The Cream & the Crock

~ Release by You Am I (see all versions of this release, 2 available)

Tracklist

1CD: The Cream
#TitleRatingLength
1Berlin Chair
recording engineer:
Wayne Connolly (from 1993-07-27 until 1993-08-03)
assistant engineer:
Brett Sigmeth (from 1993-07-27 until 1993-08-03) and Mark Mason (sound engineer) (from 1993-07-27 until 1993-08-03)
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
phonographic copyright (℗) by:
rooArt (in 1993)
produced for:
Lazy Eight Productions
recorded at:
Pachyderm Studio in Cannon Falls, Minnesota, United States (from 1993-07-27 until 1993-08-03)
mixed at:
Messina Studio in New York, New York, United States
part of:
triple j’s Hottest 100 of Australian Songs (number: 81)
recording of:
Berlin Chair (from 1993-07-27 until 1993-08-03)
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
MMA Music (publisher) (ended), Mushroom Music Publishing and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3.52:37
2Jaimme’s Got a Gal
recording engineer:
Wayne Connolly
assistant engineer:
Brett Sigmeth and Mark Mason (sound engineer)
producer:
Lee Ranaldo
mixer:
Wayne Connolly and Lee Ranaldo
produced for:
Lazy Eight Productions
recorded at:
Pachyderm Studio in Cannon Falls, Minnesota, United States (from 1993-07-27 until 1993-08-03)
mixed at:
Messina Studio in New York, New York, United States
recording of:
Jaimme’s Got a Gal
lyricist:
Tim Rogers
composer:
Andy Kent, Tim Rogers and Mark Tunaley
publisher:
MMA Music (publisher) (ended), Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal Music Publishing Pty Ltd. (Australian subsidiary of Universal Music Publishing Group)
3:31
3Cathy’s Clown
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
Jon Auer and Lee Ranaldo
phonographic copyright (℗) by:
rooArt (in 1995)
recorded at:
Greene St. Recording in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
mixed at:
Sear Sound in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
Cathy’s Clown
lyricist:
Tim Rogers
composer:
Rusty Hopkinson, Andy Kent and Tim Rogers
publisher:
Copyright Control (not for release label use! this is only for copyrights and publishing relationships), MMA Music (publisher), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Publishing (use ONLY if no country‐specific information is available)
42:27
4Purple Sneakers
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
Jon Auer and Lee Ranaldo
recorded at:
Greene St. Recording in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
mixed at:
Sear Sound in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
Purple Sneakers
lyricist:
Tim Rogers
composer:
Rusty Hopkinson, Andy Kent and Tim Rogers
publisher:
MMA Music (publisher), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Publishing (use ONLY if no country‐specific information is available)
33:31
5Jewels and Bullets
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
Jon Auer and Lee Ranaldo
recorded at:
Greene St. Recording in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
mixed at:
Sear Sound in New York, New York, United States (from 1994-10-03 until 1994-10-12)
recording of:
Jewels and Bullets
lyricist:
Tim Rogers
composer:
Rusty Hopkinson, Andy Kent and Tim Rogers
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
2:59
6Good Mornin’
assistant recording engineer:
Warwick Buzacott
recording engineer:
Wayne Connolly and Paul McKercher
producer:
You Am I
assistant mixer:
Wayne Connolly, Tim Rogers and Jamie Seyberth
mixer:
David Bianco (American engineer and record producer) and Wayne Connolly
phonographic copyright (℗) by:
rooArt (in 1996)
recorded at:
Q Studios in Sydney, New South Wales, Australia (in 1995-12)
engineered at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Good Mornin’
lyricist and composer:
Tim Rogers
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
34:13
7Soldiers
assistant recording engineer:
Warwick Buzacott
recording engineer:
Wayne Connolly and Paul McKercher
producer:
You Am I
assistant mixer:
Jamie Seyberth
mixer:
David Bianco (American engineer and record producer) and Wayne Connolly
phonographic copyright (℗) by:
Sony Music Entertainment Australia Pty Ltd. (not for release label use! AU subsidiary of SME since 2009) (in 2013)
recorded at:
Q Studios in Sydney, New South Wales, Australia (in 1995-12)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Soldiers
lyricist and composer:
Tim Rogers
publisher:
Universal Music Publishing (use ONLY if no country‐specific information is available)
32:32
8Mr Milk
assistant recording engineer:
Warwick Buzacott
recording engineer:
Wayne Connolly and Paul McKercher
producer:
You Am I
assistant mixer:
Jamie Seyberth
mixer:
David Bianco (American engineer and record producer) and Wayne Connolly
recorded at:
Q Studios in Sydney, New South Wales, Australia (in 1995-12)
mixed at:
Larrabee Studios (present day location in North Hollywood, since 1991) in North Hollywood, Los Angeles, California, United States
recording of:
Mr Milk
lyricist:
Tim Rogers
composer:
Rusty Hopkinson, Andy Kent and Tim Rogers
publisher:
MMA Music (publisher), Universal (plain logo “Universal” used by Universal Music and Universal Pictures) and Universal Music Publishing (use ONLY if no country‐specific information is available)
3:17
9Heavy Heart
mixed in:
Los Angeles, California, United States (from 1997 to present)
assistant recording engineer:
Doug Boehm, Jim Champagne and Jamie Myer
recording engineer:
Billy Bowers (US engineer), Brian Jenkins (engineer), David Schiffman (American producer/audio engineer) and Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
mixer:
Jack Joseph‐Puig
recording of:
Heavy Heart
lyricist and composer:
Tim Rogers
publisher:
Festival Music and Festival Music Pty, Ltd.
33:11
10Rumble
mixed in:
Los Angeles, California, United States (from 1997 to present)
assistant recording engineer:
Doug Boehm, Jim Champagne and Jamie Myer
recording engineer:
Billy Bowers (US engineer), Brian Jenkins (engineer), David Schiffman (American producer/audio engineer) and Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
mixer:
Jack Joseph‐Puig
recording of:
Rumble
lyricist and composer:
Tim Rogers
publisher:
Festival Music and Festival Music Pty, Ltd.
32:39
11Trike
engineer:
Jim Scott (US recording engineer and producer)
producer:
George Drakoulias
recorded at:
Sound City Studios in Van Nuys, California, United States (in 1996)
mixed at:
Ocean Way Recording in Hollywood, Los Angeles, California, United States
recording of:
Trike
lyricist and composer:
Tim Rogers
publisher:
Festival Music Pty, Ltd. (ended), MMA Music (publisher) (ended), ABC Music Publishing, Sony Music Publishing (Australia) Pty Limited (2020-12–present, Australian publisher of Sony Music; fka Sony/ATV Music Publishing Australia Pty Limited) and Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
2:59
12Get Up
assistant recording engineer:
Mick Seage (engineer)
recording engineer, producer and mixer:
Clif Norrell
assistant mixer:
Paul Smith
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 2001)
recorded at:
Q Studios in Sydney, New South Wales, Australia
mixed at:
Skip Saylor Studios in Hollywood, Los Angeles, California, United States
recording of:
Get Up
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
33:14
13Damage
assistant recording engineer:
Mick Seage (engineer)
recording engineer, producer and mixer:
Clif Norrell
assistant mixer:
Paul Smith
phonographic copyright (℗) by:
BMG Australia Limited (not for release label use!) (in 2000)
recorded at:
Q Studios in Sydney, New South Wales, Australia
mixed at:
Skip Saylor Studios in Hollywood, Los Angeles, California, United States
recording of:
Damage
lyricist and composer:
Tim Rogers
publisher:
Festival Music Publishing (APRA-affiliated)
3:30
14Who Put the Devil in You?3:23
15How Much Is Enough?
assistant recording engineer:
Bil Emmons, Fred Kevorkian, Phil Painson and Josh Wertheimer
recording engineer:
John Siket
producer:
Lee Ranaldo
mixer:
Jon Auer and Lee Ranaldo
mixed at:
Sear Sound in New York, New York, United States (from 1994-10-03 until 1994-10-12)
engineered at:
Greene St. Recording in SoHo, New York, New York, United States (from 1994-09-15 until 1994-09-22)
recording of:
How Much Is Enough?
lyricist:
Tim Rogers
composer:
Rusty Hopkinson, Andy Kent and Tim Rogers
publisher:
Festival Music Pty, Ltd., MMA Music (publisher) and Universal (plain logo “Universal” used by Universal Music and Universal Pictures)
3:41
2CD: The Crock