The Complete Sun Sessions

~ Pubblicazione di Elvis Presley (visualizza tutte le versioni di questa pubblicazione: 5 disponibili)

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1That's All Right
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso e contrabbasso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05) e Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
chitarra acustica :
Elvis Presley (“The King of Rock and Roll”)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05)
parte di:
Rolling Stone: The 100 Greatest Guitar Solos of All Time (2026-05-04) (numero: 41) e Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 112)
registrazione cover di:
That’s All Right (il 1954-07-05)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
2.91:57
2Blue Moon of Kentucky
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05, il 1954-07-07)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05, il 1954-07-07)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05, il 1954-07-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05, il 1954-07-07)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05, il 1954-07-07)
parte di:
Rolling Stone: The 200 Greatest Country Songs of All Time (numero: 49)
registrazione cover di:
Blue Moon of Kentucky (il 1954-07-05)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
registrazione cover di:
Blue Moon of Kentucky (il 1954-07-07)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
2.652:05
3Good Rockin' Tonight
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1954, dal 1954-09-12 al 1954-09-16)
chitarra :
Scotty Moore (American guitarist and recording engineer) (nel 1954) e Elvis Presley (“The King of Rock and Roll”) (nel 1954, dal 1954-09-12 al 1954-09-16)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-09-12 al 1954-09-16)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954) e BMG Entertainment (nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1954, dal 1954-09-12 al 1954-09-16)
registrazione cover di:
Good Rockin’ Tonight (il 1954-09-10)
paroliere e compositore:
Roy Brown (blues musician) (nel 1947-07)
editore:
Brown Angel Music Publishing (BMI-affiliated), Carlin Music Corporation, Fort Knox Music, Fort Knox Music Co, Fort Knox Music Inc., Knox Music, Inc., Lark Music Ltd., Lois Music Publishing Co., Trio Music (publisher), Trio Music Co., Inc. e Wixen Music UK Ltd.
52:13
4I Don't Care If the Sun Don't Shine
produttore:
Sam Phillips (founder of Sun Records)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954)
registrazione cover di:
I Don’t Care If the Sun Don’t Shine (dal 1954-07 al 1955-07)
paroliere e compositore:
Mack David (American lyricist and songwriter)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
42:28
5Milkcow Blues Boogie
produttore:
Sam Phillips (founder of Sun Records)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954)
registrazione cover di:
Milk Cow Blues (Kokomo Arnold's version) (dal 1954-12 al 1955-12)
paroliere e arrangiatore:
Kokomo Arnold
compositore:
[traditional] (special purpose artist) e Kokomo Arnold
editore:
MCA Music Ltd., MCA, Inc. (this was the US media company that became Universal Studios, Inc. in Dec 1996), State Street Music Publ. Co. Inc., Universal (plain logo “Universal” used by Universal Music and Universal Pictures) e Universal Music Corp. (USA, affiliated with ASCAP)
versione di:
Milk Cow Blues
32:37
6You're a Heartbreaker
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1954-11 al 1954-12)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (dal 1954-11 al 1954-12)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-11 al 1954-12)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-11 al 1954-12)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (dal 1954-11 al 1954-12)
registrazione di:
You’re a Heartbreaker (dal 1954-11 al 1954-12)
autore:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
registrazione cover di:
You’re a Heartbreaker (dal 1954-12 al 1955-12)
autore:
Jack Sallee (Charles Alvin Sallee, writer of Elvis’ “You’re a Heartbreaker”)
2.52:12
7Baby, Let's Play House
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1955-01-30 al 1955-02-04)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (dal 1955-01-30 al 1955-02-04)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1955-01-30 al 1955-02-04)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1955-01-30 al 1955-02-04)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1953, nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (dal 1955-01-30 al 1955-02-04)
registrazione cover di:
Baby Let’s Play House (dal 1955-01-30 al 1955-02-04)
paroliere e compositore:
Arthur Gunter
editore:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. e LPGV Music (BMI)
registrazione di:
Baby Let’s Play House
paroliere e compositore:
Arthur Gunter
editore:
Campbell Connelly (Australia) P/L, Embassy Music Corp., J. Albert & Son Pty. Ltd. e LPGV Music (BMI)
3.852:16
8I'm Left, You're Right, She's Gone
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-04)
batteria :
Jimmie Lott (nel 1955-04)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-04)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-04)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-04)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-04)
registrazione cover di:
I’m Left, You’re Right, She’s Gone (dal 1954-07 al 1955-07)
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
registrazione cover di:
I’m Left, You’re Right, She’s Gone (nel 1955-04)
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
2.652:36
9Mystery Train
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1955)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-07)
parte di:
Rolling Stone: 500 Greatest Songs of All Time (as at 2016-06-10) (numero: 77)
registrazione cover di:
Mystery Train (il 1955-07-11)
autore:
Junior Parker e Sam Phillips (founder of Sun Records)
editore:
Carlin Music Corporation, Hi Lo Music, Mijac Music, MJ Publishing Trust, Sony/ATV Songs LLC, Unichappell Music, Unichappell Music, Inc., Warner Chappell Music Ltd. (no slash; used 1988–1996) e Hilo Music Inc. (nel 1953)
3.152:26
10I Forgot to Remember to Forget
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (nel 1955-07)
batteria :
Johnny Bernero (nel 1955-07)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (nel 1955-07)
voce:
Elvis Presley (“The King of Rock and Roll”) (nel 1955-07)
voce principale:
Elvis Presley (“The King of Rock and Roll”) (il 1955-07-11)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1955) e Sony BMG Music Entertainment (Aug 5, 2004 – Oct 1, 2008) (nel 2003)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (nel 1955-07, il 1955-07-11)
registrazione cover di:
I Forgot to Remember to Forget (il 1955-07-11)
autore:
Charlie Feathers e Stan Kesler (US session musician, composer and producer)
editore:
Carlin Music Corporation e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
registrazione cover di:
I Forgot to Remember to Forget (nel 1955-07)
autore:
Charlie Feathers e Stan Kesler (US session musician, composer and producer)
editore:
Carlin Music Corporation e Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919)
32:30
11I Love You Because
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05) e Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954, nel 1956, nel 1957)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05)
registrazione cover di:
I Love You Because (il 1954-07-05)
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
32:43
12Blue Moon
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-08-19)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-08-19) e Elvis Presley (“The King of Rock and Roll”) (il 1954-08-19)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-08-19)
registrazione cover di:
Blue Moon (il 1954-08-19)
paroliere:
Lorenz Hart (nel 1934)
compositore:
Richard Rodgers (composer) (nel 1934)
editore:
EMI Catalogue Partnership, EMI Music Publishing (do not use as a release label!), EMI Robbins Catalog Inc. (ASCAP), EMI United Partnership Ltd., J. Albert & Son P/L, J. Albert & Son Pty. Ltd., Robbins Music Corporation, SBK United Partnership Ltd., フジパシフィックミュージック SBK事業部 (Fujipacific Music SBK Department) e ヤマハミュージックエンタテインメントホールディングス (Yamaha Music Entertainment Holdings, Inc., holding company – do not use as release label)
sub-editore:
EMI Music Publishing Belgium NV e Francis Day Editions (SABAM)
parte di:
New York, New York (1977 musical film soundtrack)
3.652:33
13Tomorrow Night
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (dal 1954-09-12 al 1954-09-16)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-09-12 al 1954-09-16)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (dal 1954-09-12 al 1954-09-16)
registrazione cover di:
Tomorrow Night (dal 1954-09-12 al 1954-09-16)
autore:
Sam Coslow e Wilhelm Grosz (aka Hugh Williams)
editore:
Bourne Co. (not for release label use, this is a music publisher) e Wilhelm Grosz Music Co
2.53:00
14I'll Never Let You Go (Little Darlin')
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-09-10, dal 1954-09-12 al 1954-09-16)
chitarra :
Scotty Moore (American guitarist and recording engineer) (il 1954-09-10) e Elvis Presley (“The King of Rock and Roll”) (il 1954-09-10, dal 1954-09-12 al 1954-09-16)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (dal 1954-09-12 al 1954-09-16)
voce:
Elvis Presley (“The King of Rock and Roll”) (dal 1954-09-12 al 1954-09-16)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1956)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-09-10, dal 1954-09-12 al 1954-09-16)
registrazione cover di:
I’ll Never Let You Go Little Darlin’ (il 1954-09-10)
paroliere e compositore:
Jimmy Wakely (Country and western singer and songwriter)
editore:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) e Sunshine Music Co., Inc. (il 1941-11-17)
registrazione cover di:
I’ll Never Let You Go Little Darlin’ (dal 1954-09-12 al 1954-09-16)
paroliere e compositore:
Jimmy Wakely (Country and western singer and songwriter)
editore:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) e Sunshine Music Co., Inc. (il 1941-11-17)
2.352:23
15Just Because
registrazione cover di:
Just Because (il 1954-09-12)
paroliere:
Bob Shelton (1930s-'40s vocalist, guitarist and mandolinist) e Joe Shelton (1930s-'40s vocalist, guitarist and mandolinist)
compositore:
Leon Chappelear e Sid Robin (US lyricist & composer)
editore:
Leeds Music Corp., MCA Music Inc. (US-based music publishers), Southern Music Publishing Company Limited, Universal‐MCA Music Publishing (US) e State Street Music Publ. Co. Inc. (il 1936-03-19)
12:33
16Trying to Get to You
produttore:
Sam Phillips (founder of Sun Records)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1955)
registrazione cover di:
Trying to Get to You (dal 1954-07 al 1955-07)
autore:
Rose Marie McCoy e Charles Singleton (composer/lyricist)
editore:
Carlin Music Corporation, Cherry Lane Music Publishing, Chrysalis Music (music publisher, ASCAP-affiliated), Edward B. Marks Music Co. (founded originally as J. Stern & Co. in 1894, renamed in 1919), Gladys Music, Motion Music Co., Motion Music Company (US publisher), Red Storming Heaven Music, Rockland Music, Slow Dancing Music LLC, Songs of Windswept Pacific e You Look Good Music Publishing
42:33
17Harbor Lights
tecnico e produttore:
Sam Phillips (founder of Sun Records)
basso :
Bill Black (US bassist/leader for Elvis/Bill Black's Combo) (il 1954-07-05)
chitarra :
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
chitarra elettrica :
Scotty Moore (American guitarist and recording engineer) (il 1954-07-05)
voce:
Elvis Presley (“The King of Rock and Roll”) (il 1954-07-05)
registrata presso:
Sun Studio in Memphis, Tennessee, Stati Uniti (il 1954-07-05)
registrazione cover di:
Harbour Lights (dal 1954-07 al 1955-07)
paroliere:
Jimmy Kennedy (Irish songwriter)
compositore:
Hugh Williams (aka Hugh Williams)
editore:
Chappell & Co., Chappell & Co., Inc. (USA) e Peter Maurice Music Co. Ltd.
42:37
18I Love You Because (take 2)
produttore:
Sam Phillips (founder of Sun Records)
diritti fonografici (℗) detenuti da:
BMG Music (nel 1954)
registrazione cover di:
I Love You Because (dal 1954-07 al 1955-07)
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
43:29
19That's All Right
produttore:
Sam Phillips (founder of Sun Records)
registrazione cover di:
That’s All Right (dal 1954-07 al 1955-07)
paroliere e compositore:
Arthur “Big Boy” Crudup
editore:
Carlin Music Corporation, Crudup Music, Hill & Range Songs, Inc. (publisher), Intersong GmbH (publisher; do NOT use as release label), PW Ballads, Special Rider Music, St. Louis Music Corp., Unichappell Music e Unichappell Music, Inc.
32:12
20Blue Moon of Kentucky
produttore:
Sam Phillips (founder of Sun Records)
registrazione cover di:
Blue Moon of Kentucky (dal 1954-07 al 1955-07)
paroliere e compositore:
Bill Monroe (“The Father of Bluegrass”) (nel 1946)
editore:
APRS (American Performing Rights Society, Inc.(BMI)), Peer International Corporation (BMI), Southern Music Publishing ((ASCAP) tradename Peermusic), Southern Music Publishing Company Limited e ピアーミュージック (Peer Music Japan, Japan, subsidiary of Nichion)
31:05
21I Don't Care If the Sun Don't Shine
produttore:
Sam Phillips (founder of Sun Records)
registrazione cover di:
I Don’t Care If the Sun Don’t Shine (dal 1954-07 al 1955-07)
paroliere e compositore:
Mack David (American lyricist and songwriter)
editore:
PolyGram International Publishing, Inc. (renamed Universal PolyGram International Publishing, Inc. circa 1998)
43:41
22I'm Left, You're Right, She's Gone (My Baby's Gone) (take 9)
produttore:
Sam Phillips (founder of Sun Records)
registrazione cover di:
I’m Left, You’re Right, She’s Gone (dal 1954-07 al 1955-07)
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
32:40
23I'll Never Let You Go (Little Darlin')
produttore:
Sam Phillips (founder of Sun Records)
registrazione cover di:
I’ll Never Let You Go Little Darlin’ (dal 1954-07 al 1955-07)
paroliere e compositore:
Jimmy Wakely (Country and western singer and songwriter)
editore:
Gordon Music Company, Inc., Marlen Music Co., Sunshine Music (Tomandl & Janisch OG (Vienna)) e Sunshine Music Co., Inc. (il 1941-11-17)
31:05
24When It Rains, It Really Pours
produttore:
Sam Phillips (founder of Sun Records)
registrazione cover di:
When It Rains It Pours (dal 1954-07 al 1955-07)
paroliere e compositore:
Billy “The Kid” Emerson (rock ’n’ roll on Sun, Vee‐Jay & Chess Records)
editore:
Hi Lo Music Inc. (BMI-affiliated) e Riverline Music
34:06
25I Love You Because (take 3)
produttore:
Sam Phillips (founder of Sun Records)
registrazione cover di:
I Love You Because (dal 1954-07 al 1955-07)
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
33:33
26I Love You Because (take 5)
produttore:
Sam Phillips (founder of Sun Records)
registrazione cover di:
I Love You Because (dal 1954-07 al 1955-07)
paroliere e compositore:
Leon Payne (Country/Rockabilly artist)
editore:
Sony/ATV Acuff Rose Music (tradename of Sony/ATV Songs LLC) e Acuff-Rose Publications, Inc. (BMI) (il 1949-10-12)
33:25
27I'm Left, You're Right, She's Gone (My Baby's Gone) (take 7)
produttore:
Sam Phillips (founder of Sun Records)
registrazione cover di:
I’m Left, You’re Right, She’s Gone (dal 1954-07 al 1955-07)
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
32:52
28I'm Left, You're Right, She's Gone (My Baby's Gone) (take 12)
produttore:
Sam Phillips (founder of Sun Records)
registrazione cover di:
I’m Left, You’re Right, She’s Gone (dal 1954-07 al 1955-07)
autore:
Stan Kesler (US session musician, composer and producer) e Bill Taylor (US rock & roll/western swing/country songwriter, vocalist & trumpeter William Eugene Taylor)
editore:
Hi Lo Music Inc. (BMI-affiliated)
32:36

Accreditamenti

Pubblicazione

fabbricata a:Giappone
direzione artistica:Ria Lewerke (art direction, design)
note di libretto:Peter Guralnick
tecnico di mastering:Jack Adelman (engineer)
fabbricata da:BMG Victor Inc. (holding company - do not use as release label!)
diritti fonografici (℗) detenuti da:BMG Music (nel 1993)
ASIN:JP: B000002W9S [info]

Gruppo di pubblicazioni

parte di:David Keenan: The Best Albums Ever (numero: 43) (ordine: 43)
Discogs:https://www.discogs.com/master/107699 [info]