La Gioconda (Milano, 1959; CDS 7 49518 2)

~ Release by Ponchielli; Callas, Cossotto, Companeez, Vinco, Ferraro, Cappuccilli, Coro e Orchestra del Teatro alla Scala di Milano, Antonino Votto (see all versions of this release, 4 available)

Tracklist

1▶CD
2▼CD
#TitleArtistRatingLength
1La Gioconda: Act II. “Ho! He! Ho! He! Fissa il timone!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
chorus master:
Norberto Mola (chorus master) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto II. “Ho! He! Ho! He! Fissa il timone!” (Coro) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli4:08
2La Gioconda: Act II. “Pescator, affonda l’esca”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Barnaba]:
Piero Cappuccilli (baritone) (from 1959-09-04 until 1959-09-11)
bass vocals [Un pilota]:
Carlo Forti (operatic bass) (from 1959-09-04 until 1959-09-11)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
chorus master:
Norberto Mola (chorus master) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
partial recording of:
La Gioconda: Atto II. “Pescator, affonda l’esca” (Pilota, Barnaba, coro) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli1:34
3La Gioconda: Act II. “Pescator, affonda l’esca”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Barnaba]:
Piero Cappuccilli (baritone) (from 1959-09-04 until 1959-09-11)
bass vocals [Un pilota]:
Carlo Forti (operatic bass) (from 1959-09-04 until 1959-09-11)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
chorus master:
Norberto Mola (chorus master) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
partial recording of:
La Gioconda: Atto II. “Pescator, affonda l’esca” (Pilota, Barnaba, coro) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli2:35
4La Gioconda: Act II. “Sia gloria ai canti dei naviganti!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1959-09-04 until 1959-09-11)
tenor vocals [Enzo Grimaldo]:
Pier Miranda Ferraro (tenor) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
chorus master:
Norberto Mola (chorus master) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto II. “Sia gloria ai canti dei naviganti!” (Enzo, coro) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli4:23
5La Gioconda: Act II. “Cielo e mar!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
tenor vocals [Enzo Grimaldo]:
Pier Miranda Ferraro (tenor) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto II. “Cielo e mar!” (Enzo) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli4:29
6La Gioconda: Act II. “Ma chi vien?”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Barnaba]:
Piero Cappuccilli (baritone) (from 1959-09-04 until 1959-09-11)
mezzo-soprano vocals [Laura Adorno]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09-04 until 1959-09-11)
tenor vocals [Enzo Grimaldo]:
Pier Miranda Ferraro (tenor) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto II. “Ma chi vien?” (Enzo, Barnaba, Laura) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli4:32
7La Gioconda: Act II. “Laggiù nelle nebbie remote”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
mezzo-soprano vocals [Laura Adorno]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09-04 until 1959-09-11)
tenor vocals [Enzo Grimaldo]:
Pier Miranda Ferraro (tenor) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto II. “Laggiù nelle nebbie remote” (Enzo, Laura) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli2:45
8La Gioconda: Act II. “E il tuo nocchiere or la fuga t’appresta”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
mezzo-soprano vocals [Laura Adorno]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09-04 until 1959-09-11)
tenor vocals [Enzo Grimaldo]:
Pier Miranda Ferraro (tenor) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto II. “E il tuo nocchiere or la fuga t’appresta” (Enzo, Laura) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli0:41
9La Gioconda: Act II. “Stella del marinar!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
mezzo-soprano vocals [Laura Adorno]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto II. “Stella del marinar!” (Laura) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli2:11
10La Gioconda: Act II. “E un anatema!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
mezzo-soprano vocals [Laura Adorno]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09-04 until 1959-09-11)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto II. “È un anatèma!” (Gioconda, Laura) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli0:37
11La Gioconda: Act II. “Là attesi e il tempo colsi”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
mezzo-soprano vocals [Laura Adorno]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09-04 until 1959-09-11)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto II. “Là attesi e il tempo colsi” (Gioconda, Laura) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli1:14
12La Gioconda: Act II. “L’amo come il fulgor del creato!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
mezzo-soprano vocals [Laura Adorno]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09-04 until 1959-09-11)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto II. “L’amo come il fulgor del creato!” (Laura, Gioconda) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli2:03
13La Gioconda: Act II. “Il mio braccio t’afferra!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
mezzo-soprano vocals [Laura Adorno]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09-04 until 1959-09-11)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto II. “Il mio braccio t’afferra!” (Gioconda, Laura) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli1:38
14La Gioconda: Act II. “Maledizion! Ha preso il vol!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
baritone vocals [Barnaba]:
Piero Cappuccilli (baritone) (from 1959-09-04 until 1959-09-11)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1959-09-04 until 1959-09-11)
tenor vocals [Enzo Grimaldo]:
Pier Miranda Ferraro (tenor) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto II. “Maledizion! Ha preso il vol!” (Barnaba, Gioconda, Enzo) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli1:43
15La Gioconda: Act II. “Vedi là, nel canal morto”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1959-09-04 until 1959-09-11)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1959-09-04 until 1959-09-11)
tenor vocals [Enzo Grimaldo]:
Pier Miranda Ferraro (tenor) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
chorus master:
Norberto Mola (chorus master) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto II. “Laura, Laura! Ove sei?” … “Vedi là, nel canal morto” (Gioconda, Enzo, coro) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto II. Il rosario
Amilcare Ponchielli3:10
16La Gioconda: Act III, Scene 1. “Si! morir ella de’!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Alvise Badoero]:
Ivo Vinco (operatic bass) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto III, scena 1. “Sì! morir ella de’!” (Alvise) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli2:35
17La Gioconda: Act III, Scene 1. “Ombre di mia prosapia”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Alvise Badoero]:
Ivo Vinco (operatic bass) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto III, scena 1. “Ombre di mia prosapia” (Alvise) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli2:28
18La Gioconda: Act III, Scene 1. “Qui chiamata m’avete?…Bella così, madonna”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Alvise Badoero]:
Ivo Vinco (operatic bass) (from 1959-09-04 until 1959-09-11)
mezzo-soprano vocals [Laura Adorno]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto III, scena 1. “Qui chiamata m’avete?…Bella così, madonna” (Laura, Alvise) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli3:13
19La Gioconda: Act III, Scene 1. “Morir! è troppo orribile!”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Alvise Badoero]:
Ivo Vinco (operatic bass) (from 1959-09-04 until 1959-09-11)
mezzo-soprano vocals [Laura Adorno]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto III, scena 1. “Morir! è troppo orribile!” (Laura, Alvise) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli2:50
20La Gioconda: Act III, Scene 1. “La gaia canzone”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
bass vocals [Alvise Badoero]:
Ivo Vinco (operatic bass) (from 1959-09-04 until 1959-09-11)
choir vocals:
Coro del Teatro alla Scala di Milano (from 1959-09-04 until 1959-09-11)
mezzo-soprano vocals [Laura Adorno]:
Fiorenza Cossotto (mezzo-soprano) (from 1959-09-04 until 1959-09-11)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
chorus master:
Norberto Mola (chorus master) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto III, scena 1. “La gaia canzone” (Coro, Alvise, Gioconda, Laura) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli3:22
21La Gioconda: Act III, Scene 1. “O madre mia, nell’isola fatale”
producer:
Walter Jellinek (British classical producer) and Walter Legge (British classical producer)
soprano vocals [La Gioconda]:
Maria Callas (soprano) (from 1959-09-04 until 1959-09-11)
orchestra:
Orchestra del Teatro alla Scala di Milano (Orchestra of La Scala, Milan) (from 1959-09-04 until 1959-09-11)
conductor:
Antonino Votto (conductor) (from 1959-09-04 until 1959-09-11)
balance engineer:
Harold Davidson (classical sound engineer, active from late 1950's)
recorded at:
Teatro alla Scala in Milano (Milan), Milano, Lombardia, Italy (from 1959-09-04 until 1959-09-11)
recording of:
La Gioconda: Atto III, scena 1. “O madre mia, nell'isola fatale” (Gioconda) (from 1959-09-04 until 1959-09-11)
composer:
Amilcare Ponchielli (composer)
librettist:
Arrigo Boito (librettist, composer)
part of:
La Gioconda: Atto III. Cà d'Oro
Amilcare Ponchielli2:06
3▶CD