)
- 2 - Father's Eyes von The Piano Guys
- 2 - Faust : Acte III. Air des Bijoux « Ah ! Je ris » von Maria Callas (soprano), Orchestre de la Société des Concerts du Conservatoire, Georges Prêtre (French conductor)
- 2 - Faust : Musique de ballet. 2. Cléopâtre et la coupe d'or (Adagio) von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Faust : Musique de ballet. 3. Entrée des jeunes Nubiennes (Allegretto) von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Faust : Musique de ballet. 4. Variations de Cléopâtre (Moderato maestoso) von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Faust : Musique de ballet. 5. Les Troyens (Moderato con moto) von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Faust : Musique de ballet. 6. Variations du miroir (Allegretto) von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Faust : Musique de ballet. 7. Danse de Phryné (Allegro vivo) von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Faust, Ballet Music (1869) : 1. Les Nubiennes, valse (Allegretto) von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Faust: La Valse de Faust von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Faust: Les grands Seigneurs / Ah! Je ris de me voir von Anna Netrebko (soprano), Wiener Philharmoniker, Gianandrea Noseda (conductor)
- 2 - Favola breve von Emma Shapplin
- 2 - Fawkes Is Reborn von John Williams (American score composer and conductor)
- 2 - Fayrfax Africanus von Jan Garbarek & The Hilliard Ensemble (British male vocal quartet)
- 2 - Fear of Falling von Katherine Jenkins (mezzo-soprano)
- 2 - Feathers von Poppy Ackroyd
- 2 - Fedora: Act 2. Intermezzo von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fedora: Act II. “Amor ti vieta” (Loris) von Luciano Pavarotti (tenor), National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera), Oliviero de Fabritiis (conductor and composer), Nicola Rescigno (conductor)
- 2 - Feed Us von Serj Tankian
- 2 - Feeling Good von Escala
- 2 - Fehrbelliner Reitermarsch von Berliner Philharmonisches Bläserensemble, Herbert von Karajan (conductor)
- 2 - Fennimore and Gerda: Intermezzo von Royal Philharmonic Orchestra, Sir Thomas Beecham (conductor)
- 2 - Fera ventura von Emma Shapplin
- 2 - Fera ventura von Emma Shapplin
- 2 - Fera ventura von Emma Shapplin
- 2 - Feria V “In Coena Domini”: In I Nocturno, Responsorium 1 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria V “In Coena Domini”: In I Nocturno, Responsorium 2 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria V “In Coena Domini”: In I Nocturno, Responsorium 3 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria V “In Coena Domini”: In II Nocturno, Responsorium 4 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria V “In Coena Domini”: In II Nocturno, Responsorium 5 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria V “In Coena Domini”: In II Nocturno, Responsorium 6 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria V “In Coena Domini”: In III Nocturno, Responsorium 7 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria V “In Coena Domini”: In III Nocturno, Responsorium 9 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria VI “In Parasceve”: In I Nocturno, Responsorium 1 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria VI “In Parasceve”: In I Nocturno, Responsorium 2 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria VI “In Parasceve”: In I Nocturno, Responsorium 3 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria VI “In Parasceve”: In II Nocturno, Responsorium 4 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria VI “In Parasceve”: In II Nocturno, Responsorium 5 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria VI “In Parasceve”: In II Nocturno, Responsorium 6 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria VI “In Parasceve”: In III Nocturno, Responsorium 7 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria VI “In Parasceve”: In III Nocturno, Responsorium 8 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feria VI “In Parasceve”: In III Nocturno, Responsorium 9 von The Hilliard Ensemble (British male vocal quartet)
- 2 - Feste veneziane von Rondò Veneziano
- 2 - Festina Lente von Orchester der Beethovenhalle Bonn, Dennis Russell Davies (conductor and pianist)
- 2 - Festina Lente von Philharmonia Orchestra (London orchestra, known as New Philharmonia Orchestra from 1964–1976), Neeme Järvi (Estonian conductor)
- 2 - Festina Lente von Bournemouth Sinfonietta, Richard Studt (violinist, conductor)
- 2 - Festival Overture on the Danish Anthem, op. 15 von Russian National Orchestra, Mikhail Pletnev (pianist & conductor)
- 2 - Festivity at Thornfield von John Williams (American score composer and conductor)
- 2 - Fête donnée par des chevaliers normands en l'honneur d'une jeune demoiselle (XIe siécle) von Jean‐Yves Thibaudet (pianist)
- 2 - Feuille d’album in E, op. posth. von Vladimir Ashkenazy (Russian‐Icelandic conductor and pianist)
- 2 - Feuilles Mortes von Krystian Zimerman (pianist)
- 2 - Feuillet d'album von János Starker (Hungarian-American cellist), Shigeo Neriki (pianist)
- 2 - Feuillet d'album, op. 58 von Vladimir Horowitz (Ukrainian‐American pianist and composer)
- 2 - Feuillet d'album, op. 58 von John Ogdon (pianist and composer)
- 2 - Feux dʼartifice von Krystian Zimerman (pianist)
- 2 - Fidelio Overture, op. 72 von Wiener Philharmoniker, Clemens Krauss (conductor)
- 2 - Fidelio, op. 72: Act I, no. 1. "Der arme Jaquino dauert mich beinahe" (Marzelline) von Helen Donath (soprano), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 1. Duet "Jetzt, Schätzchen, jetzt sind wir allein" (Jaquino, Marzelline) von Horst Laubenthal (tenor), Helen Donath (soprano), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 2. "Ist Fidelio noch nicht zurück?" (Rocco, Marzelline, Leonore) von José van Dam (Belgian operatic bass-baritone), Helen Donath (soprano), Helga Dernesch (Austrian soprano and mezzo‐soprano), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 2. Aria "O wär' ich schon mit dir vereint" (Marzelline) von Helen Donath (soprano), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 3. "Höre, Fidelio, wenn ich auch nicht weiß" (Rocco) von José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 3. Quartet “Mir ist so wunderbar” (Marzelline, Leonore, Rocco, Jaquino) von Helen Donath (soprano), Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Horst Laubenthal (tenor), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 4. "Ihr könnt das leicht sagen, Meister Rocco" (Leonore, Rocco, Marzelline) von Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Helen Donath (soprano), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 4. Aria "Hat man nicht auch Gold beineben" (Rocco) von José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 5. Trio "Gut, Söhnchen, gut" (Rocco, Leonore, Marzelline) von José van Dam (Belgian operatic bass-baritone), Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 6. "Depeschen?" (Pizarro, Rocco) von Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 6. March von Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 7. "Hauptmann, besteigen Sie den Turm!" (Pizarro, Rocco) von Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 7. Aria "Ha! Welch ein Augenblick!" (Pizarro, Chorus) von Karl Ridderbusch (operatic bass), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 8. Duet "Jetzt, Alter, hat es Eile!" (Pizarro, Rocco) von Karl Ridderbusch (operatic bass), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 9. "Vater Rocco, ich ersuchte Euch schon" (Leonore, Marzelline, Rocco) von Helga Dernesch (Austrian soprano and mezzo‐soprano), Helen Donath (soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 9. Recitative "Abscheulicher!" - Aria "Komm, Hoffnung" (Leonore) von Helga Dernesch (Austrian soprano and mezzo‐soprano), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 10. Prisoner’s Chorus “O welche Lust” von Werner Hollweg (tenor), Siegfried Rudolf Frese (German operatic bass-baritone), Chor der Deutschen Oper Berlin (Chorus of the German Opera Berlin), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 10. Quintet "Ach, Vater, eilt!" (Marzelline, Rocco, Jaquino, Leonore, Pizarro) von Helen Donath (soprano), José van Dam (Belgian operatic bass-baritone), Horst Laubenthal (tenor), Helga Dernesch (Austrian soprano and mezzo‐soprano), Karl Ridderbusch (operatic bass), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, no. 10. Recitative "Nun sprecht, wie ging's?" (Leonore, Rocco) von Helga Dernesch (Austrian soprano and mezzo‐soprano), José van Dam (Belgian operatic bass-baritone), Berliner Philharmoniker, Herbert von Karajan (conductor)
- 2 - Fidelio, op. 72: Act I, Scene I, no. 1. Duet “Jetzt, Schätzchen, jetzt sind wir allein” (Jaquino, Marzelline) von Adolf Dallapozza (tenor), Lucia Popp (soprano), Wiener Philharmoniker, Leonard Bernstein (American conductor, composer, pianist)
- 2 - Fidelio, op. 72: Act I, Scene I, no. 2. Aria “O wär’ ich schon mit dir vereint” (Marzelline) von Lucia Popp (soprano), Gundula Janowitz (soprano), Manfred Jungwirth (operatic bass), Wiener Philharmoniker, Leonard Bernstein (American conductor, composer, pianist)