Paradisum: Serene Sacred Songs

~ Release by Various Artists (see all versions of this release, 2 available)

Annotation

To do: Add performers from https://www.amazon.com/gp/product/B01AU2R924?tag=musicbrainz0d-20 (or from booklet)

Annotation last modified on 2024-01-22 22:35 UTC.

Tracklist

1▼CD
#TitleArtistRatingLength
1Ave Maria
recording engineer:
John Dunkerley (engineer) and James Lock (James Locke, engineer) (in 1976-01)
producer:
Ray Minshull (record producer)
choir vocals:
Wandsworth School Boys’ Choir (in 1976-01)
tenor vocals:
Luciano Pavarotti (tenor) (in 1976-01)
orchestra:
National Philharmonic Orchestra (fka the London Promenade Orchestra until 1971, mostly film music and opera) (in 1976-01)
conductor:
Kurt Herbert Adler (conductor) (in 1976-01)
arranger and orchestrator:
Douglas Gamley (film composer)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1976)
recorded at:
All Saints’ Church (Petersham) in Richmond upon Thames, London (Greater London), England, United Kingdom (in 1976-01)
live recording of:
Ave Maria (catch-all for arrangements) (in 1976-01)
composer:
Franz Schubert (composer)
arrangement of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
recording of:
Ave Maria (Schubert’s Ave Maria: Latin “Ave Maria” text sung to the tune of ‘Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria”’)
lyricist:
[anonymous] (special purpose artist)
composer:
Franz Schubert (composer)
version of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ave Maria, D. 839 (Schubert; catch-all for arrangements)
composer:
Franz Schubert (composer) (in 1825)
arrangement of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
recording of:
Ellens Gesang III, op. 52 no. 6, D. 839 “Ave Maria” (Schubert's song, not the Bach/Gounod work; original for voice and piano)
lyricist:
Jairo (Argentinean singer) and Sir Walter Scott (19th-century Scottish author)
composer:
Franz Schubert (composer) (in 1825)
translator:
Adam Storck
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 839)
Franz Schubert4:52
2Requiem: Pie Jesu
soprano vocals:
Renée Fleming (soprano)
orchestra:
Royal Philharmonic Orchestra
conductor:
Andreas Delfs (conductor)
recording of:
Requiem, op. 48: IV. Pie Jesu (1890, second version)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
included in:
CHAPTER IV PIE JESU (REST)
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré4:06
3Cantata BWV 147: Jesu, Joy of Man's Desiring
producer:
Christopher Hazell
oboe:
Nicholas Daniel (oboist and conductor) (from 1996-07-01 until 1996-07-05)
organ:
Robert Quinney (organist and choir director) (from 1996-07-01 until 1996-07-05) and James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Kantate, BWV 147 “Herz und Mund und Tat und Leben”: Teil II, X. Choral “Jesus bleibet meine Freude” (Jesu, Joy of Man’s Desiring; catch‐all for arrangements and unknown orchestrations) (from 1996-07-01 until 1996-07-05)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
arrangement of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
recording of:
Jesu, Joy of Man’s Desiring (in 1996-07)
orchestrator:
Leopold Stokowski (conductor)
lyricist:
Robert Bridges (poet)
composer:
Johann Sebastian Bach (German Baroque period composer & musician)
translated version of:
Kantate, BWV 147 „Herz und Mund und Tat und Leben“: Teil II, X. Choral „Jesus bleibet meine Freude“ (Jesu, Joy of Man’s Desiring)
Johann Sebastian Bach6:01
4Du bist die Ruh
engineer:
Jürgen Bulgrin (sound engineer)
producer:
Wolfgang Mitlehner and Pål Christian Moe
piano:
Malcolm Martineau (pianist) (in 1994-02)
baritone vocals:
Bryn Terfel (bass‐baritone opera singer) (in 1994-02)
balance engineer:
Wolfgang Mitlehner
recorded at:
Friedrich-Ebert-Halle in Hamburg, Germany (in 1994-02)
recording of:
Du bist die Ruh’, D. 776 (in 1994-02)
lyricist:
Friedrich Rückert (German poet)
composer:
Franz Schubert (composer) (in 1823)
part of:
Franz Schubert, thematisches Verzeichnis seiner Werke in chronologischer Folge (number: D. 776)
Franz Schubert4:39
5Pie Jesu
choir vocals:
Prague Philharmonic Choir (Czech Philharmonic Chorus, Prague Philharmonic Choir)
soprano vocals:
Anna Netrebko (soprano)
treble vocals:
Andrew Swait
orchestra:
Prague Philharmonia
conductor:
Emmanuel Villaume (conductor)
phonographic copyright (℗) by:
Deutsche Grammophon GmbH (this is the company; for release labels, use “Deutsche Grammophon”) (in 2013)
recording of:
Requiem: Pie Jesu
lyricist and composer:
Andrew Lloyd Webber (English composer and impresario of musical theatre)
publisher:
MCA Music Ltd., The Really Useful Company Limited and The Really Useful Music Co. Ltd. (not for release label use!)
part of:
Requiem
Andrew Lloyd Webber3:45
6Ombra mai fu
countertenor vocals [Serse]:
Andreas Scholl (countertenor)
orchestra:
Orchestra of the Age of Enlightenment
conductor:
Roger Norrington (conductor)
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 1999)
recording of:
Serse, HWV 40: Atto I, no. 2. Arioso “Ombra mai fù” (Serse)
composer:
George Frideric Handel (German‐British baroque composer) (from 1737-12-26 until 1738-01-09)
librettist:
[anonymous] (special purpose artist)
part of:
Serse, HWV 40: Atto I
George Frideric Handel3:01
7Repentir (O Divine Redeemer)
producer:
Paul Myers (classical record producer)
soprano vocals:
Kiri Te Kanawa (soprano) (from 1989-02-24 until 1989-02-25)
orchestra:
Utah Symphony Orchestra (from 1989-02-24 until 1989-02-25)
conductor:
Julius Rudel (conductor) (from 1989-02-24 until 1989-02-25)
phonographic copyright (℗) by:
The Decca Record Company Limited (not a release label; for copyrights use only) (in 1989)
recorded at:
Salt Lake Tabernacle (Mormon Tabernacle) in Salt Lake City, Utah, United States (from 1989-02-24 until 1989-02-25)
live recording of:
Repentir (“O Divine Redeemer”) (from 1989-02-24 until 1989-02-25)
composer:
Charles Gounod (French composer)
Charles Gounod5:28
8Ave verum corpus
producer:
Christopher Hazell
organ:
James Vivian (organist) (from 1996-07-01 until 1996-07-05)
choir vocals:
Choir of King’s College, Cambridge (from 1996-07-01 until 1996-07-05)
conductor:
Stephen Cleobury (organist, conductor) (from 1996-07-01 until 1996-07-05)
recorded at:
King’s College Chapel in Cambridge, Cambridgeshire, England, United Kingdom (from 1996-07-01 until 1996-07-05)
recording of:
Ave verum corpus, K. 618 (for chorus, string and organ) (from 1996-07-01 until 1996-07-05)
composer:
Wolfgang Amadeus Mozart (classical composer) (until 1791-06-18)
part of:
Köchelverzeichnis (Köchel catalogue, first edition, 1862, K¹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, third edition, 1937, K³) (number: K. 618), Köchelverzeichnis (Köchel catalogue, ninth edition, 2024, K⁹) (number: K. 618), Köchelverzeichnis (Köchel catalogue, original numbering) (number: 618) and Köchelverzeichnis (Köchel catalogue, sixth edition, 1964, K⁶) (number: K. 618)
Wolfgang Amadeus Mozart3:37
9Ave Maria
producer:
Anna Barry (classical producer)
mezzo-soprano vocals:
Elīna Garanča (Latvian operatic lyric mezzo-soprano) (in 2013-10)
orchestra:
Deutsche Radio Philharmonie Saarbrücken Kaiserslautern (in 2013-10)
conductor:
Karel Mark Chichon (conductor) (in 2013-10)
balance engineer:
Stephan Flock and Ralf Schnellbach
recorded at:
Funkhaus Halberg: Großer Sendesaal in Saarbrücken, Saarland, Germany (in 2013-10)
recording of:
Ave Maria (Vavilov, often misattributed to Caccini) (in 2013-10)
composer:
Владимир Вавилов (Vladimir Vavilov)
previously attributed to:
Giulio Caccini (Italian renaissance composer, 1551-1618)
Giulio Caccini / Vladimir Vavilov5:40
10Mille cherubini in coro
recording engineer:
Thijs Hoekstra, Everett Porter and Roger de Schot
producer:
Anna Barry (classical producer)
mixer and balance engineer:
Jean‐Marie Geijsen
choir vocals:
Coro dell’Accademia Nazionale di Santa Cecilia (Chorus of the National Academy of Santa Cecilia)
solo tenor vocals:
Andrea Bocelli (tenor)
orchestra:
Orchestra dell’Accademia Nazionale di Santa Cecilia (Orchestra of the National Academy of Santa Cecilia)
conductor:
정명훈 (Myung-Whun Chung, pianist and conductor)
chorus master:
Norbert Balatsch (baritone, chorus master and conductor)
arranger:
Steven Mercurio (conductor and composer)
recorded at:
Auditorium Conciliazione in Roma (Rome), Roma, Lazio, Italy
recording of:
Mille cherubini in coro
lyricist:
Ernst Marischka
composer:
Franz Schubert (composer)
arranger:
Alois Melichar
version of:
Wiegenlied, D. 498
Franz Schubert43:57
11Der Engel
producer:
David Groves (classical music producer at EMI)
tenor vocals:
Jonas Kaufmann (tenor) (in 2012-09)
orchestra:
Orchester der Deutschen Oper Berlin (Orchestra of the German Opera Berlin) (in 2012-09)
conductor:
Donald Runnicles (conductor) (in 2012-09)
recorded at:
Funkhaus Nalepastraße in Berlin, Germany (in 2012-09)
recording of:
Wesendonck-Lieder: I. Der Engel (for voice and large orchestra, Mottl) (in 2012-09)
orchestrator:
Felix Mottl
lyricist:
Mathilde Wesendonck
composer:
Richard Wagner (composer)
version of:
Wesendonck-Lieder: I. Der Engel (for voice and piano)
part of:
Wesendonck-Lieder (for voice and large orchestra, Mottl)
Richard Wagner3:14
12Requiem: Lacrimosa
choir vocals:
MDR Rundfunkchor Leipzig (in 1982-04)
orchestra:
Staatskapelle Dresden (Dresden Symphonic Orchestra) (in 1982-04)
conductor:
Peter Schreier (German tenor and conductor) (in 1982-04)
recording of:
Requiem in D minor, K. 626: III. Sequenz: f. Lacrimosa dies illa (Süßmayr Edition; choir) (in 1982-04)
orchestrator:
Franz Xaver Süßmayr
additional composer:
Joseph Leopold Eybler (Austrian composer) and Franz Xaver Süßmayr (from 1791 until 1792)
composer:
Wolfgang Amadeus Mozart (classical composer) (in 1791)
part of:
Requiem in D minor, K. 626: III. Sequenz (Süßmayr Edition)
Wolfgang Amadeus Mozart3:06
13Vespers (All-Night Vigil): Bogoroditse Devo
recording engineer:
David Hinitt (UK recording engineer, early 21c)
producer:
Adrian Peacock (bass vocalist, producer)
vocals:
VOCES8
phonographic copyright (℗) by:
Decca Music Group Limited (not for release label use, for ℗ & © rights holder use only) (in 2015)
recording of:
Всенощное бдение, op. 37: 6. Богородице Дево, радуйся (All-Night Vigil, Op. 37: VI. Rejoice, O Virgin)
composer:
Сергей Васильевич Рахманинов (Sergei Rachmaninoff, Russian composer) (in 1915)
part of:
Всенощное бдение, op. 37 (All-Night Vigil, Op. 37, All-Night Vigil by Sergei Rachmaninoff)
Sergei Rachmaninov3:06
14Song for Athene
organ:
Ian le Grice (organist)
choir vocals:
The Choir of Temple Church and Holst Singers
conductor:
Stephen Layton (English conductor)
recording of:
Song for Athene
lyricist:
William Shakespeare (English poet and playwright)
composer:
John Tavener (20th century composer) (in 1993)
publisher:
Chester Music Ltd.
John Tavener5:34
15Requiem: In paradisum
organ:
John Birch (organist) (in 1993-01)
choir vocals:
Academy of St Martin in the Fields Chorus (in 1993-01)
orchestra:
Academy of St Martin in the Fields (in 1993-01)
conductor:
Sir Neville Marriner (conductor) (in 1993-01)
recorded at:
St John’s, Smith Square in London (Greater London), England, United Kingdom (in 1993-01)
recording of:
Requiem, op. 48: VII. In Paradisum (1890, second version) (in 1993-01)
composer:
Gabriel Fauré (French composer) (from 1886 until 1900)
publisher:
Éditions Durand (1947–present)
included in:
28 Days Later
part of:
Requiem, op. 48 (1890, second version)
Gabriel Fauré3:08
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