Je N'aime Pas Le Jazz, mais avec des chanteuses j'aime bien !

~ Veröffentlichung von Various Artists (alle Versionen dieser Veröffentlichung ansehen, eine vorhanden)

Titelliste

1▶CD
2▼CD
Nr.TitelKünstlerBewertungLänge
1I’m a Fool to Want You
Bass:
Milt Hinton (am 1958-02-20)
Bassposaune:
Tom Mitchell (US jazz trombonist) (am 1958-02-20)
Bratsche / Viola:
Sidney Brecher (am 1958-02-20) und Richard Dickler (am 1958-02-20)
Cello:
Maurice Brown (jazz cellist) (am 1958-02-20) und David Soyer (am 1958-02-20)
flute:
Danny Bank (reeds) (am 1958-02-20), Phil Bodner (Woodwind player) (am 1958-02-20), Thomas Parshley (am 1958-02-20) und Romeo Penque (am 1958-02-20)
Geige / Violine:
Emmanual Green (am 1958-02-20), Harry Hoffman (violinist) (am 1958-02-20), Harry Katzman (am 1958-02-20), Leo Kruczek (am 1958-02-20), Milton Lomask (am 1958-02-20), Harry Melnikoff (am 1958-02-20), George Ockner (am 1958-02-20) und Sam Rand (violinist) (am 1958-02-20)
Gitarre:
Barry Galbraith (am 1958-02-20)
Harfe:
Janet Putnam (harpist) (am 1958-02-20)
Klavier:
Mal Waldron (American jazz pianist) (am 1958-02-20)
Posaune:
Jack Green (am 1958-02-20) und J.J. Johnson (jazz/bop trombonist/session leader) (am 1958-02-20)
Schlagzeug:
Osie Johnson (am 1958-02-20)
Solo-Posaune:
Urbie Green (am 1958-02-20)
Trompete:
Billy Butterfield (am 1958-02-20), Mel Davis (US jazz trumpeter) (am 1958-02-20) und Bernie Glow (am 1958-02-20)
Hintergrundgesang:
Elise Bretton (am 1958-02-20) und Miriam Workman (am 1958-02-20)
Sologesang:
Billie Holiday (am 1958-02-20)
Orchester:
Ray Ellis and His Orchestra (am 1958-02-20)
conductor:
Ray Ellis (US producer, arranger and conductor) (am 1958-02-20)
cover recording of:
I’m a Fool to Want You (am 1958-02-20)
Verfasser(in):
Joel Herron (in 1951), Frank Sinatra (American singer and actor, “Ol’ Blue Eyes”) (in 1951) und Jack Wolf (in 1951)
publisher:
Barton Music Corp., Integrity Music Corp., Sergeant Music Co., The International Music Network und Warner Chappell Music Ltd. (no slash; used 1988–1996)
Billie Holiday43:25
2My Baby Just Cares for Me
Klavier und Sologesang:
Nina Simone (in 1957-12)
Kontrabass:
Jimmy Bond (in 1957-12)
Schlagzeug:
Albert “Tootie” Heath (in 1957-12)
phonographisches Urheberrecht (℗) von:
Bethlehem Records (US jazz label, active 1950s–) (in 1958)
aufgenommen bei:
Beltone Studios in New York, New York, Vereinigte Staaten (in 1957-12)
Bearbeitung von:
My Baby Just Cares for Me (special extended version) von Nina Simone
cover recording of:
My Baby Just Cares for Me (in 1957-12)
Texter und Komponist(in):
Walter Donaldson und Gus Kahn
publisher:
Anne-Rachel Music Corp., Chappell Music Co. Inc., Donaldson Publishing Co., Donaldson, Douglas & Gumble Inc., EMI Music Publishing Ltd. (PRS‐affiliated), Francis, Day & Hunter Ltd., Gus Kahn Music Co., The Songwriters Guild und Tobago Music Co.
Nina Simone3.93:37
3Nice Work If You Can Get It
cover recording of:
Nice Work If You Can Get It
Texter:
Ira Gershwin (in 1937)
Komponist(in):
George Gershwin (composer) (in 1937)
publisher:
Chappell & Co., Inc. (USA) und Gershwin Publishing Corp (in 1937)
Teil von:
A Damsel in Distress (1937 film score)
Teil von:
Crazy for You (1992 musical)
Teil von:
My One and Only (1983 Broadway musical)
Ella Fitzgerald2:34
4Perdido
cover recording of:
Perdido (with lyrics)
Texter:
Ervin Drake (songwriter) (in 1944) und Hans J. Lengsfelder (in 1944)
Komponist(in):
Juan Tizol (in 1941)
arranger:
Les Harris (Sr., arranger)
publisher:
Tempo Music, Inc. (Duke Ellington’s music publishing company)
Version von:
Perdido (original instrumental version)
Sarah Vaughan2:32
5Speak Low
cover recording of:
Speak Low (One Touch of Venus)
Texter:
Ogden Nash
Komponist(in):
Kurt Weill (composer)
publisher:
Chappell & Co.
Teil von:
One Touch of Venus (1943 musical)
Lena Horne3:29
6Them There Eyes
Carmen McRae2:48
7Let’s Fall in Love
Techniker(in):
Harold Chapman
Klavier:
Hank Jones (piano) (am 1956-04-25)
Posaune:
Jimmy Cleveland (US jazz trombonist) (am 1956-04-25) und Urbie Green (am 1956-04-25)
Saxophon:
Danny Bank (reeds) (am 1956-04-25), Al Cohn (am 1956-04-25), Seldon Powell (am 1956-04-25) und Sam Markowitz (Sam Marowitz, saxophonist and clarinetist) (am 1956-04-25)
Schlagzeug:
Osie Johnson (am 1956-04-25)
Trompete:
Conte Candoli (am 1956-04-25), Joe Ferrante (am 1956-04-25), Bernie Glow (am 1956-04-25) und Nick Travis (am 1956-04-25)
vocals:
Betty Carter (am 1956-04-25)
conductor:
Gigi Gryce (am 1956-04-25)
arranger:
Gigi Gryce
aufgenommen bei:
Columbia Studios in New York, New York, Vereinigte Staaten (am 1956-04-25)
cover recording of:
Let’s Do It (Let’s Fall in Love) (Paris musical) (am 1956-04-25)
Texter und Komponist(in):
Cole Porter (composer) (in 1928)
Teil von:
Can‐Can (1960 musical film)
Teil von:
Paris (1928 musical)
Betty Carter2:00
8It Don’t Mean a Thing (If It Ain’t Got That Swing)
Duke Ellington & His Orchestra3:02
9Pennies from Heaven
Rose Murphy2:28
10My Heart Belongs to Daddy
recording of:
My Heart Belongs to Daddy
Texter und Komponist(in):
Cole Porter (composer) (in 1938)
publisher:
Chappell (library/production music), Chappell & Co. und Chappell Music Ltd.
Marilyn Monroe5:11
11Blitzkrieg Baby (You Can’t Bomb Me)
Una Mae Carlisle3:20
12Just a‐Sittin’ and a‐Rockin’
alto saxophone:
Johnny Hodges (am 1956-01-27)
alto saxophone und Klarinette:
Russell Procope (am 1956-01-27)
baritone saxophone:
Harry Carney (am 1956-01-27)
Klarinette und Tenorsaxophon:
Jimmy Hamilton (US jazz clarinettist/saxophonist, arranger, composer) (am 1956-01-27)
Klavier:
Billy Strayhorn (am 1956-01-27)
Kontrabass:
Jimmy Woode (am 1956-01-27)
Posaune:
Britt Woodman (am 1956-01-27)
Schlagzeug:
Sam Woodyard (am 1956-01-27)
Tenorsaxophon:
Paul Gonsalves (am 1956-01-27)
Trompete:
William “Cat” Anderson (am 1956-01-27), Willie Cook (US jazz trumpeter) (am 1956-01-27), Ray Nance (am 1956-01-27) und Cootie Williams (am 1956-01-27)
Ventilposaune:
John Sanders (US jazz trombonist) (am 1956-01-27)
Sologesang:
Rosemary Clooney (am 1956-01-27)
recording of:
Just A‐Sittin’ and A‐Rockin’ (am 1956-01-27)
Texter:
Lee Gaines (in 1941)
Komponist(in):
Duke Ellington (US composer, pianist & jazz bandleader) (in 1941) und Billy Strayhorn (in 1941)
Rosemary Clooney with Duke Ellington & His Orchestra2:40
13He’s Got the Whole World in His Hands
Jeanne Lee2:07
14Love for Sale
recorded in:
New York, New York, Vereinigte Staaten (am 1965-02-10)
Produzent(in):
Clyde Otis (American songwriter and record producer)
Mix:
Leo Sacks und Mark Wilder (US recording/mastering engineer)
Bass:
James Richardson (am 1965-02-10)
Gitarre:
Kenny Burrell (am 1965-02-10)
Schlagzeug:
Hindal Butts (am 1965-02-10)
vocals:
Aretha Franklin (am 1965-02-10)
phonographisches Urheberrecht (℗) von:
CBS, Inc. (US broadcasting company; file no releases here!) (in 1965)
live cover recording of:
Love for Sale (am 1965-02-10)
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
cover recording of:
Love for Sale
Texter und Komponist(in):
Cole Porter (composer) (in 1930)
publisher:
Chappell & Co., Chappell Music Ltd., Harms, Inc. und Warner Bros., Inc. (not for release label use!)
Aretha Franklin32:32
15What a Difference a Day Makes
recorded in:
New York, New York, Vereinigte Staaten (am 1959-02-19)
Produzent(in):
Clyde Otis (American songwriter and record producer)
baritone saxophone:
Charles Davis (saxophone player) (am 1959-02-19)
flute:
Jerome Richardson (am 1959-02-19)
Gitarre:
Kenny Burrell (am 1959-02-19)
Klavier:
Joe Zawinul (jazz and fusion keyboard player) (am 1959-02-19)
Kontrabass:
Milt Hinton (am 1959-02-19)
Schlagzeug:
Panama Francis (US swing jazz drummer) (am 1959-02-19)
Sologesang:
Dinah Washington (am 1959-02-19)
vocals:
Dinah Washington (am 1959-02-19)
Orchester:
Belford Hendricks' Orchestra (am 1959-02-19)
conductor:
Belford Hendricks (composer, pianist, conductor, arranger and record producer) (am 1959-02-19)
arranger:
Belford Hendricks (composer, pianist, conductor, arranger and record producer)
cover recording of:
What a Diff’rence a Day Made (am 1959-02-19)
Texter:
Stanley Adams (US lyricist & songwriter)
Komponist(in):
María Grever
publisher:
EMI Music Publishing (do not use as a release label!), Estate of Stanley Adams, Maurice Music, Peter Maurice Music Co. Ltd., Stanley Adams Music, Universal Music–Z Tunes LLC und Zomba Golden Sands Enterprises, Inc.
basiert auf:
Cuando vuelva a tu lado
Dinah Washington2.82:30
16He’s My Guy
Klavier:
Jimmy Jones (jazz pianist, active years 1936-1975) (am 1960-03-10)
Kontrabass:
Milt Hinton (am 1960-03-10)
Schlagzeug:
Osie Johnson (am 1960-03-10)
Tenorsaxophon:
Zoot Sims (US jazz saxophonist) (am 1960-03-10)
recording of:
He’s My Guy (am 1960-03-10)
Texter:
Don Raye
Komponist(in):
Gene de Paul
Monica Zetterlund2:55
17Close Your Eyes
recording of:
Close Your Eyes
Texter und Komponist(in):
Bernice Petkere (in 1933)
publisher:
Bernice Petkere Music Company, CBS Miller Catalog, Inc. und Sherman, Clay & Co. (in 1933)
Doris Day with The Andre Previn Trio3:11
18Night and Day
cover recording of:
Night and Day (Cole Porter; from “The Gay Divorce”)
Texter und Komponist(in):
Cole Porter (composer) (in 1932)
publisher:
Chappell & Co., Inc. (USA), Chappell Music Ltd., Warner Bros. (holding: file NO releases), Warner Bros. Music (publisher; do NOT use as release label), Warner Bros., Inc. (not for release label use!), Warner Bros., Inc. (Warner Bros. Music Division), Warner/Chappell (Warner/Chappell Music, Inc.), WB Music Corp. (1929–2019) (bis 2019-05-28) und Harms, Inc. (am 1932-11-18)
Teil von:
Gay Divorce
Helen Merrill3:05
19Plus je t’embrasse
Blossom Dearie2:29

Nennungen

Veröffentlichung

ASIN:FR: B00UOFXRZ6 [Info]

Veröffentlichungsgruppe

Teil von:Je n’aime pas… (Reihenfolge: 18)