Jazz Divas

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1I Can’t Give You Anything but Love
recording of:
I Can’t Give You Anything but Love, Baby
Texter:
Dorothy Fields (American librettist and lyricist)
Komponist(in):
Jimmy McHugh (songwriter)
publisher:
Aldi Music Company, Cotton Club Publishing und EMI Mills Music Inc. (ASCAP-affiliated)
sub-publisher:
EMI Music Publishing Ltd. (PRS‐affiliated), Shapiro Bernstein & Co. Ltd., ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label), コンソーシアム音楽出版 C・F事業部 (Consortium Music Publishing, CF Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング CMP外国事業部 (sub‐publisher for foreign (non‐Japanese) works) (vom 2021-07-01 bis heute)
Billie Holiday3:30
2(I Love You) for Sentimental Reasons
recorded in:
New York, New York, Vereinigte Staaten (am 1946-08-29)
Gitarre:
Jimmy Shirley
Klavier:
René DeKnight
Kontrabass [string bass]:
Benny Moten (jazz bassist)
Schlagzeug:
Eddie "Mole" Bourne
vocals:
The Delta Rhythm Boys (vocal harmony group) und Ella Fitzgerald (American jazz singer)
cover recording of:
(I Love You) for Sentimental Reasons (am 1946-08-29)
Texter:
Ivory “Deek” Watson (Singer, guitarist, and songwriter)
Komponist(in):
William “Pat” Best
publisher:
MCA Duchess Music Corporation und Peter Maurice Music Co. Ltd.
Ella Fitzgerald3:12
3You Got to My Head
vocals:
Sarah Vaughan
cover recording of:
You Go to My Head
Texter:
Haven Gillespie (in 1938)
Komponist(in):
J. Fred Coots (in 1938)
publisher:
B. Feldman & Co. (publisher active since the 1910s), B. Feldman & Co. Ltd. (publisher est. 1946), EMI Music Ltd., Haven Gillespie Music Publishing Co., Remick Music Corp., Toy Town Tunes, Inc., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label) und Warner Bros. Music Corp.
Sarah Vaughan3:04
4Them There Eyes
cover recording of:
Them There Eyes
Texter:
William Tracey (in 1930)
Komponist(in):
Maceo Pinkard (in 1930) und Doris Tauber (in 1930)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Redwood Music Ltd. (Carlin) und Warner Chappell Music Limited (2019–present)
Peggy Lee2:59
5What Is This Thing Called Love?
recording of:
What Is This Thing Called Love? (Wake Up and Dream musical revue)
Texter und Komponist(in):
Cole Porter (composer) (in 1929)
publisher:
Harms, Inc., Warner Bros., Inc. (not for release label use!) und Warner/Chappell (Warner/Chappell Music, Inc.)
Teil von:
Wake Up and Dream (1929 revue)
Anita O’Day2:42
6My Old Flame
cover recording of:
My Old Flame
Texter:
Sam Coslow
Komponist(in):
Arthur Johnston (American composer and songwriter)
publisher:
Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
Peggy Lee3:11
7It Ain’t Necessarily So
Maxine Sullivan3:37
8Sophisticated Lady
recording of:
Sophisticated Lady
Texter:
Mitchell Parish und Irving Mills (in 1932)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1932)
publisher:
Duke Ellington Music (beendet), Mills Music, Inc. (beendet), EMI Mills Music Inc. (ASCAP-affiliated), Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody) (bis 2007-05) und Sony/ATV Harmony (vom 2007-05 bis heute)
Teil von:
Sophisticated Ladies (1981 musical)
Teil von:
The Real Book (compilation of jazz standards, volume I)
Dinah Shore3:10
9It Might as Well Be Spring
Produzent(in):
George Treadwell
Gitarre:
Freddie Green (am 1950-05-18)
Klarinette:
Tony Scott (bop/jazz clarinetist, arranger & conductor) (am 1950-05-18)
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1950-05-18)
Kontrabass:
Billy Taylor Jr. (jazz bassist) (am 1950-05-18)
Posaune:
Bennie Green (jazz trombonist) (am 1950-05-18)
Schlagzeug:
J.C. Heard (am 1950-05-18)
Tenorsaxophon:
Budd Johnson (am 1950-05-18)
Trompete:
Miles Davis (jazz trumpeter, bandleader, songwriter) (am 1950-05-18)
vocals:
Sarah Vaughan (am 1950-05-18)
Orchester:
with George Treadwell and his All Stars (am 1950-05-18)
engineered at:
Apollo Theater in Harlem, New York, New York, Vereinigte Staaten (am 1950-05-18)
cover recording of:
It Might as Well Be Spring (State Fair) (am 1950-05-18)
Texter:
Oscar Hammerstein II (of Rodgers & Hammerstein) (in 1945)
Komponist(in):
Richard Rodgers (composer) (in 1945)
publisher:
Chappell Music Ltd., Sony Music Publishing (Japan) Inc. (song publisher, never a release label), Williamson Music Company, Williamson Music, Inc. und ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
Teil von:
The 18th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1945 winner)
Teil von:
State Fair (1945 film soundtrack)
Teil von:
State Fair (1962 film soundtrack)
Teil von:
State Fair
Sarah Vaughan3:14
10That Ole Devil Called Love
alto saxophone:
Jack Cressey (am 1944-11-08) und Hymie Shertzer (am 1944-11-08)
Gitarre:
Carl Kress (am 1944-11-08)
Klavier:
Dave Bowman (jazz pianist) (am 1944-11-08)
Kontrabass:
Haig Stephens (am 1944-11-08)
Schlagzeug:
George Wettling (am 1944-11-08)
Tenorsaxophon:
Larry Binyon (am 1944-11-08) und Dave Harris (tenor saxo) (am 1944-11-08)
Trompete:
Russ Case (US trumpeter & bandleader) (am 1944-11-08)
vocals:
Billie Holiday (am 1944-11-08)
recording of:
That Ole Devil Called Love (am 1944-11-08)
Texter:
Doris Fisher (in 1944)
Komponist(in):
Allan Roberts (songwriter) (in 1944)
publisher:
MCA Records Ltd. (do not use as an imprint; UK subsidiary of MCA Records), Universal Music Ltd. (UK sound recording / publishing company) und Universal/MCA Music Ltd. (not for release label use!)
Billie Holiday42:56
11It’s Only a Paper Moon
cover recording of:
It’s Only a Paper Moon
Texter:
E.Y. Harburg (in 1933) und Billy Rose (lyricist and Broadway producer) (in 1933)
Komponist(in):
Harold Arlen (in 1933)
publisher:
Anne-Rachel Music Corp., Chappell & Co., Chappell Music Ltd., Gloccamorria Music, Next Decade Entertainment, S.A. Music Co., SA Music, Shapiro Bernstein & Co. Ltd. und Warner Bros. Music (publisher; do NOT use as release label)
Ella Fitzgerald2:44
12Body and Soul
recorded in:
New York, New York, Vereinigte Staaten (am 1954-04-02)
Klavier:
John Malachi (am 1954-04-02)
Kontrabass:
Joe Benjamin (US jazz bassist) (am 1954-04-02)
Schlagzeug:
Roy Haynes (American jazz drummer and bandleader) (am 1954-04-02)
vocals:
Sarah Vaughan (am 1954-04-02)
cover recording of:
Body and Soul (am 1954-04-02)
Texter:
Frank Eyton (in 1930), Edward Heyman (in 1930) und Robert Sour (in 1930)
Komponist(in):
Edward Heyman, Robert Sour und John Green (composer and conductor, often credited as John Green) (in 1930)
publisher:
Bug Music, Inc., Chappell & Co Ltd., Druropetal Music, Quartet Music Inc., Range Road Music Inc., Warner Bros., Inc. (not for release label use!), WB Music Corp. (1929–2019) (bis 2019-05-28) und WC Music Corp. (vom 2019-05-28 bis heute)
sub-publisher:
ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
Sarah Vaughan3:15
13And Her Tears Flowed Like Wine
recording of:
And Her Tears Flowed Like Wine
Texter:
Joe Greene (US songwriter Joseph Perkins Greene, 1915-1986)
Komponist(in):
Stan Kenton und Charles Lawrence
Anita O’Day3:08
14Aren’t You Kind of Glad We Did?
recorded in:
Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1946-07-23)
Produzent(in):
Lee Gillette
vocals:
Peggy Lee (jazz vocalist) (am 1946-07-23)
Orchester:
Dave Barbour and His Orchestra (am 1946-07-23)
arranger:
Heinie Beau
phonographisches Urheberrecht (℗) von:
Capitol Records (imprint of Capitol Records, Inc.)
recording of:
Aren’t You Kind of Glad We Did? (am 1946-07-23)
Texter:
Ira Gershwin
Komponist(in):
George Gershwin (composer)
publisher:
Gershwin Publishing Corp (in 1946)
Peggy Lee2:59
15You’d Be So Nice to Come Home To
recorded in:
Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten (am 1942-07-30)
vocals:
Dinah Shore (am 1942-07-30)
Orchester:
Orchestra conducted by Paul Weston (am 1942-07-30)
conductor:
Paul Weston (am 1942-07-30)
recording of:
You’d Be So Nice to Come Home To (am 1942-07-30)
Texter und Komponist(in):
Cole Porter (composer) (in 1943)
publisher:
Chappell & Co., Chappell & Co., Inc. (USA), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner/Chappell North America Limited (formerly incorporated as Marmalade Music Ltd., from 1968/09/19–1999/11/09)
Teil von:
The 16th Academy Award for Best Original Song (Nummer: 2)
Dinah Shore2:57
16St Louis Blues
cover recording of:
St. Louis Blues
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Lena Horne3:04
17Night and Day
Maxine Sullivan3:24
18The Way You Look Tonight
vocals:
Peggy Lee (jazz vocalist) (in 1942)
cover recording of:
The Way You Look Tonight (from “Swing Time”)
publisher:
Jerome Kern (am 1936-07-24)
Texter:
Dorothy Fields (American librettist and lyricist) (in 1936)
Komponist(in):
Jerome Kern (in 1936)
publisher:
Aldi Music Company, Chappell & Co., Inc. (USA), Chappell Music Ltd., Polygram Music, PolyGram Music Publishing Ltd., Shapiro Bernstein & Co. Ltd., Shapiro, Bernstein & Co., Inc., The Songwriters Guild und Universal PolyGram International Publishing, Inc. (existed only since ca. 1998) (in 1936)
sub-publisher:
シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Teil von:
The 9th Academy Award for Best Original Song (Nummer: 1) und Academy Award for Best Original Song (Nummer: 1936 winner)
Teil von:
Swing Time (film)
Peggy Lee3:20
19All of Me
recording of:
All of Me
Verfasser(in):
Gerald Marks (in 1932) und Seymour Simons (in 1932)
publisher:
Bourne Co. (not for release label use, this is a music publisher), Bourne, Inc., Francis, Day & Hunter Ltd., Marlong Music Corp., Round Hill Songs und Sony/ATV Tunes LLC (ASCAP)
sub-publisher:
Peermusic und 日音 Synch事業部 (NICHION, INC. Synch Division)
Billie Holiday3:04
20Flying Home
recorded in:
New York, New York, Vereinigte Staaten (am 1945-10-04)
Gitarre:
Hy White (am 1945-10-04)
Klavier:
Moe Wechsler (am 1945-10-04)
Kontrabass:
Felix Globbe (American jazz (and classical) bassist.) (am 1945-10-04)
Posaune:
William Pritchard (am 1945-10-04)
Saxophon:
Sid Cooper (flute & clarinet player) (am 1945-10-04) und Harry Feldman (am 1945-10-04)
Schlagzeug:
Irv Kluger (am 1945-10-04)
Trompete:
Chuck Genduso (trumpeter) (am 1945-10-04)
vocals:
Ella Fitzgerald (American jazz singer) (in 1945, am 1945-10-04)
Orchester:
Vic Schoen and His Orchestra (in 1945)
cover recording of:
Flying Home (sung/scat version, eg. by Ella Fitzgerald) (am 1945-10-04)
Texter:
Sid Robin (US lyricist & composer)
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Lionel Hampton
publisher:
Boosey & Hawkes Music Publishers, Ltd und Regent Music (BMI)
Version von:
Flying Home (instrumental version)
cover recording of:
Flying Home (instrumental version) (in 1945)
Komponist(in):
Benny Goodman (clarinetist and bandleader) und Lionel Hampton
publisher:
Ragbag Music (ASCAP) und Regent Music (BMI)
Ella Fitzgerald42:30
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