Sonny Stitt, Bud Powell, J.J. Johnson

~ Release by Sonny Stitt, Bud Powell & J.J. Johnson (see all versions of this release, 5 available)

Tracklist

1▼Digital Media
#TitleRatingLength
1All God's Chillun Got Rhythm
recorded in:
New York, New York, United States (on 1949-12-11)
double bass:
Curley Russell (on 1949-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-12-11)
piano:
Bud Powell (on 1949-12-11)
tenor saxophone:
Sonny Stitt (on 1949-12-11)
instrumental recording of:
All God’s Chillun Got Rhythm (on 1949-12-11)
lyricist:
Gus Kahn
composer:
Walter Jurmann and Bronisław Kaper
3:01
2Sonny Side
recorded in:
New York, New York, United States (on 1949-12-11)
double bass:
Curley Russell (on 1949-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-12-11)
piano:
Bud Powell (on 1949-12-11)
tenor saxophone:
Sonny Stitt (on 1949-12-11)
recording of:
Sonnyside (on 1949-12-11)
composer:
Sonny Stitt
2:23
3Bud's Blues
recorded in:
New York, New York, United States (on 1949-12-11)
double bass:
Curley Russell (on 1949-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-12-11)
piano:
Bud Powell (on 1949-12-11)
tenor saxophone:
Sonny Stitt (on 1949-12-11)
2:37
4Sunset
recorded in:
New York, New York, United States (on 1949-12-11)
double bass:
Curley Russell (on 1949-12-11)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-12-11)
piano:
Bud Powell (on 1949-12-11)
tenor saxophone:
Sonny Stitt (on 1949-12-11)
3:49
5Fine and Dandy (take 1)
recorded in:
New York, New York, United States (on 1950-01-26)
double bass:
Curley Russell (on 1950-01-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1950-01-26)
piano:
Bud Powell (on 1950-01-26)
tenor saxophone:
Sonny Stitt (on 1950-01-26)
instrumental recording of:
Fine and Dandy (on 1950-01-26)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
2:44
6Fine and Dandy (take 2)
recorded in:
New York, New York, United States (on 1950-01-26)
double bass:
Curley Russell (on 1950-01-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1950-01-26)
piano:
Bud Powell (on 1950-01-26)
tenor saxophone:
Sonny Stitt (on 1950-01-26)
instrumental recording of:
Fine and Dandy (on 1950-01-26)
lyricist:
Paul James (Lyricist, aka James Warburg)
composer:
Kay Swift
publisher:
Warner Bros., Inc. (Warner Bros. Music Division) and WC Music Corp.
2:43
7Strike Up the Band
recorded in:
New York, New York, United States (on 1950-01-26)
double bass:
Curley Russell (on 1950-01-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1950-01-26)
piano:
Bud Powell (on 1950-01-26)
tenor saxophone:
Sonny Stitt (on 1950-01-26)
instrumental recording of:
Strike Up the Band (1927 Gershwin song) (on 1950-01-26)
lyricist:
Ira Gershwin (in 1927)
composer:
George Gershwin (composer) (in 1927)
part of:
My One and Only (1983 Broadway musical)
part of:
Strike up the Band (1927 Gershwin musical)
3:29
8I Want to Be Happy
recorded in:
New York, New York, United States (on 1950-01-26)
double bass:
Curley Russell (on 1950-01-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1950-01-26)
piano:
Bud Powell (on 1950-01-26)
tenor saxophone:
Sonny Stitt (on 1950-01-26)
instrumental recording of:
I Want to Be Happy (No, No, Nanette) (on 1950-01-26)
lyricist:
Irving Caesar and Otto Harbach
composer:
Vincent Youmans
part of:
No, No, Nanette
3:15
9Taking a Chance on Love
recorded in:
New York, New York, United States (on 1950-01-26)
double bass:
Curley Russell (on 1950-01-26)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1950-01-26)
piano:
Bud Powell (on 1950-01-26)
tenor saxophone:
Sonny Stitt (on 1950-01-26)
instrumental recording of:
Taking a Chance on Love (on 1950-01-26)
lyricist:
Ted Fetter and John Latouche
composer:
Vernon Duke
publisher:
EMI April Music Inc., EMI Miller Catalog, Inc., EMI United Partnership Ltd., SBK Miller Catalog, Inc. and Taking a Chance on Love Music Company
part of:
Cabin in the Sky
2:36
10Afternoon in Paris (take 1)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
recording of:
Afternoon in Paris (on 1949-10-17)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
3:07
11Afternoon in Paris (take 1)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
recording of:
Afternoon in Paris (on 1949-10-17)
composer:
John Lewis (pianist, member of Modern Jazz Quartet)
3:05
12Elora (take 1)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
3:06
13Elora (take 2)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass [bass]:
Nelson Boyd (on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
3:11
14Teapot (take 1)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
2:46
15Teapot (take 2)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
3:05
16Blue Mode (take 1)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
3:47
17Blue Mode (take 2)
recorded in:
New York, New York, United States (on 1949-10-17)
double bass:
Nelson Boyd (, on 1949-10-17)
drums (drum set):
Max Roach (20th century US jazz drummer & composer) (on 1949-10-17)
piano:
John Lewis (pianist, member of Modern Jazz Quartet) (on 1949-10-17)
tenor saxophone:
Sonny Stitt (on 1949-10-17)
trombone:
J.J. Johnson (jazz/bop trombonist/session leader) (on 1949-10-17)
2:50

Credits

Release

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