Yesterdays Gold: 120 Golden Oldies, Volume 4

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD: Yesterdays Gold: 24 Golden Oldies, Volume 16
2▼CD: Yesterdays Gold: 24 Golden Oldies, Volume 17
Nr.TitelKünstlerBewertungLänge
1One in a Million
recording of:
One in a Million (The Platters song)
Verfasser(in):
Jean Miles (Buck Ram) und Tony Williams (lead singer for The Platters)
The Platters2:55
2Young Blood
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
Techniker(in):
Bunny Robyn (Aufgabe: recording) und Tom Dowd
Produzent(in):
Leiber and Stoller (songwriting team)
Gitarre:
Barney Kessel (bis 1957-02-15) und Adolph Jacobs (am 1957-02-15)
Klavier:
Mike Stoller (am 1957-02-15)
Kontrabass [bass]:
Ralph Hamilton (US jazz/R&B bassist) (am 1957-02-15)
Schlagzeug [drums]:
Jesse Sailes (am 1957-02-15)
Tenorsaxophon:
Gil Bernal (am 1957-02-15)
vocals:
The Coasters (am 1957-02-15), Carl Gardner (am 1957-02-15), Billy Guy (r&b vocalist) (am 1957-02-15), Bobby Nunn (US doo‐wop/R&B bass vocalist) (am 1957-02-15) und Young Jessie (am 1957-02-15)
arranger:
Mike Stoller
aufgenommen bei:
Master Recorders in Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1957-02-15)
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 414)
recording of:
Young Blood (am 1957-02-15)
Texter:
Jerry Leiber und Doc Pomus
Komponist(in):
Mike Stoller
publisher:
Carlin Music Corporation, Copyright Records, EMI Broadcast Music, Jerry Leiber Music, Mike Stoller Music (ASCAP), Pomus Songs Inc. und Sony/ATV Songs LLC
The Coasters2.52:21
3Over the Mountain, Across the Sea
vocals:
Johnnie Louise Richardson (in 1957) und Joe Rivers (in 1957)
recording of:
Over the Mountain, Across the Sea (in 1957)
Texter und Komponist(in):
Rex Garvin (bis 1957)
Johnnie & Joe2:16
4Susie Q
Bass:
Sonny Trammell (in 1957)
Gitarre:
James Burton (guitarist) (in 1957) und Dale Hawkins (in 1957)
Schlagzeug:
Ronnie Lewis (drummer) (in 1957)
Hintergrundgesang:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (in 1957)
vocals:
Dale Hawkins (in 1957)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1957 (Nummer: 24) und Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (Nummer: 73)
recording of:
Susie Q (in 1957)
Texter und Komponist(in):
Dale Hawkins
zusätzliche(r) Komponist(in):
Eleanor Broadwater und Stanley Lewis (well known 60s/70s US producer/songwriter)
publisher:
Arc Music (U.S. rock & blues publisher), Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label) und PeerMusic AB
Dale Hawkins32:16
5High School Confidential
recording of:
High School Confidential
Verfasser(in):
Ron Hargrave (von 1958-01 bis 1958-01-28) und Jerry Lee Lewis (rock & roll pianist, nicknamed “The Killer”) (von 1958-01 bis 1958-01-28)
publisher:
Carlin Music Corporation, Hill & Range Songs, Inc. (publisher), Penron Music und Penron Music Publishing
Jerry Lee Lewis2:29
6I Want You to Be My Girl
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1956 (Nummer: 28)
recording of:
I Want You to Be My Girl (am 1956-02-16)
Verfasser(in):
Richard Barrett (US soul producer/singer) und George Goldner
Frankie Lymon & The Teenagers32:55
7Heaven and Paradise
recording of:
Heaven and Paradise
Verfasser(in):
Don Julian
Don Julian & The Meadowlarks2:53
8Mambo Rock
Bill Haley & His Comets2:38
9Sixty Minute Man
recording of:
Sixty Minute Man (am 1950-12-30)
Texter und Komponist(in):
Rose Marks (manager and songwriter) (bis 1951) und Billy Ward (US r&b/soul vocalist) (bis 1951)
The Dominoes3.52:30
10Carol
Produzent(in):
Leonard & Phil Chess (legendary US production duo)
Gitarre und Sologesang:
Chuck Berry (am 1958-06-12)
Klavier:
Paul Gayten (US R&B) (am 1958-06-12)
Kontrabass:
Willie Dixon (am 1958-06-12)
Perkussion:
[unknown] ([unbekannt], Special Purpose Artist – Do not add releases here, if possible.) (am 1958-06-12)
Schlagzeug:
Odie Payne (American Chicago blues drummer) (am 1958-06-12)
aufgenommen bei:
Sheldon Recording Studios, Inc. in Chicago, Illinois, Vereinigte Staaten (am 1958-06-12)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1958 (recordings) (Nummer: 10)
recording of:
Carol (am 1958-06-12)
Texter und Komponist(in):
Chuck Berry
publisher:
Arc Music Corp. (U.S. rock & blues publisher), Jewel Music Inc. und Jewel Music Publishing Co. Ltd. (publisher; do NOT use as release label)
Chuck Berry3.82:48
11Be‐bop Baby
Ricky Nelson2:25
12Summertime Blues
recording of:
Summertime Blues (in 1958-05)
Verfasser(in):
Jerry Capehart und Eddie Cochran (US rock and roll musician active in 1950s)
publisher:
American Music (publisher), Cinephonic Music Co., Ltd., Edition Wilhelm Hansen, Elvis Presley Music, Gallo Music Publishers, Gladys Music, Hill and Range Songs, Inc. (publisher), Rightsong Music, Viva Music, Inc, Warner Bros. Music (publisher; do NOT use as release label) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Eddie Cochran1:58
13Blue Suede Shoes
assistierende(r) Techniker(in):
Dror Mohar
Mix:
Ray Bardani
Gitarre:
Scotty Moore (American guitarist and recording engineer) (am 1956-01-30) und Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
Kontrabass:
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (am 1956-01-30)
Schlagzeug:
D.J. Fontana (am 1956-01-30)
Sologesang:
Elvis Presley (“The King of Rock and Roll”) (am 1956-01-30)
phonographisches Urheberrecht (℗) von:
BMG Entertainment (in 1956), BMG Music (in 1956) und Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 2003)
mixed at:
Electric Lady Studios in Greenwich Village, New York, New York, Vereinigte Staaten
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 423)
cover recording of:
Blue Suede Shoes (am 1956-01-30)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music) (in 1955)
publisher:
Aberbach (London) (publisher), Carl Perkins Music Inc., Carlin Music Corp., EMI Music Publishing (do not use as a release label!), Hi Lo Music, Hill and Range Songs, Inc. (publisher), Unichappell Music, Unichappell Music, Inc. und Wren Music Co.
Teil von:
Million Dollar Quartet (jukebox musical, book by Floyd Mutrux and Colin Escott)
Elvis Presley42:00
14Why Don’t You Write Me
Sologesang:
Willie Davis (US tenor vocalist for The Cadets & The Jacks)
cover recording of:
Why Don’t You Write Me (doo wop song) (in 1955)
Texter und Komponist(in):
Laura Hollins
The Jacks2:47
15Peek‐a‐boo
The Cadillacs2:14
16Fools Fall in Love
recorded in:
New York, New York, Vereinigte Staaten (am 1956-11-08)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Gitarre:
Jimmy Oliver (guitar, Drifters) (am 1956-11-08)
Baritongesang:
Charlie Hughes (member of The Drifters) (am 1956-11-08)
Bass-Gesang:
Tommy Evans (US r&b bass vocalist for The Drifters) (am 1956-11-08)
Sologesang:
Johnny Moore (soul/rnb vocalist for The Drifters) (am 1956-11-08)
Tenor-Gesang:
Johnny Moore (soul/rnb vocalist for The Drifters) (am 1956-11-08) und Gerhart Thrasher (am 1956-11-08)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (am 1956-11-08)
cover recording of:
Fools Fall in Love (am 1956-11-08)
Texter:
Jerry Leiber
Komponist(in):
Mike Stoller
publisher:
Sony/ATV Songs LLC
The Drifters42:32
17At My Front Door
Produzent(in):
Randy Wood (producer)
vocals:
Pat Boone (von 1955-08 bis 1955-09)
aufgenommen bei:
Universal Recording (Chicago, IL, USA) in Chicago, Illinois, Vereinigte Staaten (von 1955-08 bis 1955-09)
cover recording of:
At My Front Door (von 1955-08 bis 1955-09)
Verfasser(in):
Ewart G. Abner, Jr. (record label executive and songwriter) und John C. Moore (songwriter; manager of The El Dorados)
publisher:
Tollie Music
Pat Boone2:03
18Sh‐Boom
recorded in:
New York, New York, Vereinigte Staaten (am 1954-03-15)
Produzent(in):
Ahmet Ertegun (US songwriter/producer) und Jerry Wexler
Tenorsaxophon:
Sam Taylor (US jazz/blues saxophonist 1916-1990) (am 1954-03-15)
vocals:
The Chords (50s US doo-wop group "Sh-Boom") (am 1954-03-15)
arranger:
Howard Biggs
Teil von:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 215)
recording of:
Sh‐Boom (am 1954-03-15)
Verfasser(in):
William Edwards (The Chords), Carl Feaster, Claude Feaster, James Keyes und Floyd McRae
uraufgeführt von:
The Chords (50s US doo-wop group "Sh-Boom")
The Chords32:26
19(Mama), He Treats Your Daughter Mean
recording of:
(Mama) He Treats Your Daughter Mean
Verfasser(in):
Herb Lance (Herbert J. Lance) (in 1952), Charlie Singleton (Jazz saxophone player) (in 1952) und John Wallace (bass player for Harry Chapin) (in 1952)
Ruth Brown2:54
20Valley of Tears
recording of:
Valley of Tears
Texter und Komponist(in):
Antoine Dominique Domino (Fats Domino) und Dave Bartholomew
publisher:
EMI Unart Catalog Inc., Francis, Day & Hunter und Travis Music Co.
Fats Domino1:54
21The Door Is Still Open
The Cardinals3:00
22Rip It Up
recording of:
Rip It Up
Verfasser(in):
Robert “Bumps” Blackwell und John Marascalco
publisher:
Peter Maurice Music Co. Ltd., Robin Hood Music Co., Sony/ATV Songs LLC und Venice Music
Little Richard2:23
23Lotta Lovin’
Gene Vincent2:10
24Your True Love
recording of:
Your True Love (in 1957-01)
Texter und Komponist(in):
Carl Perkins (American pioneer of rockabilly music)
publisher:
Aberbach (London) (publisher) und Carl Perkins Music Inc.
Carl Perkins2:43
3▶CD: Yesterdays Gold: 24 Golden Oldies, Volume 18
4▶CD: Yesterdays Gold: 24 Golden Oldies, Volume 19
5▶CD: Yesterdays Gold: 24 Golden Oldies, Volume 20

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Veröffentlichungsgruppe

Teil von:Yesterdays Gold: 120 Golden Oldies (Nummer: 4) (Reihenfolge: 4)