Dreams in the Pleasure Garden: Chansons

~ Release by Machaut; Orlando Consort (see all versions of this release, 2 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Tant doucement
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Tant doucement me sens emprisonnes (in 1997-05)
writer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut5:00
2Comment puet on
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Comment puet on miex ses maus dire, Rondeau 11 3vv (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut4:29
3De Fortune
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
De Fortune: Ballade 23 (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut5:53
4Mors sui
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Mors sui, se je ne vous voy (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut5:05
5Se quanque amours
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Se quanque amours (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut5:58
6Je ne cuit pas
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Je ne cuit pas qu'onques a creature (in 1997-05)
writer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut5:20
7Liement me deport
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Liement me déport (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut7:04
8Je puis trop bien
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Je puis trop bien ma dame comparer (ballade) (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut4:17
9Certes mon oueil
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Certes, mon oueil (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut5:37
10En amer a douce vie
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Le Remède de Fortune : 8 - Balladelle : « En amer a douce vie » (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut5:58
11He ! Dame de valour
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
He ! Dame de valour (a1) (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut3:36
12Une vipere
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Une vipere en cuer ma dame maint (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut6:33
13Ma fin est mon commencement
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Ma fin est mon commencement (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut6:16
14De toutes flours
recording engineer and balance engineer:
Gregor Zielinsky (Balance engineer)
executive producer:
Dr. Peter Czornyj
producer:
Karl-August Naegler (balance engineer)
alto vocals:
Robert Harre-Jones (countertenor) (in 1997-05)
baritone vocals:
Donald Greig (baritone) (in 1997-05)
tenor vocals:
Charles Daniels (tenor) (in 1997-05) and Angus Smith (tenor) (in 1997-05)
vocals:
Orlando Consort (British early music vocal quartet) (in 1997-05)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
recorded at:
Kirche St. Osdag (Mandelsloh, Neustadt am Rübenberge) in Neustadt am Rübenberge, Niedersachsen (Lower Saxony), Germany (in 1997-05)
recording of:
Le Remède de Fortune : 1 - Introduction instrumentale : « De toutes flours » (in 1997-05)
composer:
Guillaume de Machaut (French medieval poet & composer)
Guillaume de Machaut6:46

Credits

Release

manufactured in:Germany
printed in:Germany
art direction:Lutz Bode (art director)
photography:Suzie Maeder (photographer)
miscellaneous support:Harro Wolter (photographer, designer) (task: typo design)
copyrighted (©) by:Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 1998)
printed by:Neef (printing company)
Discogs:https://www.discogs.com/release/1000502 [info]
ASIN:DE: B00000HY9J [info]
other databases:https://www.musik-sammler.de/media/744987/ [info]
Allmusic:https://www.allmusic.com/album/release/mr0002125188 [info]