Ultimate 80s: 1980 - 1984

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

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2▶CD
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Nr.TitelKünstlerBewertungLänge
1The Look of Love
Techniker(in):
Gary Langan
Produzent(in):
Trevor Horn
Bassgitarre:
Mark Lickley
Keyboard:
Mark White (ABC/Vice Versa)
Sologesang:
Martin Fry
Saiteninstrumente arranger:
Anne Dudley (English score composer)
phonographisches Urheberrecht (℗) von:
Mercury Records Ltd. (not for release label use!) (in 1982), Mercury Records Ltd. (London) (for copyrights use only) (in 1982), Phonogram Ltd. (not for release label use!) (in 1982) und Phonogram Ltd. (London) (company name, NOT a label!) (in 1982)
mixed at:
Sarm Studios (1973–2013, fka Sarm Studios from 1973–1982) in Aldgate, Tower Hamlets, London (Greater London), England, Vereinigtes Königreich (in 1982)
Teil von:
TV Cream: Real 100 Best Singles Ever (Nummer: 4), The Downloader’s Music Source Book (Nummer: 73) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 43)
teilweise recording of:
The Look of Love
Verfasser(in):
Martin Fry, David Palmer (drummer (ABC/The The)), Stephen Singleton und Mark White (ABC/Vice Versa)
publisher:
10 Music Ltd., Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Neutron Music, Neutron Music Ltd., Virgin Music (Publishers) Ltd. und Virgin Music, Inc. (US arm of Virgin’s publishing company)
Teil von:
Mantrap (ABC long-form film)
ABC3.93:29
2Ein Jahr
Remix von:
Ein Jahr (Es geht voran) von Fehlfarben (in 2000)
recording of:
Ein Jahr (Es geht voran) (von 1980-06 bis 1980-09)
Texter:
Uwe Bauer (German drummer), Frank Fenstermacher, George Nicolaidis Lygon, Peter Hein, Michael Kemner und Thomas Schwebel
Komponist(in):
Uwe Bauer (German drummer), Frank Fenstermacher, Peter Hein, Michael Kemner und Thomas Schwebel
publisher:
Fehlfarben Musikverlag GbR und SMV Schacht Musikverlage GmbH & Co. KG
Fehlfarben2:52
3Being Boiled
Produzent(in):
The Human League
Sologesang:
Philip Oakey
recording of:
Being Boiled
Texter:
Philip Oakey
Komponist(in):
Ian Craig Marsh und Martyn Ware
The Human League3:39
4Der Kommissar
Produzent(in):
ATF und John Eden (producer)
Bassgitarre und Sologesang:
Andy Piercy (in 1982)
Gitarre:
John Russell (British guitarist, member of After The Fire) (in 1982)
Keyboard:
Peter 'Memory' Banks (keyboard player) (in 1982)
Schlagzeug:
Peter King (UK drummer for After the Fire/BAP) (in 1982)
vocals:
Peter 'Memory' Banks (keyboard player) (in 1982) und John Russell (British guitarist, member of After The Fire) (in 1982)
phonographisches Urheberrecht (℗) von:
Sony Music Entertainment (UK) Ltd. (not for release label use! pre-Aug 2004 subsidiary of Sony Music Entertainment Inc.) (in 1982)
Teil von:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (Nummer: 51) und The Downloader’s Music Source Book (Nummer: 250)
cover recording of:
Der Kommissar (English version) (in 1982)
Texter:
Johann Hölzel (Austrian pop & rock musician)
Komponist(in):
Robert Ponger
Übersetzer:
Andy Piercy
publisher:
IQ Music Ltd.
übersetzte Version von:
Der Kommissar
After the Fire54:06
5Goody Two Shoes
recording of:
Goody Two Shoes
Verfasser(in):
Adam Ant (English new wave singer and actor) und Marco Pirroni (British musician and producer)
publisher:
Sony/ATV Tunes LLC (ASCAP), Universal Music Publishing MGB Limited und EMI Music Publishing Ltd. (PRS‐affiliated) (in 1982)
Adam Ant3:30
6Carbonara
Techniker(in):
Imre Sereg (in 1981)
Produzent(in):
Reinhold Heil (in 1981), Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) und Manfred Praeker (in 1981)
Mix:
Udo Arndt (in 1981)
E-Bass:
Manfred Praeker (in 1981)
Gitarre:
Potsch Potschka (in 1981)
Keyboard und Sologesang:
Reinhold Heil (in 1981)
Schlagzeug:
Herwig Mitteregger (in 1981)
Hintergrundgesang:
Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) und Manfred Praeker (in 1981)
arranger:
Reinhold Heil (in 1981), Herwig Mitteregger (in 1981), Potsch Potschka (in 1981) und Manfred Praeker (in 1981)
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1982)
aufgenommen bei:
Spliff Studio in Berlin, Deutschland (in 1981)
mixed at:
Audio Studios in Berlin, Deutschland (in 1981)
Musikvideos:
Carbonara von Spliff (Neue Deutsche Welle)
recording of:
Carbonara (in 1981)
Texter und Komponist(in):
Reinhold Heil
publisher:
April Musikverlag GmbH (publisher) (in 1982) und Edition SPLIFF (publisher) (in 1982)
Spliff54:12
7Ich Will Spass
Produzent(in):
Axel Klopprogge
phonographisches Urheberrecht (℗) von:
CBS Schallplatten GmbH (in 1982) und Sony Music Entertainment (Germany) GmbH (not for release label use! for © & ℗ or distributor only, defunct since 2005/03/09) (in 1982)
produced for:
Ton & Vision (production company)
recording of:
Ich will Spaß (in 1982)
Texter und Komponist(in):
Axel Klopprogge
publisher:
April Musikverlag GmbH (publisher) (, in 1982), Chartbreaker (publisher), IEM MV und Chart Breaker (publisher) (in 1982)
Markus2:59
8Fred vom Jupiter
recording of:
Fred vom Jupiter (in 1981)
Texter:
Nicole Kahl, Jürgen Kreffter, Birgit Masur und Natalia Munoz Valderrama
Komponist(in):
Andreas Dorau und Olaf Maureschat
publisher:
EMI Music Publishing Germany GmbH (2008–today)
Die Doraus & Die Marinas2:40
9Ich Will
Bearbeitung von:
Ich will von UKW (German pop band)
recording of:
Ich will (in 1982)
Texter und Komponist(in):
Peter Hubert
UKW3:27
10Hey Little Girl
recording of:
Hey Little Girl
Texter und Komponist(in):
Iva Davies
publisher:
EMI Songs Australia Pty. Ltd.
Icehouse34:22
11Africa
recording engineer:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, Jim Horn (saxophonist, hornist, flutist and oboist), Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) und Tom Knox
Techniker(in):
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro und Tom Knox
zusätzliche(r) Techniker(in):
Bruce Heigh (Aufgabe: additional recording), David Paich (Aufgabe: additional recording), Dick Gall (engineer/guitar technician) (Aufgabe: additional recording) und Steve Porcaro (Aufgabe: additional recording)
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Mix:
Elliot Scheiner (Aufgabe: for 5.1 surround sound) und Greg Ladanyi
Akustikgitarre:
Timothy B. Schmit
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate
Conga:
Lenny Castro
E-Gitarre und Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
gong und Schlagzeug:
Jeff Porcaro
Instrumente:
Lenny Castro
Keyboard:
David Paich und Steve Porcaro
Keyboard und Klavier:
David Paich
Marimba:
Joe Porcaro
Perkussion:
Lenny Castro, Jeff Porcaro und Joe Porcaro
recorder:
Jim Horn (saxophonist, hornist, flutist and oboist)
Synthesizer:
Steve Porcaro
Hintergrundgesang:
Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger), David Paich und Timothy B. Schmit
Sologesang:
Jean-Michel Byron, Bobby Kimball und David Paich
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982, in 1983)
Musikvideos:
Africa von Toto (US rock group)
Teil von:
Billboard: The 500 Best Pop Songs (as of October 2023) (Nummer: 105) und Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 452)
recording of:
Africa (Toto)
Verfasser(in):
Jeffrey Porcaro und David Paich
publisher:
Kobalt Music Publishing Ltd. (UK), Rising Storm Music, Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Sony/ATV Music Publishing LLC (1995–2020), Spirit Two Music, Cowbella Music (US work publisher) (in 1982) und Hudmar Publishing Co. Inc. (in 1982)
sub-publisher:
ソニー・ミュージックパブリッシング A事業部 (Sony Music Publishing (Japan) Inc., A Division)
Toto44:55
12Sexual Healing
assistierende(r) Techniker(in):
Henri Van Durme und Didier Leonard
Techniker(in):
Dan Bates (Blasinstrumente [horns]), Mike Butcher (recording engineer and guitarist) und John Kovorak
leitende(r) Produzent(in):
Larkin Arnold
Produzent(in):
Marvin Gaye
Mix und Editing:
Harvey Fuqua
Blasinstrumente [horns]:
The L.A. Horn Section und David Stout (American trombonist)
Bongos, Conga, Glocken [bells], Glocken [orchestra bells], Glockenspiel, Hybrid-Piano [Fender Rhodes], Orgel, Schlagzeug, Synthesizer und Zimbel:
Marvin Gaye
Gitarre:
Gordon Banks
Hintergrundgesang:
Gordon Banks, Harvey Fuqua und Marvin Gaye
vocals:
Marvin Gaye
conductor:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer) (Blasinstrumente [horns])
Blasinstrumente [horns] arranger:
McKinley T. Jackson (Trombone player, songwriter, arranger and producer)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony BMG Music Entertainment Inc. (in 1982) und Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982)
aufgenommen bei:
Arco Studios in München, Bayern, Deutschland (Sologesang, Hintergrundgesang), Kendun Recorders in Burbank, California (Kalifornien), Vereinigte Staaten (Blasinstrumente [horns]), Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien und Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien (Sologesang, Hintergrundgesang)
mixed at:
Studio Katy in Waterloo, Brabant wallon (Provinz Wallonisch-Brabant), Wallonie (Wallonia), Belgien
edited at und remixed at:
Devonshire Studios in North Hollywood, Los Angeles, California (Kalifornien), Vereinigte Staaten
Teil von:
Rock and Roll Hall of Fame – 500 Songs That Shaped Rock, Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (Nummer: 198) und Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (Nummer: 231)
recording of:
Sexual Healing
Verfasser(in):
Odell Brown, Marvin Gaye und David Ritz (American author)
publisher:
April Music Publishing Inc., Blackwood Music Inc. (1953-02-07–1987-12-30), Bugpie Music Publishing, EMI Songs Australia Pty. Ltd., EMI Songs Ltd. und April Music Inc. (in 1982)
Marvin Gaye3.653:58
13Down Under
Techniker(in):
Jim Barbour und Peter McIan
zusätzliche(r) Techniker(in):
Paul Ray (70s/80s US engineer)
Produzent(in):
Peter McIan
Bass:
John Rees
Gitarre:
Ron Strykert
Holzblasinstrumente und Keyboard:
Greg Ham (member of Men at Work)
Schlagzeug:
Jerry Speiser (drummer for Men at Work)
vocals:
Colin Hay
phonographisches Urheberrecht (℗) von:
CBS Records Australia Limited (do not use as a release label! for copyrights use only) (in 1981), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1981), Sony BMG Music Entertainment (Australia) Pty Limited (not for release label use! AU subsidiary of SBME 2004–2009) (in 1981), Sony Music Entertainment (Australia) Pty. Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 1981), Sony Music Productions Pty. Ltd. (for copyrights use only) (in 1981, in 1982), CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1982) und Diski CBS AEBE (Greek CBS affiliate, preceded by CBS Records of Greece S.A.) (in 1986)
aufgenommen bei:
Richmond Recorders in Melbourne, Victoria, Australien
Teil von:
triple j’s Hottest 100 of Australian Songs (Nummer: 21) und VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 96)
recording of:
Down Under (Men at Work song, “Do you come from a land down under?”)
Texter:
Colin Hay
Komponist(in):
Colin Hay und Ron Strykert
publisher:
April Music Pty. Ltd., EMI Blackwood Music Inc., EMI Music (do not use as release label! this is a music publisher), EMI Music Australia Pty. Limited (not for release label use!), EMI Songs, EMI Songs Australia, EMI Songs Australia Pty. Ltd., EMI Songs Ltd., フジパシフィック音楽出版 SBK事業部 (Fujipacific Music Inc. SBK Division) (bis 2014-12-31) und フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) (vom 2015-01-01 bis heute)
Men at Work3.953:42
14Do You Really Want to Hurt Me?
assistierende(r) Techniker(in):
Gordon Milne (engineer)
Techniker(in) und Produzent(in):
Steve Levine (producer)
Mix:
Steve Levine (producer) und Jon Moss
Bassgitarre:
Mikey Craig (Culture Club bassist)
Gitarre, Hybrid-Piano und Synthesizer:
Roy Hay (Member of Culture Club and composer for film and television)
Schlagzeug und Vibraphon:
Jon Moss
Synclavier:
Keith Miller (Synthesiser Pioneer)
Sologesang:
Boy George
zusätzlich vocals:
Helen Terry (UK singer)
phonographisches Urheberrecht (℗) von:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1982)
aufgenommen bei:
Red Bus Studios in London (Greater London), England, Vereinigtes Königreich (in 1982)
Musikvideos:
Do You Really Want to Hurt Me von Culture Club (English pop group)
Teil von:
VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (Nummer: 58)
recording of:
Do You Really Want to Hurt Me
Verfasser(in):
Mikey Craig (Culture Club bassist), George O’Dowd, Roy Hay (Member of Culture Club and composer for film and television) und Jon Moss
publisher:
EMI Virgin Music Australia Pty Ltd, EMI Virgin Music Ltd. (do not use this as a release label!), EMI Virgin Music Publishing Australia P/L, J. Albert & Son Pty. Ltd. und Virgin Music (Publishers) Ltd.
Culture Club3.954:27
15Rosanna
recording engineer:
David Leonard (US producer and engineer), Greg Ladanyi, Jamie Ledner, Lon LeMaster, Niko Bolas, Peggy McCreary, Al Schmitt, Terry Christian (US recording and mixing engineer) und Tom Knox
Techniker(in):
Al Schmitt, Bruce Heigh, David Paich, Dick Gall (engineer/guitar technician), Greg Ladanyi, Steve Porcaro und Tom Knox
zusätzliche(r) Techniker(in):
Bruce Heigh (Aufgabe: additional recording), David Paich (Aufgabe: additional recording), Dick Gall (engineer/guitar technician) (Aufgabe: additional recording) und Steve Porcaro (Aufgabe: additional recording)
Produzent(in):
Bruce Dickinson (engineer and producer) und Toto (US rock group)
Mix:
Elliot Scheiner (Aufgabe: for 5.1 surround sound) und Greg Ladanyi
Bass:
David Hungate und Michael Porcaro
Bassgitarre:
David Hungate
Conga:
Lenny Castro
Gitarre:
Steve Lukather (guitarist, vocalist, composer, producer and arranger)
Hammond-Orgel und Synthesizer:
David Paich und Steve Porcaro
Instrumente:
Lenny Castro
Keyboard:
David Paich und Steve Porcaro
Klavier:
David Paich
Perkussion:
Lenny Castro und Jeff Porcaro
Posaune:
James Pankow
Saxophon:
Jim Horn (saxophonist, hornist, flutist and oboist) und Tom Scott (saxophonist, Blues Brothers, LA Express, Starsky & Hutch)
Schlagzeug [drums]:
Jeff Porcaro
Trompete:
Gary Grant (brass) und Jerry Hey
Hintergrundgesang [background vocal]:
Tom Kelly (songwriter), Bobby Kimball, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und David Paich
Sologesang:
Jean-Michel Byron, Bobby Kimball und Steve Lukather (guitarist, vocalist, composer, producer and arranger)
vocals:
Bobby Kimball, David Paich, Steve Lukather (guitarist, vocalist, composer, producer and arranger) und Steve Porcaro
Blechblasinstrumente [horns] arranger:
Jerry Hey und David Paich
arranger:
David Paich und Jerry Hey
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1982), Columbia Records (EMI‐owned 1931–1990, worldwide except US, CA, MX, ES, & JP; largely defunct since Jan 1973) (in 1982), Columbia Records (not for release label use! company owned by Sony Music Entertainment, only use for manufacturing/distribution and copyright holding) (in 1982), Sony Music (global brand, excluding JP, owned by Sony Music Entertainment) (in 1982) und Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1982)
Teil von:
Paste: The 25 Greatest Yacht Rock Songs of All Time (Nummer: 15)
recording of:
Rosanna
Texter und Komponist(in):
D. Paich
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), Kobalt Music Publishing Ltd. (UK), Sony Music Publishing (worldwide except Japan, ended 1995), Sony/ATV Music Publishing, Sony/ATV Music Publishing (UK) Ltd., Spirit Two Music und Hudmar Publishing Co. Inc. (in 1982)
sub-publisher:
Sony Music Publishing (Japan), Inc., A Division (Sony Music Publishing (Japan) Inc., A Division)
Toto45:31
16Oh Julie
recording of:
Oh Julie (1982 song)
Texter und Komponist(in):
Shakin’ Stevens
publisher:
SM Limited und Warner/Chappell Music Ltd. (1996–2019)
sub-publisher:
イーエムアイ音楽出版 ソニー事業部 (EMI Music Publishing Japan Ltd., Sony Division) (bis 2021-06-30) und ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works) (vom 2021-07-01 bis heute)
Shakin’ Stevens42:32
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ASIN:DE: B003HINWMU [Info]
andere Datenbanken:https://www.musik-sammler.de/media/165584/ [Info]