続 No.1 80s ORICON HITS

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▼CD
Nr.TitelKünstlerBewertungLänge
1Thriller
Produzent(in):
Quincy Jones
Sologesang:
Michael Jackson (“King of Pop”)
phonographisches Urheberrecht (℗) von:
MJJ Productions Inc. (rights holder, not an imprint) (in 1982)
recording of:
Thriller
Texter und Komponist(in):
Rod Temperton
publisher:
Almo Music Corp. (USA, affiliated with ASCAP), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Rodsongs (publisher), Rondor Music (London) Ltd., Universal Music Publishing France (not for release label use!) und ワーナー・チャペル音楽出版 Synch事業部 (Warner/Chappell Music Japan K.K., Synch Division)
basiert auf:
Starlight
Teil von:
MJ: The Musical
Michael Jackson4.25:13
2Freedom
assistierende(r) Techniker(in):
Paul Gomersau
Techniker(in):
Chris Porter (engineer and producer)
Produzent(in):
George Michael
Keyboard:
Tommy Eyre
Saxophon:
David Baptiste (U.K. Saxophonist, flutist, percussionist, vocalist, & backing vocalist)
arranger:
George Michael
phonographisches Urheberrecht (℗) von:
CBS Records (manufacturer/distributor, not for release label use!) (in 1984) und Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1984)
recording of:
Freedom (Wham!)
Texter und Komponist(in):
George Michael
publisher:
Chappell Music (UK) und Morrison Leahy Music Ltd. (in 1984)
Wham!3.755:03
3A View to a Kill
Techniker(in) und Mix:
Jason Corsaro (U.S. music engineer, and record producer)
Produzent(in):
John Barry (English score composer), Jason Corsaro (U.S. music engineer, and record producer), Duran Duran (English rock band) und Bernard Edwards (American bassist and record producer)
Sampler:
Jonathan Elias
vocals:
Duran Duran (English rock band)
conductor:
John Barry (English score composer)
arranger:
John Barry (English score composer)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1998)
recording of:
A View to a Kill
Orchestrator(in):
John Barry (English score composer)
Verfasser(in):
John Barry (English score composer), Simon Le Bon (singer for Duran Duran), Nick Rhodes, Andy Taylor (of Duran Duran), John Taylor (UK bassist for Duran Duran) und Roger Taylor (Duran Duran drummer)
Komponist(in):
John Barry (English score composer) und Duran Duran (English rock band)
publisher:
EMI Songs und Gloucester Place Music Ltd.
Teil von:
James Bond themes
Teil von:
A View to a Kill (from the James Bond film)
Duran Duran3.653:36
4Karma Chameleon
Techniker(in):
Simon Frith, Simon Humphrey, Gordon Milne (engineer) und Mike Ross‐Trevor (engineer)
Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist) (in 1983)
E-Sitars, Gitarre, Keyboard, Klavier und Sitar:
Roy Hay (Member of Culture Club and composer for film and television) (in 1983)
Gast-Keyboard:
Phil Pickett (songwriter, producer, keyboard player) (in 1983)
Gast-Mundharmonika:
Judd Lander (in 1983)
Perkussion und Schlagzeug:
Jon Moss (in 1983)
Hintergrundgesang:
Helen Terry (UK singer) (in 1983)
Sologesang:
Boy George (in 1983)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1983, in 2002, in 2003)
aufgenommen bei:
CBS Studios (London, 1972–1989) in London (Greater London), England, Vereinigtes Königreich (in 1983) und Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1983)
Musikvideos:
Karma Chameleon von Culture Club (English pop group)
recording of:
Karma Chameleon (in 1983)
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television), Jon Moss und Phil Pickett (songwriter, producer, keyboard player)
publisher:
BMG Music Publishing Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd., Pendulum Music Ltd., Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Virgin Music (Publishers) Ltd., Warner Bros. Music Ltd. (UK subsidiary, so named 1970‐01‐23–1971‐04‐26 and 1972‐04‐25–1988‐08‐23) und BMG VM Music Ltd. (vom 2013-05 bis heute)
Culture Club44:13
5The Power of Love
recording engineer:
Jim Gaines und Robert Missbach
assistierende(r) Techniker(in):
Rob Beaton, Alex Haas (Trance remixer/producer. Member of Cypher 7), Tom Size (US audio engineer) und Jim “Watts” Vereecke
zusätzliche(r) Techniker(in):
Michael Christopher (engineer), Phil Kaffel und Malcolm Pollack
Produzent(in):
Bob Clearmountain, Jellybean (US producer John Benitez) und Huey Lewis and the News (American pop rock band)
Mix:
Robert Missbach
Bassgitarre:
Mario Cipollina
Gitarre:
Johnny Colla (US sax & guitarist for Huey Lewis & the News) und Chris Hayes (US rock guitarist & singer (Huey Lewis & The News))
Keyboard:
Sean Hopper (US Keyboardist for Huey Lewis & the News)
Mundharmonika:
Huey Lewis
Perkussion und Schlagzeug:
Bill Gibson (US drummer for Huey Lews & the News)
Saxophon:
Johnny Colla (US sax & guitarist for Huey Lewis & the News)
vocals:
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Bill Gibson (US drummer for Huey Lews & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)), Sean Hopper (US Keyboardist for Huey Lewis & the News) und Huey Lewis
phonographisches Urheberrecht (℗) von:
Chrysalis Records, Inc. (not for release label use!) (in 1984, in 1985, in 1986) und Chrysalis (in 1985)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten, Studio D Recording in Sausalito, California (Kalifornien), Vereinigte Staaten und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten
mixed at:
Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
Musikvideos:
The Power of Love (full length) von Huey Lewis and the News (American pop rock band)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 108)
recording of:
The Power of Love (Back to the Future)
Verfasser(in):
Johnny Colla (US sax & guitarist for Huey Lewis & the News), Chris Hayes (US rock guitarist & singer (Huey Lewis & The News)) und Huey Lewis
publisher:
Cause and Effect Music, Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Huey Lewis Music, Hulex Music (publisher), Kinda Blue Music, Mushroom Music (Mushroom label’s publishing company) und WB Music Corp. (1929–2019)
sub-publisher:
Warner/Chappell Music Japan, Synch division (Warner/Chappell Music Japan K.K., Synch Division) und Yamaha Music Entertainment Holdings, Inc. (holding company – do not use as release label)
Teil von:
The 58th Academy Award for Best Original Song (Nummer: 2) und Academy Award for Best Original Song (Nummer: 1985 nominee)
Teil von:
Back to the Future: the Musical
Huey Lewis and the News43:55
6Honesty
assistierende(r) Techniker(in):
Dave Martone (US engineer)
Techniker(in):
Jim Boyer (producer/engineer)
Produzent(in):
Phil Ramone
Mix:
Jim Boyer (producer/engineer) und Phil Ramone
Akustikgitarre:
David Spinozza (in 1978)
Blechblasinstrumente [horns] und Saiteninstrumente arranger:
Robert Freedman
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1978), Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (in 1978) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1978)
aufgenommen bei:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten (in 1978)
mixed at:
A & R Recording (Second studio, 799 7th Avenue) in Manhattan, New York, New York, Vereinigte Staaten
Musikvideos:
Honesty von Billy Joel (American singer‐songwriter and pianist)
recording of:
Honesty (in 1978)
Texter und Komponist(in):
Billy Joel (American singer‐songwriter and pianist)
publisher:
April Music Inc., EMI Songs Australia Pty. Ltd., ヤマハミュージックEH(CM) (Yamaha Music EH(CM)), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), CBS Songs Ltd. (in 1978), EMI April Music Inc. (in 1978) und Impulsive Music (in 1978)
Billy Joel3.653:52
7I Heard a Rumour
Produzent(in):
Stock Aitken Waterman
vocals:
Bananarama
phonographisches Urheberrecht (℗) von:
London Records 90 Ltd. (renamed as Warner Records 90 Ltd. on 2011-08-26) (in 1987) und London Records Ltd. (not release label) (in 1987)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 80)
recording of:
I Heard a Rumour
Verfasser(in):
Matt Aitken, Sara Dallin, Siobhan Fahey, Mike Stock (of Stock Aitken Waterman), Pete Waterman und Keren Woodward
publisher:
All Boys Music Ltd., Grow Your Own Music, Mike Stock Publishing Limited, Reverb Music Ltd., Sid’s Songs Limited, Songs of Universal, Inc. (BMI), Sony/ATV Songs LLC, Universal Music Careers, Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music Ltd. (no slash; used 1988–1996) und Warner–Tamerlane Publishing Corp. (publisher; do NOT use as release label)
Bananarama43:26
8Turn Around and Count 2 Ten
recording of:
Turn Around and Count 2 Ten
Komponist(in):
Pete Burns und Steve Coy
Dead or Alive4:51
9Too Shy
Schlagzeug-Programmierung:
Jez Strode
Techniker(in):
Colin Thurston
Produzent(in):
Nick Rhodes und Colin Thurston
Bassgitarre:
Nick Beggs
E-Bow [e bow] und Gitarre:
Steve Askew
Synthesizer:
Stuart Croxford Neale
Sologesang:
Limahl
zusätzlich vocals:
Nick Beggs und Stuart Croxford Neale
arranger:
Kajagoogoo
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1982, in 1983)
Musikvideos:
Too Shy von Kajagoogoo
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 9) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 27)
recording of:
Too Shy
Texter:
Nick Beggs und Christopher Hamill
Komponist(in):
Steve Askew, Nick Beggs, Christopher Hamill, Stuart Croxford Neale und Jez Strode
publisher:
EMI Songs und Tritec Music Ltd. (publisher and copyrights holder)
Kajagoogoo3.553:47
10Morning Train (Nine to Five)
phonographisches Urheberrecht (℗) von:
EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1980)
recording of:
9 to 5
Texter und Komponist(in):
Florrie Palmer
publisher:
Chappell Music (UK), Pendulum Music (publisher) und Warner/Chappell Music Ltd. (1996–2019)
Sheena Easton4.353:22
11Be Good to Yourself
assistierende(r) Techniker(in):
Robert Missbach
Techniker(in):
Jim Gaines, Mark McKenna (engineer) und Steve Rinkoff
Partner-Produzent(in):
Jim Gaines
Produzent(in):
Steve Perry (former lead singer of Journey)
zusätzliche(r) Koproduzent(in):
Randy Goodrum
Mix:
Bob Clearmountain
Bassgitarre:
Randy Jackson (former bassist with Journey and American Idol judge)
Gitarre:
Neal Schon
Keyboard:
Jonathan Cain
Schlagzeug und Perkussion:
Larrie Londin
Hintergrundgesang:
Jonathan Cain, Randy Jackson (former bassist with Journey and American Idol judge) und Neal Schon
Sologesang:
Steve Perry (former lead singer of Journey)
phonographisches Urheberrecht (℗) von:
CBS Inc. (US broadcasting company; file no releases here!) (in 1986) und CBS Records Inc. (for rights/distribution/manufacture use only; international subsidiary of CBS, Inc.) (in 1986)
aufgenommen bei:
Fantasy Studios (Berkeley) in Berkeley, California (Kalifornien), Vereinigte Staaten (von 1985-10 bis 1985-12) und The Plant Studios (1981–2008) in Sausalito, California (Kalifornien), Vereinigte Staaten (von 1985-10 bis 1985-12)
mixed at:
Bearsville Studios in Bearsville, New York, Vereinigte Staaten und Power Station Studios (Power Station at BerkleeNYC, fka Power Station 1977–1996, then Avatar Studios 1996–2017) in Hell's Kitchen, New York, New York, Vereinigte Staaten
recording of:
Be Good to Yourself
Verfasser(in):
Jonathan Cain, Steve Perry (former lead singer of Journey) und Neal Schon
publisher:
Frisco Kid Music (publisher), Rock Dog Music und Street Talk Tunes
sub-publisher:
フジパシフィックミュージック (Fujipacific Music, Inc.) und 日音 Synch事業部 (NICHION, INC. Synch Division)
Journey33:53
12Heart’s on Fire
assistierende(r) Techniker(in):
Jamey Dell
Techniker(in):
Ed Frugé, Ken Lowrey (engineer) und Tony Papa
Produzent(in):
Vince DiCola und Ed Frugé
Bassgitarre:
Pat Lupo
Gitarre:
John Cafferty und Gary Gramolini
Keyboard:
Bobby Cotoia
membranophone:
Kenny Jo Silva
Saxophon:
Michael "Tunes" Antunes (sax)
Sologesang:
John Cafferty
recording of:
Heart’s on Fire
Verfasser(in):
Vince DiCola, Joe Esposito und Ed Frugé
John Cafferty4:15
13Stay With Me
Peter Cetera4:41
14Even the Nights Are Better
recorded in:
Sydney, New South Wales, Australien
assistierende(r) Techniker(in):
Karen Hewitt
Techniker(in) und Produzent(in):
Harry Maslin
assistierende(r) Mix:
John Van Nest
Mix:
Harry Maslin und John Van Nest
Bassgitarre:
David Green (Australian bassist, formerly of Air Supply)
Gitarre [lead guitar]:
Rex Goh und David Moyse
Gitarre [rhythm guitar]:
Graham Russell (Air Supply)
Keyboard:
Frank Esler‐Smith
Schlagzeug:
Ralph Cooper (drummer)
Sologesang:
Russell Hitchcock und Graham Russell (Air Supply)
conductor:
Frank Esler‐Smith
Orchestrator(in):
Frank Esler‐Smith
phonographisches Urheberrecht (℗) von:
Arista Records, Inc. (manufacturing and distribution company, do not add releases here) (in 1982), Big Time Phonograph Recording Co. (in 1982) und Interscope Records (part of UMG Recordings, Inc.) (in 2021)
produced for:
HRM Productions Inc. (Harry Maslin production company)
mixed at:
Allen Zentz Recording in Encino, California (Kalifornien), Vereinigte Staaten
Teil von:
The Downloader’s Music Source Book (Nummer: 291)
recording of:
Even the Nights Are Better
Verfasser(in):
Ken Bell, Terry Nelson Skinner und J.L. Wallace (US songwriter and guitarist)
publisher:
Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.) und ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division)
Air Supply53:58
15Lost in Your Eyes
recording engineer:
Phil Castellano (brother of John, uncle of Richie) und Don Feinberg
Schlagzeug und Keyboard-Programmierung:
Fred Zarr
Techniker(in):
Bill Esses, Jim Goatley und Matt Malles
Produzent(in):
Debbie Gibson
Mix:
Debbie Gibson, Bob Rosa und Tom Vercillo
E-Gitarre:
Tommy Williams (former Debbie Gibson musical director)
Keyboard:
Fred Zarr
Klavier und Hintergrundgesang:
Debbie Gibson
Perkussion:
Bashiri Johnson
arranger:
Debbie Gibson und Fred Zarr
phonographisches Urheberrecht (℗) von:
Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1989) und WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1989)
recording of:
Lost in Your Eyes
Texter und Komponist(in):
Debbie Gibson
publisher:
Music Sales Corporation (American copyright holder in both popular and classical music) und ミュージック・セールス (Music Sales, Japan, subsidiary of Shinko Music Entertainment)
Debbie Gibson53:34
16When the Phone Stops Ringing
Produzent(in):
Mike Chapman (Australian producer and songwriter)
remixer:
David Leonard (US producer and engineer)
recording of:
When the Phone Stops Ringing
Verfasser(in):
Holly Knight und Bernie Taupin
publisher:
Little Mole Music und Mike Chapman Publishing Enterprises
Eighth Wonder3:50
17Stand by Me
recorded in:
New York, New York, Vereinigte Staaten (am 1960-10-27)
Produzent(in):
Leiber and Stoller (songwriting team)
vocals:
Ben E. King (am 1960-10-27)
conductor:
Stan Applebaum (US composer, arranger and conductor) (am 1960-10-27)
arranger:
Stan Applebaum (US composer, arranger and conductor)
phonographisches Urheberrecht (℗) von:
HHO Ltd. (The Henry Hadaway Organisation Ltd., music licensing), WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1960, in 1961), Atlantic Recording Corporation (not for release label use! copyrights holder, distributor within the US) (in 1961, in 1986), Progressive Music Publishing Company Inc. (in 1981) und Trio Music Co., Inc. (in 1981)
Teil von:
Dave Marsh: The Best of the Top 40 Singles: 1961 (Nummer: 1), Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 62), Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 121), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 131) und BILLIONS CLUB
recording of:
Stand by Me (am 1960-10-27)
publisher:
Mike Stoller
Verfasser(in):
Ben E. King, Jerry Leiber und Mike Stoller
publisher:
A.D.T. Enterprises, Hornall Brothers Music (limited company), Jerry Leiber Music, Leiber Stoller Songs Ltd., Melodie der Welt (publisher), Melodie der Welt GmbH & Co. KG (fka Melodie der Welt J. Michel GmbH & Co. KG; this name since 2011-04-07), Progressive Music Publishing Company Inc., Rightsong Music, Sony/ATV Music Publishing Ltd., Sony/ATV Songs LLC, Trio Music (publisher), Trio Music Co., Inc., Unichappell Music und Universal Music Publishing (use ONLY if no country‐specific information is available)
Ben E. King4.653:00
18Nathalie
recording of:
Nathalie
Komponist(in):
Ramón Arcusa, Gianni Belfiore (songwriter), Julio Iglesias und Claude Lemesle
Julio Iglesias3:56
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