Sedated in the Eighties, No. 6

~ Release by Various Artists (see all versions of this release, 1 available)

Tracklist

1▼CD
#TitleArtistRatingLength
1Cars
engineer and mixer:
Rikki Sylvan and Harvey Webb
producer:
Gary Numan
bass guitar:
Paul Gardiner
drums (drum set), drums (drum set) and tambourine and percussion:
Cedric Sharpley
keyboard:
Gary Numan and Chris Payne (UK keyboards/viola for Gary Numan/Visage/Dramatis)
percussion [synthetic percussion]:
Gary Numan
lead vocals:
Gary Numan (in 1979)
phonographic copyright (℗) by:
Beggars Banquet (, in 1979) and WEA Filipacchi Music (not for release label use! copyrights/distribution only, FR division of WEA International Inc. in the 1970s) (in 1979)
recorded at:
Marcus Recording Studios (London) in London (Greater London), England, United Kingdom
music videos:
Cars by Gary Numan
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 11), Paste: The 50 Greatest One-Hit Wonders of All Time (number: 16) and VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 93)
recording of:
Cars
lyricist and composer:
Gary Numan
writer:
Nick Hemming and Gary Numan
publisher:
Beggars Banquet Music Ltd. and Momentum Music Ltd.
Gary Numan4.23:59
2One Way or Another
assistant engineer:
Grey Russell and Peter Coleman (British engineer & producer)
engineer:
Peter Coleman (British engineer & producer)
assistant producer:
Peter Coleman (British engineer & producer)
producer:
Mike Chapman (Australian producer and songwriter)
bass guitar:
Nigel Harrison (from 1978-06 until 1978-07)
drums (drum set):
Clem Burke (from 1978-06 until 1978-07)
guitar:
Frank Infante (from 1978-06 until 1978-07) and Chris Stein (from 1978-06 until 1978-07)
keyboard:
Jimmy Destri (from 1978-06 until 1978-07)
lead vocals:
Deborah Harry (from 1978-06 until 1978-07)
phonographic copyright (℗) by:
Capitol Records, Inc. (not for release label use; US company behind the “Capitol Records” imprint) (in 1978, in 2001), Capitol Records, LLC (not for release label use! fka Capitol Records, Inc. until 2007) (in 1978, in 2001), Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1978), Chrysalis Records, Inc. (not for release label use!) (in 1978, in 2001), Capitol Records (imprint of Capitol Records, Inc.) (in 2001), Union Square Music Ltd. (for copyright use only, holding company of Union Square Music) (in 2018) and Universal Music Operations Ltd. (not for release label use! UK&IE subsidiary of UMG, legal name of Universal Music UK) (in 2018)
recorded at:
The Record Plant (New York) in Midtown Manhattan, New York, New York, United States (from 1978-06 until 1978-07)
mixed at:
Forum Studio (recording and mixing studio, located in Covington, Kentucky, USA) in Covington, Kentucky, United States
part of:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (number: 298)
recording of:
One Way or Another (from 1978-06 until 1978-07)
writer:
Nigel Harrison and Deborah Harry
publisher:
BMG Monarch, Chrysalis Music (music publisher, ASCAP-affiliated), Chrysalis Music Ltd. (music publisher, affiliated with PRS), Chrysalis Songs, EMI Music Publishing Ltd. (PRS‐affiliated), Monster Island Music Publishing Corporation, Mushroom Music Pty. Ltd. and Rare Blue Music Inc (in 1978)
Blondie4.153:34
3Manic Monday
producer:
David Kahne
mixer:
David Leonard (US producer and engineer)
bass guitar:
Michael Steele (American bassist, guitarist, songwriter, and singer)
drums (drum set):
Debbi Peterson (drummer for The Bangles)
guitar:
Susanna Hoffs and Vicki Peterson
lead vocals:
Susanna Hoffs
phonographic copyright (℗) by:
Sony Music Entertainment (NOT FOR RELEASE LABEL USE! company owned by Sony Corporation of America since Oct 1, 2008; operates worldwide except in JP) (in 1985) and Sony Music Entertainment Inc. (company owned by Sony Corporation of America from 1991–2004, operated worldwide except in JP; normally not a release label) (in 1985)
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 208)
recording of:
Manic Monday
lyricist and composer:
Christopher (Prince, “The Artist Formerly Known as…”)
publisher:
Bangophile Music, Controversy Music, EMI Music Publishing Taiwan (EMI Music Publishing (S.E.Asia) Ltd., Taiwan Branch), Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group), Warner Chappell Music (holding behind all publishing activities of Warner Music Group, 2019–) and WB Music Corp. (1929–2019)
Bangles43:05
4Love Missile F1-11
recording of:
Love Missile F1‐11
lyricist and composer:
Martin Degville, Tony James (UK bassist/guitarist) and Neal Whitmore
publisher:
Universal Music Publishing Ltd. (UK subsidiary of Universal Music Publishing Group) and Universal PolyGram International Publishing, Inc. (existed only since ca. 1998)
Sigue Sigue Sputnik3:47
5Strangers When We Meet
recording of:
Strangers When We Meet
lyricist and composer:
Pat DiNizio
The Smithereens4.53:47
6Eighties
recording of:
Eighties
writer:
Jaz Coleman, Paul Ferguson, Paul Raven (UK bassist) and Geordie Walker
publisher:
BMG Songs Ltd.
Killing Joke3:52
7Sexcrime (1984)
additional engineer:
Steven Stanley (audio engineer, record producer and keyboardist from Jamaica)
engineer:
Eric Thorngren
producer:
Dave Stewart (UK guitarist/singer for Eurythmics)
mixer:
Dave Stewart (UK guitarist/singer for Eurythmics) and Eric Thorngren
performer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
phonographic copyright (℗) by:
Virgin Records Ltd. (not for release label use! for company relationships only) (in 1984)
recording of:
Sexcrime (Nineteen Eighty-Four)
writer:
Annie Lennox (Scottish singer-songwriter, member of Eurythmics and The Tourists) and Dave Stewart (UK guitarist/singer for Eurythmics)
publisher:
RCA Music Ltd. (publisher) and Universal Music Careers
Eurythmics2.43:58
8Take On Me
bass programming:
Magne Furuholmen
producer:
Alan Tarney
mixer:
a‐ha (Norwegian synth‐pop band) and John Ratcliff
drum machine and guitar:
Paul Waaktaar-Savoy (guitarist, songwriter and singer)
keyboard:
Magne Furuholmen
background vocals:
Magne Furuholmen and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
lead vocals:
Morten Harket
phonographic copyright (℗) by:
Rhino Entertainment Company (not for release label use!) (in 1985), Warner Bros. Records Inc. (not for release label use, company behind the “WB Records” imprint) (in 1985) and WEA International Inc. (not for release label use! copyrights holder, distributor for the world outside of the US) (in 1985, in 2004)
music videos:
Take On Me (official music video, 2019 4K remaster of 1985 version with diegetic audio) by a‐ha (Norwegian synth‐pop band) and Take On Me (official music video, 1985 Steve Barron version) by a‐ha (Norwegian synth‐pop band)
part of:
VH1’s 100 Greatest One‐Hit Wonders of the ’80s (number: 3), VH1: 100 Greatest Songs of the 80’s (compiled in 2006) (number: 24), Billboard: The 500 Best Pop Songs (as of October 2023) (number: 26), The Downloader’s Music Source Book (number: 284) and BILLIONS CLUB
recording of:
Take On Me
writer:
Magne Furuholmen, Morten Harket and Paul Waaktaar-Savoy (guitarist, songwriter and singer)
publisher:
ATV Music Ltd. and EMI Music Publishing (do not use as a release label!)
version of:
Miss Eerie
a‐ha4.253:50
9Everybody Wants to Rule the World
engineer:
David Bascombe
producer:
Chris Hughes (producer, aka “Merrick”)
mixer:
Steven Wilson (founder of Porcupine Tree)
bass guitar:
Curt Smith (in 1984)
drums (drum set):
Manny Elias (in 1984)
guitar and solo guitar:
Neil Taylor (guitarist) (in 1984)
keyboard:
Ian Stanley (in 1984)
background vocals:
Roland Orzabal (UK musician, songwriter and producer) (in 1984)
lead vocals:
Curt Smith
phonographic copyright (℗) by:
Mercury Records Ltd. (not for release label use!) (in 1985, in 2014) and Phonogram Ltd. (not for release label use!) (in 1985)
music videos:
Everybody Wants to Rule the World by Tears for Fears
part of:
Billboard: The 500 Best Pop Songs (as of October 2023) (number: 28) and Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 319)
recording of:
Everybody Wants to Rule the World (in 1984)
writer:
Christopher Hughes (producer, aka “Merrick”), Roland Orzabal (UK musician, songwriter and producer) and Ian Stanley
publisher:
10 Music Ltd., Amusements Ltd., BMG Rights Management (UK) Ltd. (not for release label use! see annotation), Copyright Control (not for release label use! this is only for copyrights and publishing relationships) and Virgin Music (Publishers) Ltd.
sub-publisher:
フジパシフィック音楽出版 BMG事業部 (until 2014-12-31) and フジパシフィックミュージック BMG事業部 (Fujipacific Music Inc., BMG Division) (from 2015-01-01 to present)
Tears for Fears3.94:14
10Institutionalized
producer:
Glen E. Friedman (photographer)
recording of:
Institutionalized
lyricist:
Mike Muir
composer:
Louiche Mayorga
Suicidal Tendencies3.053:50
11Mandinka
engineer:
Kevin Moloney
co-producer:
Kevin Moloney
producer:
Sinéad O’Connor (Irish singer‐songwriter)
mixer:
Chris Birkett, Lloyd Phillips and Terence Morris a.k.a. t.roy
acoustic guitar [ac. gtrs.] and electric guitar [elec. gtrs]:
Marco Pirroni (British musician and producer)
bass guitar [bass gtrs.]:
‘Spike’ Hollifield
drum machine [machines] and drums (drum set) [drum kit]:
John Reynolds (Irish producer, drummer for Jah Wobble)
electric guitar [elec. gtr.] and lead vocals [all vocals]:
Sinéad O’Connor (Irish singer‐songwriter)
keyboard [keyboards] and synthesizer [synths.]:
Mike Clowes
arranger:
Sinéad O’Connor (Irish singer‐songwriter)
phonographic copyright (℗) by:
Chrysalis Records (don’t use as an imprint; please use “Chrysalis” instead) (in 1987) and Ensign Records Ltd. (company; do NOT use as release label) (in 1987)
recorded at:
Oasis Studio (Camden, London) in Camden (London Borough of Camden), London (Greater London), England, United Kingdom
mixed at:
Tapestry Studios in London (Greater London), England, United Kingdom
recording of:
Mandinka
lyricist and composer:
Sinéad O’Connor (Irish singer‐songwriter)
publisher:
Dizzy Heights Music Publishing Ltd. (publisher; do NOT use as release label)
Sinéad O’Connor3.83:49
12All She Wants Is
recording of:
All She Wants Is
lyricist and composer:
Simon Le Bon (singer for Duran Duran), Nick Rhodes and John Taylor (UK bassist for Duran Duran)
publisher:
Skintrade Music Ltd.
Duran Duran4:28
13Safety Dance
producer:
Marc Durand (Canadian producer)
phonographic copyright (℗) by:
Statik Records (in 1982) and Marc Durand Production (in 1983)
edit of:
The Safety Dance by Men Without Hats (Canadian new wave/synthpop group)
music videos:
The Safety Dance by Men Without Hats (Canadian new wave/synthpop group)
part of:
Paste: The 50 Greatest One-Hit Wonders of All Time (number: 39) and Huffington Post: 100 Best Canadian Songs Ever (number: 48)
recording of:
The Safety Dance (from 1982-01 until 1982-03)
lyricist and composer:
Ivan Doroschuk (Men Without Hats)
publisher:
Betty Songs, Ivan Ltd., Polygram Music, Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group), Universal Texas City Music Inc., Universal–Songs of PolyGram International, Inc., シンコーミュージック・エンタテイメント (Shinko Music Entertainment Co., Ltd.), ユニバーサル・ミュージック・パブリッシング Synch事業部 (Universal Music Publishing, Synch Division), Tactik Music (publisher) (in 1982) and Wintrup Musik (in 1982)
Men Without Hats3.82:45
14Drive, She Said
recording of:
Drive She Said
lyricist and composer:
Stan Ridgway
Stan Ridgway4:17
15Running Up That Hill
assistant engineer:
Pearse Dunne
engineer:
Haydn Bendall (producer and engineer), James Guthrie, Paul Hardiman, Del Palmer, Brian Tench and Nigel Walker (UK producer/engineer/guitarist)
producer:
Kate Bush
mixer:
Brian Tench
balalaika:
Paddy Bush
bass:
Del Palmer
drums (drum set):
Stuart Elliott (session drummer, member of Cockney Rebel)
guitar:
Alan Murphy (UK session guitarist)
vocals:
Kate Bush
phonographic copyright (℗) by:
EMI America Records (holding – file NO releases here!) (in 1985), EMI Korea (in 1985), EMI Records (not for release label use!) (in 1985), EMI Records Group N.A. (in 1985), EMI Records Ltd. (not for release label use! UK parent of EMI‐owned labels until Sept 2012) (in 1985), Noble & Brite Ltd. (in 1985), Novercia Ltd. (in 1985), Oasis (in 1985), CEMA Special Markets (a division of Capitol‐EMI Music, Inc.) (in 1993), Universal Domestic Division (do not use as a release label! sub-division of Universal Music GmbH) (in 2006), Noble and Brite (in 2011) and Noble & Brite Ltd (in 2018)
recorded at:
Wickham Farm Home Studio in Welling, Bexley (London Borough of Bexley), London (Greater London), England, United Kingdom
engineered at:
Windmill Lane Studios (2nd/current location, since 1990) in Dublin, County Dublin, Leinster, Ireland
music videos:
Running Up That Hill (music video) by Kate Bush
part of:
Helsingin Sanomat: 100 maailman parasta laulua (2022-1-15) (number: 7), Billboard Year-End Hot 100 singles of 2022 (number: 23), Billboard Hot 100: 2026-01-17 (number: 46), Rolling Stone: 500 Greatest Songs of All Time: 2021 edition (number: 60), BILLIONS CLUB and Indie 88: Top 500 Indie Rock Songs (number: 279)
recording of:
Running Up That Hill
lyricist and composer:
Kate Bush
publisher:
EMI Music Publishing Germany GmbH (2008–today), EMI Music Publishing Ltd. (PRS‐affiliated), Kate Bush Ltd., Noble & Brite Ltd., Screen Gems–EMI Music, Inc. (USA, affiliated with BMI), Sony/ATV Music Publishing LLC (1995–2020) and ソニー・ミュージックパブリッシング EMI外国事業部 (Sony Music Publishing (Japan) Inc., EMI Overseas Division, sub‐publisher for non‐Japanese works)
Kate Bush3.954:58
16Pictures of Matchstick Men
cover recording of:
Pictures of Matchstick Men
lyricist and composer:
Francis Rossi
publisher:
BMG Rights Management (UK) Ltd. (not for release label use! see annotation), MCA Music (not for release label use! this is a music publisher, ASCAP-affiliated) and Valley Music Ltd (publisher)
Camper Van Beethoven4:09

Credits

Release group

part of:Sedated in the Eighties (number: 6) (order: 6)
Allmusic:https://www.allmusic.com/album/mw0000216923 [info]