The Essentials

~ Release by Johann Sebastian Bach (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleRatingLength
1Concerto brandebourgeois No. 5 en Ré majeur, BWV 1050: Allegro (Akademie für Alte Musik Berlin)
cello:
Jan Freiheit
double bass:
Harald Winkler (double bass)
flute:
Antje Schurrock (classical flutist)
harpsichord:
Raphael Alpermann (keyboard instrumentalist)
viola:
Sabine Fehlandt and Anja-Regine Graewel
violin:
Christine Busch (violinist), Edburg Forck (violinist), Georg Kallweit, Stephan Mai and Dörte Wetzel (violinist)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin) (in 1997)
recorded at:
Christuskirche (Berlin-Oberschöneweide) in Berlin, Germany (from 1997-05 until 1997-10)
recording of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050: I. Allegro (in 1997)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
version of:
Concerto D-Dur, BWV 1050a: I. Allegro
part of:
Brandenburgisches Konzert Nr. 5 D-Dur, BWV 1050 (Brandenburg Concerto No. 5 in D major, BWV 1050)
9:26
2Passion selon Saint Mathieu BWV 244, deuxième partie: 66a. Evangelista, 66b. Chorus I & II, 66c. Evangelista, Pilatus, 67. Recitativo (Choeur et Orchestre du Collegium Vocale Gent, dir. Philippe Herrweghe)
alto vocals:
Andreas Scholl (countertenor)
bass vocals:
Dietrich Henschel (baritone)
choir vocals:
Collegium Vocale Gent
soprano vocals:
Sibylla Rubens (soprano)
tenor vocals:
Werner Güra (German classical tenor)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France
compilation of:
Matthäus‐Passion, BWV 244: Zweiter Teil. 66a. „Und Joseph nahm den Lieb“ (Evangelista) / 66b. „Herr, wir haben gedacht“ (Chorus I & II) / 66c. „Pilatus sprach zu ihnen“ (Evangelista, Pilatus) by Ian Bostridge (tenor), Collegium Vocale Gent, Philippe Herreweghe (Belgian conductor) and Matthäus‐Passion, BWV 244: Zweiter Teil. 67. „Nun ist der Herr zur Ruh gebracht“ (Recitativo (SATB, Chorus I & II)) by Collegium Vocale Gent, Werner Güra (German classical tenor), Dietrich Henschel (baritone), Sibylla Rubens (soprano), Andreas Scholl (countertenor), Philippe Herreweghe (Belgian conductor)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIa. "Und Joseph nahm den Leib" (Evangelista) - LXVIb. Cori "Herr, wir haben gedacht" - LXVIc. "Pilatus sprach zu ihnen" (Evangelista, Pilatus) (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVII. Recitativo (Soprano, Alto, Tenore, Basso) "Nun ist der Herr zur Ruh gebracht" - Coro "Mein Jesu, gute Nacht" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
4:30
3Passion selon Saint Mathieu BWV 244, deuxième partie: 68. Chorus I & II (Choeur et Orchestre du Collegium Vocale Gent, dir. Philippe Herrweghe)
assistant recording engineer:
Jean-Philippe Rousseau
recording engineer:
Jean‐Martial Golaz
choir vocals:
Collegium Vocale Gent (in 1998-08)
orchestra:
Collegium Vocale Gent (in 1998-08)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1998-08)
recorded at:
Arsenal de Metz in Metz, Moselle, Grand Est (Great East), France (in 1998-08)
recording of:
Matthäus-Passion, BWV 244: Teil II, LXVIII. Coro "Wir setzen uns mit Tränen nieder" (in 1998-08)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
librettist:
Picander
part of:
Matthäus-Passion, BWV 244: Teil II
5:22
4Suites pour violoncelle seul, Suite n°5 en ut mineur: I. Prélude (violoncelle: Jean-Guihen Queyras)
recording of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011: I. Prélude (Cello Suite No. 5 in C minor, BWV 1011: I. Prélude)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Suite für Violoncello solo no. 5 c-Moll, BWV 1011 (Cello Suite No. 5 in C minor, BWV 1011)
6:05
5Le clavier bien tempéré: Praelidium I en Ut majeur (Clavecin: Richard Egarr)
harpsichord:
Richard Egarr (conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Prelude (in 2006-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
Notebook for Anna Magdalena Bach (1725) (number: 29)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
revision of:
Prelude and Fugue no. 1 in C major, BWV 846.1/846a: I. Prelude (early version)
2:32
6Le clavier bien tempéré: Fuga I en Ut majeur (Clavecin: Richard Egarr)
harpsichord:
Richard Egarr (conductor)
recorded at:
Doopsgezinde kerk (Haarlem) in Haarlem, Noord-Holland (North Holland), Netherlands, Kingdom of the Netherlands
recording of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846: Fugue (in 2006-06)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1722)
part of:
The Well-Tempered Clavier, Book I: Prelude and Fugue no. 1 in C major, BWV 846
2:24
7Toccata & Fugue en Ré mineur (pour violon seul, violon: Andrew Manze)
engineer:
Bradley Michel
producer:
Robina G. Young (producer)
editor:
Paul F. Witt (engineer/editor)
violin:
Andrew Manze (violinist and conductor) (from 1999-03-25 until 1999-04-03)
arranger:
Andrew Manze (violinist and conductor)
recorded at:
Saint George’s, Bristol (Brandon Hill) in Bristol, England, United Kingdom (from 1999-03-25 until 1999-04-03)
recording of:
Toccata und Fuge d-Moll, BWV 565 (catch-all for arrangements) (from 1999-03-25 until 1999-04-03)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Toccata und Fuge d-Moll, BWV 565 (Toccata and Fugue in D minor, BWV 565)
7:38
8Cantate pour Alto BWV 170: I. Aria "vergnügte Ruh, beliebte Seelenlust" (Alto: Bernada Fink, Freiburger Barockorchester, Petra Müllejans)
alto vocals:
Bernarda Fink (mezzo-soprano)
vocals:
Bernarda Fink (mezzo-soprano)
orchestra:
Freiburger Barockorchester (Freiburg Baroque Orchestra)
conductor:
Petra Müllejans (violinist)
recording of:
Kantate, BWV 170 "Vergnügte Ruh! beliebte Seelenlust!": I. Aria (Alt) "Vergnügte Ruh! beliebte Seelenlust!" (in 2008-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1726-07-28)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1726)
librettist:
Georg Christian Lehms (in 1711)
part of:
Kantate, BWV 170 „Vergnügte Ruh! beliebte Seelenlust!“
7:00
9Oratorio de Pâques BWV 249: Chorus "Preis and Dank" (Collegium Vocale Gent, dir. Philippe Herreweghe)
choir vocals:
Collegium Vocale Gent
soprano vocals:
Barbara Schlick (soprano)
orchestra:
Collegium Vocale Gent
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Oster-Oratorium, BWV 249: XI. Coro "Preis und Dank" (in 1994-04)
premiered in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composed in:
Leipzig, Sachsen (Saxony), Germany (on 1725-04-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Oster-Oratorium, BWV 249 (Easter Oratorio, BWV 249)
2:33
10Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita I (Clavecin: Andreas Staier)
harpsichord:
Andreas Staier (from 2006-08 until 2006-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2006-08 until 2006-09)
recording of:
O Gott, du frommer Gott, BWV 767: I. (from 2006-08 until 2006-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
O Gott, du frommer Gott, BWV 767
1:15
11Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita II (Clavecin: Andreas Staier)
harpsichord:
Andreas Staier (from 2006-08 until 2006-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2006-08 until 2006-09)
recording of:
O Gott, du frommer Gott, BWV 767: II. (from 2006-08 until 2006-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
O Gott, du frommer Gott, BWV 767
2:40
12Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita III (Clavecin: Andreas Staier)
harpsichord:
Andreas Staier (from 2006-08 until 2006-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2006-08 until 2006-09)
recording of:
O Gott, du frommer Gott, BWV 767: III. (from 2006-08 until 2006-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
O Gott, du frommer Gott, BWV 767
1:11
13Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita IV (Clavecin: Andreas Staier)
harpsichord:
Andreas Staier (from 2006-08 until 2006-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2006-08 until 2006-09)
recording of:
O Gott, du frommer Gott, BWV 767: IV. (from 2006-08 until 2006-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
O Gott, du frommer Gott, BWV 767
0:42
14Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita V (Clavecin: Andreas Staier)
harpsichord:
Andreas Staier (from 2006-08 until 2006-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2006-08 until 2006-09)
recording of:
O Gott, du frommer Gott, BWV 767: V. (from 2006-08 until 2006-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
O Gott, du frommer Gott, BWV 767
1:36
15Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita VI (Clavecin: Andreas Staier)
harpsichord:
Andreas Staier (from 2006-08 until 2006-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2006-08 until 2006-09)
recording of:
O Gott, du frommer Gott, BWV 767: VI. (from 2006-08 until 2006-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
O Gott, du frommer Gott, BWV 767
0:55
16Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita VII (Clavecin: Andreas Staier)
harpsichord:
Andreas Staier (from 2006-08 until 2006-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2006-08 until 2006-09)
recording of:
O Gott, du frommer Gott, BWV 767: VII. (from 2006-08 until 2006-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
O Gott, du frommer Gott, BWV 767
1:02
17Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita VIII (Clavecin: Andreas Staier)
harpsichord:
Andreas Staier (from 2006-08 until 2006-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2006-08 until 2006-09)
recording of:
O Gott, du frommer Gott, BWV 767: VIII. (from 2006-08 until 2006-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
O Gott, du frommer Gott, BWV 767
1:57
18Partite diverse Sopra Il Corale 'O Gott, du frommer Gott' en ut mineur: Partita IX (Clavecin: Andreas Staier)
harpsichord:
Andreas Staier (from 2006-08 until 2006-09)
recorded at:
Teldex Studio (Berlin) in Berlin, Germany (from 2006-08 until 2006-09)
recording of:
O Gott, du frommer Gott, BWV 767: IX. (from 2006-08 until 2006-09)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
O Gott, du frommer Gott, BWV 767
2:47
19L'art de la fugue, Contrapunctus de 1 à 4 voix: Thème rectus (Fretwork)
performer:
Fretwork (consort of viols)
recording of:
Die Kunst der Fuge, BWV 1080: I. Contrapunctus 1
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Bach-Werke-Verzeichnis (number: BWV 1080/1)
part of:
Die Kunst der Fuge, BWV 1080 (The Art of Fugue, BWV 1080)
part of:
Die Kunst der Fuge, BWV 1080.1 (1742 autograph)
3:12
20Cantate "Das neugeborne Kindelein" BWV 122: 4. Aria 'Ist Gott versöhnt' (Vasilika Jevovšek, Sarah Connolly, Marc Padmore, Collegium Vocale Gent, dir. Philippe Herreweghe)
recording engineer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (in 1995-12)
producer:
Nicolas Bartholomée (French sound engineer and producer of classical recordings) (task: direction artistique)
alto vocals:
Sarah Connolly (mezzo-soprano) (in 1995-12)
choir vocals:
Collegium Vocale Gent (in 1995-12)
soprano vocals:
Vasiljka Jezovšek (soprano) (in 1995-12)
tenor vocals:
Mark Padmore (British tenor) (in 1995-12)
orchestra:
Collegium Vocale Gent (in 1995-12)
conductor:
Philippe Herreweghe (Belgian conductor) (in 1995-12)
phonographic copyright (℗) by:
harmonia mundi s.a. (not for release label use!) (in 1996)
recording of:
Kantate, BWV 122 "Das neugeborne Kindelein": IV. Terzetto (Sopran, Alt, Tenor) con Choral (Coro Alt) "Ist Gott versöhnt" (in 1995-12)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1724)
premiered at:
Thomaskirche (St. Thomas Church) in Leipzig, Sachsen (Saxony), Germany (on 1724-12-31)
part of:
Kantate, BWV 122 "Das neugeborne Kindelein"
2:22
21Cantate BWV 21: Choeur 'Ich hatte viel Bekümmernis' (La Chapelle Royale, Collegium Vocale Gent, dir. Philippe Herreweghe)
choir vocals:
Collegium Vocale Gent
orchestra:
La Chapelle Royale (French baroque vocal ensemble)
conductor:
Philippe Herreweghe (Belgian conductor)
recording of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis": Teil I, II. Coro "Ich hatte viel Bekümmernis in meinem Herzen" (catch-all for unknown versions) (in 1990-01)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1714)
part of:
Kantate, BWV 21 "Ich hatte viel Bekümmernis" (catch-all for unknown versions)
4:06
22Suites pour orchestre, Suite n°.3 en Ré majeur (Akademie für Alte Musik Berlin)
performer:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
recording of:
Orchestersuite Nr. 3 D-Dur, BWV 1068: II. Air (Orchestral Suite no. 3 in D major, BWV 1068: II. Air, Air on the G string)
composer:
Johann Sebastian Bach (German Baroque period composer & musician) (in 1730)
part of:
Orchestersuite Nr. 3 D-Dur, BWV 1068 (Orchestral Suite no. 3 in D major, BWV 1068)
4:27
23Suites pour orchestre, Suite n°2 en si mineur (Akademie für Alte Musik Berlin)
orchestra:
Akademie für Alte Musik Berlin (Academy for Ancient Music Berlin)
recording of:
Orchestersuite Nr. 2 h-Moll, BWV 1067: VII. Badinerie (Orchestral Suite no. 2 in B minor, BWV 1067: VII. Badinerie)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
part of:
Orchestersuite Nr. 2 h-Moll, BWV 1067 (Orchestral Suite no. 2 in B minor, BWV 1067)
1:35
2▶CD

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ASIN:FR: B001L15C8M [info]