The Complete Recorded Works, Volume 2: A Handful of Keys

~ Veröffentlichung von Fats Waller (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Anmerkung

individual CDs are numbered JSP928A, JSP928B, JSP928C, JSP928D.

Anmerkung zuletzt geändert am 2019-06-03 15:34 UTC.

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1Plain Dirt
recorded in:
New York, New York, Vereinigte Staaten (am 1929-11-05)
alto saxophone:
Benny Carter (am 1929-11-05) und Don Redman (am 1929-11-05)
Celesta:
Fats Waller (am 1929-11-05)
Klarinette und Tenorsaxophon:
Coleman Hawkins (am 1929-11-05) und Ted McCord (am 1929-11-05)
Klavier:
Leroy Tibbs (am 1929-11-05) und Fats Waller (am 1929-11-05)
Posaune:
Claude Jones (am 1929-11-05)
Schlagzeug:
Kaiser Marshall (am 1929-11-05)
Trompete:
Leonard "Ham" Davis (American jazz trumpeter) (am 1929-11-05), Sidney De Paris (am 1929-11-05) und Joe Smith (American jazz trumpeter/cornetist) (am 1929-11-05)
Tuba:
Billy Taylor Sr. (jazz bassist) (am 1929-11-05)
McKinney’s Cotton Pickers2:47
2Gee, Ain’t I Good to You
recorded in:
New York, New York, Vereinigte Staaten (am 1929-11-05)
alto saxophone:
Benny Carter (am 1929-11-05) und Don Redman (am 1929-11-05)
Celesta:
Fats Waller (am 1929-11-05)
Klarinette und Tenorsaxophon:
Coleman Hawkins (am 1929-11-05) und Ted McCord (am 1929-11-05)
Klavier:
Leroy Tibbs (am 1929-11-05) und Fats Waller (am 1929-11-05)
Posaune:
Claude Jones (am 1929-11-05)
Schlagzeug:
Kaiser Marshall (am 1929-11-05)
Trompete:
Leonard "Ham" Davis (American jazz trumpeter) (am 1929-11-05), Sidney De Paris (am 1929-11-05) und Joe Smith (American jazz trumpeter/cornetist) (am 1929-11-05)
Tuba:
Billy Taylor Sr. (jazz bassist) (am 1929-11-05)
vocals:
Don Redman (am 1929-11-05)
recording of:
Gee, Baby Ain’t I Good to You (am 1929-11-05)
Texter:
Andy Razaf
Komponist(in):
Don Redman
publisher:
Michael H. Goldsen Inc. und Razaf Music
Teil von:
The Real Book (compilation of jazz standards, volume I)
McKinney’s Cotton Pickers3:30
3I’d Love It
recorded in:
New York, New York, Vereinigte Staaten (am 1929-11-06)
alto saxophone:
Benny Carter (am 1929-11-06) und Don Redman (am 1929-11-06)
Celesta und Klavier:
Fats Waller (am 1929-11-06)
Klarinette und Tenorsaxophon:
Coleman Hawkins (am 1929-11-06) und Ted McCord (am 1929-11-06)
Posaune:
Claude Jones (am 1929-11-06)
Schlagzeug:
Kaiser Marshall (am 1929-11-06)
Trompete:
Leonard "Ham" Davis (American jazz trumpeter) (am 1929-11-06), Sidney De Paris (am 1929-11-06) und Joe Smith (American jazz trumpeter/cornetist) (am 1929-11-06)
Tuba:
Billy Taylor Sr. (jazz bassist) (am 1929-11-06)
recording of:
I'd Love It (am 1929-11-06)
Verfasser(in):
Will Hudson und Don Redman
McKinney’s Cotton Pickers3:11
4The Way I Feel, Today
recorded in:
New York, New York, Vereinigte Staaten (am 1929-11-06)
alto saxophone:
Benny Carter (am 1929-11-06) und Don Redman (am 1929-11-06)
Celesta und Klavier:
Fats Waller (am 1929-11-06)
Klarinette und Tenorsaxophon:
Coleman Hawkins (am 1929-11-06) und Ted McCord (am 1929-11-06)
Posaune:
Claude Jones (am 1929-11-06)
Schlagzeug:
Kaiser Marshall (am 1929-11-06)
Trompete:
Leonard "Ham" Davis (American jazz trumpeter) (am 1929-11-06), Sidney De Paris (am 1929-11-06) und Joe Smith (American jazz trumpeter/cornetist) (am 1929-11-06)
Tuba:
Billy Taylor Sr. (jazz bassist) (am 1929-11-06)
vocals:
Don Redman (am 1929-11-06)
McKinney’s Cotton Pickers2:53
5Miss Hannah
recorded in:
New York, New York, Vereinigte Staaten (am 1929-11-06)
alto saxophone:
Benny Carter (am 1929-11-06) und Don Redman (am 1929-11-06)
Celesta und Klavier:
Fats Waller (am 1929-11-06)
Klarinette und Tenorsaxophon:
Coleman Hawkins (am 1929-11-06) und Ted McCord (am 1929-11-06)
Posaune:
Claude Jones (am 1929-11-06)
Schlagzeug:
Kaiser Marshall (am 1929-11-06)
Trompete:
Leonard "Ham" Davis (American jazz trumpeter) (am 1929-11-06), Sidney De Paris (am 1929-11-06) und Joe Smith (American jazz trumpeter/cornetist) (am 1929-11-06)
Tuba:
Billy Taylor Sr. (jazz bassist) (am 1929-11-06)
vocals:
Don Redman (am 1929-11-06)
recording of:
Miss Hannah (am 1929-11-06)
Verfasser(in):
Don Redman
McKinney’s Cotton Pickers3:05
6Peggy
recorded in:
New York, New York, Vereinigte Staaten (am 1929-11-07)
alto saxophone:
Benny Carter (am 1929-11-07) und Don Redman (am 1929-11-07)
Celesta und Klavier:
Fats Waller (am 1929-11-07)
Klarinette und Tenorsaxophon:
Coleman Hawkins (am 1929-11-07) und Ted McCord (am 1929-11-07)
Posaune:
Claude Jones (am 1929-11-07)
Schlagzeug:
Kaiser Marshall (am 1929-11-07)
Trompete:
Leonard "Ham" Davis (American jazz trumpeter) (am 1929-11-07), Sidney De Paris (am 1929-11-07) und Joe Smith (American jazz trumpeter/cornetist) (am 1929-11-07)
Tuba:
Billy Taylor Sr. (jazz bassist) (am 1929-11-07)
McKinney’s Cotton Pickers3:21
7Wherever There’s a Will, Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1929-11-07)
alto saxophone:
Benny Carter (am 1929-11-07) und Don Redman (am 1929-11-07)
Celesta und Klavier:
Fats Waller (am 1929-11-07)
Klarinette und Tenorsaxophon:
Coleman Hawkins (am 1929-11-07) und Ted McCord (am 1929-11-07)
Posaune:
Claude Jones (am 1929-11-07)
Schlagzeug:
Kaiser Marshall (am 1929-11-07)
Trompete:
Leonard "Ham" Davis (American jazz trumpeter) (am 1929-11-07), Sidney De Paris (am 1929-11-07) und Joe Smith (American jazz trumpeter/cornetist) (am 1929-11-07)
Tuba:
Billy Taylor Sr. (jazz bassist) (am 1929-11-07)
vocals:
Don Redman (am 1929-11-07)
recording of:
Where There’s a Will, There’s a Way (am 1929-11-07)
Verfasser(in):
Don Redman
McKinney’s Cotton Pickers3:02
8You Don’t Understand
Gitarre:
Teddy Bunn (am 1929-11-18)
Klavier:
James P. Johnson (am 1929-11-18) und Fats Waller (am 1929-11-18)
Kontrabass:
Harry Hull (am 1929-11-18)
Posaune:
Jimmy Archey (am 1929-11-18)
Tenorsaxophon:
Charles Frazier (jazz saxophonist) (am 1929-11-18)
Trompete:
Dave Nelson (US trumpeter Davidson C. Nelson, 1905–1946) (am 1929-11-18) und King Oliver (jazz cornetist) (am 1929-11-18)
Jimmy Johnson Orchestra3:01
9You’ve Got to Be Modernistic
Banjo:
Teddy Bunn (am 1929-11-18)
Klavier:
James P. Johnson (am 1929-11-18) und Fats Waller (am 1929-11-18)
Kontrabass:
Harry Hull (am 1929-11-18)
Posaune:
Jimmy Archey (am 1929-11-18)
Tenorsaxophon:
Charles Frazier (jazz saxophonist) (am 1929-11-18)
Trompete:
Dave Nelson (US trumpeter Davidson C. Nelson, 1905–1946) (am 1929-11-18) und King Oliver (jazz cornetist) (am 1929-11-18)
recording of:
You've Got to Be Modernistic (am 1929-11-18)
Komponist(in):
James P. Johnson
Jimmy Johnson Orchestra3:09
10My Fate Is in Your Hands
Geige / Violine:
Lou Raderman (am 1929-11-25)
Klavier:
Fats Waller (am 1929-11-25)
Kontrabass:
Dick Cherwin (double bass player and bandleader) (am 1929-11-25)
Rohrblattinstrumente:
Andy Sannella (am 1929-11-25)
recording of:
My Fate Is in Your Hands (am 1929-11-25)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
Gene Austin & Fats Waller3:09
11My Fate Is in Your Hands
Klavier:
Fats Waller (am 1929-12-04)
instrumental recording of:
My Fate Is in Your Hands (am 1929-12-04)
Texter:
Andy Razaf
Komponist(in):
Fats Waller
Fats Waller2:46
12Turn on the Heat
Klavier:
Fats Waller (am 1929-12-04)
Fats Waller2:31
13Lookin’ for Another Sweetie
Banjo:
Will Johnson (jazz musician) (am 1929-12-18)
Klavier:
Fats Waller (am 1929-12-18)
Kontrabass:
George "Pops" Foster (am 1929-12-18)
Posaune:
J.C. Higginbotham (am 1929-12-18) und Jack Teagarden (am 1929-12-18)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-18) und Albert Nicholas (am 1929-12-18)
Schlagzeug:
Kaiser Marshall (am 1929-12-18)
Tenorsaxophon:
Larry Binyon (am 1929-12-18)
Trompete:
Henry Allen (jazz musician) (am 1929-12-18) und Leonard Davis (American jazz trumpeter) (am 1929-12-18)
vocals:
Orlando Roberson (am 1929-12-18)
recording of:
Lookin’ for Another Sweetie (am 1929-12-18)
Verfasser(in):
Sterling Grant und Chris Smith (Ragtime composer)
Fats Waller and His Buddies3:09
14Ridin’ but Walkin’
Banjo:
Will Johnson (jazz musician) (am 1929-12-18)
Klavier:
Fats Waller (am 1929-12-18)
Kontrabass:
George "Pops" Foster (am 1929-12-18)
Posaune:
J.C. Higginbotham (am 1929-12-18) und Jack Teagarden (am 1929-12-18)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-18) und Albert Nicholas (am 1929-12-18)
Schlagzeug:
Kaiser Marshall (am 1929-12-18)
Tenorsaxophon:
Larry Binyon (am 1929-12-18)
Trompete:
Henry Allen (jazz musician) (am 1929-12-18)
Vibraphon:
Jack Teagarden (am 1929-12-18)
recording of:
Ridin' but Walkin' (am 1929-12-18)
Komponist(in):
Fats Waller
Fats Waller and His Buddies2:34
15Won’t You Get Off It, Please
Banjo:
Will Johnson (jazz musician) (am 1929-12-18)
Klarinette und Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-18) und Albert Nicholas (am 1929-12-18)
Klavier:
Fats Waller (am 1929-12-18)
Kontrabass:
George "Pops" Foster (am 1929-12-18)
Posaune:
J.C. Higginbotham (am 1929-12-18) und Jack Teagarden (am 1929-12-18)
Schlagzeug:
Kaiser Marshall (am 1929-12-18)
Tenorsaxophon:
Larry Binyon (am 1929-12-18)
Trompete:
Henry Allen (jazz musician) (am 1929-12-18) und Leonard Davis (American jazz trumpeter) (am 1929-12-18)
Interpret(in):
Fats Waller and His Buddies (am 1929-12-18)
Fats Waller and His Buddies3:05
16When I’m Alone
Banjo:
Will Johnson (jazz musician) (am 1929-12-18)
Klavier:
Fats Waller (am 1929-12-18)
Kontrabass:
George "Pops" Foster (am 1929-12-18)
Posaune:
J.C. Higginbotham (am 1929-12-18) und Jack Teagarden (am 1929-12-18)
Rohrblattinstrumente:
Charlie Holmes (US jazz saxophonist, active 1920s/1930s) (am 1929-12-18) und Albert Nicholas (am 1929-12-18)
Schlagzeug:
Kaiser Marshall (am 1929-12-18)
Tenorsaxophon:
Larry Binyon (am 1929-12-18)
Trompete:
Henry Allen (jazz musician) (am 1929-12-18) und Leonard Davis (American jazz trumpeter) (am 1929-12-18)
vocals:
Orlando Roberson (am 1929-12-18)
Fats Waller and His Buddies3:34
17St. Louis Blues
Klavier:
Benny Paine (jazz pianist and vocalist) (am 1930-03-21) und Fats Waller (am 1930-03-21)
recording of:
St. Louis Blues (am 1930-03-21)
Texter und Komponist(in):
William Christopher Handy (in 1913)
publisher:
Handy Bros. Music Co., Inc.
sub-publisher:
Reuter & Reuter Förlags AB
Fats Waller & Bennie Paine3:07
18After You’ve Gone
Klavier:
Benny Paine (jazz pianist and vocalist) (am 1930-03-21) und Fats Waller (am 1930-03-21)
recording of:
After You’ve Gone (am 1930-03-21)
Texter:
Henry Creamer (Lyricist) (in 1918)
Komponist(in):
Turner Layton (in 1918)
publisher:
Francis, Day & Hunter Ltd. und Morley Music Corp.
Teil von:
For Me and My Gal (1942 movie)
Fats Waller & Bennie Paine3:31
19Girls Like You Were Meant for Boys Like Me
alto saxophone und Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1930-10-30)
andere Instrumente [comb]:
Red McKenzie (am 1930-10-30)
Banjo:
Eddie Condon (am 1930-10-30)
Klavier:
Fats Waller (am 1930-10-30)
Tenorsaxophon:
Bud Freeman (am 1930-10-30) und Coleman Hawkins (am 1930-10-30)
Red McKenzie's Mound City Blues Blowers3:03
20Arkansas Blues
alto saxophone und Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1930-10-30)
Banjo:
Eddie Condon (am 1930-10-30)
Klavier:
Fats Waller (am 1930-10-30)
vocals:
Red McKenzie (am 1930-10-30)
recording of:
Arkansas Blues (am 1930-10-30)
Verfasser(in):
Anton Lada (US jazz drummer, composer & bandleader) und Spencer Williams (US jazz composer, pianist & singer)
Red McKenzie's Mound City Blues Blowers2:41
21Egyptian‐Ella
Ted Lewis Orchestra3:26
22I’m Crazy ’Bout My Baby
recorded in:
New York, New York, Vereinigte Staaten (am 1931-03-05)
alto saxophone und baritone saxophone:
Louis Martin (early jazz saxophonist) (am 1931-03-05)
Gitarre:
Tony Gerhardi (early jazz guitarist) (am 1931-03-05)
Klarinette:
Benny Goodman (clarinetist and bandleader) (am 1931-03-05) und Ted Lewis (am 1931-03-05)
Klavier:
Fats Waller (am 1931-03-05)
Kontrabass und Tuba [brass bass]:
Harry Barth (early jazz bassist and tuba player) (am 1931-03-05)
Kornett:
Muggsy Spanier (am 1931-03-05)
Posaune:
Sam Blank (early jazz trombonist) (am 1931-03-05) und George Brunies (am 1931-03-05)
Schlagzeug:
John Lucas (early jazz drummer) (am 1931-03-05)
Tenorsaxophon:
Hymie Wolfson (early jazz saxophonist) (am 1931-03-05)
Trompete:
Dave Klein (cornet, trumpet) (am 1931-03-05) und Muggsy Spanier (am 1931-03-05)
vocals:
Fats Waller (am 1931-03-05)
recording of:
I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) (am 1931-03-05)
Texter:
Alexander Hill (Alex Hill, 20th century US jazz pianist)
Komponist(in):
Fats Waller
Ted Lewis Orchestra3:12
23Dallas Blues
Ted Lewis Orchestra3:21
24Royal Garden Blues
Ted Lewis Orchestra3:03
25I’m Crazy ’Bout My Baby
Klavier:
Fats Waller (am 1931-03-13)
vocals:
Fats Waller (am 1931-03-13)
recording of:
I’m Crazy ’bout My Baby (and My Baby’s Crazy ’bout Me) (am 1931-03-13)
Texter:
Alexander Hill (Alex Hill, 20th century US jazz pianist)
Komponist(in):
Fats Waller
Fats Waller3:22
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