Best Pop Ballads

~ Pubblicazione di Various Artists (visualizza tutte le versioni di questa pubblicazione: 1 disponibile)

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#TitoloArtistaValutazioneDurata
1Wonderful Life
produttore:
Dave Dix (Dave Dix)
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1987)
video musicali:
Wonderful Life di Black (UK indie pop musician Colin Vearncombe)
registrazione di:
Wonderful Life
paroliere e compositore:
Colin Vearncombe
editore:
Rondor Music Ltd. (publisher)
Black4.354:48
2Miss You So
registrazione di:
Miss You So
autore:
Mary Applegate, Wolfgang Detmann (aka Candy de Rouge) e Gunther Mende
editore:
EMI Songs Musikverlag GmbH e Universal Music Publishing GmbH (Universal Music Publishing Group Germany)
Bonnie Bianco4:54
3Nothing’s Gonna Change My Love for You
diritti fonografici (℗) detenuti da:
Amherst Records, Inc. e PolyGram International Music B.V. (not for release label use!) (nel 1988)
registrazione cover di:
Nothing’s Gonna Change My Love for You
paroliere:
Gerald Goffin e Michael Masser
compositore:
Michael Masser
editore:
Almo Music Corp. (USA, affiliated with ASCAP), EMI Music Publishing Germany (GmbH & Co. KG), Lauren Wesley Music (BMI-affiliated), Prince Street Music (Also known as "Prince St. Music"), Prince Street Productions, Inc., Rondor Music (London) Ltd., Rondor Music Inc., Rondor Musikverlag GmbH, Screen Gems–EMI Music Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Universal‐MCA Music Publishing (US), Universal/MCA Music Ltd. (not for release label use!), シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), イーエムアイ音楽出版 フジパシフィック事業部 (EMI Music Publishing Japan, Fujipacific Division) (fino al 2021-06-30) e ソニー・ミュージックパブリッシング フジパシフィック事業部 (Sony Music Publishing (Japan) Inc., Fujipacific Division) (dal 2021-07-01 a oggi)
Glenn Medeiros3.53:49
4Cherish
diritti fonografici (℗) detenuti da:
Delite Recorded Sound (not for release) (nel 1984) e PolyGram Records, Inc. (not for release label use! US division of PolyGram) (nel 1984)
registrazione di:
Cherish
autore:
Clifford Adams (trombonist in Kool & the Gang), Robert “Kool” Bell, Ronald Bell, Jim Bonnefond, George Brown (US percussionist of Kool & the Gang), Curtis Williams (keyboardist/percussionist of Kool & The Gang), James Taylor (US R&B vocalist for Kool & the Gang) e Claydes Smith
editore:
Delightful Music Ltd., Planetary Nom (London) Ltd., Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label) e Windswept Pacific Music Ltd.
Kool & the Gang4.54:49
5Piano in the Dark
tecnico di registrazione:
Csaba Petocz, Bill Schnee, Steve Sykes (US engineer), Janne Ugand e Gary Wagner (recording engineer)
produttore:
Andre Fischer (US drummer and funk/soul/pop producer), Jeff Hull (songwriter and producer) e Brenda Russell (US singer-songwriter & keyboardist)
registrazione di:
Piano in the Dark
autore:
Scott Cutler, Jeff Hull (songwriter and producer) e Brenda Russell (US singer-songwriter & keyboardist)
editore:
Dwarf Village Music
Brenda Russell45:20
6I’ll Find My Way Home
produttore:
Vangelis (Greek composer of electronic, new age and classical)
strumenti e esecutore:
Vangelis (Greek composer of electronic, new age and classical)
voce:
Jon Anderson (Yes/Jon & Vangelis)
voce principale:
Jon Anderson (Yes/Jon & Vangelis)
arrangiatore:
Vangelis (Greek composer of electronic, new age and classical)
diritti fonografici (℗) detenuti da:
Polydor Ltd. (UK) (not for release label use; fka Polydor Records Ltd.) (nel 1981) e Spheric B.V. (nel 1981)
registrazione di:
I’ll Find My Way Home
paroliere:
Jon Anderson (Yes/Jon & Vangelis)
compositore:
Jon Anderson (Yes/Jon & Vangelis) e Vangelis (Greek composer of electronic, new age and classical)
editore:
EMI Music (do not use as release label! this is a music publisher), Spheric B.V., Toughknot Ltd., Warner Bros. Music Co., Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) e Warner Chappell North America
Jon & Vangelis44:29
7Stop
diritti fonografici (℗) detenuti da:
A&M Records, Ltd. (nel 1988)
registrazione di:
Stop
autore:
Bruce Brody, Sam Brown (UK singer/songwriter) e Gregg Sutton
editore:
Doolittle Music, Irving Music (BMI), Rondor Music Ltd. (publisher) e WayBlue Ltd. (publisher)
Sam Brown44:00
8I Should Have Known Better
basso elettrico :
John McKenzie (English blues bassist)
chitarra acustica :
Graham Lyle
membranofono :
Simon Kirk
percussione :
Martin Ditcham
registrata presso:
Livingston Studios in Wood Green, Haringey, London (Greater London), England, Regno Unito
registrazione di:
I Should Have Known Better (1984 song)
autore:
Jim Diamond (Scottish singer/songwriter/guitarist) e Graham Lyle
editore:
Diamond Brothers Music, Goodsingle Ltd. (publisher), Hornall Music Ltd. (limited company) e Rondor Music (London) Ltd.
Jim Diamond54:10
9Moonshine Still
Phil Carmen4:01
10You’re the Only Woman I Need
tecnico di registrazione e tecnico di missaggio:
Mick Guzauski
tecnico di registrazione aggiunto:
Bino Espinoza e Don Murray (producer / engineer)
programmazione:
Casey Young
produttore:
Greg Mathieson
produttore esecutivo:
Dennis Lambert
produttore esecutivo associato:
Commodores (US funk/soul band with Lionel Richie)
chitarra :
Paul Jackson, Jr. (fusion/urban jazz composer, arranger, producer and guitarist)
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Greg Mathieson e Casey Young
voce di accompagnamento:
Bill Champlin
voce principale:
Walter Orange
arrangiatore:
Greg Mathieson
è stato produttore per:
Tuneworks Records Inc.
registrazione di:
You’re the Only Woman I Need
autore:
Michael Leeson e Peter Vale (writer/arranger)
editore:
C & D Music Ltd. (nel 1986)
Commodores4:39
11Dreamin’
registrazione di:
Dreamin’
autore:
Lisa Montgomery e Geneva Paschal
editore:
Jobete Music Co., Inc.
Vanessa Williams44:24
12Take That Look Off Your Face
registrazione di:
Take That Look Off Your Face
paroliere:
Don Black (English lyricist)
paroliere aggiunto:
Richard Maltby, Jr. (theatre director and producer, lyricist, and screenwriter)
compositore:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
editore:
Dick James Music Ltd. (renamed Universal/Dick James Music Ltd. since 1999‐07‐30) e The Really Useful Company Ltd. (The Really Useful Company Limited)
parte di:
Song & Dance (Andrew Lloyd Webber musical)
parte di:
Tell Me on a Sunday (full musical)
Marti Webb2:59
13Room With a View
registrazione di:
Room With a View
paroliere e compositore:
Tony Carey
editore:
Red Rooster (publisher)
parte di:
Reprise
Tony Carey3:22
14Woman in Chains
edit di:
Woman in Chains di Tears for Fears feat. Oleta Adams
registrazione di:
Woman in Chains
paroliere e compositore:
Roland Orzabal (UK musician, songwriter and producer)
editore:
EMI Virgin Music Publishing
Tears for Fears45:28
15Up Where We Belong
produttore:
Stewart Levine (record producer and saxophonist)
batteria :
Leon Ndugu Chancler
chitarra :
Louie Shelton
percussione :
Paulinho da Costa (Brazilian percussionist)
tastiera :
Robbie Buchanan (Canadian producer) e Bobby Lyle
voce principale:
Joe Cocker e Jennifer Warnes
diritti fonografici (℗) detenuti da:
Island Records, Inc. (US, Island holding) (nel 1982) e The Island Def Jam Music Group (American holding company, not normally a release label) (nel 1982)
registrazione di:
Up Where We Belong (An Officer and a Gentleman)
paroliere:
Will Jennings
compositore:
Jack Nitzsche (American musician and score composer) e Buffy Sainte‐Marie
editore:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Ensign Music Corporation, Famous Chappell e Famous Music Corporation (renamed since 2007‐05 as Sony/ATV Harmony/Melody)
parte di:
The 55th Academy Award for Best Original Song (numero: 1) e Academy Award for Best Original Song (numero: 1982 winner)
Joe Cocker & Jennifer Warnes3.53:52

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