Chamber & Piano Works

~ Release by Anton Webern, Tōru Takemitsu; Peter Serkin, Tashi Quartet (see all versions of this release, 1 available)

Tracklist

1▼Digital Media
#TitleArtistRatingLength
1Quartet for Violin, Clarinet, Tenor Saxophone and Piano, op. 22: I. Sehr mäßig
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
clarinet:
Richard Stoltzman (clarinetist) (from 1977-05-10 until 1977-05-12)
guest tenor saxophone:
Martin Krystall (from 1977-05-10 until 1977-05-12)
instruments:
Tashi (from 1977-05-10 until 1977-05-12)
piano:
Peter Serkin (pianist) (from 1977-05-10 until 1977-05-12)
violin:
Ida Kavafian (violinist and violist) (from 1977-05-10 until 1977-05-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1977-05-10 until 1977-05-12)
recording of:
Quartet for violin, clarinet, tenor saxophone and piano, op. 22: I. Sehr mäßig (from 1977-05-10 until 1977-05-12)
composer:
Anton Webern (composer) (from 1928 until 1930)
part of:
Quartet for violin, clarinet, tenor saxophone and piano, op. 22
Anton Webern2:43
2Quartet for Violin, Clarinet, Tenor Saxophone and Piano, op. 22: II. Sehr schwungvoll
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
clarinet:
Richard Stoltzman (clarinetist) (from 1977-05-10 until 1977-05-12)
guest tenor saxophone:
Martin Krystall (from 1977-05-10 until 1977-05-12)
instruments:
Tashi (from 1977-05-10 until 1977-05-12)
piano:
Peter Serkin (pianist) (from 1977-05-10 until 1977-05-12)
violin:
Ida Kavafian (violinist and violist) (from 1977-05-10 until 1977-05-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1977-05-10 until 1977-05-12)
recording of:
Quartet for violin, clarinet, tenor saxophone and piano, op. 22: II. Sehr schwungvoll (from 1977-05-10 until 1977-05-12)
composer:
Anton Webern (composer) (from 1928 until 1930)
part of:
Quartet for violin, clarinet, tenor saxophone and piano, op. 22
Anton Webern2:20
34 Pieces for Violin and Piano, op. 7: I. Sehr langsam
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
instruments:
Tashi (from 1977-05-10 until 1977-05-12)
piano:
Peter Serkin (pianist) (from 1977-05-10 until 1977-05-12)
violin:
Ida Kavafian (violinist and violist) (from 1977-05-10 until 1977-05-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1977-05-10 until 1977-05-12)
recording of:
Four Pieces for Violin and Piano, op. 7: I. Sehr langsam (from 1977-05-10 until 1977-05-12)
composer:
Anton Webern (composer) (in 1910)
part of:
Four Pieces for Violin and Piano, op. 7
Anton Webern1:14
44 Pieces for Violin and Piano, op. 7: II. Rasch
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
instruments:
Tashi (from 1977-05-10 until 1977-05-12)
piano:
Peter Serkin (pianist) (from 1977-05-10 until 1977-05-12)
violin:
Ida Kavafian (violinist and violist) (from 1977-05-10 until 1977-05-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1977-05-10 until 1977-05-12)
recording of:
Four Pieces for Violin and Piano, op. 7: II. Rasch (from 1977-05-10 until 1977-05-12)
composer:
Anton Webern (composer) (in 1910)
part of:
Four Pieces for Violin and Piano, op. 7
Anton Webern1:41
54 Pieces for Violin and Piano, op. 7: III. Sehr langsam
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
instruments:
Tashi (from 1977-05-10 until 1977-05-12)
piano:
Peter Serkin (pianist) (from 1977-05-10 until 1977-05-12)
violin:
Ida Kavafian (violinist and violist) (from 1977-05-10 until 1977-05-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1977-05-10 until 1977-05-12)
recording of:
Four Pieces for Violin and Piano, op. 7: III. Sehr langsam (from 1977-05-10 until 1977-05-12)
composer:
Anton Webern (composer) (in 1910)
part of:
Four Pieces for Violin and Piano, op. 7
Anton Webern2:05
64 Pieces for Violin and Piano, op. 7: IV. Bewegt
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
instruments:
Tashi (from 1977-05-10 until 1977-05-12)
piano:
Peter Serkin (pianist) (from 1977-05-10 until 1977-05-12)
violin:
Ida Kavafian (violinist and violist) (from 1977-05-10 until 1977-05-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1977-05-10 until 1977-05-12)
recording of:
Four Pieces for Violin and Piano, op. 7: IV. Bewegt (from 1977-05-10 until 1977-05-12)
composer:
Anton Webern (composer) (in 1910)
part of:
Four Pieces for Violin and Piano, op. 7
Anton Webern1:07
7Variations for Piano, op. 27: I. Sehr mäßig
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
instruments:
Tashi (from 1977-05-10 until 1977-05-12)
piano:
Peter Serkin (pianist) (from 1977-05-10 until 1977-05-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1977-05-10 until 1977-05-12)
recording of:
Variationen, op. 27: I. Sehr mäßig (from 1977-05-10 until 1977-05-12)
composer:
Anton Webern (composer) (in 1936)
arrangement of:
Variationen, op. 27: I. Sehr mäßig (catch-all for arrangements)
part of:
Variations for Piano, op. 27
Anton Webern1:50
8Variations for Piano, op. 27: II. Sehr schnell
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
instruments:
Tashi (from 1977-05-10 until 1977-05-12)
piano:
Peter Serkin (pianist) (from 1977-05-10 until 1977-05-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1977-05-10 until 1977-05-12)
recording of:
Variationen, op. 27: II. Sehr schnell (from 1977-05-10 until 1977-05-12)
composer:
Anton Webern (composer) (in 1936)
part of:
Variations for Piano, op. 27
Anton Webern0:39
9Variations for Piano, op. 27: III. Ruhig fließend
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
instruments:
Tashi (from 1977-05-10 until 1977-05-12)
piano:
Peter Serkin (pianist) (from 1977-05-10 until 1977-05-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1977-05-10 until 1977-05-12)
recording of:
Variationen, op. 27: III. Ruhig fließend (from 1977-05-10 until 1977-05-12)
composer:
Anton Webern (composer) (in 1936)
part of:
Variations for Piano, op. 27
Anton Webern3:57
103 Little Pieces for Cello and Piano, op. 11: I. Mäßige Achtel
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
cello:
Fred Sherry (cellist) (from 1977-05-10 until 1977-05-12)
instruments:
Tashi (from 1977-05-10 until 1977-05-12)
piano:
Peter Serkin (pianist) (from 1977-05-10 until 1977-05-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1977-05-10 until 1977-05-12)
recording of:
Three Little Pieces, op. 11: I. Moderate quavers (from 1977-05-10 until 1977-05-12)
composer:
Anton Webern (composer) (in 1914)
part of:
Three Little Pieces, op. 11
Anton Webern1:17
113 Little Pieces for Cello and Piano, op. 11: II. Sehr bewegt
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
cello:
Fred Sherry (cellist) (from 1977-05-10 until 1977-05-12)
instruments:
Tashi (from 1977-05-10 until 1977-05-12)
piano:
Peter Serkin (pianist) (from 1977-05-10 until 1977-05-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1977-05-10 until 1977-05-12)
recording of:
Three Little Pieces, op. 11: II. Very fast (from 1977-05-10 until 1977-05-12)
composer:
Anton Webern (composer) (in 1914)
part of:
Three Little Pieces, op. 11
Anton Webern0:20
123 Little Pieces for Cello and Piano, op. 11: III. Äußerst ruhig
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
cello:
Fred Sherry (cellist) (from 1977-05-10 until 1977-05-12)
instruments:
Tashi (from 1977-05-10 until 1977-05-12)
piano:
Peter Serkin (pianist) (from 1977-05-10 until 1977-05-12)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1977-05-10 until 1977-05-12)
recording of:
Three Little Pieces, op. 11: III. Extremely peaceful (from 1977-05-10 until 1977-05-12)
composer:
Anton Webern (composer) (in 1914)
part of:
Three Little Pieces, op. 11
Anton Webern1:10
13Uninterrupted Rests: No. 1: Slowly, Sadly and as if to Converse with
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
instruments:
Tashi (from 1978-10-16 until 1978-10-19)
piano:
Peter Serkin (pianist) (from 1978-10-16 until 1978-10-19)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1978-10-16 until 1978-10-19)
recording of:
Pause ininterrompue: I. Slowly, Sadly and as If to Converse With (from 1978-10-16 until 1978-10-19)
composer:
武満徹 (Tōru Takemitsu, composer) (in 1952)
part of:
Pause ininterrompue
Tōru Takemitsu2:47
14Uninterrupted Rests: No. 2: Quietly and with a Cruel Reverberation
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
instruments:
Tashi (from 1978-10-16 until 1978-10-19)
piano:
Peter Serkin (pianist) (from 1978-10-16 until 1978-10-19)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1978-10-16 until 1978-10-19)
recording of:
Pause ininterrompue: II. Quietly and With a Cruel Reverberation (from 1978-10-16 until 1978-10-19)
composer:
武満徹 (Tōru Takemitsu, composer) (in 1959)
part of:
Pause ininterrompue
Tōru Takemitsu3:15
15Uninterrupted Rests: No. 3: A Song of Love
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
instruments:
Tashi (from 1978-10-16 until 1978-10-19)
piano:
Peter Serkin (pianist) (from 1978-10-16 until 1978-10-19)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1978-10-16 until 1978-10-19)
recording of:
Pause ininterrompue: III. A Song of Love (from 1978-10-16 until 1978-10-19)
composer:
武満徹 (Tōru Takemitsu, composer) (in 1959)
part of:
Pause ininterrompue
Tōru Takemitsu1:24
16Piano Distance
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
instruments:
Tashi (from 1978-10-16 until 1978-10-19)
piano:
Peter Serkin (pianist) (from 1978-10-16 until 1978-10-19)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1978-10-16 until 1978-10-19)
recording of:
Piano Distance (from 1978-10-16 until 1978-10-19)
composer:
武満徹 (Tōru Takemitsu, composer) (in 1961)
dedicated to:
高橋悠治 (Yūji Takahashi)
Tōru Takemitsu4:40
17For Away
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
instruments:
Tashi (from 1978-10-16 until 1978-10-19)
piano:
Peter Serkin (pianist) (from 1978-10-16 until 1978-10-19)
recorded at:
RCA Studio A (New York) in New York, New York, United States (from 1978-10-16 until 1978-10-19)
recording of:
For Away (from 1978-10-16 until 1978-10-19)
composer:
武満徹 (Tōru Takemitsu, composer) (in 1973)
dedicated to:
Roger Woodward (pianist)
Tōru Takemitsu5:48
18Les Yeux clos
recording engineer:
Ray Hall (engineer) and Max Wilcox (engineer/editor/producer)
producer:
Peter Serkin (pianist) and Max Wilcox (engineer/editor/producer)
instruments:
Tashi (on 1981-02-24)
piano:
Peter Serkin (pianist) (on 1981-02-24)
recorded at:
RCA Studio A (New York) in New York, New York, United States (on 1981-02-24)
recording of:
Les yeux clos (on 1981-02-24)
composer:
武満徹 (Tōru Takemitsu, composer) (in 1979)
dedicated to:
Shuzo Takiguchi
Tōru Takemitsu8:03
19Litany: I. Adagio
recording engineer:
Kevin Boutote (engineer)
producer:
Peter Serkin (pianist) and Philip Traugott
instruments:
Tashi (in 1996)
piano:
Peter Serkin (pianist) (in 1996)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1996)
recording of:
Litany: I. Adagio (in 1996)
composer:
武満徹 (Tōru Takemitsu, composer) (in 1989)
is based on:
Lento in due movimenti: I. Adagio
part of:
Litany
Tōru Takemitsu5:42
20Litany: II. Lento misterioso
recording engineer:
Kevin Boutote (engineer)
producer:
Peter Serkin (pianist) and Philip Traugott
instruments:
Tashi (in 1996)
piano:
Peter Serkin (pianist) (in 1996)
recorded at:
Manhattan Center Studios in Midtown Manhattan, New York, New York, United States (in 1996)
recording of:
Litany: II. Lento misterioso (in 1996)
composer:
武満徹 (Tōru Takemitsu, composer) (in 1989)
is based on:
Lento in due movimenti: II. Lento misteriosamente
part of:
Litany
Tōru Takemitsu7:58

Credits